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Journal articles on the topic 'Catalogers, Publishers''

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1

Nabavi, Majid, and Elmira Karimi. "Metadata Elements for Children in Theory and Practice." KNOWLEDGE ORGANIZATION 49, no. 6 (2022): 435–47. http://dx.doi.org/10.5771/0943-7444-2022-6-435.

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This research aimed to investigate the status of children-specific metadata elements in theory (existing literature) and practice (metadata standards and children’s digital libraries). Literature reviews as well as two cases, including children’s online national libraries of Iran, and Singapore, are used to identify children-specific metadata elements and their application. The results revealed that descriptive metadata types had been mentioned more than analytical, social, and relational types; the DCMI metadata standard, besides LOM and ALTO metadata standards, can be used to develop an appl
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Beall, Jeffrey. "Publishers' Errors Make Catalogers [sic]: An Analysis of the Error Indicators[sic]and[i.e.]in Cataloging." Cataloging & Classification Quarterly 32, no. 3 (2001): 87–107. http://dx.doi.org/10.1300/j104v32n03_07.

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3

Hill, George R. "Music Publishers' Catalogs." Notes 64, no. 4 (2008): 830–31. http://dx.doi.org/10.1353/not.0.0009.

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George R. Hill. "Music Publishers’ Catalogs." Notes 65, no. 1 (2008): 172–76. http://dx.doi.org/10.1353/not.0.0052.

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George R. Hill. "Music Publishers' Catalogs." Notes 65, no. 2 (2008): 398–99. http://dx.doi.org/10.1353/not.0.0099.

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George R. Hill. "Music Publishers' Catalogs." Notes 65, no. 3 (2009): 589–93. http://dx.doi.org/10.1353/not.0.0135.

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George R. Hill. "Music Publishers’ Catalogs." Notes 65, no. 4 (2009): 869–70. http://dx.doi.org/10.1353/not.0.0153.

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George R. Hill. "Music Publishers’ Catalogs." Notes 66, no. 1 (2009): 182–84. http://dx.doi.org/10.1353/not.0.0228.

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George R. Hill. "Music Publishers’ Catalogs." Notes 66, no. 2 (2009): 416–19. http://dx.doi.org/10.1353/not.0.0250.

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George R. Hill. "Music Publishers' Catalogs." Notes 66, no. 3 (2010): 667–69. http://dx.doi.org/10.1353/not.0.0272.

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George R. Hill. "Music Publishers' Catalogs." Notes 66, no. 4 (2010): 873–74. http://dx.doi.org/10.1353/not.0.0374.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 1 (2000): 180–87. http://dx.doi.org/10.1353/not.2000.0027.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 2 (2000): 458–60. http://dx.doi.org/10.1353/not.2000.0075.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 3 (2001): 700–707. http://dx.doi.org/10.1353/not.2001.0028.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 57, no. 4 (2001): 984–86. http://dx.doi.org/10.1353/not.2001.0090.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 1 (2001): 155–60. http://dx.doi.org/10.1353/not.2001.0146.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 2 (2001): 415–20. http://dx.doi.org/10.1353/not.2001.0201.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 3 (2002): 660–65. http://dx.doi.org/10.1353/not.2002.0021.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 58, no. 4 (2002): 907–10. http://dx.doi.org/10.1353/not.2002.0076.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 1 (2002): 150–57. http://dx.doi.org/10.1353/not.2002.0125.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 2 (2002): 420–23. http://dx.doi.org/10.1353/not.2002.0173.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 3 (2003): 730–38. http://dx.doi.org/10.1353/not.2003.0020.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 59, no. 4 (2003): 969–72. http://dx.doi.org/10.1353/not.2003.0061.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 1 (2003): 259–65. http://dx.doi.org/10.1353/not.2003.0106.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 2 (2003): 521–23. http://dx.doi.org/10.1353/not.2003.0152.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 3 (2004): 775–82. http://dx.doi.org/10.1353/not.2004.0016.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 60, no. 4 (2004): 1018–20. http://dx.doi.org/10.1353/not.2004.0065.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 1 (2004): 257–64. http://dx.doi.org/10.1353/not.2004.0097.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 2 (2004): 579–81. http://dx.doi.org/10.1353/not.2004.0138.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 3 (2005): 885–91. http://dx.doi.org/10.1353/not.2005.0016.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 61, no. 4 (2005): 1125–26. http://dx.doi.org/10.1353/not.2005.0053.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 1 (2005): 211–16. http://dx.doi.org/10.1353/not.2005.0096.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 2 (2005): 498–99. http://dx.doi.org/10.1353/not.2005.0137.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 3 (2006): 818–22. http://dx.doi.org/10.1353/not.2006.0019.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 62, no. 4 (2006): 1074–75. http://dx.doi.org/10.1353/not.2006.0058.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 63, no. 1 (2006): 218–25. http://dx.doi.org/10.1353/not.2006.0098.

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Hill, George Robert, musician. "Music Publishers' Catalogs." Notes 63, no. 2 (2006): 459–60. http://dx.doi.org/10.1353/not.2006.0146.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 63, no. 3 (2007): 716–21. http://dx.doi.org/10.1353/not.2007.0021.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 63, no. 4 (2007): 955–57. http://dx.doi.org/10.1353/not.2007.0072.

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40

Hill, George Robert. "Music Publishers' Catalogs." Notes 64, no. 1 (2007): 156–60. http://dx.doi.org/10.1353/not.2007.0111.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 64, no. 2 (2007): 379–80. http://dx.doi.org/10.1353/not.2007.0141.

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Hill, George Robert. "Music Publishers' Catalogs." Notes 64, no. 3 (2008): 602–6. http://dx.doi.org/10.1353/not.2008.0013.

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George R. Hill. "Music Publishers' Catalogs." Notes 67, no. 1 (2010): 196–99. http://dx.doi.org/10.1353/not.2010.0042.

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44

Nambwayo, Judith1 Michael Emmett Brady2*. "On the Role of Cataloging in Library Science: The Promotion of the Growth of Knowledge, Growth of Education and of the Economy." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) II, no. III (2024): 262–72. https://doi.org/10.5281/zenodo.11534587.

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<em>Cataloging, done by a library cataloger, is an extremely important job, but which, unfortunately, has generally not been well understood, appreciated, valued or recognized by the general public or by academicians, in general . Cataloguing involves the cataloger in the task of making sure that the latest scientific books, journals, articles and literary works, that has been produced by university and college academicians, are available in the library to be read and used by other, interested researchers in the particular field that the published research deals with. </em> <em>We need to furt
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45

Rasch, Rudolf. "How Did Publishers Make up Their Catalogues?" Revue de musicologie 84, no. 2 (1998): 287. http://dx.doi.org/10.2307/947378.

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46

Moorbath, Paul. "Why do publishers send out their catalogues?" Aslib Proceedings 41, no. 6 (1989): 213–16. http://dx.doi.org/10.1108/eb051142.

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47

Picot, Nicole. "L’edition d’art en France." Art Libraries Journal 17, no. 3 (1992): 45–46. http://dx.doi.org/10.1017/s0307472200007975.

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Public interest in art is encouraging the publishing of art books and exhibition catalogues, although many of these publications focus on the same subjects. Some 1,200 art books are published in France each year, selling on average some 6,500 copies. Two large publishers dominate French art publishing, but many others are also involved in producing quality art books including titles which help to fill the gaps left by the big general publishers. Because production costs are all but prohibitive, and because the size of the home market is limited, some of these publishers have published books wi
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48

Bondar, M. "THE TYPE RANGE OF PRINTED SCIENTIFIC CATALOGS OF CYRILLIC OLD PRINTS." Slovak international scientific journal, no. 71 (May 11, 2023): 45–51. https://doi.org/10.5281/zenodo.7925270.

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The article examines the range of catalogs types of old printed Cyrillic editions with the aim of their classification and systematization. Printed scientific catalogs, depending on their content, differ significantly in the completeness of the descriptions of publications and copies, accompanying studies and appendices. All catalogs created to date are analyzed, but the types of catalogs are illustrated with examples of mostly Ukrainian publications. These are mainly bibliographic publications published in the last 60 years. It was found out that the Cyrillic old printed monuments are describ
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Ktob, Ahmed, and Zhoujun Li. "Marefa." International Journal on Semantic Web and Information Systems 14, no. 3 (2018): 167–83. http://dx.doi.org/10.4018/ijswis.2018070108.

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This article describes how recently, many new technologies have been introduced to the web; linked data is probably the most important. Individuals and organizations started emerging and publishing their data on the web adhering to a set of best practices. This data is published mostly in English; hence, only English agents can consume it. Meanwhile, although the number of Arabic users on the web is immense, few Arabic datasets are published. Publication catalogs are one of the primary sources of Arabic data that is not being exploited. Arabic catalogs provide a significant amount of meaningfu
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50

Radzetskaya, Olga V. "Specifics of the Trade Activity of the Music Publishing Shops in the Second Half of the 19th – Early 20th Centuries: Personalities, Price Lists and Catalogs (From the Collections of the Russian State Library and Private Collections)." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 70 (2023): 302–17. http://dx.doi.org/10.37816/2073-9567-2023-70-302-317.

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In the history of the music publishing business of Russia in the second half of the 19th – early 20th centuries there are many interesting, yet insufficiently explored areas that have become traditional for Russian culture over time. Among these, one may cite the trade in musical instruments, which was an indispensable attribute of successful and various enterprises on the scale of their activities. The commercial status of this phenomenon was reflected in the price lists and catalogues of large and small publishing companies, which demonstrated a serious volume of presented products and adver
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