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Books on the topic 'Cataloging for adio-visual materials'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Fei shu zi liao guan li: Tu shu guan duo mei ti zi liao de guan li yu jing ying. Taibei Shi: Taiwan xue sheng shu ju, 1996.

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2

Services, Association for Library Collections &. Technical. Guidelines for subject analysis of audiovisual materials. [Chicago, Ill.]: Association for Library Collections & Technical Services, 1992.

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3

Evans, Linda J. MARC for archival visual materials: A compendium of practice. [Chicago, Ill.]: Chicago Historical Society, 1988.

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4

Olson, Nancy B. Cataloging motion picture and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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5

Olson, Nancy B. Cataloging of audiovisual materials and other special materials: A manual based on AACR 2. 4th ed. DeKalb, Ill: Minnesota Scholarly Press, 1998.

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6

L, Bothmann Robert, and Schomberg Jessica J, eds. Cataloging of audiovisual materials and other special materials: A manual based on AACR2 and MARC 21. 5th ed. Westport, Conn: Libraries Unlimited, 2008.

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7

Schuller, Nancy S. Standard abbreviations for image descriptions for use in fine arts visual resources collections. Austin, TX: N.S. Schuller, 1988.

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8

Yee, Martha M. Moving image works and manifestations. Ann Arbor, Mich: UMI, 1997.

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9

Bell, Lesley Anne. Gaining access to visual information: Theory, analysis and practice of determining subjects : a review of the literature with descriptive abstracts. London, Ont: Graduate School of Library and Information Science, University of Western Ontario, 1993.

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10

Katalogmanagement, Deutsches Bibliotheksinstitut Kommission für Erschliessung und. Sonderregeln für Musikalien, Musiktonträger und Musikvideos: RAK-Musik : Diskussionsentwurf. [Germany?]: Deutsches Bibliotheksinstitut, 1993.

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11

Markey, Karen. Subject access to visual resources collections: A model for computer construction of thematic catalogs. New York: Greenwood, 1986.

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12

1941-, Swanson Edward, and Intner Sheila S, eds. Cataloging of audiovisual materials: A manual based on AACR 2. 2nd ed. Mankato, Minn: Minnesota Scholarly Press, 1985.

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13

Olson, Nancy B. Cataloging of audiovisual materials: A manual based on AACR 2. 3rd ed. DeKalb, Ill: Minnesota Scholarly Press, 1992.

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14

Drabenstott, Karen Markey. Subject access to visual resources collections: A model for computer construction of thematic catalogs. New York: Greenwood Press, 1986.

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15

Pollert, Susanne. Film- und Fernseharchive: Bewahrung und Erschliessung audiovisueller Quellen in der Bundesrepublik Deutschland. Potsdam: Verlag für Berlin-Brandenburg, 1996.

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16

Cataloging of audiovisual materials: A manual based on AACR 2, supplement ; coding and tagging for OCLC. Mankato, Minn: Minnesota Scholarly Press, 1985.

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17

Hsieh-Yee, Ingrid. Organizing Audiovisual and Electronic Resources for Access. S.l: Libraries Unlimited, 2006.

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18

Hsieh-Yee, Ingrid. Organizing audiovisual and electronic resources for access: A cataloging guide. Englewood, Colo: Libraries Unlimited, 2000.

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19

Organizing audiovisual and electronic resources for access: A cataloging guide. 2nd ed. Westport, Conn: Libraries Unlimited, 2006.

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20

Cataloging nonprint and Internet resources: A how-to-do-it manual for librarians. New York, NY: Neal-Schuman Publishers, 2002.

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21

Jörgensen, Corinne. Image attributes: An investigation. Ann Arbor, Mich: UMI, 2000.

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22

Olson, Nancy B. A cataloger's guide to MARC coding and tagging for audiovisual material. DeKalb, Ill: Minnesota Scholarly Press, 1993.

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23

Digitizing audiovisual and nonprint materials: The innovative librarian's guide. Santa Barbara, California: Libraries Unlimited, An imprint of ABC-CLIO, LLC, 2015.

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24

Ellen, Mulder, and Tadic Linda, eds. Descriptive metadata for television: An end-to-end introduction. Burlington, MA: Focal Press, 2006.

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25

Images in libraries, museums, and archives: Description and intellectual access : papers from PACSCL (The Philadelphia Area Consortium of Special Collections Libraries), Summer Seminar, 1993. [London]: Gordon and Breach, 1995.

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26

Roca, Lourdes, Andrew Green, and Felipe Morales Leal. Tejedores de imágenes: Propuestas metodológicas de investigación y gestión del patrimonio fotográfico y audivisual. México, D.F: Instituto de Investigaciones Dr. Jose Maria Luis Mora, 2014.

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27

Automated media management systems. New York: Neal-Schuman, 1991.

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28

K, Roe Sandra, ed. The audiovisual cataloging current. New York: Haworth Information Press, 2001.

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29

Olson, Nancy B. Cataloging of Audiovisual Materials: A Manual Based on Aacr (Cataloging of Audiovisual Materials). 3rd ed. Minnesota Scholarly Pr, 1991.

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30

Hermann, Wassner, Krueger Wolfgang, and Fachhochschule für Bibliothekswesen Stuttgart, eds. Lehrbriefe Musik: Begleitmaterialien zur musikbibliothekarischen Ausbildung der Fachhochschule für Bibliothekswesen Stuttgart. Berlin: Deutsches Bibliotheksinstitut, 1985.

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31

Subject Access to Visual Resources Collections: A Model for the Computer Construction of Thematic Catalogs (New Directions in Information Management). Greenwood Press, 1986.

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32

Ross, Jeffrey J. Cataloging Architectural Drawings: A Guide to the Fields of the Rlin Visual Materials (Vim Format As Applied to the Cataloging Practices of the Ave). Art Lib Soc of No Amer, 1992.

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33

Neal, Diane Rasmussen. Indexing and Retrieval of Non-Text Information. De Gruyter, Inc., 2012.

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34

Indexing And Retrieval Of Nontext Information. Walter de Gruyter, 2012.

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35

Neal, Diane Rasmussen. Indexing and Retrieval of Non-Text Information. De Gruyter, Inc., 2012.

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36

Goler, Robert I., and Susan E. Hirsch. A City Comes of Age: Chicago in the 1890s (Chicago Historical Society). Chicago Historical Society, 1991.

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37

S, Intner Sheila, Smiraglia Richard P. 1952-, and American Library Association. Resources and Technical Services Division., eds. Policy and practice in bibliographic control of nonbook media. Chicago: American Library Association, 1987.

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38

Classification and cataloging guide for church media libraries, 1960-1985. 6th ed. Nashville. Tenn: Broadman Supplies, 1986.

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39

Cataloging architectural drawings: A guide to the fields of the RLIN visual materials (VIM) format as applied to the cataloging practices of the Avery Architectural and Fine Arts Library, Columbia University, developed for project AVIADOR. Tucson, AZ: Art Libraries Society of North America, 1992.

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40

Cox, Mike, Ellen Mulder, and Linda Tadic. Descriptive Metadata for Television: An End-to-End Introduction. Focal Press, 2006.

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41

“Literary Heritage” for 80 years: A Guide to Volumes 1–103, yrs. 1931–2011. — Book two: Index of Illustrations. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/lh.0130-3627-2021-104-2.

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Abstract:

The Index of Illustrations is an integral part of the definitive guide “Literary Heritage For 80 Years. A Guide to Volumes 1–103 yrs. 1931–2011”. There are nearly 12,000 illustrations in 103 volumes of “Literary Heritage”. The search for content spanned small and large museums, archives, and libraries in Russia, with many illustrations published for the first time ever. Other materials were sourced from public and private collections within the country and from abroad. The resulting illustrative content in “Literary Heritage” forms a massive, powerful visual projection of Russian authors, aspects of their family and everyday life, the spectrum of cultural and political professions, and portraits of actors in life and as performers on the stages of domestic and foreign theaters. The authors emphasized reproducing autographs including unpublished manuscripts, letters, and dedications on photographs and in books. Of great importance is the replication of printed materials — illustrations from the works of Russian authors as representative examples of typography. Finally, we should highlight many illustrations that give the viewer an idea about the environment of the authors, including memorials and monuments. The Index of Illustrations serves as a key to this iconic collection of materials, cataloging cutlines in order of their appearance in the volumes and respective location within each book. Cutlines are expanded on the illustrations’ theme — the subjects of the portraits, the groups gathered for specific purposes, the authors of the manuscripts, etc. They indicate the artist or photographer of the original illustration and its current location (museum, archive, etc.). In addition, a cross-reference of over 7,000 names accompanies the Index.

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