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Relevant bibliographies by topics / Cataloguing of archival material

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Academic literature on the topic 'Cataloguing of archival material'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Cataloguing of archival material"

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Lavrenčič, Aleksander. "Archival Processing of Born Digital Records in the Archives of TV Slovenia." Atlanti 27, no. 1 (October 16, 2017): 231–44. http://dx.doi.org/10.33700/2670-451x.27.1.231-244(2017).

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The paper describes the technical processing of born digital records in the Archives of the Television Slovenija. The author has analysed the process of ingesting digital documents into the system for cataloguing and long-term preservation in LTO (Linear Tape Open) library. The purpose was to determine what improvements should be accepted into the new system and to find out specific weaknesses, which should be eliminated for a more successful work and better cataloguing of the materials and, consequently, more efficient retrieval of the records.

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Caraffa, Costanza. "The photo archive as laboratory. Art history, photography, and materiality." Art Libraries Journal 44, no. 1 (January 2019): 37–46. http://dx.doi.org/10.1017/alj.2018.39.

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Librarians, archivists, and curators today meet unique challenges when facing huge numbers of photographs accumulated in their institutions. Coming to terms with these masses in a responsible way means to reflect on cataloguing and digitization standards able to record their (material) complexity. It also means to constantly justify a series of investments: in cataloguing and digitization projects, but also in storage space, restoration, archival and conservation materials, not to speak of human resources. It means, ultimately, to reflect on the systems of value that one decides to apply while dealing with these holdings: the dematerialization rhetoric that often goes hand-in-hand with digitization campaigns tends to increase their fragility, on the other side we are confronted more and more often with the ‘contemporary repackaging of erstwhile ephemeral and disposable photographic prints' that acquire a new ‘archival value’.1 In this short essay I will focus on these systems of value. My aim is to offer some methodological tools to deal with documentary photographs in art historical institutions. These instruments derive from the intersection of photographic and archival theories and practices that shaped my experience as Head of the Photothek at the Kunsthistorisches Institut in Florenz, Max Planck Institute, for more than a decade.

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Cooknell, Jennifer. "Crossing the line: the development of archival standards." Art Libraries Journal 24, no. 2 (1999): 26–30. http://dx.doi.org/10.1017/s0307472200019453.

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For many years the archive profession in the United Kingdom has tended to view highly structured cataloguing rules as a constraint, redundant in the light of the unique material with which it deals. Times are changing however and, with the advent of three new standards over the past six years, archivists are beginning to recognise that, far from being the straitjacket they had previously imagined, such standards do in fact provide the key to freedom in the brave new world of information technology opportunities.

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Stegaeva, M. V. "Cataloguing in the digital epoch: B. N. Yeltsin Presidential Library’s experience." Scientific and Technical Libraries, no. 2 (February 20, 2020): 24–38. http://dx.doi.org/10.33186/1027-3689-2019-2-24-38.

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The digital cataloguing experience of Presidential Library is discussed. The integrated e-collection comprises digital copies of library materials, archival documents and museum objects, which requires designing methods for describing entries new to library preservation. The Presidential Library’s interdepartmental working group has developed principles and approaches toward integrating presentation and access to the library, archival, and museum resources into the single catalog in accordance with existing international standards. The Presidential Library acts as a methodological center developing special methods for describing diverse information resources. Methodological publications by Presidential Library are considered the logical extension of RUSMARC Application Examples guidance series intended for Russian bibliographizing institutions. The Presidential Library’s work within the framework of the National Standardization Program, National Electronic Library and the union catalog of electronic resources is also discussed. The Library participates in IFLA UNIMARC permanent committees and IFLA Subject Analysis and Access Section. The Presidential Library is an educational center for digital content cataloguing for libraries, and holds training work-shops. It enrolls university graduates in generating the descriptive metadata. The prospective vectors in cataloguing are examined, e. g. designing model description of digital collections and Metadata Encoding and Transmission Standard (METS) implementation.

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Stegaeva, M. V. "Cataloguing in the digital epoch: B. N. Yeltsin Presidential Library’s experience." Scientific and Technical Libraries, no. 2 (February 20, 2020): 24–38. http://dx.doi.org/10.33186/1027-3689-2020-2-24-38.

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The digital cataloguing experience of Presidential Library is discussed. The integrated e-collection comprises digital copies of library materials, archival documents and museum objects, which requires designing methods for describing entries new to library preservation. The Presidential Library’s interdepartmental working group has developed principles and approaches toward integrating presentation and access to the library, archival, and museum resources into the single catalog in accordance with existing international standards. The Presidential Library acts as a methodological center developing special methods for describing diverse information resources. Methodological publications by Presidential Library are considered the logical extension of RUSMARC Application Examples guidance series intended for Russian bibliographizing institutions. The Presidential Library’s work within the framework of the National Standardization Program, National Electronic Library and the union catalog of electronic resources is also discussed. The Library participates in IFLA UNIMARC permanent committees and IFLA Subject Analysis and Access Section. The Presidential Library is an educational center for digital content cataloguing for libraries, and holds training work-shops. It enrolls university graduates in generating the descriptive metadata. The prospective vectors in cataloguing are examined, e. g. designing model description of digital collections and Metadata Encoding and Transmission Standard (METS) implementation.

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McGowan, I. D. "Cooperation between Legal Deposit Libraries in the United Kingdom and the Republic of Ireland." Alexandria: The Journal of National and International Library and Information Issues 6, no. 1 (April 1994): 73–80. http://dx.doi.org/10.1177/095574909400600105.

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Five libraries in the UK and the Republic of Ireland - the National Libraries of Scotland and Wales, the university libraries of Oxford and Cambridge, and Trinity College Dublin Library - can claim material from publishers through the Copyright Libraries' Agency, while deposit with The British Library, which maintains the Legal Deposit Office, is obligatory. In spite of problems caused by diverse sources of funding, there is much incentive and pressure to cooperate, and efforts have been made, particularly since 1988, to coordinate the activities of all six libraries. The Mellon Microfilming Project aims to film important scholarly collections in Britain and Ireland to agreed archival standards, and to improve access to the Register of Preservation Microfilms. A Working Group on Legal Deposit identified as areas for fruitful collaboration the coordination of acquisition of serials and of some types of monograph, and retention policies; some savings have already been made. A third exercise, a pilot project for shared cataloguing, aimed to maximize the utility to all libraries of the BL's National Bibliographic Service and minimize costs in the participating libraries; the Shared Cataloguing Programme itself started in September 1993.

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Rewerenda, Magdalena. "Szczęśliwy książę Jana Dormana jako autoarchiwum." Pamiętnik Teatralny 68, no. 3-4 (December 18, 2019): 196–212. http://dx.doi.org/10.36744/pt.13.

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The paper proposes to study the documentation of Jan Dorman’s production based on Oscar Wilde’s Happy Prince as a model for Jan Dorman’s thinking about a connection and a feedback loop between theatre and archive. The production forms the basis for a more detailed examination of Dorman’s multi-layered interest in his own archive as well as the ways in which memories of his art and private life can be preserved. Using the findings developed in the area of archival turn and hauntology, the paper elaborates on the most important spheres of Dorman’s intentional self-archiving: his frantic collecting and cataloguing, the habit of constructing a cultural repository for himself and his co-workers, confabulating and self-mythologising, recycling of objects, characters and motifs to be used again in subsequent productions. In the resulting vision of Dorman’s archive, it appears to be a deliberately constructed performative space rather than merely a collection of material traces of his professional and private life.

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Andersen, Lene Vinther. "Voksende Samlinger. Om at skabe, arkivere og forske i folkloristiske optegnelser." Fund og Forskning i Det Kongelige Biblioteks Samlinger 58 (March 9, 2019): 161. http://dx.doi.org/10.7146/fof.v58i0.125302.

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Lene Vinther Andersen: Growing Collections: Recording, Archiving and Researching early Danish Folklore The article gives an introduction to the original main collection of the Danish Folklore Archives, entitled Voksende Samlinger (Growing Collections). Growing Collections is an abundant collection of records on folklore and immaterial culture with a focus on the 19th century. Yet the material can appear complicated to understand, fragmented and difficult to use for archive users who are not already familiar with the field and its history. The article examines the cataloguing principles and working methods of the Growing Collections, as well as the visions and ideas on which they are based. It is the ambition of the article to give readers insights into the possibilities and limitations of the Growing Collections, and to encourage readers to use the collection for their own research. A review of the cataloguing structure of the Growing Collections reveals that the records are systematically divided into a number of subject categories following a system devised by Svend Grundtvig in 1861. This systematization is associated with a fundamental conception of folklore as being a source to access a distant past. A close reading of the instructions and articles intended for potential folklore collectors gives an idea of how the researchers of the archives tried to control the form and content of the records created for the archives. Their goal was to collect, cleanse, split up and archive folklore records in the collections, which the researchers would later process and return to the general public as a large number of source publications that generally matched the subject categories of the archives. The publications turned out to be more demanding than first assumed, and the work was not achieved to the extent foreseen. Yet the Danish Folklore Archives continued to create archive material based on the aforementioned working methods and ideals up to around 1960, and the result was a well-ordered collection of folklore records with detailed metadata and an extensive catalogue. It is also a collection characterised by a radical splitting-up of material, and a focus on subjects that interested the researchers at the time. In view of the history of the Growing Collections and its underlying philosophy, it will, however, be possible to locate material that is of relevance to contemporary research interests, and the use of consistent metadata makes it possible to cross-reference both the material in the Growing Collections and in other archives. The article concludes with some specific proposals for the use of the material in cultural history research, as well as some reservations with regard to methodology that might be considered.

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López Martínez, F. J., V. La Spina, and J. Fernández del Toro. "RESIDENTIAL EARTHEN ARCHITECTURE IN MULA (SPAIN): STUDY AND CATALOGUING OF ITS CONSTRUCTION TECHNIQUE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 985–92. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-985-2020.

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Abstract. The city of Mula (Region of Murcia, Spain), of Islamic origin and built on the top of a hill, is dominated by the spectacular Renaissance castle of Velez and a mediaeval defensive wall. The wall remains, those still standing, consist of several enclosures and sections built in rammed earth. As many of these are a magnificent example of defensive earthen architecture, the Castle of Mula has been widely analysed and recently protected by a Master Plan. However, Mula’s unique old town, an Asset of Cultural Interest in the category of Historic-Artistic Complex, with its irregular and narrow streets at the foot of the castle, includes residential constructions (mansions, palaces and humble dwellings) made with earth. The traditional residential architecture of Mula includes characteristic 2- or 3-storey buildings with sloping roofs. However, there are no specific studies on these and the use of earth as a construction material. The main aim of the study therefore is to carry out an initial identification and cataloguing of the different earthen construction techniques in the historic residential buildings of the old town and their relation to the residential typology of Mula.

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Toftgaard, Anders. "Landkort over en samling. Hvad katalogposterne kan fortælle om Otto Thotts håndskriftsamling – og om katalogisering." Fund og Forskning i Det Kongelige Biblioteks Samlinger 58 (March 9, 2019): 129. http://dx.doi.org/10.7146/fof.v58i0.125301.

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Anders Toftgaard: Mapping a collection. What the catalogue records can tell us about Otto Thott’s manuscript collection and about manuscript cataloguing. This article deals with the manuscript collection of Count Otto Thott (1703-1785) and with manuscript cataloguing. Otto Thott was the single greatest private book collector in the history of Denmark and of inestimable importance for the Royal Danish Library, since he bequeathed his collection of manuscripts (4154 catalogue numbers) and books printed before 1531 (6059 catalogue numbers) to the Royal Library. In the manuscript collection, the inclusion of his collection marks the division between the Old Royal Collection (GKS) and the New Royal Collection (NKS). Many of the treasures in the rare books collection come from his library, and his definition of paleotypes (books printed before 1531) has (in the 20th c.) determined the definition of the collection of post-incunabula. Otto Thott did not write owners’ marks or notes in his books and he left very little archival material concerning the ways in which he created his library. Regrettably, the literary correspondence mentioned in his will has not survived. The article analyses a data set consisting of all catalogue records (in MARC format) concerning manuscripts from Otto Thott’s manuscript collection. These catalogue records in the library system derive from the catalogue made by Rasmus Nyerup (excluding oriental manuscripts) and published in 1795. When, towards the end of the 19th centrury, the alphabetical and the systematical catalogues of the collection of western manuscripts were produced, the entries in Nyerup’s catalogue were copied by hand without being revised. After the IT revolution, when the catalogue records of the systematical catalogue were transferred to a digital database of records, these records were copied once again without revision. It is shown what kind of errors from the catalogue of 1795 were still present in the on line catalogue in 2019. The quantitative analysis shows that the bulk of the manuscripts in Thott’s manuscript collection are manuscripts in Danish and German from Thott’s own century. The subject headings with most entries are Theology, History, History of Denmark, Danish Biography and Literature. As to provenances there is information concerning the manuscript’s provenance before the inclusion in Otto Thoot’s library in 17 % of the catalogue records. The analysis shows that Otto Thott’s manuscript collection was a universal collection with no specific preferences. The conclusion argues that it is necessary to get information from the various printed catalogs of the manuscript collection into the digital library system and that parts of Thott’s manuscript collection deserve revisiting and recataloguing. The Royal Danish Library’s manuscript collection might explore alternatives to the MARC-format for manuscript cataloguing. In a wider context, it is argued that Otto Thott’s library should be considered a knot in a network, and that data from the many book auction catalogues should be extracted and used for mapping the destinies of specific books and manuscripts.

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Dissertations / Theses on the topic "Cataloguing of archival material"

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Kumbier, Alana. "Ephemeral Material: Developing a Critical Archival Practice." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1236198205.

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Bratslavsky, Lauren. "From Ephemeral to Legitimate: An Inquiry into Television's Material Traces in Archival Spaces, 1950s -1970s." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13445.

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The dissertation offers a historical inquiry about how television's material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials "worthy" of preservation and academic study. Institutions, particularly academic and cultural institutions with archival spaces, conferred television with a status of legitimacy alongside the ascent of television studies in the 1960s and 1970s. Institutions were sites of legitimation, however, television's entrance into these archival spaces depended on the work of various individuals within academic, archival, and industrial structures who grappled with defining television's intangible archival values and dealt with material obstacles. In examining several major institutions and the factors at play in archiving television, we can trace how television was valued as worthy of academic study and conceptualized as historical evidence. The following research questions structured this historical inquiry: How did different institutions approach television as archivable in the 1950s to the 1970s? Who were the determinators within these institutions, who could conceptualize television as archivable? What were the factors that enabled television's material traces to enter archival spaces? How did television directly or indirectly enter these archival spaces? Drawing on historical methods, the research primarily examined the archives of the archives, meaning institutional documents that illuminated the archival process and perceptions about television and media. The dissertation focused on five case studies: the Museum of Modern Art, the Mass Communications History Center at the State Historical Society of Wisconsin, the Wisconsin Center for Film and Theater Research, the UCLA Film and Television Archives, and the Museum of Broadcasting. These case studies represent the various institutional contexts that applied an archival logic to television. Cultural institutions, academic archives, and industry-initiated archives worked as sites to legitimate television, transforming ephemeral broadcast moments into lasting historical and cultural material.

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Sarbah, David Kwao. "Biography in and of an archive: the Shelagh Gastrow Collection and South Africa." Thesis, University of the Western Cape, 2012. http://hdl.handle.net/11394/4498.

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Tang, GVGK. "The Surprise of a Knight: Excavating Material Legacies through Early Queer Film." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/567974.

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History
M.A.
Absent provenance or any background information, and with both implicit and explicit barriers to access within the archival space, how can we hypothesize—or critically fabulate—queer material legacies? The first—or earliest extant—American film to explicitly depict “queer” sex is The Surprise of a Knight (1929). By synthesizing perspectives on archives, material culture, queer identity, film, the Internet and pornography, this paper treats Surprise as an entry point into a discussion of public history and sexuality—revealing current issues with processing erotic materials and their impact on queer historiographies. This study outlines the problems presented by Surprise and explores contingencies for historical contextualization—methods public historians (archivists and interpreters alike) may adapt to fit similar materials within a broader history of film and queer identity. It explores current methods and future conundrums for best practices in the preservation of (born-digital) pornography, and concludes with impressions from potential audiences and present-day content producers as a means of envisioning new avenues of queer grassroots history-making.
Temple University--Theses

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Bateman, Adrian Calvin. "Applications of polymerase chain reaction-based human leukocyte antigen typing methods for tissue identification and disease studies using archival paraffin biopsy-derived material." Thesis, Imperial College London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265312.

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Miller, Megan. "Making History: Applications of Digitization and Materialization Projects in Repositories." Master's thesis, Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/305627.

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History
M.A.
This project draws upon material culture, digital humanities, and archival theory and method in the service of public history investigations. After selecting an artifact and performing object analysis, I will digitize the artifact and materialize a new object. I will then perform another object analysis on the 3D printed object. This exercise will provide the familiar benefits of object analysis, but the decisions and interactions necessary to digitize and materialize the object provide a fresh perspective. I will propose approaches for performing similar investigations in repositories, along with a pedagogical argument for doing so. By emphasizing modularity, flexibility, and minimal capital requirements, I hope these approaches can be adapted to a variety of institutions and audiences. Researchers will reap the benefits of intellectual and emotional engagement, hands-on learning, and technological experimentation. Public historians will have the opportunity to engage in outreach and innovative education and exploration of their collections.
Temple University--Theses

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Howard, Dawne E. "The Finding Aid Container List Optimization Survey: Recommendations for Web Usability." Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/340.

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This paper examines the results of a usability study for finding aids from the Special Collections Research Center at North Carolina State University. In 2005, the Special Collections Research Center reformatted its finding aids so that the container information, typically located on the left-hand side of the document, moved to the right-hand side of the document. The study tested the effectiveness of this change, and determined that traditional finding aids performed better. The analysis of the study’s results is followed by a discussion about Web usability guidelines for online finding aids.

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Jones, Adam, Christoph Langer, and Steffen Lehmann. "Afrikabestände in den evangelisch-lutherischen Missionsarchiven: Leipzig und Moshi." Universität Leipzig, 2000. https://ul.qucosa.de/id/qucosa%3A34440.

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Volk, Anette. "Afrikabestände im Archiv des Missionswerkes der Evangelisch-Lutherischen Kirche in Bayern, Neuendettelsau." Universität Leipzig, 1999. https://ul.qucosa.de/id/qucosa%3A34441.

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This volume is a guide to archival material, almost exclusively on East Africa, held in Neuendettelsau (Bavaria). In addition to documents relating to the Hersbruck Mission's work among the Kamba in the 1880s it lists diaries, correspondence, reports, photographs etc., mainly from the first half of the twentieth century, and the personnel files for missionaries sent to Tanganyika / Tanzania after the mid-1950s, when Neuendettelsau took over this task on behalf of the Leipzig Mission.

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Andrews, Christina Ruth. "Canadian copyright legislation and archival material." Thesis, 1992. http://hdl.handle.net/2429/3241.

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This thesis analyses the nature and common law history of copyright, highlights the problematic aspects of the current Canadian legislation with respect to archival material, proposes revisions to the law which would take into account the special nature of this material, and provides some suggestions to archivists who have to deal with the copyright dilemmas encountered in the daily, routine administration of an archival institution. Copyright legislation has traditionally grouped archival and library material under one section on special exemptions, notwithstanding the fact that archival material has characteristics which dictate a treatment fundamentally different from that of library material. Therefore, this thesis focuses on copyright as it relates specifically to archival material in order to present recommendations for its adequate treatment under the copyright law. This is not a legal paper, and does not presume to give an exhaustive legal study of all of the ramifications of copyright legislation. It is intended as a review of those copyright issues which are of special interest to archivists. Because Canada derives its common law tradition from Great Britain and is often influenced by American legislation, the earlier British legislation and more recent copyright legislation in the United States and Great Britain are studied and compared to the present Canadian legislation. Because legal trends generally first appear in court decisions before they become codified in statute, decisions found in recent case law, as well as their discussion in current legal literature are examined. The official recommendations which have been made to the Canadian government for the revision of copyright law are also analyzed. It is concluded that the Canadian statute must be revised to reflect the unique nature of archival material. Archival documents are not created for sale, distribution, display, or publication. They are the instruments of transactions, natural by-products of practical activities, means to purposes; they lack the autonomy of final products, and are non-commercial by nature. This thesis recommends that a separate piece of copyright legislation for archival material be introduced to deal effectively with these unique characteristics.

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Books on the topic "Cataloguing of archival material"

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Bradley, Merridy. Subject indexing pilot project: Final report. [Ottawa]: National Archives of Canada, 2002.

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Doucette, Laurel. MARC format cataloguing and data entry for Memorial University of Newfoundland Folklore & Language Archive. St. John's, Newfoundland: MUNFLA, 1990.

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Smiraglia, Richard P. Describing music materials: A manual for descriptive cataloging of printed and recorded music, music videos, and archival music collections : for use with AACR2 and APPM. 3rd ed. Lake Crystal, Minn: Soldier Creek Press, 1997.

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Association for Recorded Sound Collections. Rules for archival cataloging of sound recordings. [Albuquerque, N.M.?]: ARSC, 1995.

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Archivists, Bureau of Canadian. Rules for archival description. Ottawa: Bureau of Canadian Archivists, 1990.

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Buchan, Lesley. Yukon conservation needs assessment report: A survey of archival material. [Whitehorse: Yukon Council of Archives, 1992.

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Kenney, Anne R. Preserving archival material through digital technology: Final report. [Ithaca, N.Y: Cornell University Library, 1993.

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Kowlowitz, Alan. Archival appraisal of online information systems. Pittsburg, Penns: Archives & Museum Informatics, 1988.

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Nencioni, Francesca, ed. A Giuseppe Dessí. Lettere editoriali e altra corrispondenza. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-156-0.

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This volume completes the valuable work of cataloguing carried out on the correspondence of Giuseppe Dessí conserved in the 'Alessandro Bonsanti' contemporary archive of Florence. The research, launched by Chiara Andrei in 2003 with the edition of the Corrispondenze familiari (Firenze University Press) and continued in 2009 by Francesca Nencioni with the publication of Lettere di amici e lettori (Firenze University Press), has its third result in this work by Francesca Nencioni, who has indexed the unpublished editorial and professional material, providing it with exhaustive references. The letters make it possible to trace a profile of the writer from his youth through to the 70s, illustrating the historic, political and cultural backdrop against which the events and activities of both his first and second profession developed. This casts light not only his complex professional career, but also on Dessí's collaboration with newspapers and journals, his relations with publishers and his contacts with the world of the mass media. Of particular importance is the appendix of unpublished letters, meticulously edited by Monica Graceffa, comprising the correspondence with two seminal journals of the 1930s and 40s «L'Orto» and «Primato». In the background are the figures of Bottai and Vecchietti and the complex coexistence between the intellectuals of the time and the regime.

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International Council on Archives. Ad Hoc Commission on Descriptive Standards. Statement of principles regarding archival description. Ottawa: Secretariat of the ICA Commission on Descriptive Standards, 1992.

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Book chapters on the topic "Cataloguing of archival material"

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Engel, Laura. "Introduction: The Archival Tourist." In Women, Performance and the Material of Memory, 1–25. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-58932-3_1.

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Lythberg, Billie. "Cataloguing Curiosities: Whitby’s Barkcloth Book." In The Material Cultures of Enlightenment Arts and Sciences, 153–55. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-44379-3_17.

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Shibata, Darryl. "Preparation of Nucleic Acids for Archival Material." In The Polymerase Chain Reaction, 47–54. Boston, MA: Birkhäuser Boston, 1994. http://dx.doi.org/10.1007/978-1-4612-0257-8_4.

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Eito-Brun, Ricardo. "The Combined Use of EAD and METS for Archival Material." In Metadata and Semantic Research, 230–36. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-70863-8_22.

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Pranz, Sebastian, Simon Nestler, and Klaus Neuburg. "Digital Topographies. Using AR to Represent Archival Material in Urban Space." In Augmented Reality and Virtual Reality, 139–49. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-37869-1_12.

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Pateras, Ioannis S., Sofia D. P. Theodorou, Niki V. Chouliari, Dimitris Veroutis, Panagiotis-Georgios Passias, Konstantinos Evangelou, and Vassilis G. Gorgoulis. "In Situ Detection of miRNAs in Senescent Cells in Archival Material." In Healthy Ageing and Longevity, 147–62. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44903-2_8.

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Verrocchio, Van. "Material culture in Early Modern Abruzzo, Italy: Archival and archaeological sources." In Medieval and Post-Medieval Mediterranean Archaeology, 257–89. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.mpmas-eb.5.113486.

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Balint, Lea. "Archival Material as a Source in Uncovering the Identity of Holocaust Survivors." In Remembering for the Future, 1916–23. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1007/978-1-349-66019-3_132.

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Hedley, D. W. "Measurement of DNA Content of Archival Material as a Guide to Prognosis." In High-Risk Breast Cancer, 85–102. Berlin, Heidelberg: Springer Berlin Heidelberg, 1989. http://dx.doi.org/10.1007/978-3-642-73718-3_5.

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Vogeler, Georg. "Digital Edition of Archival Material - Machine Access to the Content: On the Role of Semantic Web Technologies in Digital Scholarly Editions." In Atelier de recherche sur les textes médiévaux, 37–56. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.artem-eb.5.117327.

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Conference papers on the topic "Cataloguing of archival material"

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Fachry, Khairun Nisa, Jaap Kamps, and Junte Zhang. "Access to archival material in context." In the second international symposium. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1414694.1414718.

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Bertocci, Stefano, Giovanni Pancani, and Anastasia Cottini. "La cinta muraria di Lastra a Signa: metodologie di rilievo digitale integrato." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11498.

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The city wall of Lastra a Signa: integrated digital survey methodologiesThe survey of the Lastra a Signa city walls (built between the second half of 1300 and the first half of 1400) is the result of three different survey campaigns made in 2006-2007-2008 and of the following data processing carried out as part of a Master thesis. It is a paradigmatic example of the overcoming of the concept of “survey as a mere measurement and graphic representation of a certain element”, by using a methodology protocol. At that time, survey operations became more complex because it was necessary to coordinate with a scientific basis the different survey phases: preliminary documentation, data taking with several instruments, data processing, data filing and cataloguing, two-dimensional representation of plans, cross-sections and elevations, wall decay interpretation and building materials analysis. The survey subject became a dynamic and ever-changing process, thanks to the introduction of digital survey and the availability of new technologies. This paper describes the methodologies that were used in each different part of the survey campaign, of the data cataloguing operations and of the representation process, underlining the importance of the strict hierarchy of the acquired and rendered data. This hierarchy allowed to manage information obtained from topographic, laser, direct and photographic survey, and then to discretise, clean, georeference and make two-dimensional representations of the acquired data. Ultimately, it allowed creating a database that contains all these elements and ensures that the archived data can be updated in the future.

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Ansari, S., and P. Morey. "29. Considerations When Dealing with Moldy Archival Material." In AIHce 1997 - Taking Responsibility...Building Tomorrow's Profession Papers. AIHA, 1999. http://dx.doi.org/10.3320/1.2765434.

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Egbe, Amanda. "Veils and Sensors: An artistic intervention with archival moving image material." In Proceedings of EVA London 2020. BCS Learning and Development Ltd, 2020. http://dx.doi.org/10.14236/ewic/eva2020.54.

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Williams, Lyneise. "What Computational Archival Science Can Learn from Art History and Material Culture Studies." In 2019 IEEE International Conference on Big Data (Big Data). IEEE, 2019. http://dx.doi.org/10.1109/bigdata47090.2019.9006527.

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Anderson, Bethany G., Christopher J. Prom, Kevin Hamilton, James A. Hutchinson, Mark Sammons, and Alex Dolski. "The cybernetics thought collective project: Using computational methods to reveal intellectual context in archival material." In 2017 IEEE International Conference on Big Data (Big Data). IEEE, 2017. http://dx.doi.org/10.1109/bigdata.2017.8258171.

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Roshupkina, Elena. "The Irkutsk History of the State Bank of Russia." In Irkutsk Historical and Economic Yearbook 2020. Baikal State University, 2020. http://dx.doi.org/10.17150/978-5-7253-3017-5.59.

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The article considers review of the N.I. Gavrilova’s and V.P. Shaherova’s monograph «The state bank in Irkutsk: from the Russian Empire to the present. To celebrate the 150th anniversary of the founding». The author analyzes the history of foudantion and development of Irkutsk department of the Bank of Russia on the basis of extensive archival material.

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Niculescu, Olga, Carmen Gaidau, Elena Badea, Lucretia Miu, Dana Gurau, and Demetra Simion. "Special effect finish for bookbinding leather." In The 8th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2020. http://dx.doi.org/10.24264/icams-2020.ii.21.

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The art of bookbinding requires not only skills in the old craft of bookbinding but also materials that can transform a simple book into a high-quality artistic product. Due to its unique properties, leather still remains the first-choice material in the case of art and archival bindings. However, the long-term durability of modern leather is not known since there is little commercial interest in long periods of durability and the market of leather for art, design and archival purposes is very small. It is worth noting that deterioration is influenced by the manufacturing technology, and especially by the chemical ingredients used in the various steps of leather making, from dehairing to tanning and finishing. It is therefore very likely that modern and contemporary artworks made of/with modern leather undergo faster degradation than ancient and medieval artworks. Thus, leather finishing is very important for both artistic and sustainable points of view. In fact, finishes with special effects such as antique, bicolour, printed, cracked, waxy are highly sought for vegetable tanned leather used for artistic and luxury bookbinding, archival bookbinding and restoration purposes. The evolving leather finishing technology of chrome-free leather (i.e. vegetable tanned leather) has enabled us to protect and improve the quality, look and feel of leather and to make it suitable for contemporary art bindery.

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Tornaas, Stian, Siren Fromreid, Hans Jørgen Aarstad, Olav Karsten Vintermyr, Daniela Elena Costea, and Harsh Nitin Dongre. "Abstract 2520: Detection of transcriptional active HPV 16/18 in patients with oropharyngeal squamous cell carcinoma by dual immunohistochemistry p16INK4and in situ hybridization E6/E7 mRNA in archival material older than 25 years." In Proceedings: AACR Annual Meeting 2021; April 10-15, 2021 and May 17-21, 2021; Philadelphia, PA. American Association for Cancer Research, 2021. http://dx.doi.org/10.1158/1538-7445.am2021-2520.

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Gadeikis, Saulius, Kastytis Dundulis, Aistė Daukšytė, and Sonata Gadeikytė. "The Cathedral of Vilnius: Problems and Features of Natural Conditions." In The 13th Baltic Sea Region Geotechnical Conference. Vilnius Gediminas Technical University, 2016. http://dx.doi.org/10.3846/13bsgc.2016.001.

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The Cathedral of Vilnius is one of the main architectural monuments in Lithuania. This structure was built in unfavourable geological conditions. Due to this reason, the foundation of the building subsides; there occur wall deformations and cracks. Preservation of the building is today’s urgent problem. When evaluating the geologic environment from the perspective of engineering, construction works require deep analysis of the following key environment components and discuss them: relief, soils of geologic structure and their geotechnical properties, conditions of underground water occurrence and geological processes, and condition of the foundation. The article provides the brief history of construction and reconstruction of the Cathedral based on archival studies, the description of engineering geological conditions, and the archeologic and historic material of the evaluation of the foundation.

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Reports on the topic "Cataloguing of archival material"

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Developing an Access Strategy for Born Digital Archival Material. Digital Preservation Coalition, September 2021. http://dx.doi.org/10.7207/twgn21-17.

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