Relevant bibliographies by topics / Categories of repertoire

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Categories of repertoire'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Categories of repertoire"

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Yeh, Nora. "Nanguan Music Repertoire: Categories, Notation, and Performance Practice." Asian Music 19, no. 2 (1988): 31. http://dx.doi.org/10.2307/833866.

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Ngai, Sianne. "Our Aesthetic Categories." PMLA/Publications of the Modern Language Association of America 125, no. 4 (2010): 948–58. http://dx.doi.org/10.1632/pmla.2010.125.4.948.

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The recent turn to aesthetics in literary studies has been embraced by some of its advocates as a polemical riposte to critique: a practice increasingly attacked from multiple directions but here specifically for doing artworks the disservice of reducing them to encryptions of history or ideology. But while the new or revived focus on pleasure (and, to a much lesser extent, displeasure)1 has been vaunted for the way in which it seems to circumvent the reduction of artworks to historical or ideological concepts, our aesthetic experience is always mediated by a finite if constantly rotating repe
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Rosa, Gabriel L. M., Jesse M. Ellis, Elisa Bonaccorso, and Luiz dos Anjos. "Friend or foe? Social system influences the allocation of signals across functional categories in the repertoires of the New World jays." Behaviour 153, no. 4 (2016): 467–524. http://dx.doi.org/10.1163/1568539x-00003360.

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Many factors could influence repertoire size and function. Here, we provide a review of the descriptions of vocal repertoires of New World jays and a unifying terminology for function of their vocalizations. We summarized 19 different functional types of vocal behaviour shared by at least two species, for review purposes. Comparing the 14 studied species, we also classified vocalizations into four major classes defined a priori: ‘Social Integration’, ‘Conflict Resolution’, ‘Predator-related’, and ‘Breeding’. Cooperative breeding, as well as group size, are related not only to repertoire size,
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steels, luc, and tony belpaeme. "coordinating perceptually grounded categories through language: a case study for colour." Behavioral and Brain Sciences 28, no. 4 (2005): 469–89. http://dx.doi.org/10.1017/s0140525x05000087.

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this article proposes a number of models to examine through which mechanisms a population of autonomous agents could arrive at a repertoire of perceptually grounded categories that is sufficiently shared to allow successful communication. the models are inspired by the main approaches to human categorisation being discussed in the literature: nativism, empiricism, and culturalism. colour is taken as a case study. although we take no stance on which position is to be accepted as final truth with respect to human categorisation and naming, we do point to theoretical constraints that make each po
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Schoon, Eric W., and Colin J. Beck. "Repertoires of Terror: News Media Classification of Militant Groups, 1970 to 2013." Socius: Sociological Research for a Dynamic World 7 (January 2021): 237802312199016. http://dx.doi.org/10.1177/2378023121990165.

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The authors examine how print news media classify militant groups as terrorist. Drawing on a relational view of news media and contentious politics, the authors develop a theory of repertoires of contention and classification. The authors argue that news media interpret the social standing of actors from the categories implied by the tactics they use and that variation in tactical repertoires explains the variation in classification among different groups and within individual groups over time. Using newly collected annual data on media coverage of 746 groups across 589,779 news articles from
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Bazúa-Durán, Carmen. "Differences in the whistle characteristics and repertoire of Bottlenose and Spinner Dolphins." Anais da Academia Brasileira de Ciências 76, no. 2 (2004): 386–92. http://dx.doi.org/10.1590/s0001-37652004000200030.

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Several methods have been used to compare the whistles produced by dolphins. The two methods used in this study are: (1) a classification of whistle contours in six categories (i.e. constant frequency, upsweep, downsweep, concave, convex, and sine) and (2) the extraction of frequency and time parameters from each whistle contour. Bottlenose Dolphin Tursiops truncatus whistles are described in the same way when comparing whistle contour distributions in each of the six categories and whistle frequency and time parameters using Discriminant Function Analysis. For Spinner Dolphin Stenella longiro
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Reames, Rebecca R. "High School Choral Directors' Description of Appropriate Literature for Beginning High School Choirs." Journal of Research in Music Education 49, no. 2 (2001): 122–35. http://dx.doi.org/10.2307/3345864.

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Undertaken to investigate and describe the literature performed with a population of “beginning” high school choirs, this study is a survey of 263 MENC high school choral directors. From the 80% responses, 5 categories were analyzed: demographic information, repertoire selection criteria, literature sources, types of literature performed, and recommended repertoire for beginning high school mixed choirs. Chi-square and Kendall's tau-b analyses produced only one significant relationship. Additional findings in the study revealed that directors selected repertoire for advanced and beginning choi
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Gomes, Sandra R., Sharon A. Reeve, Kevin J. Brothers, Kenneth F. Reeve, and Tina M. Sidener. "Establishing a Generalized Repertoire of Initiating Bids for Joint Attention in Children with Autism." Behavior Modification 44, no. 3 (2019): 394–428. http://dx.doi.org/10.1177/0145445518822499.

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The current study evaluated whether multiple-exemplar training, auditory scripts, and script-fading procedures could establish a generalized repertoire of initiating bids for joint attention in four young children with autism. Stimuli drawn from each of three experimenter-defined categories were used during teaching to program for generalization of initiations of bids for joint attention from trained stimuli to novel stimuli. A fourth category was reserved for assessment of across-category generalization of bids for joint attention. The four categories were (a) visually enticing toys, (b) unus
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Wilhelm, P., and U. Ganslosser. "Sequential orgaqisation of social behaviour in captive adult and juvenile Macropus rufus (Marsupialia: Macropodidae)." Australian Mammalogy 12, no. 1 (1989): 5. http://dx.doi.org/10.1071/am89001.

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The behavioural repertoire of Macropus rufus in captivity is described in comparison with data from literature. Most behavioural elements observed do not differ from those of free-ranging populations. Some new elements of agonistic and sexual behaviour are described. The sequential organisation of adult social behaviour allows a distinction between the functional categories of agonistic, friendly and sexual behaviour as well as a series of transitional elements. In sexual behaviour, low-intensity sexual checking can be distinguished from high-intensity courting and mating behaviour. In agonist
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Stocchi, Lara, Melissa Banelis, and Malcolm Wright. "A New Measure of Consideration Set Size." International Journal of Market Research 58, no. 1 (2016): 79–94. http://dx.doi.org/10.2501/ijmr-2015-027.

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This research proposes a new method for computing consideration set size as the sum of the associative penetrations (or the ‘mental’ repertoire). This multi-cued non-attitudinal measure represents the chances of retrieving brands from memory, or the average number of salient brands. It is consistent with developments in memory theory and conceptually similar to a behavioural measure, i.e. purchase repertoire size. As such, it offers a stronger conceptual framework and a more robust empirical basis for comparisons between the cognitive and behavioural dimensions of consumer choice. This measure
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Dissertations / Theses on the topic "Categories of repertoire"

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Lu, Yuanyuan. "Survey of Eighteen North-American Piano Method Books: Repertoire Selection and Categories." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23178.

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Many piano teachers agree that suitable repertoire motivates their students to learn and practice their instrument. Asking students to learn different categories of repertoire might be a good approach for piano teachers to motivate and maintain their students’ musical interests. However, how do teachers evaluate what kinds of repertoire is presented in the teaching material that is available to them? The purpose of this study is to review the pieces found in North-American piano method books in order to provide an inventory of the different categories of repertoire found in each series and to
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Wright, Jennifer. "Identification and pharmacological characterization of multiple call categories within the rich repertoire of adult rat 50-kHz ultrasonic vocalizations." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121205.

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Rats communicate extensively in the ultrasonic frequency range; ultrasonic vocalizations (USVs) occurring at 22 kHz serve an alerting function, whereas those occurring around 50 kHz have been proposed to reflect a state of positive affect. However, 50-kHz calls are acoustically heterogeneous and, not surprisingly, they also seem to differ in their behavioural significance. The first aims of this thesis were to identify subtypes of 50-kHz USVs, and determine how drug or social context alters their absolute and relative prevalence. These aims were addressed in Chapter 2, in which USVs emitted by
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Buchholz, Timothy C. "Analysis and Categorization of Selected Musical Elements within Forty-three Solo Jazz Vocal "Standards" with Pedagogical Application to Repertoire Selection and the Teaching of Jazz Concepts in the Jazz Voice Lesson." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/386.

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While the concept of teaching jazz style to vocal students is not a new one, previous materials written on the subject have not addressed two important aspects of this process. One is the concept of selecting jazz vocal solo repertoire that is both musically and vocally purposeful and appropriate for the student. The other is how to teach stylistic concepts that will apply to both current repertoire as well as songs the student will learn in the future. This doctoral essay provides both a categorized list of solo jazz vocal repertoire as well as strategies for introducing stylistic elements
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Choi, Miya. "Christian Piano Art Music: Its Theological Significance and Categorized Repertoire." Diss., 2012. http://hdl.handle.net/10392/3960.

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"Christian piano art music" is a small genre, each piece of which belongs seemingly to either Christian music or art music, but by definition to both of them. In spite of its merits this genre has been ignored both by the concert hall because of its religiosity and by the church because of its artistry. However, since God is the One who has infinite creativity and is pleased with our various musical praises, both congregational praise and artistic musical praise has to be dedicated to Him. In chapters 2-5, after the history of music--Christian music, art music, and Christian art music--is ex
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Books on the topic "Categories of repertoire"

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Chittick, Andrew. The Jiankang Empire in Chinese and World History. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190937546.001.0001.

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This work offers a sweeping reassessment of the Jiankang Empire (third to sixth centuries CE), known as the Chinese “Southern Dynasties.” It shows how, although one of the medieval world’s largest empires, Jiankang has been rendered politically invisible by the standard narrative of Chinese nationalist history, and proposes a new framework and terminology for writing about medieval East Asia. The book pays particular attention to the problem of ethnic identification, rejecting the idea of “ethnic Chinese,” and delineating several other, more useful ethnographic categories, using case studies i
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Hicks-Keeton, Jill. Executing Boundaries. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878993.003.0004.

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Chapter 3 makes a new suggestion about the categories of inclusion operative in Joseph and Aseneth: Aseneth is anachronistically incorporated into the covenant forged by Israel’s “living God” at Sinai. Joseph and Aseneth’s portrayal of Israel’s “living God” as giver of life to Aseneth, a foreigner originally external to the covenant, is a revision of a Deuteronomic literary motif surrounding the epithet. Deuteronomy’s “living God” exercises ultimate authority over who lives and who dies and uses this prerogative, in part, to separate Israel from other nations. Joseph and Aseneth engaged and ad
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Zavella, Patricia. The Movement for Reproductive Justice. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479829200.001.0001.

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Working on behalf of women of color, the movement for reproductive justice incorporates intersectionality and human rights to advocate for women’s right to bear children free from coercion or abuse, terminate their pregnancies without obstacles or judgment, and raise their children in healthy environments as well as the right to bodily autonomy and gender self-identification. The movement for reproductive justice takes health advocacy further by pushing for women’s human right to access health care with dignity and to express their full selves, including their spiritual beliefs, as well as pol
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Reiter, Walter S. The Baroque Violin & Viola. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190922696.001.0001.

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The Early Music revival has had far-reaching consequences on how music of the past is performed, both by specialists and non-specialists. This timely book is a practical step-by-step course of lessons for violinists and violists in both these categories, covering the interpretation, technique, culture, and historical background of the Baroque violin repertoire. Written by a violinist and teacher specializing in Baroque music over many years, it guides readers from the basics (how to hold the violin) to Bach, via music from a wide variety of styles. Avoiding obscure musicological jargon, it is
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Gannon, Anna. The Iconography of Early Anglo-Saxon Coinage. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780199254651.001.0001.

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This is the first scholarly art-historical appraisal of Anglo-Saxon coinage, from its inception in the late sixth century to Offa's second reform of the penny c.792. Outside numismatic circles, this material has largely been ignored because of its complexity, yet artistically this is the most vibrant period of English coinage, with die-cutters showing flair and innovation and employing hundreds of different designs in their work. By analysing the iconography of the early coinage, this book intends to introduce its rich legacy to a wide audience. Anna Gannon divides the designs of the coins int
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Browner, Tara, and Thomas L. Riis, eds. Rethinking American Music. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042324.001.0001.

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Only since the 1970s have the variety of American musical styles and sounds have been allowed to stand on their own two feet in the academic world. Recent efforts to place American music-making within new or heretofore neglected contexts are diverse and inevitably shift our consciousness about music’s meaning and impact in culture. This volume contains a series of commentaries or glosses, chapters about American music broadly understood that seek especially to explore four critical factors beyond the the familiar categories defined by repertory or biography alone: the impact of performance; th
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Book chapters on the topic "Categories of repertoire"

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"The Repertoire of Nonverbal Behavior: Categories, Origins, Usage, and Coding." In Mouton Classics. De Gruyter Mouton, 2002. http://dx.doi.org/10.1515/9783110886009.819.

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Maheshwari, Malvika. "Artists and Their Repertoire of Responses." In Art Attacks. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199488841.003.0008.

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Chapter 7 turns to India’s increasingly angry and insecure but resilient art world, which suggests a range and variety of responses to such an orchestration of violence, contradicting the view of ‘artists as only victims’, as much as it is a reminder of the resilience of democracy in India. Addressing four dominant themes—artists as attackers, unity and collective action, exile and resistance, and fear and self-censorship—it is an exploration of these diverse manifestations. These categories are, of course, only illustrative and not an exhaustive commentary on the assorted ways in which free speech is both understood and modified, when it is increasingly confronted with threatening, violent behaviour.
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Meadowcroft, James, and Daniel J. Fiorino. "The Conceptual Repertoire of Environmental Policy." In Conceptual Innovation in Environmental Policy. The MIT Press, 2017. http://dx.doi.org/10.7551/mitpress/9780262036580.003.0002.

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This chapter examines the evolution of concepts used in the environmental policy domain since the emergence of modern environmental governance. It includes a general discussion of environmental concepts including root terms which have generated 'families' of environment-related concepts: 'environment', 'sustainable', 'eco' or 'ecological' and 'green'. This is followed by a discussion of different types of concepts and an examination of concepts that play a particularly important role in structuring the policy realm. Examples here include meso-level analytic or management concepts such as the 'polluter pays principle', 'the precautionary principle', 'ecosystem services', resilience' , 'environmental security', and so on. Finally, the chapter explores the temporal evolution of the conceptual field tracing the evolution of the categories used to think about the environmental domain.
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Wilson, Alexandra. "Repertories." In Opera in the Jazz Age. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190912666.003.0005.

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This chapter establishes that different types of opera were classified differently during the 1920s and considers questions of contemporary canon formation. Early opera and some modern operas were acceptable to highbrow tastes; German opera was preferable to Italian. The chapter begins by establishing what the 1920s British operatic repertoire was and considering the ways in which it was perceived to be ossifying into a ‘museum culture’. It considers the repertoire performed by the touring companies and how they adjusted their programming to suit the tastes of different cities. Innovative attempts by Oxford students to revive early opera are discussed. The chapter examines why nineteenth-century Italian opera was deemed so problematic by highbrow commentators, before considering how Wagner’s works cut across highbrow–middlebrow categories in surprising ways. It concludes by considering operatic topics that were deemed particularly well-suited to British tastes, and whether Britain could properly be called an operatic nation at all.
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Martins, Andrea, César Neves, José M. Arnaud, and Mariana Diniz. "Os motivos zoomórficos representados nas placas de tear de Vila Nova de São Pedro (Azambuja, Portugal)." In Arqueologia em Portugal 2020 - Estado da Questão - Textos. Associação dos Arqueólogos Portugueses e CITCEM, 2020. http://dx.doi.org/10.21747/978-989-8970-25-1/arqa43.

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From the excavations carried out between 1936 and 1967 in the Chalcolithic settlement of Vila Nova de São Pedro (Azambuja, Portugal), there were recovered more than 500 ceramic elements usually known as “loom weights” with different shapes, dimensions and, in the majority, with decorated surfaces. The iconographic repertoire is quite diverse, with the geometric motifs in higher representation, followed by soliforms, anthropomorphic and zoomorphic motifs. For the zoomorphic motifs there were identified eleven decorated surfaces, whose typology is split into two categories: quadruped – whose species are not identifiable; deer representations. These iconographic motifs are part of the symbolic and conceptual universe of Iberian communities from the 3rd Millennium BC, also appearing in several artifactual categories such as ceramics, figurines, plates, engravings and rock art paintings. Understanding the mechanisms that create and increase this thematic uniformity, as well as the meaning of the deer for these agro pastoral groups, will allow a closer approach to the cultural and social behavior of these communities.
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Isingoma, Bebwa. "The Sociolinguistic Profile of English at the Grassroots Level: A Comparison of Northern and Western Uganda." In World Englishes at the Grassroots. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474467551.003.0003.

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This chapter delineates the sociolinguistic profile of two categories of speakers of English in Uganda, i.e. market vendors and bodaboda (motorcycle taxi) riders, who may voluntarily or incidentally use English, given the nature of their trade, which requires them to interact with customers who may not speak their L1 or an indigenous language of wider communication in their region. Using participant observations and recorded semi-structured interviews, the study details the quotidian linguistic behaviour of 30 grassroots users of English, their attitudes towards the use of English and their verbal repertoires. The results indicate different linguistic behaviours, with Northern Uganda recording more inclination to the use of English than Western Uganda, as well as displaying more positive attitudes towards its use and a richer verbal repertoire. Also, English at the grassroots depicts many of the innovative features present among acrolectal speakers of Ugandan English, that is, the speakers of grassroots English in Uganda cannot replace the innovative norms developed by the acrolectal speakers with or example Standard British English norms. Ugandan English may therefore be said to be both norm-developing as well as norm-providing in that the acrolectal sub-variety provides the grassroots sub-variety with the norms it has developed.
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Jakelski, Lisa. "Building an Empty Frame." In Making New Music in Cold War Poland. University of California Press, 2016. http://dx.doi.org/10.1525/california/9780520292543.003.0003.

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Chapter 2 argues that self-conscious pluralism enabled festival advocates to negotiate a secure institutional position during a period of cultural retrenchment that began in Poland in the late 1950s. This approach to concert programming developed behind the scenes, during planning meetings in which Warsaw Autumn organizers selected repertoire, grouped works and composers into stylistic and geopolitical categories, and determined of what the festival should consist. Equally important were the maneuvers that took place in printed discourse, wherein critics and other commentators positioned the Warsaw Autumn as an empty frame—that is, a neutral zone in an otherwise polarized world of new music performance. The chapter contends that these negotiations were necessary because, despite rhetoric to the contrary, few observers thought the Warsaw Autumn was truly objective.
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Anno, Mariko. "The Role and Melodic Patterns of the Nohkan in Relation to Structural Principles." In Piercing the Structure of Tradition. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781939161079.003.0004.

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This chapter provides a preliminary explanation of the shōdan, which gives an accessible description of the mugen Noh structure and the three categories of shōdan. It surveys past research on nohkan entrances and melodic patterns through the shōdan structure and. It also highlights five selected traditional Noh plays from Zeami's mugen Noh repertoire: Takasago, Atsumori, Izutsu, Kinuta, and Tōru. The chapter analyzes the nohkan senritsu-kei and their use in these Noh plays, as well as the role of the performer in adding embellishments and other performing techniques to support the chant while enhancing the mood of the play. It explores the role of the performer in adding embellishments and other performing techniques to support the chant while enhancing the mood of the play.
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Douglas, Raymond S., and Robert A. Goldberg. "Evaluation and Spectrum of Orbital Diseases." In Surgery of the Eyelid, Lacrimal System, and Orbit. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780195340211.003.0024.

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Although orbital disorders are not frequently encountered in the comprehensive ophthalmologist’s practice, it is essential to be able to diagnose patients with orbital disease and manage them accordingly. Various disease processes can affect the orbit. This chapter endeavors to provide a thoughtful, stepwise, and logical approach to the evaluation of orbital disease. The discussion begins with differential diagnosis, adds an intelligent history-taking and physical examination, and then focuses on efficient use of diagnostic tests to finally arrive at the correct diagnosis. The staging and management of two common orbital disorders, orbital inflammation and thyroid-associated ophthalmopathy, will also be discussed. The differential diagnosis of orbital disease is extensive, and most listings of orbital disease divide the causes between histopathologic and mechanistic categories. This type of grouping is intellectually sound and scientifically useful but does not provide a framework that the clinical practitioner can easily grasp and directly use in sorting through the differential diagnosis of any given patient. In broad terms, orbital disease can be considered in terms of location, extent, and biologic activity. The classification used in this chapter is broken down along clinical lines and takes advantage of the fact that the orbit has a somewhat limited repertoire of ways that it can respond to pathologic conditions. Orbital disease can be categorized into five basic clinical patterns: inflammatory, mass effect, structural, vascular, and functional. Although many cases cross over into several categories, the vast majority of clinical presentations fit predominantly into one of these patterns. As the clinician walks through each step of the evaluation process—history, physical examination, laboratory testing, orbital imaging—a conscious effort should be made to categorize the presentation within this framework. If the practitioner approaches orbital disease with this framework of discrete patterns of clinical presentation, then at every step of the diagnostic pathway (history, physical examination, orbital imaging studies, and special tests), he or she can draw from a defined set of differential diagnoses that characterize each pattern of orbital disease and use that information to efficiently and confidently orchestrate diagnosis and management.
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Hinton, Carmelita. "Evil Dragon, Golden Rodent, Sleek Hound: The Evolution of Soushan Tu Paintings in the Northern Song Period." In The Zoomorphic Imagination in Chinese Art and Culture. University of Hawai'i Press, 2016. http://dx.doi.org/10.21313/hawaii/9780824846763.003.0006.

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In soushan tu paintings, a seated deity commands ferocious soldiers who search wooded mountains to expel demons in animal forms. It is commonly believed that soushan tu originated from legends of Erlang, a river deity from Guankou, Sichuan who appears as the seated commander in some post Northern Song examples. Earlier textual and pictorial evidence, however, contradicts this assumption. This essay traces the changing identities of the commander during the tenth and eleventh centuries and how certain animals associated with them became part of the pictorial repertoire. Rather than illustrating a pre-existing story with fixed characters, the mountain searches depict a symbolic conflict. The deity stands as the figure of authority, while the demonic animals represent the disruptive forces of dissent and chaos that threaten his control. Characters once considered demons come to occupy the role of commander, reflecting the contested nature of the categories of “demon” and “deity.”
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Conference papers on the topic "Categories of repertoire"

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Kim, Jennifer, Grace Joseph, Joshua Cadavez, Nicholas Gulachek, Juan Rujana, and Marcos Molina. "Novel Design of Stabilizing Device for Tube Thoracostomy." In 2018 Design of Medical Devices Conference. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/dmd2018-6913.

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Tube Thoracostomy (TT) is a surgical procedure involving the insertion of a plastic tube into the patient’s pleural cavity with the purpose of evacuating the air or fluid contents that have abnormally accumulated in this space [1]. Chest tube insertion has been identified as part of a core set of skills needed in a physician’s repertoire when caring for an injured patient [2]. Iatrogenic injuries, traumatic injuries, as well as malignancy, are the likely clinical scenarios were tube thoracotomy may be required. The presentation of these clinical events can be classified into three broad catego
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