Academic literature on the topic 'Caterina'

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Journal articles on the topic "Caterina"

1

Hadjikyriakos, Iosif. "Caterina Depicted." Actual Problems of Theory and History of Art 9 (2019): 686–91. http://dx.doi.org/10.18688/aa199-5-62.

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2

Marin, J. "Dr. Caterina Ramon." Ambulatory Surgery 10, no. 4 (2004): 173. http://dx.doi.org/10.1016/j.ambsur.2004.01.004.

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3

Norcia, Giuseppe. "Les galettes de Caterina." Confluences Méditerranée N°65, no. 2 (2008): 189. http://dx.doi.org/10.3917/come.065.0189.

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4

Marx, Vivien. "Caterina Strambio-De-Castillia." Nature Methods 18, no. 12 (2021): 1413. http://dx.doi.org/10.1038/s41592-021-01342-w.

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5

Dygul, Jolanta. "Caterina Bresciani, l’Ircana famosa." Italica Wratislaviensia 10, no. 2 (2019): 135–46. http://dx.doi.org/10.15804/iw.2019.10.1.21.

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6

Dygul, Jolanta. "Caterina Bresciani, l’Ircana famosa." Italica Wratislaviensia 10, no. 2 (2019): 1–3. http://dx.doi.org/10.15804/iw.2019.10.2.8.

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7

Glasow, E. T. "Caterina Cornaro (composed 1842-43)." Opera Quarterly 14, no. 3 (1998): 189–91. http://dx.doi.org/10.1093/oq/14.3.189.

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8

Baffoni-Licata, Laura. "Caterina “in cattedra”: dimensione umanistica ed eroica di Caterina da Siena all'interno della cultura medievale." Italian Culture 11, no. 1 (1993): 135–47. http://dx.doi.org/10.1179/itc.1993.11.1.135.

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9

Hairston, Julia L. "Skirting the Issue: Machiavelli's Caterina Sforza*." Renaissance Quarterly 53, no. 3 (2000): 687–712. http://dx.doi.org/10.2307/2901494.

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This essay examines the creation of a notorious anecdote about a Machiavellian mother — Caterina Sforza. The adjective "Machiavellian "functions on two levels: first, Sforza often simply appears in her role as mother in Machiavelli's works; second, her behavior in this particular instance might well be characterized as "practising duplicity in state craft. " Yet if one considers the pertinent historical documents and Machiavelli's very first, although virtually forgotten, version of the events, it becomes apparent that Machiavelli "de-Machiavellizes" Caterina Sforza. The historical record offers a narrative in which Sforza provides a localized, targeted political response to undermine her children's would-be assassins. Machiavelli, however, rewrites the episode by altering Sforza's quip to her enemies and adding the audacious gesture of lifting her skirts; as a result, he creates a version in which she no longer responds to the political predicament in which she finds herself. This essay juxtaposes Machiavelli's long-ignored first version of the tale with his other two more well-known prose versions and contextualizes all three in relation to contemporary sources.
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10

Bonura, Celestino, Christophe Sola, and Francesco Vitale. "Obituary Pra. Caterina Mammina 1957–2016." Tuberculosis 103 (March 2017): A1—A2. http://dx.doi.org/10.1016/j.tube.2016.11.004.

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