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Journal articles on the topic 'Caterina'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 March 2023

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1

Hadjikyriakos, Iosif. "Caterina Depicted." Actual Problems of Theory and History of Art 9 (2019): 686–91. http://dx.doi.org/10.18688/aa199-5-62.

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2

Marin, J. "Dr. Caterina Ramon." Ambulatory Surgery 10, no. 4 (May 2004): 173. http://dx.doi.org/10.1016/j.ambsur.2004.01.004.

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3

Norcia, Giuseppe. "Les galettes de Caterina." Confluences Méditerranée N°65, no. 2 (2008): 189. http://dx.doi.org/10.3917/come.065.0189.

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4

Marx, Vivien. "Caterina Strambio-De-Castillia." Nature Methods 18, no. 12 (December 2021): 1413. http://dx.doi.org/10.1038/s41592-021-01342-w.

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5

Dygul, Jolanta. "Caterina Bresciani, l’Ircana famosa." Italica Wratislaviensia 10, no. 2 (December 31, 2019): 135–46. http://dx.doi.org/10.15804/iw.2019.10.1.21.

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6

Dygul, Jolanta. "Caterina Bresciani, l’Ircana famosa." Italica Wratislaviensia 10, no. 2 (December 31, 2019): 1–3. http://dx.doi.org/10.15804/iw.2019.10.2.8.

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7

Glasow, E. T. "Caterina Cornaro (composed 1842-43)." Opera Quarterly 14, no. 3 (January 1, 1998): 189–91. http://dx.doi.org/10.1093/oq/14.3.189.

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8

Baffoni-Licata, Laura. "Caterina “in cattedra”: dimensione umanistica ed eroica di Caterina da Siena all'interno della cultura medievale." Italian Culture 11, no. 1 (January 1993): 135–47. http://dx.doi.org/10.1179/itc.1993.11.1.135.

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9

Hairston, Julia L. "Skirting the Issue: Machiavelli's Caterina Sforza*." Renaissance Quarterly 53, no. 3 (2000): 687–712. http://dx.doi.org/10.2307/2901494.

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This essay examines the creation of a notorious anecdote about a Machiavellian mother — Caterina Sforza. The adjective "Machiavellian "functions on two levels: first, Sforza often simply appears in her role as mother in Machiavelli's works; second, her behavior in this particular instance might well be characterized as "practising duplicity in state craft. " Yet if one considers the pertinent historical documents and Machiavelli's very first, although virtually forgotten, version of the events, it becomes apparent that Machiavelli "de-Machiavellizes" Caterina Sforza. The historical record offers a narrative in which Sforza provides a localized, targeted political response to undermine her children's would-be assassins. Machiavelli, however, rewrites the episode by altering Sforza's quip to her enemies and adding the audacious gesture of lifting her skirts; as a result, he creates a version in which she no longer responds to the political predicament in which she finds herself. This essay juxtaposes Machiavelli's long-ignored first version of the tale with his other two more well-known prose versions and contextualizes all three in relation to contemporary sources.
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10

Bonura, Celestino, Christophe Sola, and Francesco Vitale. "Obituary Pra. Caterina Mammina 1957–2016." Tuberculosis 103 (March 2017): A1—A2. http://dx.doi.org/10.1016/j.tube.2016.11.004.

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11

Cavallo, Jo Ann. "ELSA MORANTE and the Adventures of Caterina." Forum Italicum: A Journal of Italian Studies 28, no. 1 (March 1994): 71–79. http://dx.doi.org/10.1177/001458589402800105.

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12

Velasco Rivas, Jose M. "Roof of Santa Caterina Market in Barcelona." Structural Engineering International 17, no. 3 (August 2007): 218–23. http://dx.doi.org/10.2749/101686607781645770.

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13

Forbes, Cheryl. "The Radical Rhetoric of Caterina da Siena." Rhetoric Review 23, no. 2 (April 2004): 121–40. http://dx.doi.org/10.1207/s15327981rr2302_2.

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14

Majanlahti, Anthony. "Mapping Rome: urban change in the neighbourhood of Santa Caterina della Rota." Papers of the British School at Rome 69 (November 2001): 393–95. http://dx.doi.org/10.1017/s0068246200001884.

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‘MAPPING ROME‘: CAMBIAMENTI URBANI NEL QUARTIERE DI SANTA CATERINA DELLA ROTALa zona di Roma intorno Piazza Santa Caterina della Rota presenta una ricca e varia serie di archivi per lo studio del quartiere. Gli archivi del Venerabile Collegio Inglese dimostrano la presenza di inglesi e delle loro proprietà nel quartiere e indicano inoltre le tracce di un declino della comunità inglese a Roma nei due decenni precedenti la rottura di Enrico VIII con la Chiesa Cattolica. Nonostante il Collegio Inglese continuò a funzionare, la sua importanza nella zona passo da quella di un centro inglese a quella di un maggiore proprietario locale.
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15

Coll Llompart, Margalida. "Contes et légendes d’Espagne." Estudis de Literatura Oral Popular / Studies in Oral Folk Literature, no. 4 (December 17, 2015): 189. http://dx.doi.org/10.17345/elop2015189-193.

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16

Strainchamps, Edmond. "The life and death of Caterina Martinelli: new light on Monteverdi's ‘Arianna’." Early Music History 5 (October 1985): 155–86. http://dx.doi.org/10.1017/s0261127900000693.

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In the early spring of 1608 a calamity befell the Gonzaga court at Mantua with the sudden death of their young virtuoso singer, Caterina Martinelli. And the shock felt at her untimely demise was made all the worse by the realisation that the court's prestige and the standing of Duke Vincenzo himself were thereby threatened. More precisely, what was at risk were the elaborate plans that the Mantuans had made – plans in which Caterina Martinelli had figured very prominently – for an extraordinary series of musical-theatrical events to be held later in that spring to which the whole world (or at least all of it that mattered) had been invited.
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17

Marie, Vincent. "Caterina Sansone, Alessandro Tota, Palacinche, Histoire d’une exilée." Hommes & migrations, no. 1300 (November 1, 2012): 169. http://dx.doi.org/10.4000/hommesmigrations.966.

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18

Pegg, Mark Gregory. "Salvo Burci, Liber Suprastella. Salvo Burci , Caterina Bruschi." Speculum 80, no. 1 (January 2005): 199–201. http://dx.doi.org/10.1017/s0038713400006850.

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19

LOGAN, GABRIELLA BERTI. "CATERINA SCARPELLINI: ASTRONOMY AND METEOROLOGY IN RISORGIMENTO ROME." Nuncius 20, no. 1 (January 1, 2005): 189–217. http://dx.doi.org/10.1163/221058705x00776.

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20

Teresa Magro, Maria. "Ceramiche del XVI secolo provenienti dal Convento di Santa Caterina del Rosario di Catania." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 1 (May 2021): 192–99. http://dx.doi.org/10.3280/asso2020-001022.

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21

Marques Netto, Caterina G. C., Delmárcio G. da Silva, Sergio H. Toma, Leandro H. Andrade, Marcelo Nakamura, Koiti Araki, and Henrique E. Toma. "Correction: Bovine glutamate dehydrogenase immobilization on magnetic nanoparticles: conformational changes and catalysis." RSC Advances 6, no. 56 (2016): 51246. http://dx.doi.org/10.1039/c6ra90047j.

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22

Balzaretti, Ugo. "Caterina Zanfi: Bergson und die deutsche Philosophie. 1907–1932." Philosophischer Literaturanzeiger 72, no. 2 (June 15, 2019): 117–27. http://dx.doi.org/10.3196/219458451972221.

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23

Casajus, Dominique. "Caterina Pasqualino, Dire le chant. Les Gitans flamencos d’Andalousie." L'Homme, no. 156 (January 1, 2000): 299–301. http://dx.doi.org/10.4000/lhomme.2772.

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24

Ayats, Jaume. "Caterina Pasqualino, Dire le chant. Les Gitans flamencos d’Andalousie." L'Homme, no. 156 (January 1, 2000): 301–2. http://dx.doi.org/10.4000/lhomme.2773.

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25

Fabbri, Giulia. "Caterina Romeo, Riscrivere la nazione. La letteratura italiana postcoloniale." Narrativa, no. 40 (December 1, 2018): 184–85. http://dx.doi.org/10.4000/narrativa.574.

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26

Durcan, Sarah. "Memory, Forgetting and the Moving Image, Caterina Albano (2016)." Moving Image Review & Art Journal (MIRAJ) 8, no. 1 (September 1, 2019): 168–75. http://dx.doi.org/10.1386/miraj_00016_4.

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27

Pignatti, Terisio. "Il "Martirio di Santa Caterina" Tallard di Paolo Veronese." Artibus et Historiae 10, no. 20 (1989): 59. http://dx.doi.org/10.2307/1483353.

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28

Vogt, Barbara. "Moroni, Manuela Caterina: Modalpartikeln zwischen Syntax, Prosodie und Informationsstruktur." Informationen Deutsch als Fremdsprache 39, no. 2-3 (June 1, 2012): 303–6. http://dx.doi.org/10.1515/infodaf-2012-2-368.

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29

Napoletano, Roberta. "Caterina Tristano, ed., Frammenti di un discorso storico. Per una grammatica dell’aldilà del frammento." Fragmentology 2 (December 2019): 207–12. http://dx.doi.org/10.24446/mcno.

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Review of Caterina Tristano, ed., Frammenti di un discorso storico. Per una grammatica dell’aldilà del frammento (Palaeographica. Collana di studi di storia della cultura scritta, 8), Spoleto: Fondazione CISAM 2018, 750 pp. ISBN 9788868091651
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30

Temporal Oleart, Josep. "La revista Tresor dels Avis [1922-1928]. Memòria, paraula i folklore." Estudis de Literatura Oral Popular / Studies in Oral Folk Literature, no. 5 (June 22, 2017): 137. http://dx.doi.org/10.17345/elop2016137-139.

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Coll Llompart, Margalida: La revista Tresor dels Avis [1922-1928]. Memòria,paraula i folklore. Premi ciutat de Manacor d’assaig Antoni M. Alcover 2015. Pròleg de Caterina Valriu. Manacor: Edicions Món de Llibres, 2015, 180 p.
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31

Moreno Celeghin, María Gracia. "RESEÑA: ESCRITORAS POR LA IGUALDAD EN EL RESURGIMIENTO ITALIANO: ELENORA FONSECA PIMENTEL, GIUSEPPINA TURRISI COLONNA, ENRICHETTA CARACCIOLO Y CATERINA PERCOTO. SALVATORE BARTOLOTTA, ROCÍO LUQUE Y MERCEDES TORMO-ORTIZ." RAUDEM. Revista de Estudios de las Mujeres 8 (December 27, 2020): 348. http://dx.doi.org/10.25115/raudem.v8i0.4358.

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Salvatore Bartolotta, Rocío Luque & Mercedes Tormo-Ortiz. Escritoras por la igualdad en el Resurgimiento italiano: Elenora Fonseca Pimentel, Giuseppina Turrisi Colonna, Enrichetta Caracciolo y Caterina Percoto. Sevilla: ArCiBel Editores, S. L, 2019. ISBN: 978-84-15335-87-4.
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32

Garachana, Mar. "Caterina Martínez Martínez, «Origen i evolució dels connectors de contrast en català», Alacant / Barcelona, Institut Interuniversitari de Filologia Valenciana / Publicacions de l’Abadia de Montserrat, «Biblioteca Sanchis Guarner», 2021, 247 p." Caplletra. Revista Internacional de Filologia, no. 71 (October 6, 2021): 297. http://dx.doi.org/10.7203/caplletra.71.21056.

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Ressenya sobre el llibre de Caterina Martínez Martínez, Origen i evolució dels connectors de contrast en català, Alacant / Barcelona, Institut Interuniversitari de Filologia Valenciana / Publicacions de l’Abadia de Montserrat, «Biblioteca Sanchis Guarner», 2021, 247 p., isbn: 978-84-9191-152-4.
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33

Zarri, Gabriella. "A Compendium of the Wondrous Deeds of Caterina da Racconigi: Hagiography or Philosophical Treatise?" Renaissance and Reformation 42, no. 4 (April 9, 2020): 41–59. http://dx.doi.org/10.7202/1068574ar.

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Gianfrancesco Pico’s interest in Caterina da Racconigi, a mystic and prophet revered in Piedmont in the first decades of the sixteenth century, was born out of a scientific curiosity prior to becoming devout admiration. The Compendio delle cose mirabili, Gianfrancesco’s last work, written after the completion of his Life of Savonarola, is a continuation of his treatises on prophecy and premonition and on the discernment of spirits and witchcraft; it aims to observe and describe the mystical phenomena attributed to a woman whose conduct is inspired by a specific model of holiness. The Compendio is therefore a composite text, part scientific treatise and part hagiography. This article examines the text in terms of hagiography by relating it to the model of Catherine of Siena and to the lives of the living saints that inspired Caterina da Racconigi’s own behaviour. It also explores the significance of the work within Gianfrancesco’s religious thought.
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34

Parsons, Gerald. "A neglected sculpture: the monument to Catherine of Siena at Castel Sant'Angelo." Papers of the British School at Rome 76 (November 2008): 257–76. http://dx.doi.org/10.1017/s0068246200000490.

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A dispetto delle sue dimensioni impressionanti e della complessità dello schema iconografico — che include non solo la statua ma anche un'intera sequenza di scene scolpite, emblemi e iscrizioni — il monumento a Santa Caterina di Siena collocato nei pressi di Castel Sant'Angelo ha ricevuto sorprendentemente poca attenzione da parte degli studiosi. L'articolo cerca di colmare questa lacuna presentando un'analisi dettagliata del monumento che esplora il suo linguaggio, il suo simbolismo e il contesto religioso e politico in cui si colloca. In questo modo si arguisce che il monumento sta, non solo cronologicamente, ma anche ideologicamente, a metà strada tra tre distinte interpretazioni di Caterina di Siena e il suo significato politico percepito nell'Italia del ventesimo secolo. Nell'articolo si suggerisce anche una spiegazione circa i motivi della dimenticanza del monumento da parte degli studiosi fino ad oggi, ricollegandola a specifiche circostanze e al contesto dell'inaugurazione del monumento nell'aprile del 1962.
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35

Mastroianni, Michele. "Alessandra Necci, Caterina de’ Medici. Un’italiana alla conquista della Francia." Studi Francesi, no. 192 (LXIV | III) (December 1, 2020): 654. http://dx.doi.org/10.4000/studifrancesi.42364.

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36

Flambard Héricher, Anne-Marie. "Maria Stella Calò Mariani, Françoise Piponnier (†), Patrice Beck et Caterina." Archéologie médiévale, no. 44 (December 1, 2014): 339–40. http://dx.doi.org/10.4000/archeomed.8211.

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37

Ortoll i Martín, Ernest. "Some considerations about the church of Santa Caterina of Barcelona." Locus Amoenus 2 (December 1, 1996): 47. http://dx.doi.org/10.5565/rev/locus.48.

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38

Hurlburt, Holly. "Body of Empire: Caterina Corner in Venetian History and Iconography." Early Modern Women: An Interdisciplinary Journal 4 (September 1, 2009): 61–99. http://dx.doi.org/10.1086/emw23541572.

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39

Mele, Valentina. "Reading Dante and Proust by Analogy by Julia Caterina Hartley." Modern Language Review 115, no. 4 (2020): 891–92. http://dx.doi.org/10.1353/mlr.2020.0060.

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40

Schilling, Britta. "Cristina Lombardi-Diop, Caterina Romeo, Postcolonial Italy: Challenging National Homogeneity." Témoigner. Entre histoire et mémoire, no. 120 (April 30, 2015): 190–92. http://dx.doi.org/10.4000/temoigner.2558.

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41

Grimshaw, Anna. "Schneider, Arnd, and Caterina Pasqualino (eds.): Experimental Film and Anthropology." Anthropos 110, no. 1 (2015): 271–73. http://dx.doi.org/10.5771/0257-9774-2015-1-271.

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42

Duncan, Cheryll, and David Mateer. "An Innocent Abroad? Caterina Galli's Finances in New Handel Documents." Journal of the American Musicological Society 64, no. 3 (2011): 495–526. http://dx.doi.org/10.1525/jams.2011.64.3.495.

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Abstract New documents relating to Handel and one of his singers have come to light at The National Archives in London. In a legal dispute between Caterina Galli and two of her servants, the singer provides an outline of her earnings for the period 1744–48 which mentions the names not only of Handel, but also of Francesco Geminiani, Niccolo Pasquali, and a “Mr Glooc” (almost certainly, Christoph Willibald Gluck). From the documents we learn of the singer's alleged extravagance and financial difficulties in London, her peripatetic lifestyle, and the probable reasons why she returned to the continent in 1754. They also add to our scant knowledge of singers' salaries and, in particular, record what Handel paid Galli for performing in his oratorios. The complainant's bill and interrogatories mention several significant patrons of the London music scene, and the defense's case is supported by a series of signed depositions, including one from John Christopher Smith the elder, Handel's secretary, treasurer, and principal copyist. Galli's claims to have sung for Handel as early as 1744 are examined and largely dismissed; nevertheless, the fees she says she earned are credible because they accord with Smith's testimony and the little we know about singers' salaries in the 1740s and 1750s.
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43

Stahl, Alan M. "Fra Mauro's World Map. Piero Falchetta , Jeremy Scott , Caterina Balletti." Speculum 83, no. 2 (April 2008): 432–33. http://dx.doi.org/10.1017/s0038713400013609.

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44

Arthur, Kathleen G. "Images of Clare & Francis in Caterina Vigri's Personal Breviary." Franciscan Studies 62, no. 1 (2004): 177–91. http://dx.doi.org/10.1353/frc.2004.0006.

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45

Licata, Laura Baffoni. "La “cittil prestata”: consigli di politica nelleLetteredi Caterina da Siena." Italian Culture 19, no. 2 (January 2001): 19–29. http://dx.doi.org/10.1179/itc.2001.19.2.19.

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46

della Redazione, A. cura. "Cartof Fierbinte - La Patata bollente! I confini tra competenze sociali e sanitarie e tra clinica e riabilitazione." MISSION, no. 57 (August 2022): 24–28. http://dx.doi.org/10.3280/mis57-2022oa14306.

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Teo Vignoli, Miriam Savarese, Michela Tazzini, Stefano Aringhieri, Paola Avveduti, Giorgia Bondi, Monica Bosi, Simona Brunetti, Luigi Caputo, Gaetano Cerreto, Luigi De Donno, Sabrina Ferroni, Daniela Forlano, Giuseppa Ghetti, Cinzia Ghidoni, Daniele Innocenti, Giovanna Maria Latino, Mirta Malpassi, Andrea Martini, Elisa Martino, Antonella Monti, Angela Piovani, Federica Righi, Barbara Rossi, Marina Caterina Staccioli, Edoardo Cozzolino
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47

Caldarella Allaire, Valeria. "Marcello Simonetta, Caterina de Medici. Storia segreta di una faida famigliare." Transalpina, no. 22 (November 1, 2019): 194–96. http://dx.doi.org/10.4000/transalpina.542.

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48

Waizer, Stefan. "Caterina Carta, The European Union Diplomatic Service ? Ideas, preferences and identities." Politique européenne 45, no. 3 (2014): 208. http://dx.doi.org/10.3917/poeu.045.0208.

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49

Collange, Lise. "Deux femmes d'affaires du Quattrocento : Alessandra Macinghi Strozzi et Caterina Sforza." Le Moyen Age CIX, no. 2 (2003): 295. http://dx.doi.org/10.3917/rma.092.0295.

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50

Spanò Martinelli, Serena. "Caterina Vigri (1413-1463). Nascita e sviluppo di un culto cittadino." Revue Mabillon 17 (January 2006): 127–43. http://dx.doi.org/10.1484/j.rm.2.303591.

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