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Books on the topic 'Cathartic'

Author: Grafiati

Published: 27 August 2021

Last updated: 8 February 2022

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1

Leduc, Joël C. Are the martial arts cathartic? Sudbury, Ont: Laurentian University, 2005.

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2

Yours truly: Cathartic confessions, passionate declarations and vivid recollections from women of letters. Melbourne, Victoria: Viking, 2013.

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3

Schickele, Peter. Oedipus Tex: (S. 150) : dramatic oratorio or opera in one cathartic act for S.A.T.B. chorus, soprano, mezzo-soprano, tenor, and baritone soloists, and orchestra. Bryn Mawr, PA: T. Presser, 1989.

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4

Ferlut, Nathalie. Catharzie. [Paris]: Delcourt, 2000.

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5

Robasciotti, Rachel-Joyce. Catharsis. Berkeley, Calif: RJR International Press, 1999.

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6

Bahjājī, Muḥammad. Catharsis?!: Théâtre. [Tangier?]: al-Markaz al-Duwalī li-Dirāsāt al-Furjah, 2014.

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7

1971-, Cassaigne Rémi, ed. Catharsis: Roman. Arles: Actes Sud, 2014.

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8

Catharsis: Roman. Saint-Laurent, Québec]: Édition du Club Québec loisirs, 2003.

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9

Tolbert, Yul. Cartoonist's catharsis. Detroit, MI: Timelike Line Productions, 1993.

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10

Ucheagwu, Gregory Ojiewulu. Catharsis: Poems. [S.l: G. Ucheagwu], 1992.

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11

Catharsis in literature. Bloomington: Indiana University Press, 1985.

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12

Bascozoy, Calypso. Euripide et la catharsis. Athènes: Editions "TINOS", 1989.

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13

The catharsis of comedy. Lanham, Md: Rowman & Littlefield Publishers, 1994.

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14

Paillier, Magali. La katharsis chez Aristote. Paris: L'Harmattan, 2004.

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15

Schkuratova, Natalya. Catharsis as an ethical and aesthetical problem. Bergen: Ariadne, 1993.

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16

Thiele, Michael. Negierte Katharsis: Plato, Aristoteles, Brecht. Frankfurt am Main: P. Lang, 1991.

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17

Hug, Daniel. Katharsis: Revision eines umstritten Konzepts. London: Turnshare, 2004.

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18

Catharsis and cognition in psychotherapy. New York: Springer-Verlag, 1987.

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19

Guinagh, Barry. Catharsis and Cognition in Psychotherapy. New York, NY: Springer New York, 1987. http://dx.doi.org/10.1007/978-1-4612-4776-0.

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20

1427, rue Cathart: Nouvelles. Tracadie-Sheila, Nouveau-Brunswick, Canada: La Grande Marée, 2013.

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21

Katharsis: Zur Vorgeschichte eines therapeutischen Mechanismus und seiner Weiterentwicklung bei J. Breuer und in S. Freuds Psychoanalyse. Opladen: Westdeutscher Verlag, 1997.

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22

Menʹshikov, S. M. Catastrophe or catharsis?: The Soviet economy today. Moscow: Inter-Verso, 1991.

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23

Catastrophe or catharsis?: The Soviet economy today. Moscow: Inter-Verso, 1991.

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24

Gammelgaard, Judy. Katharsis: Sjælens renselse i psykoanalyse og tragedie. København: Hans Reitzel, 1993.

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25

Szczeklik, Andrzej. Katharsis: O uzdrowicielskiej mocy natury i sztuki. Kraków: Wydawnictwo "Znak", 2003.

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26

Duggan, Mary. Imagination, identification, and catharsis in theatre and therapy. London: Jessica Kingsley Publishers, 1997.

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27

Dondoli, Luciano. La natura catartica dell'arte. Roma: Bulzoni, 1992.

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28

1872-1962, Pohlenz M., ed. Due saggi sulla catarsi tragica. Amsterdam: Hakkert, 2006.

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29

Rojas, Agustín de. Catarsis y sociedad. Santa Clara, Cuba: Ediciones Capiro, 1993.

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30

Littérature et thérapeutique des passions: La catharsis en question. Paris: Hermann, 2011.

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31

Jabbar, Javed. From chaos to catharsis: Perspectives on democracy and development. Karachi: Royal Book Co., 1996.

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32

Kalb, Ken. The grand catharsis: An astrolog of the shifting ages. Santa Barbara, CA: Lucky Star Research Institute, 1996.

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33

Sanz, Pilar León. Vicente Ferrer Gorraiz Beaumont y Montesa (1718-1792): Un polemista navarro de la illustración. Pamplona: Gobierno de Navarra Departamento de Salud, 2007.

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34

Jouthe, Ernst. Catharsis et transformation sociale dans la théorie politique de Gramsci. Sillery, Québec: Presses de l'Université du Québec, 1990.

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35

Gerhardstein, Alan. Cathartic Introspection. Vantage Pr, 2005.

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36

Ashlie, Chae. Cathartic Chronicles: Rikki's Story. 1st Books Library, 2003.

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37

Landrum, Gene N. Literary Genius: A Cathartic Inspiration. Genie-Vision Books, 2000.

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38

Lawrence, T. M. Cathartic Moments of a Captive Heart. CreateSpace Independent Publishing Platform, 2012.

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39

Rabinowitz, Dani, ed. Knowledge and the Cathartic Value of Repentance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198798705.003.0005.

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An austere form of legalism lies at the heart of Judaism. Apart from a limited set of exceptions, every adult Jew is required to observe the full gamut of relevant biblical and rabbinic laws. Success in this endeavor is handsomely rewarded and failure severely punished. Despite the apparent bleakness of this legalism, the system licenses a divine pardon in cases where the offending individual repents. This chapter opens with a discussion of this clemency, as understood by Moses Maimonides, before moving on to a reading of a Talmudic debate that introduces an epistemic puzzle regarding repentance. With the epistemic contours of repentance thus exposed, the remainder of the chapter deals with the manner in which Timothy Williamson’s work on knowledge can undermine the cathartic value of repentance. The chapter concludes with a short note marking the implications for Christianity and Islam.

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40

Shade, Susan. The Cathartic Couch: A selection of short stories. Shadenet Publishing, 2018.

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41

Tiwari, Aman. Memoir : the Cathartic Night: Contemplating Temporality to Inevitability. Independently Published, 2020.

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42

Staff, Quadrille Publishing Ltd. One Rant a Day: A Cathartic Daily Journal. Quadrille Publishing, Limited, 2019.

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43

Guardado, Julie. Birth of a New J: A Cathartic Memoir. CreateSpace Independent Publishing Platform, 2014.

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44

Patton, Kimberley C. The Sea Can Wash Away All Evils: Modern Marine Pollution and the Ancient Cathartic Ocean. Columbia University Press, 2007.

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45

The Sea Can Wash Away All Evils: Modern Marine Pollution and the Ancient Cathartic Ocean. Columbia University Press, 2006.

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46

Flanagan, Owen. Identity and Addiction. Edited by K. W. M. Fulford, Martin Davies, Richard G. T. Gipps, George Graham, John Z. Sadler, Giovanni Stanghellini, and Tim Thornton. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199579563.013.0051.

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Chapter 51 focuses on the subjective side of alcoholism, specifically about what memoirs of alcoholism teach about alcoholism, and argue that a common theme in many memoirs is that drinking, sometimes heavy drinking, a prerequisite of addiction, was modelled, endorsed, and eventually achieved in a way that involves deep identification, and also argues that alcoholic memoirs, even assuming that they suffer from objectivity problems such as the latter, nonetheless serve an important function, and not just whatever cathartic function they serve for the author.

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47

Solomon, William. The Emergence of Slapstick Modernism. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040245.003.0006.

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This chapter delves into the Depression era in order to track the initial emergence abroad of a slapstick modernism in the novels of Louis-Ferdinand Céline and Witold Gombrowicz. Justifying his comically outrageous undertaking as a revitalizing remedy for the sicknesses of contemporary existence, Céline ultimately pursued cathartic effects that would take place at the level of the word as well as the body and mind. His powerfully emotive technique was oriented toward the purification of the signifier via the elimination of the signified. Meanwhile, Gombrowicz's first novel, Ferdydurke (1937) is a key piece in the global or transnational puzzle that slapstick modernism ultimately constitutes.

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48

Frankfurter, David. The Construction of Evil and the Violence of Purification. Edited by Michael Jerryson, Mark Juergensmeyer, and Margo Kitts. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199759996.013.0035.

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This chapter explores the construction of evil and the strategies of violence in purification. Prurient fascination and righteous revulsion both recreate and repel each other, developing an anxiety of confusion that has resulted in many circumstances in community efforts to cast the subject, the symbol, of that confusion. Erotic prurience into the nature and deeds of Evil may remain as a living genre for centuries without lending itself to societies as legitimation for purge. Dramaturgy and procession can contribute to brutal but cathartic narratives of saints and monsters, martyrs, and their persecutors, into the immediate festival lives of communities. Furthermore, brutality and atrocity are recurrent characteristics of any culture, often aggravated in situations of historical stress independent of religious systems.

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49

Bégin, Camille. Romance of the Homemade. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040252.003.0003.

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This chapter examines the Federal Writers' Project's (FWP) sensory nostalgia for regional food as a cathartic reaction to the standardization of taste triggered by the industrialization of the U.S. food system since the late nineteenth century. Categories of race and gender interplayed in the New Deal sensory economy both to buffer sensory change and to allow its critique. Women often took the blame for the decreased sensory quality of American food, making the 1930s a significant moment in the elaboration of conservative gender roles that dominated the war and postwar period. To counter this feminine threat, New Deal food writing held “virile” and uncorrupted tastes as the pinnacle of American cuisine, which, as the analysis of racial interaction in public cooking events shows, often meant tapping into the raw sensory power of racial others.

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50

Winner, Ellen. Does Making Art Improve Well-Being? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863357.003.0014.

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This chapter considers the claim that making art is therapeutic. Evidence that the arts are therapeutic comes from studies showing that art making in young children living in poverty relieves physiological indices of stress. And when we draw, mood improves. Why? Both Aristotle and Freud believed that the arts are cathartic. For Aristotle, watching a tragedy arouses pity and fear, which at the end “flood” out of us, leaving us calm. For Freud, making art involved sublimating forbidden urges in a socially acceptable way, resulting in tension release. But research shows another mechanism at work: making art pulls us away from negative affect, distracting us from our problems. Whether more intensive involvement in the arts can relieve stress, not via distraction but through the process of venting and working through difficulties, remains a distinct possibility.

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