Relevant bibliographies by topics / Cathedral Tours

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Academic literature on the topic 'Cathedral Tours'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Cathedral Tours"

1

Brennan, Brian. "Text and Image: "Reading" the Walls of the Sixth-century Cathedral of Tours." Journal of Medieval Latin 06 (January 1996): 65–83. http://dx.doi.org/10.1484/j.jml.2.304067.

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Tătărușanu, Maria, Gina Ionela Butnaru, Valentin Niță, Angelica-Nicoleta Neculăesei, and Elena Ciortescu. "The Influence of Interpretation through Guiding Tour, Quality of Reception and Relics’ Worship on the Satisfaction of Pilgrims Attending the Iasi Feast." Sustainability 13, no. 12 (2021): 6905. http://dx.doi.org/10.3390/su13126905.

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Recently, in line with the increased attention paid to cultural tourism in general and to religious tourism in particular, researchers and practitioners have become increasingly interested in the analysis of various aspects related to cultural heritage in order to capitalize on its value by means of its interpretation, thus providing beneficial effects both for tourists and for tourism’s sustainable development. The aim of this research is to analyze the extent to which the methods of interpretation of the religious cultural heritage: guiding tours, quality reception, and relic worship influence the satisfaction of tourists participating in the “Saint Parascheva” pilgrimage, held annually by the Metropolitan Cathedral in Iasi. The data were collected by means of a survey (N = 932) and the information was processed by using the SPSS version 25 program. Our results indicate the significant influence that the potential to worship relics has on pilgrims’ satisfaction compared to other interpretation methods, such as the relationship with the Cathedral’s staff or the possibility of participating in guided tours. Pilgrims’ satisfaction is also perceived differently depending on certain aspects of their socio-demographic profile, i.e., their age and the perceived faith level. This study is relevant for researchers, managers, and students interested in the field of cultural heritage interpretation in genera, and in the field of religious heritage in particular, and could significantly contribute to improving pilgrims’ satisfaction as well as cultural heritage preservation.
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RHEUBOTTOM, NICHOLAS. "SIXTEENTH BIENNIAL INTERNATIONAL CONFERENCE ON BAROQUE MUSIC UNIVERSITÄT MOZARTEUM SALZBURG, 9–13 JULY 2014." Eighteenth Century Music 12, no. 1 (2015): 141–43. http://dx.doi.org/10.1017/s1478570614000608.

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The Sixteenth Biennial International Conference on Baroque Music (ICBM) was held at the beautiful Universität für Musik und darstellende Kunst Mozarteum in Salzburg, Austria. Thanks to the tireless efforts of Professor Thomas Hochradner and his effective team of assistants, approximately 250 participants could choose from papers and lecture-recitals that covered a wide spectrum of topics and methodologies. These included new research on notable composers, geographical influences upon musical genres and interdisciplinary approaches. The organizers also offered guided tours on one of the afternoons, which allowed participants to trace the music of the city, learn about the autographs vault of the Mozarteum, listen to the organs at the Metropolitan Church or explore the cathedral quarters (Domquartier).
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Eckersley, Rosanna. "An Awkward Fit? Winifred Knights’ Scenes from the Life of Saint Martin of Tours, Canterbury Cathedral." Visual Culture in Britain 18, no. 2 (2017): 192–216. http://dx.doi.org/10.1080/14714787.2017.1326292.

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Farges, François, Marie-Pierre Etcheverry, André Scheidegger, and Daniel Grolimund. "Speciation and weathering of copper in “copper red ruby” medieval flashed glasses from the Tours cathedral (XIII century)." Applied Geochemistry 21, no. 10 (2006): 1715–31. http://dx.doi.org/10.1016/j.apgeochem.2006.07.008.

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Sarapina, Ievgeniia. "Memory heterotopias in Ukraine: Sites to re-imagine the past." Tourism and Hospitality Research 16, no. 3 (2016): 223–41. http://dx.doi.org/10.1177/1467358415589657.

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In the contemporary globalized world, tourist practices deal mostly with appropriated memory. Famous sights are arranged into classical routes proposed by guidebooks and guided tours presenting an official narrative of community’s collective memory. However, should a traveller step aside from major auto routes in Ukraine, direct liaison with the past at the forgotten historical sites is promised. A decade ago, Ukrainian travellers began to discover previously unknown to the public abandoned castles, palaces, manors, churches, cathedral, mills, etc. deep in the province and started to share travelogues after their quest-like trips around Ukraine. Sites that would be considered as heritage in the neighbouring countries, in Ukraine exist as ‘heterotopias’ (places outside usual society’s renderings). Based on the analysis of the Internet travelling community and author’s field trips, this article proposes to consider an alternative mode of tourism that provides potentially inclusive contact with the past.
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7

Bardill, Jonathan. "A NEW TEMPLE FOR BYZANTIUM: ANICIA JULIANA, KING SOLOMON, AND THE GILDED CEILING OF THE CHURCH OF ST. POLYEUKTOS IN CONSTANTINOPLE." Late Antique Archaeology 3, no. 1 (2006): 339–70. http://dx.doi.org/10.1163/22134522-90000048.

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The extent to which the design of Anicia Juliana’s church of St. Polyeuktos influenced Justinian’s cathedral of St. Sophia is an issue that has attracted much attention. There is broad agreement that Juliana’s church is likely to have been crowned with a brick dome on pendentives (a precursor of that crowning St. Sophia). But a reconsideration of the literary and archaeological evidence suggests that this was not the case. I argue here that a tale related by Gregory of Tours on the gilding of the roof of St. Polyeuktos reliably describes the church’s panelled wooden ceiling, and that the account is consonant with the archaeological evidence from the excavated site. Juliana commissioned for her church a ceiling similar to that which had adorned Solomon’s Temple in Jerusalem. Inspired by political and religious circumstances, she claimed to have built a copy of the New Temple, which, according to Biblical prophecy, would descend from heaven in the eschatological era and surpass the defiled Solomonic Temple.
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8

Maxwell, Robert. "Pilgrimage and the Dynamics of Urbanism Reconsidered: Faubourg Architecture in Romanesque Aquitaine." Architectural History 53 (2010): 41–76. http://dx.doi.org/10.1017/s0066622x00003865.

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Since the late nineteenth century, scholars have considered pilgrimage a dynamic catalyst that influenced a range of cultural practices, not least architecture. The charismatic stewardship of such influential scholars as Arthur Kingsley Porter, Kenneth John Conant, Emile Mâle and Elie Lambert helped propel the study of ‘pilgrimage architecture’ to a leading field of study, and a handful of churches — notably St-Sernin in Toulouse, St-Martin in Tours, St-Martial in Limoges, Ste-Foy in Conques and the cathedral at Santiago de Compostela — achieved status as paradigmatic monuments. At the same time, the subject was also for a long while a source of heated debate fuelled by nationalist interests, occasionally lapsing even into ad hominem squabbles. The matter has in recent decades generated calmer discussion, including new perspectives introduced by studies of other complementary cultural phenomena. Urban and economic historians, in particular, have looked to the role of pilgrimage in relation to urban growth and the rise of commercial markets. This scholarship has contributed to re-evaluations among art historians and has shed greater light, for example, on the predatory fervour with which certain bishops, cathedral chapters and abbots enticed pilgrims to destinations like Chartres, Santiago de Compostela or Cluny, just as the infusion of interdisciplinary perspectives has helped architectural historians reassess so-called pilgrimage architecture. After all, not all churches of that type were on the pilgrimage roads, nor do all churches on those roads reflect the Toulousain-Compostelan model. The relative importance of the paradigmatic five churches has been called into question.
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9

Jouquand, Anne-Marie, Frédéric Champagne, Xavier Rodier, Philippe Husi, and Alain Wittmann. "La fouille des " abords de la cathédrale " de Tours (Indre-et-Loire) : Antiquité — haut Moyen Âge / The excavation of the "surroundings of Tours cathedral " (Indre-et- Loire) : Antiquity - Early Middle Ages." Revue archéologique du Centre de la France 38, no. 1 (1999): 7–98. http://dx.doi.org/10.3406/racf.1999.2818.

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10

Lefebvre, Bastien. "Une maison du quartier cathédral de Tours (Indre-et-Loire) : évolution architecturale et techniques de construction / A house in the cathedral close of Tours (Indre-et-Loire): its architectural evolution and construction techniques." Revue archéologique du Centre de la France 43, no. 1 (2004): 223–46. http://dx.doi.org/10.3406/racf.2004.2962.

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