Academic literature on the topic 'Cathedral Tours'

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Journal articles on the topic "Cathedral Tours"

1

Brennan, Brian. "Text and Image: "Reading" the Walls of the Sixth-century Cathedral of Tours." Journal of Medieval Latin 06 (January 1996): 65–83. http://dx.doi.org/10.1484/j.jml.2.304067.

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2

Tătărușanu, Maria, Gina Ionela Butnaru, Valentin Niță, Angelica-Nicoleta Neculăesei, and Elena Ciortescu. "The Influence of Interpretation through Guiding Tour, Quality of Reception and Relics’ Worship on the Satisfaction of Pilgrims Attending the Iasi Feast." Sustainability 13, no. 12 (2021): 6905. http://dx.doi.org/10.3390/su13126905.

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Recently, in line with the increased attention paid to cultural tourism in general and to religious tourism in particular, researchers and practitioners have become increasingly interested in the analysis of various aspects related to cultural heritage in order to capitalize on its value by means of its interpretation, thus providing beneficial effects both for tourists and for tourism’s sustainable development. The aim of this research is to analyze the extent to which the methods of interpretation of the religious cultural heritage: guiding tours, quality reception, and relic worship influen
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RHEUBOTTOM, NICHOLAS. "SIXTEENTH BIENNIAL INTERNATIONAL CONFERENCE ON BAROQUE MUSIC UNIVERSITÄT MOZARTEUM SALZBURG, 9–13 JULY 2014." Eighteenth Century Music 12, no. 1 (2015): 141–43. http://dx.doi.org/10.1017/s1478570614000608.

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The Sixteenth Biennial International Conference on Baroque Music (ICBM) was held at the beautiful Universität für Musik und darstellende Kunst Mozarteum in Salzburg, Austria. Thanks to the tireless efforts of Professor Thomas Hochradner and his effective team of assistants, approximately 250 participants could choose from papers and lecture-recitals that covered a wide spectrum of topics and methodologies. These included new research on notable composers, geographical influences upon musical genres and interdisciplinary approaches. The organizers also offered guided tours on one of the afterno
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4

Eckersley, Rosanna. "An Awkward Fit? Winifred Knights’ Scenes from the Life of Saint Martin of Tours, Canterbury Cathedral." Visual Culture in Britain 18, no. 2 (2017): 192–216. http://dx.doi.org/10.1080/14714787.2017.1326292.

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5

Farges, François, Marie-Pierre Etcheverry, André Scheidegger, and Daniel Grolimund. "Speciation and weathering of copper in “copper red ruby” medieval flashed glasses from the Tours cathedral (XIII century)." Applied Geochemistry 21, no. 10 (2006): 1715–31. http://dx.doi.org/10.1016/j.apgeochem.2006.07.008.

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6

Sarapina, Ievgeniia. "Memory heterotopias in Ukraine: Sites to re-imagine the past." Tourism and Hospitality Research 16, no. 3 (2016): 223–41. http://dx.doi.org/10.1177/1467358415589657.

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In the contemporary globalized world, tourist practices deal mostly with appropriated memory. Famous sights are arranged into classical routes proposed by guidebooks and guided tours presenting an official narrative of community’s collective memory. However, should a traveller step aside from major auto routes in Ukraine, direct liaison with the past at the forgotten historical sites is promised. A decade ago, Ukrainian travellers began to discover previously unknown to the public abandoned castles, palaces, manors, churches, cathedral, mills, etc. deep in the province and started to share tra
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7

Bardill, Jonathan. "A NEW TEMPLE FOR BYZANTIUM: ANICIA JULIANA, KING SOLOMON, AND THE GILDED CEILING OF THE CHURCH OF ST. POLYEUKTOS IN CONSTANTINOPLE." Late Antique Archaeology 3, no. 1 (2006): 339–70. http://dx.doi.org/10.1163/22134522-90000048.

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The extent to which the design of Anicia Juliana’s church of St. Polyeuktos influenced Justinian’s cathedral of St. Sophia is an issue that has attracted much attention. There is broad agreement that Juliana’s church is likely to have been crowned with a brick dome on pendentives (a precursor of that crowning St. Sophia). But a reconsideration of the literary and archaeological evidence suggests that this was not the case. I argue here that a tale related by Gregory of Tours on the gilding of the roof of St. Polyeuktos reliably describes the church’s panelled wooden ceiling, and that the accou
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Maxwell, Robert. "Pilgrimage and the Dynamics of Urbanism Reconsidered: Faubourg Architecture in Romanesque Aquitaine." Architectural History 53 (2010): 41–76. http://dx.doi.org/10.1017/s0066622x00003865.

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Since the late nineteenth century, scholars have considered pilgrimage a dynamic catalyst that influenced a range of cultural practices, not least architecture. The charismatic stewardship of such influential scholars as Arthur Kingsley Porter, Kenneth John Conant, Emile Mâle and Elie Lambert helped propel the study of ‘pilgrimage architecture’ to a leading field of study, and a handful of churches — notably St-Sernin in Toulouse, St-Martin in Tours, St-Martial in Limoges, Ste-Foy in Conques and the cathedral at Santiago de Compostela — achieved status as paradigmatic monuments. At the same ti
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9

Jouquand, Anne-Marie, Frédéric Champagne, Xavier Rodier, Philippe Husi, and Alain Wittmann. "La fouille des " abords de la cathédrale " de Tours (Indre-et-Loire) : Antiquité — haut Moyen Âge / The excavation of the "surroundings of Tours cathedral " (Indre-et- Loire) : Antiquity - Early Middle Ages." Revue archéologique du Centre de la France 38, no. 1 (1999): 7–98. http://dx.doi.org/10.3406/racf.1999.2818.

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10

Lefebvre, Bastien. "Une maison du quartier cathédral de Tours (Indre-et-Loire) : évolution architecturale et techniques de construction / A house in the cathedral close of Tours (Indre-et-Loire): its architectural evolution and construction techniques." Revue archéologique du Centre de la France 43, no. 1 (2004): 223–46. http://dx.doi.org/10.3406/racf.2004.2962.

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