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Relevant bibliographies by topics / Cathedrals, France: Amiens

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Academic literature on the topic 'Cathedrals, France: Amiens'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Cathedrals, France: Amiens"

1

Jakubczyk, Radosław. "Gotyk wyobrażony. O francuskich katedrach w listach Stanisława Wyspiańskiego." Prace Literackie 56 (June 29, 2017): 113–25. http://dx.doi.org/10.19195/0079-4767.56.8.

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The imaginary Gothic. French cathedrals in Stanisław Wyspiański’s letters The article focuses on the role of imagination in Stanisław Wyspiański’s perception of the Gothic, which can be read out of his “French” letters to Lucjan Rydel, 19th-century poet and dramatist. During his journey to France in 1890, Wyspiański admires some Gothic cathedrals i.e. Chartres, Reims, Rouen, Amiens and personifies them metaphorically. The cathedral is a product of the imagination, she turns into amonumental theatrical stage, and its sculptures become dramatis personae of the play.

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2

Riall, Nicholas. "The Diffusion of Early Franco-ItalianAll'AnticaOrnament: The Renaissance Frieze in the Chapel of the Hospital of St Cross, Winchester, and the Gaillon Stalls, Now at St Denis, Paris." Antiquaries Journal 88 (September 2008): 258–307. http://dx.doi.org/10.1017/s0003581500001438.

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In Volume 82 (2002) of theAntiquaries Journal,the canopied benches at St Cross were described, along with a discussion of their date and patronage. This paper takes the subject further by suggesting a reconstruction of the layout of these fittings. Conclusions reached in the earlier paper are further refined: the distinctive mouldings on the frieze, benches and desks clearly demonstrate that all three elements are integral to the same work and not added to preexisting benches, as previously argued. Further research suggests that the imagery and style of the frieze at St Cross had little impact

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3

KRUCKENBERG, LORI. "Neumatizing the Sequence: Special Performances of Sequences in the Central Middle Ages." Journal of the American Musicological Society 59, no. 2 (2006): 243–317. http://dx.doi.org/10.1525/jams.2006.59.2.243.

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Abstract In his liturgical commentary Rationale divinorum officiorum, the thirteenthcentury writer Guillaume Durand describes a special, “antique” way of singing sequences called “neumatizing” (“neumatizare”). According to Durand, a sequence could be neumatized either by singing certain phrases melismatically or by vocalizing the entire sequence without words. The chief focus of this investigation is the identification of which sequences were still being neumatized after the decline of that practice around 1100, where and at which feasts they were sung, and why. The evidence suggests that neum

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Colpaert, Jozef. "Peripatetic considerations on research challenges in CALL." CALICO Journal, June 12, 2013, 272–79. http://dx.doi.org/10.1558/cj.v30i0.272-279.

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An imaginary walk around the cathedral of Amiens in France. A virtual discussion between two CALLers who have a lot in common, but whose paths did not cross frequently. They discuss a number of topics and issues in CALL research such as academic evaluation, the pressure to publish, research design and changing roles.

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Books on the topic "Cathedrals, France: Amiens"

1

Rodin, Auguste. Les cathédrales de France: Beauvais, Laon, Reims, Amiens, Soissons. Editions de l'Atelier, 1996.

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2

Ruskin, John. Our Fathers Have Told Us. Part I. the Bible of Amiens. Lulu Press, Inc., 2010.

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Ruskin, John. Our Fathers Have Told Us. Part I. the Bible of Amiens. Lulu Press, Inc., 2010.

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4

Doquang, Mailan S. The Lithic Garden. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190631796.001.0001.

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This ambitious book offers new perspectives on the role of vegetal ornament in medieval church design. Focusing on an extensive series of foliate friezes articulating iconic French monuments, such as Cluny III, Amiens Cathedral, and Mont-Saint-Michel, it demonstrates that church builders strategically used organic motifs to integrate the interior and exterior of their structures, and to reinforce the connections and distinctions between the entirety of the sacred edifice and the profane world beyond its boundaries. Mailan S. Doquang shows that, contrary to widespread belief, monumental flora w

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Book chapters on the topic "Cathedrals, France: Amiens"

1

Stoddard, Whitney S. "The Cathedral of Amiens." In Art and Architecture in Medieval France. Routledge, 2018. http://dx.doi.org/10.4324/9780429494130-23.

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Potter, David. "Introduction." In France in the Later Middle Ages 1200–1500. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199250479.003.0001.

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Abstract In the depiction of September for the Très riches heures du due de Berry, the château of Saumur towers like a fairy-tale castle over peasants harvesting the vines in the fields below. The castle is still there, restored in the 1930s by using die Très riches heures as a model, but through this image we travel into a very different world. Part of a sumptuous work commissioned by a powerful royal prince at a time when France was virtually at its lowest point of chaos and depression in the late Middle Ages, it is a profoundly ambiguous scene. Apparently all is still and the world is in or

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