Relevant bibliographies by topics / Catherine Earnshaw

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Catherine Earnshaw'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Catherine Earnshaw.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Catherine Earnshaw"

1

Amaliyah, Nur, and Yeny Prastiwi. "Defense Mecahnims in Emily Bronte's Wuthering Heights: How Catherine Earnshaw Deal with Egocentricity." Journal of Language and Literature 22, no. 1 (March 23, 2022): 75–84. http://dx.doi.org/10.24071/joll.v22i1.3525.

Full text
Abstract:
This study aims to determine the personality of Catherine Earnshaw, who is the protagonist of the novel Wuthering Heights. The novel Wuthering Heights has a gothic theme and a tragedy. This novel tells the intricate love story and dominate with the social class, egoism, and hatred. The conflict is around two families namely Earnshaw and Linton. Catherine's life is filled with choices, including two loves from different people with different backgrounds and lives. That is one of reason the series of decisions and attitudes of her in the future. Catherine Earnshaw’s personality, egocentric tendencies, and defense mechanisms are the main issues in this research. This research belongs to library research which applied the qualitative research method. In addition, there are two types of data sources, namely primary data from Emily Bronte's novel Wuthering Heights and secondary data in the form of books, journals, and official sites related to research. This study applies Sigmund Freud's theory of psychoanalytic which shows three personality structures, namely the id, the ego and the superego. The results shows that Catherine Earnshaw has an egocentric tendency with five types including egocentric memory, egocentric myopia, egocentric righteousness, egocentric blindness, and egocentric immediacy. In dealing with the tendency, Catherine balances with defense mechanisms in the form of denial, identification, repression, and rationalization.
APA, Harvard, Vancouver, ISO, and other styles
2

Gold, Linda. "Catherine Earnshaw: Mother and Daughter." English Journal 74, no. 3 (March 1985): 68. http://dx.doi.org/10.2307/817114.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Indrasari, Desy Nur, Fathu Rahman, and Herawaty Abbas. "Middle Class Women Role in the 19th Century as Reflected in Bronte's Wuthering Heights." ELS Journal on Interdisciplinary Studies in Humanities 3, no. 2 (June 29, 2020): 214–18. http://dx.doi.org/10.34050/els-jish.v3i2.9143.

Full text
Abstract:
The aim of this research is to describe middle class women role in the 19th century in Bronte’s novel, Wuthering Heights, and induce a deeper understanding of effect each role on two characters in society. This research is a qualitative descriptive method using sociological approach. By using sociology of literature, a literary work is seen as a document of social. The data of this research collected from the descriptions and utterances of the characters and narrator in the novel. The result in this research shows that the role of women from the middle class were represented by the characters of the novel known as Catherine Earnshaw Linton, the main female protagonist and the motherless child and also Catherine (Cathy) Linton, daughter of Catherine Earnshaw Linton.
APA, Harvard, Vancouver, ISO, and other styles
4

Muller, Jessica L. "Human Nature and Confinement in Emily Bronte's Wuthering Heights." Journal of Student Research 1, no. 2 (July 14, 2012): 75–78. http://dx.doi.org/10.47611/jsr.v1i2.77.

Full text
Abstract:
Catherine Earnshaw’s famous statement, “I am Heathcliff” in Emily Bronte’s Wuthering Heights, has often been thought to signify the depth of the passionate love between Catherine and Heathcliff (73). It seems, however, that Heathcliff and Catherine’s relationship may have more to do with symbolic possession and control than romance. In their famous feminist work, The Madwoman in the Attic, Sandra Gilbert and Susan Gubar make a well-known assertion about the relationship between the characters of Jane Eyre, a novel written by Emily Bronte’s sister, Charlotte Bronte. They suggest that Bertha, the deranged and malicious wife of Edward Rochester, can be considered as a symbol of the rebellious spirit that rages inside the seemingly quiet female protagonist, Jane Eyre, against the constraints of her class and gender role in society (356-367). I suggest that, similarly, Heathcliff is not a “devil” that possesses Catherine and inflicts misery on her, but that like Jane Eyre’s Bertha, Heathcliff is a symbolic manifestation of the raging spirit trapped inside Wuthering Height’s socially confined protagonist—Catherine Earnshaw. Catherine’s statement, “I am Heathcliff” could be said to signify, not a passionate relationship of love, but rather a literal truth. After Edgar forces Heathcliff to leave Thrushcross Grange, Catherine confines herself to her room for 3 days without food or water, bringing on an illness which eventually becomes fatal. Catherine is unable to unite herself with her true nature in life, and she therefore seeks unity with him in death. Though she cannot be united with Heathcliff while she remains the civilized wife of Edgar Linton, she can achieve unity with him in death by imprisoning and then eradicating the symbol of her civilized identity—her physical body.
APA, Harvard, Vancouver, ISO, and other styles
5

EMİR, Derya. "UĞULTULU TEPELER: VAMPİR KADIN OLARAK CATHERİNE EARNSHAW KARAKTERİ/Wuthering Heights: Catherine Earnshaw As A Female Vampire." International Journal of Interdisciplinary and Intercultural Art 5, no. 5 (2018): 1–7. http://dx.doi.org/10.29228/ijiia.5.48.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Peter, Aringo Bizimaana. "The Complexity of Characterization in Emily Bronte’s Wuthering Heights: Focus on Heathcliff and Catherine Earnshaw." Shanlax International Journal of English 8, no. 1 (December 1, 2019): 1–18. http://dx.doi.org/10.34293/english.v8i1.1331.

Full text
Abstract:
The essay first introduces few critics’ views on Wuthering Heights ranging from quite negative reception of the novel to those that find the work an open-ended masterpiece. We then go on to examine its two key characters, Heathcliff and Catherine, pointing out first what seem to be their down-to-this earth personalities as exhibited in their youth. The discussion extends to examining Heathcliff as a symbol of nature and his dogs. The essay then examines the metamorphosis of Catherine and Heathcliff into spiritual symbols whose meanings extend into examination of very many facets of life. This is followed by their assumption of a peculiar “religion” of their own and their “journey to heaven” at their death. We conclude the essay with few critics’ views on why critics should never “tie up” the novel with a fixed ‘single meaning’ to it instead of leaving it as it is: open-ended.
APA, Harvard, Vancouver, ISO, and other styles
7

SCHAPIRO, BARBARA. "The Rebirth of Catherine Earnshaw: Splitting and Reintegration of Self in Wuthering Heights." Nineteenth Century Studies 3, no. 1 (January 1, 1989): 37–51. http://dx.doi.org/10.2307/ninecentstud.3.1989.0037.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Suryanovika, Citra, and Irma Manda Negara. "SPEECH ACTS OF THE BRONTE SISTERS’ CHARACTERS." HUMANIKA 25, no. 2 (December 4, 2018): 75. http://dx.doi.org/10.14710/humanika.v25i2.20519.

Full text
Abstract:
The study was under descriptive qualitative research to identify the most dominant speech act of the Bronte Sisters’ characters. The researchers collected 3,322 utterances from six characters of Charlotte Bronte’s Jane Eyre (Jane Eyre and Edward Rochester), Emily Bronte’s Wuthering Heights (Heathcliff and Catherine Earnshaw), and Anne Bronte’s The Tenant of Wildfell Hall (Gilbert Markham and Helen Graham). MAXQDA 2018 supported the data analysis procedure; thus, coding was used in identifying speech acts. After coding implemented, the researchers analyzed the coding by using qualitative and quantitave compare groups, as well as document comparison chart in MAXQDA 2018 to check the most dominant use of speech acts in all characters. The study found that directive speech act is the most dominant speech act found in the Bronte sisters’ characters, while the declarative speech act is the least speech act. Speech acts of the Bronte sisters’ characters was expressed in declarative, interrogative and imperative forms. Besides, speech acts in these novels highlight the use of address term, epithet, expression (verb, adjective, modal verbs), exclamation, conditional clauses, hedges and affirmative answer.
APA, Harvard, Vancouver, ISO, and other styles
9

Bernabeu, Marta. "Catherine Earnshaw Meets Katherine Lester: Revisioning the Brontë Body by Sustaining the Self in William Oldroyd’s Lady Macbeth (2016)." Brontë Studies 46, no. 2 (March 26, 2021): 197–209. http://dx.doi.org/10.1080/14748932.2021.1875623.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Suryanovika, Citra, and Irma Manda Negara. "The Identification of Slurs and Swear Words in Bronte Sisters’ Novels." Lingua Cultura 13, no. 1 (February 11, 2019): 11. http://dx.doi.org/10.21512/lc.v13i1.5190.

Full text
Abstract:
This research aimed at identifying the categories of slurs, presenting how swear words expressed in male or female characters of Bronte sisters’ novels, and examining the social status scale in presenting slurs. The research was a qualitative content analysis of which process was categorizing, comparing, and concluding. The researchers employed MAXQDA 2018.1 (the data analysis tool) for analyzing the samples of five female and male main characters of the novel of Emily Bronte (Wuthering Heights), Charlotte Bronte (Jane Eyre), and Anne Bronte (The Tenant of Wildfell Hall). The research has shown three out of nine Thurlow’s pejorative items (social personality, phallocentric, and sexist), the possible formation of social personality slurs, the identification of swear words for showing speakers’ emotional states, and the influence of social status scale on the expression of slurs. It proves that slurs and swear words are used to deliver a derogatory attitude. The sexist slurs are not only delivered from male characters to female characters, but it is also found in Catherine Earnshaw targeting Nelly although they have similar gender background (female). Slurs are found in the characters from both high and low social rank since the plot develops the relationship amongst the characters. One unexpected finding is the different swear words between the characters. Swear words found in the novel are not only dominated by the word devil, damn, or by hell, but also the word deuce and humbug. The varied swear words proves that the male characters do not dominantly produce swear words, but also euphemistic expression.
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Catherine Earnshaw"

1

Wall, Anna-Lena. "Maktspel och död i två gotiska verk : En analys av Catherine Earnshaw och Madeleine Usher med fokus på makt och temat döden." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-106996.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hagberg, Victoria. ""Jag kan inte leva utan min själ" : -en jämförelse mellan Svindlande höjders Catherine och Heathcliff och Twilight-seriens Bella och Edward." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-12915.

Full text
Abstract:
Uppsatsen är en jämförande studie av Svindlande höjder och Twilight-serien avseende verkens huvudkaraktärer Catherine och Heathcliff respektive Bella och Edward. Syftet med uppsatsen är att undersöka om, och i så fall vilka likheter det finns mellan dessa två verks huvudkaraktärer. Karaktärerna jämförs ur ett antal utvalda perspektiv och slutsatsen är att det finns flera betydande likheter.
APA, Harvard, Vancouver, ISO, and other styles
3

Fanning, Sarah Elizabeth. "Changing fictions of masculinity : adaptations of Jane Eyre and Wuthering Heights, 1939-2009." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8524.

Full text
Abstract:
The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the woman’s novel, in the field of adaptation studies have been dominated by long-standing concerns about textual fidelity and the generic processes of the text-screen transfer. The sociocultural patterns of adaptation criticism have also been largely ensconced in representations of literary women on screen. Taking a decisive twist from tradition, this thesis traces the evolution of representations of masculinity in the malleable characters of Rochester and Heathcliff in film and television adaptations of Charlotte Brontë’s Jane Eyre and Emily Brontë’s Wuthering Heights between 1939 and 2009. Concepts of masculinity have been a neglected area of enquiry in studies of the ‘classic’ novel on screen. Adaptations of the Brontës’ novels, as well as the adapted novels of other ‘classic’ women authors such as Jane Austen, George Eliot and Elizabeth Gaskell, increasingly foreground male character in traditionally female-oriented narratives or narratives whose primary protagonist is female. This thesis brings together industrial histories, textual frames and sociocultural influences that form the wider contexts of the adaptations to demonstrate how male characterisation and different representations of masculinity are reformulated and foregrounded through three different adaptive histories of the narratives of Jane Eyre and Wuthering Heights. Through the contours of the film and television industries, the application of text and context analysis, and wider sociocultural considerations of each period an understanding of how Rochester and Heathcliff have been transmuted and centralised within the adaptive history of the Brontë novel.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Catherine Earnshaw"

1

Brontë, Emily. Wuthering Heights. Edited by John Bugg. Oxford University Press, 2020. http://dx.doi.org/10.1093/owc/9780198834786.001.0001.

Full text
Abstract:
‘You said I killed you - haunt me, then!’ Wuthering Heights is one of the most famous love stories in the English language. It is also one of the most potent revenge narratives. The intense and unbreakable bond between the fiery Catherine Earnshaw and the foundling Heathcliff has startled and fascinated readers since its first publication in 1847. Of uncertain parentage and ethnicity, Heathcliff comes to Wuthering Heights as a child when Catherine’s father finds him wandering alone through the slave-trading port of Liverpool. After Mr Earnshaw’s death, Heathcliff and Catherine find refuge in each other when the household falls into the hands of Catherine’s dissolute older brother. Their bond deepens as they escape together from the violence and stern religion of their home to the Yorkshire moors. But the story of Catherine and Heathcliff’s attachment transforms from intimacy to strife when Catherine marries the refined Edgar Linton. The ensuing story of violence and thwarted passion is one of the most powerful tales of the gothic tradition, a literary mode from which Emily Brontë wrings all of its terrifying potential. A regional novel with a global reach, a work of sensational effects with a startling ethical core, Wuthering Heights is both a romantic melodrama and wrenching study of the difficulty of escaping from the legacies of violence. This edition reproduces the authoritative Clarendon text, with revised and expanded notes and a selection from the poems of Emily Brontë.
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography