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Dissertations / Theses on the topic 'Catherine of Siena'

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1

Mills, Jessica. "Catherine of Siena| No Saint Is an Island." Thesis, Southern Illinois University at Edwardsville, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10275176.

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Catherine of Siena, a 14th-century saint, penetrated the Italian political scene ranging from local politics to the papal seat of Pope Gregory XI. Scholars have depicted her success as a living saint on her relationship with her confessor, Raymond of Capua. However, through analysis of her letters and background texts, it is clear that Catherine created a network of families and individuals even before she met Raymond in 1374. To what extent did this network that she actively created contribute to her success as a public figure in medieval Italy? What impact did this group of people have on Catherine and what impact did Catherine have on the network of followers? What information can be extrapolated from studying Catherine’s letters, hagiography, and testimonial works post-mortem? And, how does Raymond’s miniscule presence in the network change our interpretation of the basis of Catherine’s success?

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2

Piperato, Anna Edith. "Saint Catherine of Siena in three Italian life cycles, 1567-1600." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.501950.

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This thesis examines three sixteenth-century Italian life cycles of Saint Catherine Benincasa of Siena (1347-80; canonized 1461) which previously have not been studied together. They are: 1. Giovanni de' Vecchi's frescoes in the Capranica Chapel in Santa Maria sopra Minerva in Rome (1577/8-86) 2. A series of oil paintings by a number of Tuscan artists in the Oratorio della Cucina in the Santuario-Casa di Santa Caterina in Siena (1567-1600/35) 3. A printed vita of the saint designed by Francesco Vanni and etched by Pieter de Jode, published in Siena (1597).
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3

Munro, Alison Mary. "Aspects of imagery in Catherine of Siena from a Jungian perspective." Thesis, Rhodes University, 2001. http://hdl.handle.net/10962/d1018216.

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This study investigates whether or nor not the imagery of Catherine of Siena can be interpreted from a Jungian perspective. It takes a lead from other studies, notably one on Teresa of Avila and Jung. Reading of medieval literature suggests that medievals applied the use of symbols and imagery in ways that are at times baffling to people of our time. Carl Jung was no stranger to imagery and symbol. In our current age with its renewed emphasis on the insights of spirituality, and to some extent its disenchantment with aspects of traditional psychology, there is room for a dialogue between the two disciplines of mysticism and psychology across a six-hundred year divide. The use of imagery, as a window to the soul, in the Christian tradition is examined. Catherine of Siena is situated within her own medieval context, one of upheaval in the church, but also an age of mysticism and spiritual/religious phenomena strange to our own time. Catherine is introduced against the background of her world and against the backdrop of the Dominican tradition. A discussion of some of her major imagery demonstrates her aim of union with God. An understanding of conscious aspects and of unconscious aspects of the self is shown as key to Jung ' s view of the psyche. Elucidation of some archetypes and a discussion of Jung's dream analysis demonstrates how Jung believed the unconscious becomes conscious, and how individuation becomes a possibility. Key Catherinian images are examined from a Jungian perspective. Catherine has relevance for the twenty first century, and we are invited to be challenged by the mysteries and truths to which her images point us.
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4

Soberano, Joanna Feliciano. "The mystical pathways of Julian of Norwich and St. Catherine of Siena a comparison /." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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5

Indyke, Amy W. "Saint Catherine of Siena permutations of the blood metaphor in written text and painted image /." Diss., Connect to the thesis, 2007. http://hdl.handle.net/10066/993.

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6

Roberson, Caroljane B. "Wolves in lamb's clothing redeeming the images of Catherine of Siena and Angela of Foligno /." Winston-Salem, NC : Wake Forest University, 2009. http://dspace.zsr.wfu.edu/jspui/handle/10339/42521.

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7

Porzi, Sonia. "De feu et de sang : histoire, rhétorique et prophétisme dans les lettres de Catherine de Sienne (1347-1380)." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040230.

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Cette thèse traite le paradoxe apparent entre le statut de femme prétendument illettrée de Catherine de Sienne (1347-1380) et sa production de lettres, dictées en langue vulgaire italienne, à la fois nombreuses et fort importantes. Catherine y aborde en effet en prophétesse les grandes questions qui touchent la chrétienté à l’époque avignonnaise: la réforme de l’Église, la croisade, le retour des papes à Rome et la paix dans les états pontificaux. S’appuyant sur une présentation de la tradition textuelle des lettres, puis sur une étude des sources littéraires, la première partie fait le point sur la culture de Catherine et sur ses lectures. La deuxième partie montre comment Catherine s’inscrit dans la tradition du prophétisme vétéro-testamentaire et médiéval, puis comment ce prophétisme s’amplifie au fil de ses lettres. À travers , l’approche diachronique du corpus on voit ainsi comment les images s’organisent jusqu’à former une vaste allégorie où s’exprime le projet de société de Catherine
This thesis investigates the paradox seemingly posed by the alleged illiteracy of Catherine of Siena (1347-1380) in contradiction to her prolific and highly significant output of letters dictated in the Italian vernacular. These reveal Catherine as a genuine prophetess of the key issues that confronted Christianity at the time of the Great Schism: Church reform, the Crusade, the popes' return to Rome and peace in the papal states.The first part describes the letters as traditionally interpreted and probes their literary sources as a basis for assessing Catherine's culture and reading. The second illustrates her contribution to the tradition of vetero-testamentary and mediaeval prophecy and then how this trend gathers pace in her subsequent letters. A diachronic approach to her writings as a whole reveals how her imagery coalesces into a vast allegory reflecting her social aspirations
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8

Sweetman, Robert. "Nisi Causa Utili et Necessaria: Catherine of Siena's Dominican Confessors and the Principles of a Licit Pastoral 'Irregularity'." LEGAS, 2006. http://hdl.handle.net/10756/250258.

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The Dominican Order gradually evolved rules governing contact between a Dominican pastor and a woman penitent. In the context of these rules, the care given to Catherine of Siena as reported by Raymund of Capua and as confirmed in the letters of Catherine herself can only be termed irregular. The paper attempts to identify the principles underlying and legitimating pastoral irregularity.
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9

Aldworth, Thomas P. "Parish soul assisting a parish community in appropriating the symbol of soul to understand its corporate/communal life /." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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10

Wiseman, Denis Vincent O. P. ""Al nome di Gesu Cristo crocifisso e di Maria dolce": salvation and Mary in the life and writings of Catherine of Siena." IMRI - Marian Library / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431356120.

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11

Friedman, Joan Isobel. "Mystical texts and their illustration: The visions of |Saints Bridget of Sweden and catherine of Siena in the art of late medieval and Renaissance Italy." Thesis, University of Warwick, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533228.

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12

Norris, Laura Sharon. "Love of God and Love of Neighbor: Thomistic Virtue of Charity in Catherine of Siena's Dialogue." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1413228274.

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13

Lippert, Sina Catherine [Verfasser], and Martin [Akademischer Betreuer] Koch. "Optische Spektroskopie an Chalkogenen und Porphyrinen / Sina Catherine Lippert ; Betreuer: Martin Koch." Marburg : Philipps-Universität Marburg, 2018. http://d-nb.info/1161846018/34.

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14

Real, Catherine Isabell [Verfasser], Jörg Friedrich [Akademischer Betreuer] Schlaak, Hemmo [Akademischer Betreuer] Meyer, and Mengji [Akademischer Betreuer] Lu. "Entwicklung siRNA basierter Therapieansätze im Mausmodell am Beispiel viraler Hepatitiden / Catherine Isabell Real. Gutachter: Hemmo Meyer ; Mengji Lu. Betreuer: Jörg Friedrich Schlaak." Duisburg, 2014. http://d-nb.info/1058822128/34.

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15

Atterving, Emmy. "“She said she was called Theodore” : - A modality analysis of five transcendental saints in the 1260’s Legenda Aurea and 1430’s Gilte Legende." Thesis, Stockholms universitet, Historiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144052.

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This thesis explores modalities in two hagiographical collections from the late Middle Ages; the Legenda Aurea and the Gilte Legende by drawing inspiration from post-colonial hybridity theories.. It conducts a close textual analysis by studying the use of pronouns in five saints’ legends where female saints transcend traditional gender identities and become men, and focuses on how they transcend, live as men, and die. The study concludes that the use of pronouns is fluid in the Latin Legenda Aurea, while the Middle English Gilte Legende has more female pronouns and additions to the texts where the female identity of the saints is emphasised. This is interpreted as a sign of the feminisation of religious language in Europe during the late Middle Ages, and viewed parallel with the increase of holy women at that time. By doing this, it underlines the importance of new words and concepts when describing and understanding medieval views on gender.
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16

McDowell, Christina. "St. Catherine of Siena: Vocation as Engaged Scholarship." 2012. http://digital.library.duq.edu/u?/etd,154108.

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The driving question of this project is: "How is St. Catherine of Siena an exemplar of engaged communication scholarship?" This project covers five essential facets of communicative inquiry into a deeper understanding of St. Catherine of Siena and her embodiment of engaged communication scholarship. The five areas trace her life from its historical context to its most personal revelations to her lived engagements with others. In the first chapter, the inquiry into St. Catherine of Siena begins with how she is understood by others for her knowledge and impact. Chapter Two assesses the historical moment in which St. Catherine of Siena lived. In Chapter Three, St. Catherine of Siena, both the person and her life, is explored focusing on her participation in society from her birth in 1347 to her death in 1380. Chapter Four examines St. Catherine of Siena's work, The Dialogue, which contains four treatises including: (1) "A Treatise of Divine Providence;" (2) "A Treatise of Discretion;" (3)
McAnulty College and Graduate School of Liberal Arts
Communication and Rhetorical Studies
PhD
Dissertation
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17

Fresen, Patricia Anne. "Self-knowledge in the writings of Catherine of Siena." Thesis, 1995. http://hdl.handle.net/10500/16811.

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This thesis is a study of self-knowledge in the writings of Catherine of Siena. The introductory chapter clarifies the kind of self-knowledge she is describing, viz. metaphysical self-knowledge which, in the case of mystics such as Catherine, blossoms into mystical self-knowledge. Catherine is then situated within the framework of her own era. A survey of catherinian literature follows. Since her major symbol for self-knowledge is the cell, the concept of the cell in the Church tradition of the West, and its influence on Catherine, is explored. The major aspect of the enquiry is the tracing of the chronological unfolding of Catherine's doctrine of self-knowledge, working with the texts themselves. This is done under the headings of her three main symbols for self-knowledge, la eel/a (the cell), la casa (the house) and la citta dell'anima (the city of the soul). Each of these sections is concluded with an interpretation of the significance of the unfolding of that symbol within Catherine's thought and the chapter itself is rounded off by an interpretation of the three symbols for self-knowledge in their integration and interconnectedness. Catherine communicates her experience of mystical self-knowledge by means of a complex system of images and symbols, all of which fit together to form a whole. This warrants an investigation into the role of the imagination, imagery and symbol in mysticism, and explores Catherine's use of imagery and symbol. The study shows Catherine's own gradual integration of mystical experience and ministry as it takes place within her experience and in the development of her thought. What we are able to see, by studying the texts, is the formation and strengthening of the underlying unity in Catherine between the inner movement of mystical love and outgoing concern for others which is redemptive love. These two are really one.
Christian, Spirituality, Church History and Missiology
D. Th. (Religious Studies)
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18

"Giovanni di Paolo's Pizzicaiuoli Altarpiece: Saint Catherine of Siena as the preeminent female Dominican saint." Tulane University, 2017.

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19

Moerer, Emily Ann. "Catherine of Siena and the use of images in the creation of a saint, 1347-1461 /." 2003. http://wwwlib.umi.com/dissertations/fullcit/3079170.

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20

Baldridge, Mary Elizabeth. "Christian woman, womanChrist the feminization of Christianity in Constanza de Castilla, Catherine of Siena, and Teresa de Cartagena /." 2004. http://etd.utk.edu/2004/BaldridgeMaryElizabeth.pdf.

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Thesis (Ph. D.)--University of Tennessee, Knoxville, 2004.
Title from title page screen (viewed May 13, 2004). Thesis advisor: Gregory Kaplan. Document formatted into pages (vii, 316 p. : ill. (some col.)). Vita. Includes bibliographical references (p. 228-244).
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