Relevant bibliographies by topics / Cathleen Ni Houlihan

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Cathleen Ni Houlihan'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Cathleen Ni Houlihan.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Cathleen Ni Houlihan"

1

Kim, In-Pyo. "Heroines as Symbols of Ireland: Cathleen Ni Houlihan and Deirdre." Yeats Journal of Korea 13 (June 30, 2000): 101–22. http://dx.doi.org/10.14354/yjk.2000.13.101.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Quirici, Marion. "Cathleen ni Houlihan and the Disability Aesthetics of Irish National Culture." Éire-Ireland 50, no. 3-4 (2015): 74–93. http://dx.doi.org/10.1353/eir.2015.0017.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ko, Joon Seog. "Searching for the Historical Root of Ireland in Cathleen ni Houlihan." Yeats Journal of Korea 56 (August 31, 2018): 281–96. http://dx.doi.org/10.14354/yjk.2018.56.281.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Stephanie J. Pocock. "Artistic Liminality: Yeats's Cathleen ni Houlihan and Purgatory." New Hibernia Review 12, no. 3 (2008): 99–117. http://dx.doi.org/10.1353/nhr.0.0023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Merritt, Henry. ""Dead Many Times": "Cathleen ni Houlihan," Yeats, Two Old Women, and a Vampire." Modern Language Review 96, no. 3 (2001): 644. http://dx.doi.org/10.2307/3736735.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Rhee, Young Suck. "The Political Yeats in “Easter 1916” and Other Poems and Cathleen Ni Houlihan." Yeats Journal of Korea 54 (December 31, 2017): 109–24. http://dx.doi.org/10.14354/yjk.2017.54.109.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Frazier, Adrian. "Cathleen ni Houlihan, Yeats's Dream, and the Double Life of Maud Gonne." Sewanee Review 121, no. 2 (2013): 225–33. http://dx.doi.org/10.1353/sew.2013.0044.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Chadwick, Joseph. "Family Romance as National Allegory in Yeats's Cathleen ni Houlihan and The Dreaming of the Bones." Twentieth Century Literature 32, no. 2 (1986): 155. http://dx.doi.org/10.2307/441380.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Rhee, Beau La. "The Mind and the Art of Yeats in Cathleen Ni Houlihan and Lady Gregory and John Synge." Yeats Journal of Korea 52 (April 30, 2017): 41–56. http://dx.doi.org/10.14354/yjk.2017.52.41.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Abdelfadeel, Mahmoud Gaber Abdelfadeel. "The Quest for the Ideal: Romantic Escapism in W. B. Yeats’s The Land of Heart’s Desire and Cathleen ni Houlihan." Egyptian Journal of English Language and Literature Studies 7, no. 1 (2016): 219–48. http://dx.doi.org/10.21608/ejels.2016.123253.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Cathleen Ni Houlihan"

1

Bell, Caehlin O'Malley. "Being Ireland Lady Gregory in Cathleen Ni Houlihan /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211912530.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ghadiri, Hamid Reza. "Blood-Sacrifice and Nationalism in Yeats’s Cathleen ni Houlihan." Thesis, Högskolan Dalarna, Litteraturvetenskap, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:du-5492.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lee, Pei-jing, and 李佩靜. "A Postcolonial Reading of W.B. Yeats’s The Countess Cathleen, Cathleen ni Houlihan, and “Easter 1916”:Gender, Nation, and Sacrificial Paradigms." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/00269793940444367236.

Full text
Abstract:
碩士<br>國立中正大學<br>外國文學所<br>98<br>Abstract This study investigates William Butler Yeats’s conceptions of gender, nation, and sacrificial paradigms in relation to nationalism and postcolonialism. The theoretical framework is based on Edward Said’s high evaluation of Yeats as a poet of decolonization. Exploring the sacrificial paradigms represented in Yeats’s three works—The Countess Cathleen (1892), Cathleen ni Houlihan (1902), and “Easter 1916” (1921), I assert that they construct an intricate and interlaced network that articulates Yeats’s complicated and changing conceptions of postcolonial politics. Young Yeats establishes two sacrificial goddess-like national icons who incarnate fair Erin (Ireland). One of them is a powerful but selfless sacrificial victim, The Countess Cathleen, who sacrifices herself to save her district. The other one is a powerless Cathleen ni Houlihan who demands male-hero’s martyrdom to release her from distress. Unlike the two above-mentioned plays, “Easter 1916” dramatizes Yeats’s own genuine ambivalence towards the rebel cause. His voice is less gloried towards sacrificial violence or heroic martyrdom, but has an understanding and sorrowful one. These three works represent Yeats’s dual attitudes: in the former two works, it seems that Yeats supports the idea of blood sacrifice as a force of postcolonial resistance. He advocates a militant, passionate, and vehement nationalism which relies on sacrifice as a symbol, especially when it is deployed in the context of patriotic martyrdom. However, after Easter rising, middle Yeats changes into a reserved, ambiguous, and even contradictory attitude, and begins to question the value of blood sacrifice. Finally, my thesis broadens readers’ awareness of Yeats’s conflicted sacrificial paradigms and his complex postcolonial politics. As Ireland’s most eminent national poet, Yeats dedicates himself to his country both in his life and in his art: he not only narrates a new Irish identity, but also helps to free Ireland from the colonial yoke.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Cathleen Ni Houlihan"

1

Clark, Rosalind. The great queens: Irish goddesses from the Morrigan to Cathleen ni Houlihan. Barnes & Noble Books, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

B, Yeats W. Collaborative one-acts plays, 1901-1903: Cathleen ni Houlihan, The pot of broth, The country of the young heads or harps : manuscript materials. Cornell University Press, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

B, Yeats W. Cathleen Ni Houlihan. Kessinger Publishing, LLC, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

B, Yeats W. Cathleen Ni Houlihan. Digireads.Com, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Cathleen ni Houlihan (Collected Works of William Butler Yeats). Classic Books, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

B, Yeats W. The Hour Glass; Cathleen Ni Houlihan; The Pot of Broth. Franklin Classics, 2018.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

B, Yeats W. Hour Glass, Cathleen ni Houlihan, The Pot of Broth (Collected Works of William Butler Yeats). Classic Books, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Yeats, W. B. The Hour Glass, Cathleen Ni Houlihan, The Pot Of Broth: Being Plays For An Irish Theatre. Kessinger Publishing, LLC, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Yeats, W. B. The Hour Glass, Cathleen Ni Houlihan, The Pot Of Broth: Being Plays For An Irish Theatre. Kessinger Publishing, LLC, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Brewer Redwine, Elizabeth. Gender, Performance, and Authorship at the Abbey Theatre. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192896346.001.0001.

Full text
Abstract:
Gender, Performance, and Authorship offers a different way to consider the creation of the major characters of the Abbey Theatre, holding the lines between writing and performing up to scrutiny, and ending with a connection between theatrical and film performance. The book challenges the way that authorship and ownership have been defined as far back as the earliest productions at the Abbey, offering a redefinition of authorship and gender in these plays that reveals the influence and unheralded power of actresses at the Abbey. The book begins with W. B. Yeats’s collaboration with Laura Armstrong in his earliest plays, his work with Maud Gonne on both The Countess Cathleen and Cathleen ni Houlihan, and then discusses J. M. Synge’s productive work with Molly Allgood (stage name Maire O’Neill) first in The Playboy of the Western World and then in Deirdre of the Sorrows, a play she helped complete after his death. A chapter on the six women necessary to the creation of Yeats’s Deirdre follows, before an Epilogue exploring connections between the tableau movement, the Abbey Theatre, and Sara Allgood’s film work.
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Cathleen Ni Houlihan"

1

Kreutzer, Eberhard. "Yeats, William Butler: Cathleen ni Houlihan." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17457-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Tymoczko, Maria. "Amateur Political Theatricals, Tableaux Vivants, and Cathleen ni Houlihan." In Yeats Annual No. 10. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-11916-5_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pethica, James. "“Our Kathleen”: Yeats’s Collaboration with Lady Gregory in the Writing of Cathleen ni Houlihan." In Yeats and Women. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25822-2_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Pethica, James. "“Our Kathleen”: Yeats’s Collaboration with Lady Gregory in the Writing of Cathleen ni Houlihan." In Yeats Annual. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-07948-3_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Brewer Redwine, Elizabeth. "“A Play She Could Act in Dublin”." In Gender, Performance, and Authorship at the Abbey Theatre. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192896346.003.0002.

Full text
Abstract:
Chapter 2 follows the embodiments of Cathleen ni Houlihan by Maud Gonne and the tensions over ownership of that play, written with Lady Gregory with Gonne’s contributions to the staging, and created out of Yeats’s disappointment that Gonne rejected The Countess Cathleen. Beginning with Gonne’s real-life visitation dressed as a poor old woman at her own home, rented by Yeats, during the influenza pandemic of 1918 when she was on the run from the authorities, the chapter then explores Yeats’s earliest work with Gonne, challenging the “muse” designation, and focusing instead on Maud Gonne’s skills as a theatrical and political performer. The tensions over the ownership of that play between Yeats and Gonne show the two struggling over class, performance, and definitions of Irishness.
APA, Harvard, Vancouver, ISO, and other styles
6

Carlin, Aisling. "To ‘make others see my dream as I had seen it’: Yeats’s aesthetics in Cathleen ni Houlihan." In Yeats's Mask: Yeats Annual No. 19. Open Book Publishers, 2013. http://dx.doi.org/10.11647/obp.0038.03.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography