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Journal articles on the topic 'Catholic Church and architecture'

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1

Chrisylla, Meielisa. "Architectural Design Symbolism Catholic Church of Saint Peter and The Virgin Mary Catholic Church Santa Grief Seven in Bandung." ARTEKS : Jurnal Teknik Arsitektur 1, no. 1 (2019): 1–14. http://dx.doi.org/10.30822/arteks.v1i1.20.

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As a place of holy worship, a Catholic Church should posses a sacred interior and exterior expression. Modernization has caused a good deal of this sacred expression of the Catholic Church to fade. As Catholic Church is a place of worship that supports all liturgical activities, semiotic theory are used to analyze and decipher its architecture to preserve sacredness.
 The research methodology that was employed was qualitative methods using Peirce’s semiotic principles and their implementation in Church architecture. The principle was then used to analyze two case studies in every detail o
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De Yong, Sherly. "KAJIAN PANOPTISISME DAN ARSITEKTUR KONTROL DALAM PERATURAN PEMBANGUNAN GEREJA KATOLIK." ATRIUM Jurnal Arsitektur 2, no. 2 (2020): 145–60. http://dx.doi.org/10.21460/atrium.v2i2.60.

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 Title: Exploration of Panopticism and Architecture of Control in Building Guidance for Catholic Church
 Michel Foucault introduces a mechanism to increase surveillance powers through architectural arrangement, referred to as panopticism. The connection between control of architecture and panopticismin the Catholic church is the main problem of this research. The purpose of this study is to determine the panopticism in architectural field, examine the relationship between principles of panopticism with architectural theory, especially the theory of the architecture of
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Lake, Reginaldo Christophori. "SIMBOL DAN ORNAMEN-SIMBOLIS PADA ARSITEKTUR GEREJA KATOLIK REGINA CAELI DI PERUMAHAN PANTAI INDAH KAPUK-JAKARTA." Idealog: Ide dan Dialog Desain Indonesia 4, no. 1 (2019): 23. http://dx.doi.org/10.25124/idealog.v4i1.1932.

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The Catholic Church building always displays symbols and ornaments as an expression of religious (sacred) faith and atmosphere. Symbols in the form of two-dimensional and three-dimensional objects arranged and beautified the church as well as religious significance. Symbols and ornaments are placed inside the church (interior) and outside the church (exterior), function to support the atmosphere of the church visually and help appreciate aesthetic, psychological and religious faith. Regina Caeli Catholic Church in Pantai Indah Kapuk Jakarta is a Catholic church that is characterized by modern
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Chrisylla, Meielisa. "SIMBOLISASI PADA RANCANGAN ARSITEKTUR GEREJA KATOLIK SANTO PETRUS DAN GEREJA KATOLIK SANTA PERAWAN MARIA TUJUH KEDUKAAN DI KOTA BANDUNG." ARTEKS, Jurnal Teknik Arsitektur 1, no. 1 (2016): 1. http://dx.doi.org/10.30822/artk.v1i1.79.

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Title: Architectural Design Symbolism Catholic Church of Saint Peter and The Virgin Mary Catholic Church Santa Grief Seven in BandungAs a place of holy worship, a Catholic Church should posses a sacred interior and exterior expression. Modernization has caused a good deal of this sacred expression of the Catholic Church to fade. As Catholic Church is a place of worship that supports all liturgical activities, semiotic theory are used toanalyze and decipher its architecture to preserve sacredness. The research methodology that was employed was qualitative methods using Peirce’s semioticprincipl
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Kadnichanskyy, D., and A. Manko. "Problems of use of architectural heritage of Sambir district in tourist activity." Visnyk of the Lviv University. Series Geography 1, no. 43 (2013): 45–51. http://dx.doi.org/10.30970/vgg.2013.43.1539.

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Architectural heritage of the town of Sambir and Sambir district is described. The problems of use of the monuments of architecture of Sambir district in tourism are discussed. Key words: architectural heritage, tourist activity, monument of architecture monument of architecture, castle, church, Roman-catholic church.
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Tanumihardja ; Yenny Gunawan, Maria Angelina. "PURPOSE A SACRED ROOM OF CHRUCHES BY PASTOR MANGUNWIJAYA CASE STUDY: CHURCH OF MARIA ASSUMPTA KLATEN, CHURCH OF THERESIA SALAM, AND CHURCH OF MARY." Riset Arsitektur (RISA) 2, no. 02 (2018): 165–81. http://dx.doi.org/10.26593/risa.v2i02.2928.165-181.

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Abstract - Sacred space is everywhere and has become the part of human’s life since thousand years ago. Onemanifestation of the sacred space is the Catholic Church. A sacred space in the Catholic Church should be ableto accommodate liturgical activities in accordance with the rules and the order of their activities so thecelebration of the Eucharistic liturgy can run well. This study will attempt to understand the concept and themanifestation of the sacred space found in Romo Mangunwijaya’s churches in accordance to the concept andthe manifestation of the Catholic Church’s sacred space.Researc
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Grimes, Brendan. "Funding a Roman Catholic Church in Nineteenth-Century Ireland." Architectural History 52 (2009): 147–68. http://dx.doi.org/10.1017/s0066622x00004172.

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… from many a hidden spring streams of riches shall burst forth.In the period 1790 to 1847 more than two thousand Catholic churches were built in Ireland. The money to build these churches (and others later in the nineteenth century) came from affluent Catholics of the merchant, professional, and tenant-farming classes, a few aristocratic Catholics, members of the Catholic gentry, the poor of the parishes, and from members of other churches. Money was given by donations (often monthly or annually) from the affluent, and from the poor by weekly collections. Other important sources included bequ
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Morel, Anne-Françoise, and Stephanie van de Voorde. "Rethinking the Twentieth-Century Catholic Church in Belgium: the Inter-Relationship Between Liturgy and Architecture." Architectural History 55 (2012): 269–97. http://dx.doi.org/10.1017/s0066622x00000125.

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When considering the evolution of twentieth-century church-building, two topics are inescapable — the Liturgical Movement and developments in Modern architecture — and this article therefore argues that in order to appreciate the evolution of the twentieth-century Catholic parish church it is essential to take both liturgical and architectural developments into account. It focuses on such churches in Belgium because that country played a particularly important role in developing relevant theory, Belgian clergy having been founding members of the Liturgical Movement. However, the movement took
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Pandey Sharma, Jyoti. "Architectural Adventurism in Nineteenth-Century Colonial India: Begum Samru and Her Sardhana Church." International Journal of Islamic Architecture 9, no. 1 (2020): 61–89. http://dx.doi.org/10.1386/ijia_00004_1.

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Abstract This article explores the politically fluid and culturally hybrid environment of the Indian subcontinent during the late eighteenth and nineteenth centuries. Interaction between European mercenaries and their Indian patrons led to acculturation of both sides. This cultural affinity also extended into the realm of architecture and building patronage, resulting in a stylistic hybridity that drew upon both Indian and European traditions. This article examines the building projects of Begum Samru, bibi (consort) of a German mercenary and ruler of Sardhana near Delhi. The Begum, born a Mus
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FUKUSHIMA, Ayako. "MAINTENANCE OF CATHOLIC MADARAJIMA CHURCH." AIJ Journal of Technology and Design 27, no. 65 (2021): 539–44. http://dx.doi.org/10.3130/aijt.27.539.

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Garai, Gréta, and Zorán Vukoszávlyev. "Supreme Pastor of the Church Cares for the Hungarian Church: Church Architecture of the Hungarian Church During the First Decade of John Paul II’s Papacy." Periodica Polytechnica Architecture 48, no. 1 (2017): 53–57. http://dx.doi.org/10.3311/ppar.10882.

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One of the first longer letters of Pope John Paul II was addressed to the Hungarian Episcopacy and the Hungarian Catholics. Besides the traditional Polish-Hungarian friendship, he highlighted the person of Saint Stephen and the role of Hungary in the history of the Christian religion. “ […] the Catholic Church, which had such a significant role in the history of Hungary, can still pervade the spiritual image of your country, and can make the lightness of Jesus Christ’s gospel, that gave light to the sons of the Hungarian people during so many centuries, shine for your sons and daughters.”- wro
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De Jong, Ursula, and Flavia Marcello. "Stewardship and renewal of catholic places of worship in Australia." Actas de Arquitectura Religiosa Contemporánea 6 (April 3, 2020): 156–71. http://dx.doi.org/10.17979/aarc.2019.6.0.6236.

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The National Liturgical Architecture and Art Council (NLAAC) is an advisory body to the Bishops’ Commission for Liturgy of the Australian Catholic Bishops Conference, mandated to provide advice in the areas of liturgical architecture, art and heritage. The Council has prepared guidelines for use throughout the Catholic Church in Australia. The most recent of these documents, Fit for Sacred Use: Stewardship and Renewal of Places of Worship (2018) focusses on existing church buildings with particular reference to cultural heritage, and is the subject of this paper. Vatican II sought the full and
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Zahner, Walter. "Interaction/Cooperation." Actas de Arquitectura Religiosa Contemporánea 7 (October 1, 2020): 2–23. http://dx.doi.org/10.17979/aarc.2020.7.0.6284.

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Since 2000, in Germany there are both new built churches (around one hundred, sixty for the Catholic dioceses) and abandoned churches (around 500-600 Catholic churches, as well as some 500 Protestants). The reconverted churches are a reality in the north and east of Germany, up to half the country. In the south, both in the Catholic dioceses and in the Protestant regional churches, there are only some first examples and initial debates on these issues. Most of the relevant works of architecture and art within ecclesiastical organizations are churches reorganized from the point of view of the p
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Silapacharanan, Siriwan. "Conservation of Saint Paul Church, Thailand." Asian Journal of Behavioural Studies 2, no. 8 (2017): 33. http://dx.doi.org/10.21834/ajbes.v2i8.52.

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There are very few Catholic churches in Thailand that conserve wooden structures. The first church of St. Paul was made of bamboo and the other timber on the Bang Pakong River. In 1873, Father Schmidt Francois-Joseph built the third one with concrete including wooden structures such as priest quarters, a bell tower, a rest pavilion, a granary, a school building, all of which were designed by French priests in colonial architecture and constructed by Chinese workers. As present, these buildings have been deteriorating. However, their conservation plans have been launched, recently.Keywords: con
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Makała, Rafał. "Dwa kościoły. Budownictwo kultowe w międzywojennych Niemczech jako przestrzeń modernistycznych eksperymentów." Porta Aurea, no. 19 (December 22, 2020): 325–46. http://dx.doi.org/10.26881/porta.2020.19.17.

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The time between WW I and II was a period of intensive development of church architecture in Germany. In the new situation after the defeat in WW I on the wave of Christian renewal movements, the concept of the church as a building corresponding to its functions, as an object expressing the character of religion and the vision of a congregation as a community in modern society was re -formulated. The dynamically developing church architecture was an area of intense experiments (especially in the 1920s.), creating new forms, as well as devising new iconography by Rudolf Schwartz, Otto Bartning,
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SYGULSKA, Anna, Tomasz CZERNIAK, and Adrian CZARNY-KROPIWNICKI. "EXPERIMENTAL INVESTIGATIONS AND COMPUTER SIMULATIONS TO SOLVE ACOUSTIC PROBLEMS IN THE MODERN CHURCH." Engineering Structures and Technologies 10, no. 1 (2018): 34–45. http://dx.doi.org/10.3846/2029882x.2018.1445037.

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Architectural acoustics of contemporary sacred buildings is still an under-appreciated issue. Many contemporary churches are not functional enough due to acoustic defects which occur there. The study discusses issues of the modern Catholic church, where acoustic problems surface as high reverberant noise levels. The building under investigation, i.e. the Church of the Visitation of the Blessed Virgin Mary, is the biggest contemporary church in Poznań, Poland, as its internal volume amounts to 16,800 m³. On the basis of in situ investigations, a computer model of the church was built and a seri
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Loosen, Sebastiaan, and Hilde Heynen. "Secularized Engagement in Architecture: Sieg Vlaeminck’s Plea for Woonecologie in 1970s Flanders." International Journal for History, Culture and Modernity 6, no. 1 (2018): 1–37. http://dx.doi.org/10.18352/hcm.516.

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During the 1970s the intellectual and cultural climate in Flanders increasingly matured, also in the field of architecture. This fledgling cultural renaissance was fed to a remarkable extent by intellectuals with a religious background who chose to reorient their careers outside the Church. This article focuses on one of those clerics-turnedpublic intellectuals: sociologist and former Passionist Sieg Vlaeminck (1933–2011), who during the 1970s advocated a scientifically grounded approach of the built environment, labelled woonecologie. His life trajectory unites (1) a plea for sciences, embody
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Yunani, Ahmad. "Gereja Hati Yesus Yang maha Kudus - Katedral (sejarah Gereja Katolik di Sulawesi Selatan dan Tenggara)." Jurnal Lektur Keagamaan 15, no. 1 (2018): 125. http://dx.doi.org/10.31291/jlk.v15i1.518.

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The Hati Yesus yang Maha Kudus Church is the oldest Catholic church in Makassar. Built in 1898, the church later became the cathedral church in Makassar. In this paper, the author makes the church as the object of research using the method of archaeological descriptions. This study aims to find out how the application of building styles in gothic churches and its changes to date. Through the embodiment of the visual elements of the oldest Catholic church in Makassar, the gothic style and other artistic styles of the buildings the church shows an interesting and unique blend of architecture. Th
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19

Basciano, Jessica. "Building the modern church: Roman Catholic church architecture in Britain, 1955 to 1975." Planning Perspectives 30, no. 4 (2015): 680–82. http://dx.doi.org/10.1080/02665433.2015.1063325.

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Alexander, John. "Shaping Sacred Space in the Sixteenth Century: Design Criteria for the Collegio Borromeo's Chapel." Journal of the Society of Architectural Historians 63, no. 2 (2004): 164–79. http://dx.doi.org/10.2307/4127951.

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In this article, I present a newly discovered, late-sixteenth-century design drawing for the chapel of the Collegio Borromeo, in Pavia, Italy, and investigate it in the context of contemporary Catholic ecclesiastical architecture. Historiographically, the period is dominated by the church of the Gesù, in Rome, interpreted as a typological paradigm characterized by austere architecture and restrained decoration. This view is called into question by the Collegio's chapel. The initial design (represented by the drawing) drew from ancient sources in order to achieve spatial complexity. The realize
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Flores-García, Laura Gemma, and Elena Zhizhko. "NOVOHISPANIC CONVENT ARCHITECTURE FROM THE 16th CENTURY." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 95–104. http://dx.doi.org/10.32347/2077-3455.2020.58.95-104.

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The article presents the results of a historical and architectural research, which aimed to reveal the main features of the architecture of Spanish monasteries in the sixteenth century, in particular to highlight elements of the ideology of the Spanish crown and the Catholic Church, promoted through architectural structures. The authors established the components of the architectural program and styles of the New Spanish monasteries of the 16th century, highlighted how the process of creative thinking of the future building and its construction took place, what materials were used.
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del Castillo, Fides A. "Christianization of the Philippines." Mission Studies 32, no. 1 (2015): 47–65. http://dx.doi.org/10.1163/15733831-12341379.

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This paper aims to contribute to discussion on how the Catholic religion took root, spread, survived, and progressed in the Philippines. It seeks to address the Christianization of the pre-Hispanic Filipinos and the subsequent embedded-ment of the Church in indigenous culture. It also discusses on H. Richard Niehbur’s typology of the gospel-culture relationship as discussed by De Mesa (2007). From the fundamental congruencies between Filipino traditional religion and Catholic Christianity, this paper asserts that the lack of tension between the traditional religion of the native Filipinos and
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Krūgelis, Linas. "IMAGE OF CHURCH IN THE CONTEMPORARY SACRAL ARCHITECTURE OF LITHUANIA / BAŽNYČIOS ĮVAIZDIS ŠIUOLAIKINĖJE LIETUVOS SAKRALINĖJE ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 36, no. 2 (2012): 134–48. http://dx.doi.org/10.3846/20297955.2012.697716.

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For many centuries, sacral architecture was conceptualised as a multiple reflection of the Catholic spiritual teaching, traditions and a symbol of particular epoch. Moreover, it served as a link between experience, knowledge and values fulfilled by of both, the present and the future man. Catholic temples, like the religion itself, were based on the mystical image of the Body of Christ (Corpus Christi). Also, it can be found not only in liturgical practices, but also in architectural expression. Up until the Second Vatican Council (also known as the Vatican II), church buildings were usually r
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Trisno, Rudy, Antariksa Antariksa, and Purnama Salura. "PENGARUH FUNGSI RITUAL PADA BENTUK ARSITEKTUR Kasus Studi : Gereja Katedral, Gereja Theresia,Gereja Salib Suci, Gereja Santo Matias Rasul dan Gereja Stella Maris." NALARs 15, no. 1 (2016): 25. http://dx.doi.org/10.24853/nalars.15.1.25-34.

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ABSTRAK: Fenomena pudarnya sakralitas bentuk gereja Katolik di seluruh dunia cukup merisaukan Paus Benedictus. Ternyata pudarnya sakralitas bentuk terjadi juga pada gereja Katolik di Indonesia khususnya Jakarta. Secara keseluruhan, permasalahan yang muncul dari fenomena ini adalah tidak terjalinnya relasi yang baik antara fungsi kegiatan dengan bentuk tersebut serta makna yang tampil dari relasi tersebut. Tarik-menarik antara kedua fungsi dan bentuk inilah yang kemudian dimaknai oleh manusia melalui pengamatan langsung bagi pengguna maupun pengamat arsitektur. Metode yang digunakan dalam penel
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Vădeanu, Ina. "„Maestri muratori” și constructori transilvăneni, în cadrul programului arhitectural al „Episcopiei Greco-Catolice Gherla”, în perioada 1853-1918." Studia Universitatis Babeș-Bolyai Historia Artium 65, no. 1 (2020): 39–66. http://dx.doi.org/10.24193/subbhistart.2020.03.

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"“Maestri muratori” and Transylvanian builders, within the architectural program of the “Greek Catholic Episcopate Gherla” between 1853 and 1918. In the second half of the 19th century, in Transylvania there was a demand for specialized labor, on construction sites such as the construction of railways, the construction of roads and bridges for which Italians came from areas with a recognized constructive tradition, such as those in the Trentino area, are encouraged and supported by the Austrian administration to emigrate. The Italian emigrants in Transylvania, mostly working in the field of co
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Proctor, Robert. "Churches for a Changing Liturgy: Gillespie, Kidd & Coia and the Second Vatican Council." Architectural History 48 (2005): 291–322. http://dx.doi.org/10.1017/s0066622x00003816.

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The relationship of Modernism in architecture with the symbolic needs of church- building was fraught with the dangers of betrayal: whether the architect indulged in personal spiritual expression, or used traditional forms, he could be accused of stylistic excess; if he applied a reductive functionalism, the result could be faulted as failing the brief. After the Second World War, expression and tradition were gradually admitted into Modernism to expand and enrich its vocabulary, and the limits of functionalism were reassessed. Churches were a field in which architects of the Modern Movement c
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Watters, Diane M. "ROBERT PROCTOR, Building the Modern Church: Roman Catholic Church Architecture in Britain, 1955 to 1975." Architectural Heritage 27, no. 1 (2016): 123–27. http://dx.doi.org/10.3366/arch.2017.0086.

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Kisiel, Piotr. "The Sanctuary of a sacred nation: National discourse in the style and décor of the Licheń Sanctuary." Nationalities Papers 44, no. 2 (2016): 319–39. http://dx.doi.org/10.1080/00905992.2015.1087990.

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The Basilica of Our Lady of Licheń, located near Konin in the Greater Poland Voivodeship, provides a unique insight into a nationalistic discourse in contemporary Poland. It was created not only as a Catholic shrine but also as a place of patriotic indoctrination. This paper examines not only the architecture and design of the Church and the surrounding Sanctuary, but also the ideas of Rev. Eugeniusz Makulski, the site's founder, and Barbara Bielecka, its architect, in order to understand one of the important currents in a debate on the Polish post-Communist identity. A close analysis of this
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FUKUSHIMA, Ayako. "MAINTENANCE AND POST-DISASTER RESTORATION OF CATHOLIC TETORI CHURCH." AIJ Journal of Technology and Design 25, no. 60 (2019): 983–88. http://dx.doi.org/10.3130/aijt.25.983.

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FUKUSHIMA, Ayako. "MAINTENANCE AND POST-DISASTER RESTORATION OF CATHOLIC TAKAYUBARU CHURCH." AIJ Journal of Technology and Design 26, no. 63 (2020): 741–46. http://dx.doi.org/10.3130/aijt.26.741.

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Concas, Daniela. "Liturgical renovation of modern churches in Rome (Italy)." Resourceedings 2, no. 3 (2019): 39. http://dx.doi.org/10.21625/resourceedings.v2i3.623.

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At the beginning of the first half of the twentieth century the bond between ars-venustas and cultus-pietas has produced many churches of Roman Catholic cult.It’s between the 20s and 60s of the twentieth century that the experiments of the Liturgical Movement in Germany lead to the evolution of the liturgical space, which, even today, we see engraving in modern churches in Rome (Italy).The Council of Trent (1545-1563) constitutes the precedent historical moment, in which the Church recognised the need for major liturgical renovation of its churches. In comparison with this, the Second Vatican
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Vukoszávlyev, Zorán. "Perception of Latin America’s church architecture in the time of II Vatican Council." Actas de Arquitectura Religiosa Contemporánea 4 (February 16, 2017): 46–53. http://dx.doi.org/10.17979/aarc.2015.4.0.5118.

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Events of World War II resulted in significant social changes from 1945. This is considered to be the main motive behind the attempts for transforming the Catholic sacral space, defining the Christ-centered Church. While in most parts of the Catholic world it was a result of a natural, internal process, these changes didn’t make an effect in the Eastern European countries occupied by the Soviet Union, because religion and religiousness became persecuted under the newly established world order. The political powers professing atheist ideology and communist concepts considered the Church as the
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Wang, Ying. "Various and Flexible Catholic Churches of Baroque Style in Shanxi Province." Advanced Materials Research 368-373 (October 2011): 3539–44. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3539.

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This paper is to analyze the feature of combination of foreign and local elements in architecture and summarize the creative methods applied in the baroque catholic churches in Shanxi based on the related surveys and researches. It’s a good example explaining that the process of the gradual recognition of foreign architecture forms is also a process of localization. During this process, the local craftsmen have gradually created new and localized architectural forms based on their combination of traditional aesthetics and local techniques, which is significantly enlightening on the localized d
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Harris, Alana. "Building the Modern Church: Roman Catholic Church Architecture in Britain, 1955 to 1975. By Robert Proctor." Twentieth Century British History 27, no. 2 (2015): 317–19. http://dx.doi.org/10.1093/tcbh/hwv027.

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Fish, George, and Arthur Bassin. "Religion and the Left—and the Catholic Church; What Is Socialist Architecture?" Monthly Review 37, no. 2 (1985): 55. http://dx.doi.org/10.14452/mr-037-02-1985-06_7.

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Harveen Bhandari. "Revivalist Style Churches of 19th Century in Ambala Cantonment: An Insight to Holy Redeemer Church Ambala Cantonment." Creative Space 4, no. 2 (2017): 165–78. http://dx.doi.org/10.15415/cs.2017.42002.

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The British Raj in India led to different types of developments in various parts of the country owing to their physical, social and cultural needs. The Cantonments were one such significant development under British rule in 19th century. Out of the different typology of buildings made by the British settlers in cantonments, the most popular and most ornate structures are the Churches found across the country. In particular the churches built in the 19th century exhibit more or less similar architectural character and style as the whole world was experiencing the Revivalist Gothic style. The pa
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Li, Xinyu, and Jian Tang. "The Comparative Analysis of the Styles of Christian Churches in Modern Mainland China, Macau and Hong Kong." E3S Web of Conferences 283 (2021): 02017. http://dx.doi.org/10.1051/e3sconf/202128302017.

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Chinese Christian (Catholic) architecture is not only an important type of religious architecture, but also an important witness of cultural exchanges between China and the West. This article comprehensively summarizes the architectural styles of Christian (Catholic) churches in modern mainland China, Macau and Hong Kong, and compares the differences in the main styles of their churches horizontally. Based on the data results, a comprehensive analysis of various factors such as age, region, religion, and society is carried out to further explore the reasons for the differences in the architect
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Litvack, Leon B. "The Balliol That Might Have Been: Pugin's Crushing Oxford Defeat." Journal of the Society of Architectural Historians 45, no. 4 (1986): 358–73. http://dx.doi.org/10.2307/990207.

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Augustus Welby Pugin (Fig. 1) was the acknowledged leader of the Gothic revival in 19th-century England. Examples of his work appear everywhere in the country-everywhere, that is, except Oxford. This man was guided by strict principles of "pointed" or "Christian" architecture; however, unlike many architects of his day, Pugin's beliefs were also governed by a fervent-and sometimes oppressive-devotion to the Roman Catholic Church. He was convinced that outward signs of devotion were indispensable, and that the Church of Rome was the true expounder of Christian faith. Pugin would have loved to e
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SCHILLING, HEINZ. "Calvinist and Catholic cities – urban architecture and ritual in confessional Europe." European Review 12, no. 3 (2004): 293–312. http://dx.doi.org/10.1017/s1062798704000286.

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Urban history, at least in Germany, has mainly concentrated on the Medieval and Reformation cities on the one hand and Industrial and Contemporary cities on the other. However, recent debates among Early Modernists have produced the view that ‘confessionalization’, that is the formation of three or four modern church systems based on specific confessions of faith, was one of the most influential factors in producing the fundamental changes that occurred between 1550 and 1650 in Europe. This had a huge effect on the cities of Europe and their inhabitants. This paper compares Catholic and Protes
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Sitindjak, Ronald Hasudungan Irianto, Laksmi Kusuma Wardani, and Diana Thamrin. "Study of Ornaments in the Inkulturatif Pangururan Catholic Church in Samosir, North Sumatera." Journal of Arts and Humanities 5, no. 7 (2016): 49. http://dx.doi.org/10.18533/journal.v5i7.964.

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<p>In the early 1900s, Catholic missionaries arrrived on Batak land in North Sumatera, Indonesia and initiated the process of inculturation, which was subsequently marked by the adaptation of Catholic teachings with the Batak traditional culture. The adaptation involved the liturgy, music and others, inculding the architecture and interior design of their places of worship that continued even to the Modern times. This research aims to discover the meaning behind the ornaments on the exterior and interior of the Inkulturatif Pangururan Catholic Church in Samosir, North Sumatera, as a resu
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Aslet, William. "Situating St Mary-le-Strand: The Church, the City and the Career of James Gibbs." Architectural History 63 (2020): 77–110. http://dx.doi.org/10.1017/arh.2020.3.

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ABSTRACTJames Gibbs's church of St Mary-le-Strand has often been interpreted as an expression of his training in Rome, his Tory politics and his Roman Catholic faith. These factors, as well as the growing clout of the Palladian movement, all supposedly contributed to the architect's dismissal from the Commission for Fifty New Churches. In fact, the design was discovered slowly and by compromise, and Gibbs's dismissal was brought about by a change of monarchy, the demise of his original patrons and by the cost-cutting agenda of the new Whig regime. Rather than recent Italian sources, St Mary-le
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Butler, Richard J. "Building a Catholic church in 1950s Ireland: architecture, rhetoric and landscape in Dromore, Co. Cork, 1952–6." Rural History 31, no. 2 (2020): 223–49. http://dx.doi.org/10.1017/s0956793320000126.

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Abstract This article explores the intellectual culture of Catholic architectural production in 1950s Ireland through the study of a church-building project in rural West Cork. It analyses the phenomenon of the Irish ‘church-building priest’ in terms of their socio-economic background, fundraising abilities, and position within rural communities – in the context of significant rural emigration and economic stagnation. It also considers the role that the Irish countryside played in conditioning clerical understandings of architectural style and taste, and priests’ political readings of the rura
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Silapacharanan, Siriwan. "The Creation and Conservation of Saint Paul Church, Thailand." Environment-Behaviour Proceedings Journal 1, no. 3 (2016): 217. http://dx.doi.org/10.21834/e-bpj.v1i3.366.

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There are very few Catholic churches in Thailand that conserve wooden structures.Take St.Paul in Muang District, Chachoengsao Province located on the east of Bangkok as an example, it was built by Bishop Pallegoix Jean-Baptise the Vicar Apostolic of Siam in 1840. The first church was made of bamboo and the other wood. In 1873, Father Schmidt Francois-Joseph bought a piece of land and built the third one with concrete including wooden structures such as priest quarters, a bell tower, a rest pavilion on the Bang Pakong River, a granary, a school building, all of which were designed by a French p
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Rajagopalan, Mrinalini. "Cosmopolitan Crossings:." Journal of the Society of Architectural Historians 77, no. 2 (2018): 168–85. http://dx.doi.org/10.1525/jsah.2018.77.2.168.

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Between 1805 and 1836, the wealthy dowager ruler Begum Samrū built two large mansions and a Catholic church in North India. In both the makeup of her court and the character of her architecture, the begum's choices reflected her cosmopolitanism. The bishop of her church was from Rome, her closest political allies were English, and her main advisers were Indian. Her architecture, similarly, combined neoclassical façades and Italianate porticoes with Islamic detailing such as muqarnas and Mughal pietra dura; Indian elements such as hammams (bathhouses) sat alongside European-style salons. In Cos
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S, Husak. "CHURCH OF THE DISCALCED CARMELITES IN LVIV AND THEIR ARCHITECTURAL STYLE." Architectural Studies 7, no. 1 (2021): 42–57. http://dx.doi.org/10.23939/as2021.01.042.

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The former church and monastery of the Discalced Carmelites, present Greek Catholic Michael the Archangel Church, is one of the most unexplored sacred buildings of Lviv. Despite its historical importance to the town, the few surviving documents list only donations and royal privileges. This article refers to examples of other Carmelite churches, as well as Italian religious houses to try to explain the possible building process. Not only them but also the already existing convents of the city shaped its form, which is significant for locating its history within the local building tradition.
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Polomová, Beata, and Andrea Vargová. "Reflection on Modernization of Historic Religious Architecture - Case Study: The Roman Catholic Parish Church, Rajec in Slovakia." Applied Mechanics and Materials 820 (January 2016): 69–74. http://dx.doi.org/10.4028/www.scientific.net/amm.820.69.

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The historic churches renovation in Slovakia actively served to the religious cult, progressively responds to the gain of new function. It is the use of culture, such as concerts, exhibitions, guided tours. Within a renovation, historic buildings need to be modernized, especially their technical equipment. In this paper we explore a case study of the church restoration in the town Rajec in the north - western Slovakia. It is registered in the list of monuments. We focused on the monitoring of the building construction design which may affect the preservation and presentation of cultural histor
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Cleary, Richard. "Texas Gothic, French Accent: The Architecture of the Roman Catholic Church in Antebellum Texas." Journal of the Society of Architectural Historians 66, no. 1 (2007): 60–83. http://dx.doi.org/10.1525/jsah.2007.66.1.60.

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Oksana, Diachok. "STAGES OF FORMATION OF THE VOLUME AND SPATIAL STRUCTURE OF THE CHURCH OF THE NATIVITY OF CHRIST IN TERNOPIL." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 3, no. 1 (2021): 60–68. http://dx.doi.org/10.23939/sa2021.01.060.

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Scientific research is devoted to the historical stages of development of one of the oldest churches in Ternopil - the Church of the Nativity of Christ, built in the early XVII century, which is one of the best examples of Podillya sacred architecture. The church is included in the state register of the national cultural heritage of Ukraine. Complicated socio-political processes in the Ternopil region and confessional transformations changed the architectural image of the shrine. The church managed to survive despite the war when almost the entire historic part of the city was destroyed. The S
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Girard, Jean-Claude. "Religious Tropical Architecture: the churches of Leandro V. Locsin in the Philippines." Tropical Architecture in the Modern Diaspora, no. 63 (2020): 76–79. http://dx.doi.org/10.52200/63.a.61svza7z.

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The focus of this contribution is on the importance of tropical architecture in the work of Leandro V. Locsin, in the context of post-WWII in Asia. Based in the Philippines, Locsin is immersed in the Christian tradition – the main religion of a country that was dominated by the Spanish crown from the mid 16th-century to 1898, and where the Catholic Church remains powerful across much of the archipelago today. Attention is focused on Locsin’s religious buildings and projects, where he succeeded in giving a new treatment to the tropical architecture of faith-based structures, through the integra
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Yunani, Ahmad. "Gereja Santo Antonius Purbayan: Sejarah Awal Gereja Katolik Belanda di Solo." Jurnal Lektur Keagamaan 14, no. 1 (2016): 229. http://dx.doi.org/10.31291/jlk.v14i1.482.

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The Catholic Church Santo Antonius Purbayan be evidence of history in the development and spread of Catholicism in Solo or Surakarta. This article attempts to examine the role of the church as the center spread of Catholicism in Solo and its surroundings, from the activities of the church became a place of worship, even to the historical development of Catholic educational institutions are quite old. This study uses Arkheologis Historical approach that is supported by the data history of the church in question. And in the findings of this study, it was found that the existence of this church t
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