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Relevant bibliographies by topics / Catholic Church Church music

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Academic literature on the topic 'Catholic Church Church music'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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Journal articles on the topic "Catholic Church Church music"

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Noden, Shelagh. "The Revival of Music in the Post-Reformation Catholic Church in Scotland." Recusant History 31, no. 2 (October 2012): 239–60. http://dx.doi.org/10.1017/s0034193200013595.

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This article presents a narrative description of the state of music in the Scottish Catholic Church from the Reformation up to the publication of George Gordon’s collection of church music c.1830. For the first two hundred years after the Reformation, Scottish Catholics worshipped in virtual silence owing to the oppressive penal laws then in force. In the late eighteenth century religious toleration increased and several members of the clergy and other interested parties attempted to reintroduce singing into the worship of the Scottish Catholic Church. In this they were thwarted by the ultra-cautious attitude of the Vicar-Apostolic for the Lowland District, Bishop George Hay, who refused to allow any music in Catholic churches in case it should inflame Protestant opinion. Only after his retirement could the reintroduction take place, and the speed at which it was achieved bears witness to the enthusiasm and commitment of Scottish clergy and laity for church music. Research in this area is long overdue, and it is hoped that this article will form a basis for further investigations.

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Sihombing, Adison Adrianus. "Music in The Liturgy of The Catholic Community in Jakarta, Indonesia." Al-Albab 9, no. 1 (June 8, 2020): 3–18. http://dx.doi.org/10.24260/alalbab.v9i1.1542.

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This article discusses music in the Catholic liturgy in Jakarta, Indonesia in the postmodern era within the context of the autonomy of the Catholic Church. The Indonesian Catholic Church is an independent and autonomous church where liturgical music is a form of original artistic expression. However, in practice, the majority of Catholics in Indonesia view the liturgical celebration as uninteresting and dull. Conversely, pop music has increasingly influenced liturgical music. This reality is discussed and analyzed specifically in regards to liturgical music that experiences contextual data inference, especially in the specific cultural contexts of the community. The data analysis shows, in perception of Catholics in Jakarta, the role of liturgical music in worship is not homogeneous, but rather depends on the educational background, attention from Pastors of the Parish, cultural factors, and individual past experiences. For the most part, the level of understanding regarding the nature and important position of liturgical music in religious holy celebrations is low. Most consider that all music is the same and can therefore be used in the liturgy. Music is considered only a complement to enhance religious celebrations. In this context, the government and the Indonesian Catholic Church established the Catholic Church Choir Development Institute (LP3K) as a forum for fostering Catholics in Indonesia in the liturgical field and discussing issues related to music. This article confirms that the position of the liturgical music is crucial and has an irreplaceable significance in the liturgy, and the two are inextricably woven to each other.

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Berhó, Deborah L. "An “Echo in the Soul”: Worship Music in Evangelical Spanish-Language Latino Churches of Oregon." Ecclesial Practices 7, no. 2 (December 16, 2020): 203–25. http://dx.doi.org/10.1163/22144471-bja10019.

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Abstract While a majority of the fast-growing U.S. Latino population is Roman Catholic, a significant and growing percentage is Protestant – some calculate that they now number 10 million in the U.S. Despite this significant growth, Latino Protestant churches remain understudied, particularly the music in worship services. Several Latino theologians criticize the music as being of foreign extraction, a form of neocolonialism in the church, not an autochthonous expression of worship. However, these claims do not align with music actually being used in these congregations. This carefully documented study of 25 Spanish language Protestant churches in Oregon reveals that, while music used in worship at one time may have been created and imposed by non-Latinos, this is no longer the case, and bi-musicality is the norm, reflecting the diaspora and agency of the Latino Protestant church.

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Müller, Alfons. "Message Becomes Incarnate in Song: Church Hymns in the Diocese of Kenge." Mission Studies 7, no. 1 (1990): 76–86. http://dx.doi.org/10.1163/157338390x00100.

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AbstractAs one cannot dance without music, so there is no music without dancing - so goes the popular thinking in Zaire. The Zairean Catholics have shown in the past admirable patience to imported European melodies and imposed language structures and their songs, robbed of their natural rhythm, were stilled until vernacular liturgy was approved in 1965. There is now music in the land, rich in the variety of various African traditions. The Catholic Church in Zaire is at last able to express itself in its own culture, and the Christian message becomes incarnate in songs and hymns.

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Gray, Catherine. "Compositional techniques in roman catholic church music in Uganda." British Journal of Ethnomusicology 4, no. 1 (January 1995): 135–55. http://dx.doi.org/10.1080/09681229508567241.

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Peno, Vesna. "On the multipart singing in the religious practice of orthodox Greeks and Serbs: The theological-culturological discourse." Muzikologija, no. 17 (2014): 129–54. http://dx.doi.org/10.2298/muz1417129p.

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In 1844, Serbian patriarch Josif Rajacic served two central annual Liturgies, at the feasts of Pasha and Penticost, in the Greek church of Holy Trinity in Vienna; these were accompanied by the four-part choral music. The appearance of new music in several orthodox temples in Habsburg Monarchy (including this one) during the first half of the nineteenth century, became an additional problem in a long chain of troubles that had disturbed the ever imperiled relations between the local churches in Balkans, especially the Greek and Serbian Orthodox. The official epistle that was sent from the ecomenical throne to all sister orthodox churches, with the main request to halt this strange and untraditional musical practice, provoked reactions from Serbian spiritual leader, who actually blessed the introduction of polyphonic music, and the members of Greek parish at the church of St. George in Vienna, who were also involved with it. The correspondence between Vienna and Constantinople reflected two opposite perceptions. The first one could named ?traditional? and the other one ?enlightening?, because of the apologies for the musical reform based on the unequivocal ideology of Enlightenment. In this article the pro et contra arguments for the new music tendencies in Greek and Serbian orthodox churches are analyzed mainly from the viewpoint of the theological discourse, including the two phenomena that seriously endangered the very entity of Orthodox faith. The first phenomenon is the ethnophiletism which, from the Byzantine era to the modern age, was gradually dividing the unique and single body of Orthodox church into the so-called ?national? churches, guided by their own, almost political interests, often at odds with the interests of other sister churches. The second phenomenon is the Westernization of the ?Orthodox soul? that came as a sad result of countless efforts of orthodox theological leaders to defend the Orthodox independence from the aggressive Roman Catholic proselytism. ?The Babylonian captivity of the Orthodox church?, as Georg Florovsky used to say, began when Orthodox theologians started to apply the Western theological methods and approaches in their safeguarding of the Orthodox faith and especially in ecclesiastical education. In this way the new cultural and social tendencies which gripped Europe after the movements of Reformation and Contra-Reformation were adopted without critical thinking among Orthodox nations, especially among the representatives of the Ortodox diaspora at the West. Observed from this extensive context, the four-part music in Orthodox churces in Austria shows one of many diverse requirements demanded from the people living in a foreign land, in an alien and often hostile environment, to assimilate its values, in this case related to the adoption of its musical practices.

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Martin, David. "Pointing to Transcendence: Reflections from an Anglican Context." NTT Journal for Theology and the Study of Religion 75, no. 3/4 (September 1, 2021): 310–36. http://dx.doi.org/10.5117/ntt2021.3/4.002.mart.

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Abstract After a critical examination of western master narratives of modernization and secularization, David Martin focuses, first, on one of the variants of Christian modernity, Anglican modernity. The Anglican Church provides a simulacrum of the universal church as it ranges from the Catholic to the Evangelical and Pentecostal and is, hence, rigged also by many of the problems confronting the church in the contemporary world. Next, Martin considers some examples of unanchored spirituality and free-floating faith that have, in his opinion, no serious future as major expressions of Christianity—he discusses, in particular, Schumann’s paradigm of Romantic music. Though inevitably fallible, churches are to be regarded as pointers to transcendence, opening, in the words of William Blake, “the doors of perception.” Without the institutional church to protect and perpetuate the Christian language of transcendence and provide ritual re-enactment of the Christian story of ruin and restoration, the Anglican/Christian vision would be as vulnerable and ephemeral as most contemporary forms of non-institutional, un-anchored “spirituality” [the editors].

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Carvalho, António P. O., António E. J. Morgado, and Luís Henrique. "Relationships between Subjective and Objective Acoustical Measures in Churches." Building Acoustics 4, no. 1 (March 1997): 1–20. http://dx.doi.org/10.1177/1351010x9700400101.

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This study reports on subjective and objective acoustical field measurements made in a survey of 36 Catholic churches in Portugal built in the last 14 centuries. Monaural acoustical measurements (RT, EDT. C80, D50, TS and L) were taken at several source/receiver locations in each church and a group of college students was asked to judge the subjective quality of music. The listeners in each church evaluated live music performances at similar locations in each room. Evaluation sheets were used to record the listeners' overall impressions of room acoustic quality and also Loudness, Reverberance. Intimacy. Envelopment. Directionality, Balance, Clarity, Echoes and Background Noise. This paper concentrates on the relationships of the subjective parameters with the objective room acoustics measures and with the architectural features of the churches. Correlation analyses and statistical modeling identified significant relationships among the measures. For instance, linear correlation coefficients (| R|) of 0.8–0.9 were found for the relationships: Reverberance/RT and Clarity/C80; the maximum | R| found was 0.93 for Echoes/RT. Regarding architectural features the maximum | R | found was 0.87 between Intimacy and Total Volume.

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Noden, Shelagh. "Songs of the spirit from Dufftown." Innes Review 70, no. 1 (May 2019): 36–54. http://dx.doi.org/10.3366/inr.2019.0201.

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Following the Scottish Catholic Relief Act of 1793, Scottish Catholics were at last free to break the silence imposed by the harsh penal laws, and attempt to reintroduce singing into their worship. At first opposed by Bishop George Hay, the enthusiasm for liturgical music took hold in the early years of the nineteenth century, but the fledgling choirs were hampered both by a lack of any tradition upon which to draw, and by the absence of suitable resources. To the rescue came the priest-musician, George Gordon, a graduate of the Royal Scots College in Valladolid. After his ordination and return to Scotland he worked tirelessly in forming choirs, training organists and advising on all aspects of church music. His crowning achievement was the production, at his own expense, of a two-volume collection of church music for the use of small choirs, which remained in use well into the twentieth century.

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Barba, Lloyd. "More Spirit in That Little Madera Church." California History 94, no. 1 (2017): 26–42. http://dx.doi.org/10.1525/ch.2017.94.1.26.

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This article coalesces historical grassroots developments in the Central Valley: the growth of Mexican Pentecostalism and its production of music, brewing legal tensions regarding voting rights and undocumented immigration, and the fledgling career of Cesar Chavez as a community-organizer-turned-labor-activist. At a time when Pentecostals were believed to be anti-union and apolitical, they joined the Community Service Organization and, through their singing, inspired Cesar Chavez to incorporate singing when he later formed his union/association. This article shows how the social conditions of labor and religion proved to be fertile soil for a productive encounter between Chavez, a Catholic, and a Pentecostal congregation in need of legal assistance. The well-publicized grape strikes and marches of the late 1960s, for example, incorporated religious iconography and music, the latter of which came from an idea Chavez developed from this unusual, productive encounter over a decade earlier with Mexican Pentecostals in 1954. The latter part of the article focuses on the religious overtones of music produced about Chavez and La Causa.

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Dissertations / Theses on the topic "Catholic Church Church music"

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Chongson, Mary Arlene Pe. "Pasyon and holy week : a study of music, acculturation, and local Catholicism in the Philippines /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/main.

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Chung, Hee Won. "A conductor's guide to the Roman liturgy /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/11307.

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Chongson, Mary Arlene Pe. "Pasyon and holy week : a study of music, acculturation and local catholicism in the Philippines /." Ann Arbor, Mich. : University Microfilms International, 2001. http://wwwlib.umi.com/cr/utexas/main.

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Tacconi, Marica. "Liturgy and chant at the Cathedral of Florence a survey of the pre-Tridentine sources (tenth-sixteenth centuries) /." Full text available online (restricted access), 1999. http://images.lib.monash.edu.au/ts/theses/tacconi.pdf.

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Marsh, Dana Trombley. "Music, church, and Henry VIII's Reformation." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670102.

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Johnson, Clare Veronica. "Music, ritual and the therapeutic exploring the therapeutic potential of liturgical music in Roman Catholic worship /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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Mager, Sibylle. "The debate over the revival of ancient church music in Victorian England." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368613.

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Noden, Shelagh. "The revival of music in the worship of the Catholic Church in Scotland, 1789-1829." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=211007.

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Yarnelle, Edward Joseph. "Pipe and electronic church organ acquisitions since 1975 in selected Roman Catholic parishes in the United States." Virtual Press, 1990. http://liblink.bsu.edu/uhtbin/catkey/722778.

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A survey was conducted to determine current conditions pertaining to church organ acquisitions and renovations in selected Roman Catholic parishes in the United States. A need exists to ascertain what problems are occurring with the process of organ acquisition, what solutions are possible, and how trends in organ acquisition are measuring up with the principles outlined by Vatican II.Addresses of organ companies were obtained from the current National Association of Pastoral Musician's Organ Builders Directory_ (1988). The 105 organ companies queried sent the researcher the addresses of 711 past and current Roman Catholic customers; each customer was sent a questionnaire. Fifty-eight percent of the contacts responded, supplying significant information from 362 parishes in the forty-eight contiguous United States. Information was obtained regarding: organ installation/renovation, selection, organ companies considered, console placement, parish size, age of church building, fund-raising, greatest difficulties experienced, points of advice based on experience, diocesan organ acquisition policies, acoustical concerns, and reasons for choosing a pipe or an electronic instrument.Reviews of related research and discussions of current publications, Roman Catholic church music legislation, new technologies used for accompanying church music, and differing opinions of church leaders supplement the survey research.Parishes reported their most difficult problems encountered during organ acquistion and offered their best points of advice for avoiding problems. The data include opinions regarding pipe and electronic instruments; organ companies frequently utilized; examples of sucessful organ console placement; the status and examples of diocesan written policies concerning keyboard accompaniment instruments; the benefits of combining fund-raising with parish education and communication; and the need for greater concern and education regarding acoustics.Case studies describe Roman parishes that achieved quality worship services after thorough preparations for their organ acquisition. Beginning parishes need the greatest amount of help for organ planning. Conclusions call for national-level attention and education about the organ acquisition process, and encourage dioceses to facilitate this goal with well-written policies.
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Chacko, Abi. "Beth gazo a study of the eight tone music system as used in the Malankara Orthodox Syrian Church /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p015-0463.

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Books on the topic "Catholic Church Church music"

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Sacred treasure: Understanding Catholic liturgical music. Collegeville, Minn: Liturgical Press, 2011.

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Chi, Paul Van. Catholic choral music in Vietnam, 1945-1975. Portland, Or: Distributed by Pastoral Press, 2002.

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Talbot, John Michael. The joy of music ministry. Totowa, N.J: Resurrection Press, 2001.

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Winter, Miriam Therese. Why sing?: Toward a theology of Catholic church music. Washington, DC: The Pastoral Press, 1988.

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Medieval liturgical music of Zamora. Ottawa, Canada: Institute of Mediaeval Music, 1996.

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Preparing music for celebration. Ottawa: Novalis, 1996.

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Preparing music for celebration. Collegeville, Minn: Liturgical Press, 1997.

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Evaluating your liturgical music ministry. San Jose, Calif: Resource Publications, 1993.

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The church music of fifteenth-century Spain. Woodbridge, Suffolk: Boydell Press, 2004.

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Sing to the Lord: Music in divine worship. Washington, D.C: United States Conference of Catholic Bishops, 2008.

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Book chapters on the topic "Catholic Church Church music"

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Liu, Feng-chuan. "Chinese Sacred Music in Taiwan After Vatican II: Historical Review and Outcomes." In The Catholic Church in Taiwan, 117–49. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-6668-9_7.

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Rioli, Maria Chiara, and Riccardo Castagnetti. "Sound Power: Musical Diplomacy Within the Franciscan Custody in Mandate Jerusalem." In European Cultural Diplomacy and Arab Christians in Palestine, 1918–1948, 79–104. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55540-5_5.

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AbstractAlthough often underestimated or barely quoted by historical studies, music plays a crucial role in the cultural agenda of Church institutions and missionary congregations. Among the Catholic actors, the Franciscan Custody of the Holy Land was a central one connecting two of their main goals: evangelisation and education. These two tasks were strictly linked: music was a central element in the liturgies celebrated in the parishes and in the Holy Places and at the same time a pedagogical tool, taught in the schools ruled by the Friars. Music reveals also the complex process of encounter of Palestinian and Western patterns in modern Palestine. In this way the music sung and taught in the St Saviour also contributed to shape the soundscape of Jerusalem. The chapter discusses various sources related to Augustine Lama, at that time the director of the schola cantorum of St Saviour.

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Caldwell, Lesley. "The Catholic Church." In Italian Family Matters, 7–27. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21525-6_2.

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Teter, Magda. "The Catholic Church." In Key Concepts in the Study of Antisemitism, 65–77. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51658-1_6.

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Germano, Luca. "The Catholic Church." In The Palgrave Encyclopedia of Interest Groups, Lobbying and Public Affairs, 1–10. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-13895-0_64-1.

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Green, Jennifer, and Michael Green. "The Roman Catholic Church." In Dealing with Death, 155–58. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4899-7216-3_18.

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de Macedo, Michelle Reis. "Brazilian Catholic Apostolic Church." In Encyclopedia of Latin American Religions, 211–16. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-27078-4_545.

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Kozhamthadam SJ, Job. "Catholic Church and Science." In Encyclopedia of Sciences and Religions, 309–17. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_1111.

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de Macedo, Michelle Reis. "Brazilian Catholic Apostolic Church." In Encyclopedia of Latin American Religions, 1–6. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-08956-0_545-1.

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Steuernagel, Marcell Silva. "Performing church music." In Church Music Through the Lens of Performance, 162–85. [1.] | New York : Routledge, 2021. | Series: Congregational music studies series: Routledge, 2021. http://dx.doi.org/10.4324/9781003080329-1g.

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Conference papers on the topic "Catholic Church Church music"

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Lapian, Alrik. "Music and Testifying in Congregational Church: Faith Testimony (Marturia) in the Context of Church Music Festival at GMIM Territory." In Proceedings of the First International Conference on Christian and Inter Religious Studies, ICCIRS 2019, December 11-14 2019, Manado, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.11-12-2019.2302143.

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Muchtar, Ibnu, and Moh Putro. "Unlucky Political Strike, Spirit of Jihad and a New Church Building Plan The Case of St Faustina Catholic Church Building Proposed in Bogor of Indonesia." In Proceedings of the 3rd International Symposium on Religious Life, ISRL 2020, 2-5 November 2020, Bogor, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.2-11-2020.2305064.

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Selishchev, Nikolay. "CHURCH BUREAUCRACY AND ITS ECONOMIC SIGNIFICANCE (BY THE EXAMPLE OF A CATHOLIC, OR PAPAL, BUREAUCRACY)." In Theory and Practice of Institutional Reforms in Russia [Text]: Collection of Scientific Works. CEMI RAS, 2019. http://dx.doi.org/10.33276/978-5-8211-0777-0-107-136.

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François, Wim, and Antonio Gerace. "The Doctrine of Justification and the Rise of Pluralism in the Post-Tridentine Catholic Church." In Seventh Annnual RefoRC conference. Göttingen: Vandenhoeck & Ruprecht, 2019. http://dx.doi.org/10.13109/9783666570964.15.

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Guo, Rong, and Xiaoya Song. "Urban renewal strategies for Catholic Church historical block in Qiqihar based on the concept of cultural regeneration." In Annual International Conference on Architecture and Civil Engineering (ACE 2014). Global Science and Technology Forum, 2014. http://dx.doi.org/10.5176/2301-394x_ace14.95.

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Ayudyah, Melati, Rudy Trisno, Naniek Widayati, and Fermanto Lianto. "Natural Light as an Element to Create Sacred Environment in Churches Case Study: Santo Kristoforus Catholic Church, Jakarta." In Tarumanagara International Conference on the Applications of Social Sciences and Humanities (TICASH 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200515.043.

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Рidhorbunskyi, M. A. "South-eastern influences the formation and establishment of church music in Kievan Rus." In IX International symposium «Humanities and Social Sciences in Europe: Achievements and Perspectives». Viena: East West Association GmbH, 2016. http://dx.doi.org/10.20534/ix-symposium-9-23-27.

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Krusinsky, Peter. "PROPORTIONAL ANALYSIS OF A TRANSVERSAL BOND OF THE HISTORIC TRUSS IN THE GOTHIC ROMAN-CATHOLIC CHURCH OF ST CATHERINE IN BANSKA STIAVNICA DATED TO THE MID-17TH CENTURY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocialf2018/2.3/s20.021.

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Petrović, Dragana. "TRANSPLANTACIJA ORGANA." In XVII majsko savetovanje. Pravni fakultet Univerziteta u Kragujevcu, 2021. http://dx.doi.org/10.46793/uvp21.587p.

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Even the mere mention of "transplantation of human body parts" is reason enough to deal with this topic for who knows how many times. Quite simply, we need to discuss the topics discussed from time to time !? Let's get down to explaining some of the "hot" life issues that arise in connection with them. To, perhaps, determine ourselves in a different way according to the existing solutions ... to understand what a strong dynamic has gripped the world we live in, colored our attitudes with a different color, influenced our thoughts about life, its values, altruism, selflessness, charities. the desire to give up something special without thinking that we will get something in return. Transplantation of human organs and tissues for therapeutic purposes has been practiced since the middle of the last century. She started (of course, in a very primitive way) even in ancient India (even today one method of transplantation is called the "Indian method"), over the 16th century (1551). when the first free transplantation of a part of the nose was performed in Italy, in order to develop it into an irreplaceable medical procedure in order to save and prolong human life. Thousands of pages of professional literature, notes, polemical discussions, atypical medical articles, notes on the margins of read journals or books from philosophy, sociology, criminal literature ... about events of this kind, the representatives of the church also took their position. Understanding our view on this complex and very complicated issue requires that more attention be paid to certain solutions on the international scene, especially where there are certain permeations (some agreement but also differences). It's always good to hear a second opinion, because it puts you to think. That is why, in the considerations that follow, we have tried (somewhat more broadly) to answer some of the many and varied questions in which these touch, but often diverge, both from the point of view of the right regulations and from the point of view of medical and judicial practice. times from the perspective of some EU member states (Germany, Poland, presenting the position of the Catholic Church) on the one hand, and in the perspective of other moral, spiritual, cultural and other values - India and Iraq, on the other.

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Simanjuntak, Robert. "Exploration Of Children's Music Talents As A Solution For The Development Of Millennial Generations In The Church Of Bethany Tanjung Anom Deli Serdang." In Proceedings of the 1st International Conference of Global Education and Society Science, ICOGESS 2019,14 March, Medan, North Sumatera, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.14-3-2019.2292033.

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Reports on the topic "Catholic Church Church music"

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Stine, Anthony. Catholic Social Teaching and Sustainable Development: What the Church Provides for Specialists. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7476.

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Cancelo Sanmartín, ;ercedes, María Antonieta Rebeil Corella, and María Auxiliadora Gabino Campos. La comunicación institucional de la Iglesia Católica a través de las redes sociales / Corporate communication of the Catholic Church through social networks. Revista Internacional de Relaciones Públicas, May 2015. http://dx.doi.org/10.5783/rirp-9-2015-07-111-130.

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Health hazard evaluation report: HETA-93-1119-2374, Saint Joseph's Catholic Church Saint Leon, Indiana. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, January 1994. http://dx.doi.org/10.26616/nioshheta9311192374.

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