Dissertations / Theses on the topic 'Catholic Church Church music'
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Chongson, Mary Arlene Pe. "Pasyon and holy week : a study of music, acculturation, and local Catholicism in the Philippines /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/main.
Full textChung, Hee Won. "A conductor's guide to the Roman liturgy /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/11307.
Full textChongson, Mary Arlene Pe. "Pasyon and holy week : a study of music, acculturation and local catholicism in the Philippines /." Ann Arbor, Mich. : University Microfilms International, 2001. http://wwwlib.umi.com/cr/utexas/main.
Full textTacconi, Marica. "Liturgy and chant at the Cathedral of Florence a survey of the pre-Tridentine sources (tenth-sixteenth centuries) /." Full text available online (restricted access), 1999. http://images.lib.monash.edu.au/ts/theses/tacconi.pdf.
Full textMarsh, Dana Trombley. "Music, church, and Henry VIII's Reformation." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670102.
Full textJohnson, Clare Veronica. "Music, ritual and the therapeutic exploring the therapeutic potential of liturgical music in Roman Catholic worship /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.
Full textMager, Sibylle. "The debate over the revival of ancient church music in Victorian England." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368613.
Full textNoden, Shelagh. "The revival of music in the worship of the Catholic Church in Scotland, 1789-1829." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=211007.
Full textYarnelle, Edward Joseph. "Pipe and electronic church organ acquisitions since 1975 in selected Roman Catholic parishes in the United States." Virtual Press, 1990. http://liblink.bsu.edu/uhtbin/catkey/722778.
Full textSchool of Music
Chacko, Abi. "Beth gazo a study of the eight tone music system as used in the Malankara Orthodox Syrian Church /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p015-0463.
Full textWay, Anthony David, and res cand@acu edu au. "Lift Up Your Hearts:A Musico-liturgical Study of the Eucharistic Prayer of the Roman Rite." Australian Catholic University. School of Arts and Sciences, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp59.25092005.
Full textVan, Der Watt Louis. "Die vroeg-christelike erediens en die Kyre Eleison : 'n historiese en liturgiese studie." Thesis, Stellenbosch : Stellenbosch University, 2011. http://hdl.handle.net/10019.1/17850.
Full textENGLISH ABSTRACT: The essential embodiment of the Catholic and Orthodox religious and liturgical traditions is the celebration of the Mass. The Kyrie eleison is the opening part of this Mass celebration. The Kyrie eleison is also an element within the Catholic and Orthodox Office. In the respective Protestant and reformed traditions, the Kyrie eleison figures to a lesser extent, as is the case in the Lutheran tradition, or not at all, as is especially the case in the Afrikaans-speaking reformed denominations in South Africa. At most, the exposure to the Kyrie eleison, by any member of a church of Afrikaans-speaking and reformed persuasion, is confined to the concert hall, in which context the Kyrie presents itself in an alien guise, having been uprooted from its liturgical context which is a co-determinant in the transfer of the meaning of the text of the Kyrie to the listener. This study is an essay to convey the importance of the context of the Kyrie with regard to a successful process of communication between the performance of the Kyrie and the decoding of its message by the listener. It is an attempt to focus, via narrowing concentric circles, on the genesis of the Kyrie, from its antecedents in the Jewish religious tradition, via its manifestations in early Christan cult and chant, to its codification during the pontificate of Gregory the Great. In conclusion, the suggestion is mooted that there is an obligation devolving on the performers of the Kyrie eleison within a non-liturgical context to communicate the meaning of the Kyrie, even in its alien guise, to the audience as receivers of the text, thereby achieving a successful transaction in the process of communication.
AFRIKAANSE OPSOMMING: Die sentrale beliggaming van die Katolieke en Ortodokse liturgies-religieuse tradisies is die viering van die Mis. Die Kyrie eleison is die openingsdeel van hierdie Misviering. Die Kyrie eleison is verder ook ‘n element in die Katolieke en Ortodokse Officium. In die verskillende Protestantse liturgiese tradisies figureer die Kyrie eleison in ‘n mindere mate, soos in die Lutherse tradisie, of glad nie, soos wat spesifiek die geval in die Afrikaanssprekende gereformeerde tradisie is. ‘n Afrikaanssprekende lidmaat van gereformeerde oortuiging se belewing van die Kyrie is, indien hoegenaamd, meestal beperk tot die aanhoor daarvan in ‘n konsertsituasie, waarbinne die Kyrie homself in ‘n ontheemde gedaante aan die luisteraar voordoen omdat dit ontwortel is uit sy liturgiese konteks wat medebepalend vir die betekenisoordrag van die teks van die Kyrie is. Hierdie studie is ‘n poging om die belang van die konteks van die Kyrie met betrekking tot ‘n suksesvolle kommunikasietransaksie tussen die uitvoer van die Kyrie en die dekodering van die boodskap daarvan deur die Afrikaanssprekende gereformeerde luisteraar, na vore te bring. Die ondersoek is hoofsaaklik daarmee gemoeid om die liturgiese ontstaans- en vroeë bestaansgeskiedenis van die Kyrie deur middel van ‘n konsentries nouer-wordende fokus in oënskou te neem, vanaf sy antesedente in die Joodse kultus, via sy presedente in die vroeg-Christelike kultus en cantus, tot die kodifisering daarvan tydens die pontifikaat van Gregorius die Grote. Ten slotte word aangevoer dat daar selfs in ‘n konsertsituasie ‘n onus op die uitvoerendes rus om die Kyrie, ook in sy ontheemde gestalte binne ‘n nie-liturgiese konteks, vir die luisteraar tot spreke te bring.
Palionis, Solveiga. "Formation of pastoral musicians in Lithuania pastoral project : intensive one week summer course /." Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.
Full textKirk, Douglas Karl. "Churching the shawms in Renaissance Spain : Lerma, archivo de San Pedro ms. mus. 1." Diss., McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=77431.
Full textPlusieurs etudes ont demontre qu'au seizieme et au dix-septieme siecle, les eglises espagnoles (metropolitaines et monacales) employaient des ensembles de musiciens utilisant des instruments "hauts" pour jouer dans de nombreuses liturgies et processions tout au long de l'annee. Ce que cette musique etait precisement, au-dela de la participation dans l'accompagnement des choeurs des messes et motets, ne reste que conjectures puisqu' au aucune note n'a ete trouvee. Cette dissertation est une etude et une edition d'un manusmt d'une importance majeure et nouvellement decouvert, identifie comme ayant fait partie du repertoire des menestrels servant le duc de Lerma, c. 1607, qui etaient engages pour jouer a l' eglise collegiale de San Pedro a Lerma. En comparant le repertoire dans le manuscrit avec les instructions des menestrels du seizieme et du dix-septieme siecle a Le6n et Palencia, il a ete possible d' etablir les responsabilites musicales liturgique des menestrels et de deduire comment toute cette collection de musique instrumentale avait pu ~e utilisee. De plus, apres l' etude des inventaires subsistants de San Pedro, on a pu reconstruire le repertoire musical polyphonique dans son entier. Ceci nous permet de voir la collection musicale disponible du chantre ou maitre de chapelle typique du temps, ainsi que la place qu' occupait le repertoire des menestrels. Finalement un nombre significatif de manuscrits et imprimes a ete retrace dans les collections modemes, nous permettant d' en connaitre. fr
Foster, John J. M. "Diocesan commissions for liturgy, music, and art from Pius X to the 1983 Code of canon law an historical and canonical examination /." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.
Full textScotti, Alba. "Transalpine Hintergründe der liturgischen Musikpraxis im mittelalterlichen Patriarchat Aquileia : Untersuchungen zu den Responsoriumstropen /." Hildesheim [u.a.] : Olms, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2869715&prov=M&dok_var=1&dok_ext=htm.
Full textByrne, John Henry, and res cand@acu edu au. "Sacred or Profane: The Influence of Vatican Legislation on Music in the Catholic Archdiocese of Melbourne, 1843 - 1938." Australian Catholic University. School of Music, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp09042006.88.
Full textLorenzetti, Michelle Arype Girardi. "Aprender e ensinar música na igreja católica : um estudo de caso em porto Alegre/RS." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/114671.
Full textThe purpose of this study was objective to investigate the educational-musical relations present in the Catholic church of Porto Alegre. The leading question was how the musical formation of people who work in this context occurred and how the musical teaching was executed. To accomplish this research, I opted for a qualitative approach, conducting a case study. The authors Souza (2004; 2014), Setton (2008; 2012) and Petitat (2011) were included in the framework. From a total of 240 people who worked with music in the Church, twelve were selected because they worked as teachers and/or music trainers. Several processes about musical learning were identified, which do not occur isolated and fixed, but in a dynamic and interconnected way, also in relation with other formative instances. It was possible to describe: the process of learning, which occurred in practice (to learn while doing); learning in group; self learning; learning in courses, rechearsals and church festivals. About the teaching and performance, it was possible to analyze conceptions of being a Church musician, the differences between the paid professional and the volunteer; and about being a teacher and/or trainer, highlighting questions related to disclosure and recruitment of pupils, class locations, and selection of didactic activities. This research contributes to the reflection about how these processes of musical education occur in the Catholic Church, thus increasing how to see learning and teaching music.
Almeida, Márcio Antônio de [UNESP]. "Mistagogia da música ritual católica romana: estudo teórico-metodológico." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/95148.
Full textUniversidade Estadual Paulista (UNESP)
Este estudo tem por finalidade descrever metodologicamente a prática mistagógica dos séculos IV e V d.C. e discutir a recente sistematização e aplicação do método mistagógico à formação dos ministérios litúrgico-musicais da Igreja Católica Romana. No ano de 1963, promulgava-se a Sacrosanctum Concilium (Constituição sobre a Sagrada Liturgia) do Concílio Ecumênico Vaticano II (1962-1965) que, sustentada pelo Movimento Litúrgico, representava o retorno às fontes bíblicas e patrísticas da fase de estruturação da liturgia por volta do século IV. Atualmente, a formação continua sendo um dos maiores desafios à consolidação do processo de renovação litúrgica desencadeado pela reforma do Vaticano II. A reforma teve implicações sobre a liturgia e também sobre o modelo eclesial a ser assumido pelas novas gerações. Quanto ao uso do método mistagógico, dois autores, Mazza (1996) e Buyst (2006), serão largamente focalizados devido à especificidade de sua aproximação ao objeto de estudo. O primeiro expõe a sistemática catequético-mistagógica dos séculos IV e V; e a segunda aplica o método mistagógico ao estudo da música ritual com escopo formativo mais evidenciado. O propósito da pesquisa foi sendo consolidado a partir da leitura, tradução e interpretação de variados autores para se avançar de rudimentos conceituais à apropriação teórica e metodológica do termo e prática da mistagogia. Deste modo, o percurso assumido procurou evidenciar o deslocamento do discurso normativo e prescritivo, próprio dos documentos eclesiais, ao discurso reflexivo e propositivo sobre o processo de renovação da música ritual no Brasil a partir de produções litúrgico-musicais pós-conciliares. Esta pesquisa, ao propor o método mistagógico no estudo da música ritual como estratégia que articula diferentes áreas do conhecimento, procura identificar...
The purpose of this study is describe methodologically the mystagogic practice of 4th and 5th centuries, and discuss new approaches and application on mystagogic method related to liturgical musical formation of the ministries of Roman Catholic Church. In 1963 was promulgated the Constitution on the Sacred Liturgy (Sacrosanctum Concilium) of Second Vatican Council (1962-1965) that held on Liturgical Movement represented the return to biblical and patristic sources of the 4th century. Nowadays, formation continues being one of the main challenges to consolidation of the liturgical renewal process started at Second Vatican reformation. This reformation had effect on the liturgy and ecclesial model. Two authors Mazza (1996) and Buyst (2006) were focused on due to particular approach to mystagogic method. The first demonstrates the catechetical and mystagogic systematic from 4th and 5th; the second applies mystagogic method to the study of ritual music with a clearly formative scope. The purpose of this research was developed through reading, translation and interpretation of various authors to reach the concept and to get a theoretical and methodological understanding of terminology and practice of mystagogy. Therefore, the way assumed had revealed a changing from normative and prescriptive enunciation to a reflexive and rational enunciation related to renewal process of ritual music in Brazil and post-Second Vatican Council liturgical musical productions. This research proposes mystagogic method in the study of ritual music as a strategy that conjugates different areas of knowledge. Finally, also identify how the formation was theorized and performed in the liturgical renewal process to reach the method.
Toledo, Vasti Atique Ferraz de. "Missa e Do menor de Henrique Oswald para coro, orgão e orquestra de cordas : um estudo analitico e interpretativo a partir dos parametros da musica sacra de Romantismo." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284689.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Tendo em vista a preparação de um regente que se disponha a executar a Missa em Dó menor de Henrique Oswald, este trabalho sugere um processo para auxiliá-lo desde o primeiro contato com a partitura até a sua apresentação pública. O trabalho, que tem como foco central a Missa em Dó menor, é composto por quatro capítulos e um anexo. Nele abordam-se assuntos diversos em busca de uma maior compreensão dessa obra. O primeiro capítulo apresenta dados sob uma perspectiva histórica do contexto em que o compositor escreveu a obra. O segundo é uma reflexão sobre os textos utilizados, seu significado e suas origens. Já o terceiro capítulo é uma análise da partitura, sendo abordados os parâmetros da forma, da orquestra e do órgão, da escrita vocal e da música em relação ao texto. Concluindo, o quarto capítulo apresenta elementos de interpretação da obra, com sugestões para sua preparação e execução. Este último capítulo é o objetivo primeiro do trabalho e justifica todo o esforço para sua realização. O anexo é a edição eletrônica da Missa, a partir dos manuscritos originais, com as devidas correções e sugestões
Abstract: The objective of this study is to provide elements to help the conductor in the performance of Henrique Oswald's "Mass in C minor" in a gradual process from the initial preparation of the music score to the final public presentation of the work. It is divided into four chapters with an addendum to provide the reader with not only a complete overview of the work but to examine in detail the various musical, textual and esthetical aspects of the composition. The first chapter discusses the historical context in which the composition was written; the second analyses the origin and meaning of both biblical and liturgical texts employed by the composer; the third presents an analysis of the music score, including discussion about structure parameters, vocal and instrumental writing, music and text relationship and the use of the orchestra and of the pipe organ. As conclusion, the fourth chapter discusses interpretive elements and offers rehearsal and performance suggestions as well. The addendum consists of a digital edition of the "Mass in C minor", with the necessary corrections and editorial remarks having as basis a microfilm of the original manuscript found in the National Library of Rio de Janeiro, made possible through the courtesy of Prof. Dr. Eduardo Ostergren of Unicamp
Mestrado
Mestre em Música
Almeida, Márcio Antônio de 1970. "Mistagogia da música ritual católica romana : estudo teórico-metodológico /." São Paulo : [s.n.], 2009. http://hdl.handle.net/11449/95148.
Full textBanca: Maria Aparecida Bento
Banca: Valeriano dos Santos Costa
Resumo: Este estudo tem por finalidade descrever metodologicamente a prática mistagógica dos séculos IV e V d.C. e discutir a recente sistematização e aplicação do método mistagógico à formação dos ministérios litúrgico-musicais da Igreja Católica Romana. No ano de 1963, promulgava-se a Sacrosanctum Concilium (Constituição sobre a Sagrada Liturgia) do Concílio Ecumênico Vaticano II (1962-1965) que, sustentada pelo Movimento Litúrgico, representava o retorno às fontes bíblicas e patrísticas da fase de estruturação da liturgia por volta do século IV. Atualmente, a formação continua sendo um dos maiores desafios à consolidação do processo de renovação litúrgica desencadeado pela reforma do Vaticano II. A reforma teve implicações sobre a liturgia e também sobre o modelo eclesial a ser assumido pelas novas gerações. Quanto ao uso do método mistagógico, dois autores, Mazza (1996) e Buyst (2006), serão largamente focalizados devido à especificidade de sua aproximação ao objeto de estudo. O primeiro expõe a sistemática catequético-mistagógica dos séculos IV e V; e a segunda aplica o método mistagógico ao estudo da música ritual com escopo formativo mais evidenciado. O propósito da pesquisa foi sendo consolidado a partir da leitura, tradução e interpretação de variados autores para se avançar de rudimentos conceituais à apropriação teórica e metodológica do termo e prática da mistagogia. Deste modo, o percurso assumido procurou evidenciar o deslocamento do discurso normativo e prescritivo, próprio dos documentos eclesiais, ao discurso reflexivo e propositivo sobre o processo de renovação da música ritual no Brasil a partir de produções litúrgico-musicais pós-conciliares. Esta pesquisa, ao propor o método mistagógico no estudo da música ritual como estratégia que articula diferentes áreas do conhecimento, procura identificar ... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The purpose of this study is describe methodologically the mystagogic practice of 4th and 5th centuries, and discuss new approaches and application on mystagogic method related to liturgical musical formation of the ministries of Roman Catholic Church. In 1963 was promulgated the Constitution on the Sacred Liturgy (Sacrosanctum Concilium) of Second Vatican Council (1962-1965) that held on Liturgical Movement represented the return to biblical and patristic sources of the 4th century. Nowadays, formation continues being one of the main challenges to consolidation of the liturgical renewal process started at Second Vatican reformation. This reformation had effect on the liturgy and ecclesial model. Two authors Mazza (1996) and Buyst (2006) were focused on due to particular approach to mystagogic method. The first demonstrates the catechetical and mystagogic systematic from 4th and 5th; the second applies mystagogic method to the study of ritual music with a clearly formative scope. The purpose of this research was developed through reading, translation and interpretation of various authors to reach the concept and to get a theoretical and methodological understanding of terminology and practice of mystagogy. Therefore, the way assumed had revealed a changing from normative and prescriptive enunciation to a reflexive and rational enunciation related to renewal process of ritual music in Brazil and post-Second Vatican Council liturgical musical productions. This research proposes mystagogic method in the study of ritual music as a strategy that conjugates different areas of knowledge. Finally, also identify how the formation was theorized and performed in the liturgical renewal process to reach the method.
Mestre
Cichy, Andrew Stefan. "'How shall we sing the song of the Lord in a strange land?' : English Catholic music after the Reformation to 1700 : a study of institutions in Continental Europe." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:0bdfe9b2-b5c6-48fe-a565-ddb699b72312.
Full textSchell, Sarah. "The Office of the Dead in England : image and music in the Book of Hours and related texts, c. 1250-c. 1500." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2107.
Full textDuarte, Fernando Lacerda Simões [UNESP]. "Resgates e abandonos do passado na prática musical litúrgica católica no Brasil entre os pontificados de Pio X e Bento XVI (1903-2013)." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/136482.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta pesquisa foi estruturada a partir de três problemas: por que os resgates do passado e determinados esquecimentos intencionais que ocorreram na Igreja Católica, no Brasil, entre 1903 e 2013 foram eficientes para sua manutenção? O repertório musical composto e/ou executado no Brasil neste período contribuiu para este processo ou o refletiu? Quais os limites da eficiência deste processo? A fim de respondê-los, recorreu-se à legislação eclesiástica sobre música sacra, publicações e decisões de organismos eclesiásticos especializados no tema, além de fontes musicais recolhidas a diversos acervos. Foi realizada pesquisa de campo em cerca de quinhentas instituições, com pesquisa de fontes em mais de cento e setenta delas. Os dados obtidos foram analisados a partir dos referenciais de memória, esquecimento, tradição e identidade coletiva em Joël Candau, Jacques Le Goff, Pierre Nora, Michael Pollak, dentre outros, e recorrendo às teorias de sistemas sociais complexos em Niklas Luhmann e Walter Buckley – com a adaptação dos tipos weberianos de controle à abordagem sistêmica por este último. Na primeira metade do século XX, a restauração musical católica e a Romanização determinaram uma clara passagem do tipo weberiano tradicional ao racionallegal, implicando uma adequação de ferramentas analíticas: ao invés de modelos pré- composicionais, faz mais sentido pensar o repertório produzido neste período a partir da noção de controle normativo – que se estendeu a aspectos composicionais, interpretativos e relacionais. Com o Concílio Vaticano II, as relações de controle se modificaram, bem como as metas musicais do sistema religioso. Na América Latina, a partir da década de 1970, um discurso dualista em relação ao passado pretendeu o esquecimento das práticas musicais pré- conciliares, buscando inspiração na música popular e em memórias do catolicismo tradicional, e ensejando o desenvolvimento de um repertório brasileiro, associado à canção de protesto. Com João Paulo II e Bento XVI, estas metas musicais passaram por um refreamento, decorrente da política adotada por estes pontífices em relação à Teologia da Libertação. Com isto, outras memórias foram resgatadas com vistas à ênfase do Concílio Vaticano II enquanto continuidade. Os resultados da tese apontam para a coerência entre as memórias musicais resgatadas por especialistas e acadêmicos e os discursos que determinaram as metas do sistema religioso como um todo, enquanto fator de legitimação destas metas. Esta adequação legitimou as metas musicais por meio da tradição e revelou a eficiência do processo. Por outro lado, foi possível observar os limites deste controle: memórias musicais locais, a manutenção de identidades coletivas e de manifestações religiosas tradicionais, necessidades práticas, memórias afetivas, interesses políticos (identidade nacional), econômicos, e principalmente, a capacidade de negociação dos indivíduos e grupos locais em relação às metas do sistema religioso.
This research builds upon three issues: why the restoration of the past and certain intentional forgetfulness that occurred in Catholic Church in Brazil between 1903 and 2013 were efficient for its maintenance? The musical repertoire composed and/or performed in Brazil in this period contributed for this process or reflected it? Which limits the effectiveness of this process? To answer them, resorted to ecclesiastic legislation on sacred music, publications and decisions from ecclesiastic agencies specialized on the subject, as well musical sources preserved in several collections. Field work was conducted in approximately five hundred institutions, with research of sources in more than one hundred and seventy of them. Data were analyzed from the benchmarks of memory, forgetfulness and collective identity in Joël Candau, Jacques Le Goff, Pierre Nora, Michael Pollak, and others, and through the theory of the complex social systems in Niklas Luhmann and Walter Buckley – with the adaptation of Weberian types of control to the systemic approach by the later. In the first half of the twentieth century, the Catholic Musical Restoration and the Romanization determined a clear passage from the traditional Weberian type to the rational-legal, implying an adaptation of analytical tools: instead of pre-compositional models, it makes more sense to think the repertoire produced in this period from the normative control notion – that extended the compositional, interpretative and relational aspects. With Second Vatican Council, the control relationships were changed as well as the musical targets of the religious system. In Latin America, from the 1970s, a dualist discourse over the past meant the forgetfulness of the precounciliar musical practices, seeking inspiration in popular music and traditional Catholicism memories, and allowing for the development of a Brazilian repertoire, associated to the protest song. With John Paul II and Benedict XVI, these musical targets were diminished, due to the policy adopted by these pontiffs in relation to Liberation Theology. In this way, other memories were restored to emphasize the Second Vatican Council as continuity. The thesis results point to the coherency between the musical memories restored by specialists and academics and the discourses that determined the targets of whole religious system, as a factor of legitimation of these targets. This adequateness legitimized musical targets by tradition and revealed the process efficiency. On the other hand, the limits of the control were observed: musical memories, maintenances of collective identities and traditional religious manifestations, practical needs, emotional memories, political (national identity) and economical interests, and above all, the ability trading of individuals and local groups in relation to the targets of the religious system.
Rowland, Charles H. "The responsibility of a diocese for the actions of its priests' sexual misconduct canonical implications /." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.
Full textGomori, Marcus. "An extended reflection on the history of the Eastern Catholic Church in the United States and the challenges facing its mission and possible future in the twenty-first century (Ruthenian jurisdiction)." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
Full textDeLuca, Lorraine Susanna. "Adult education and the ambivalence of the Catholic Church towards modern American society, in the Archdiocese of New York: 1860-1911/by Lorraine Susanna DeLuca." Access Digital Full Text version, 1994. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11586825.
Full textTypescript; issued also on microfilm. Sponsor: Douglas M. Sloan. Dissertation Committee: William B. Kennedy. Includes bibliographical references (leaves 308-323).
To, Tai-fai Peter. "An urban "Catholic" space." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25956401.
Full textNash, Mark James. "The 'Exceptional' Church : Religious Freedom and the Catholic Church in Russia." Thesis, University of Birmingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522016.
Full textRahme, Edmond H. "Saint Barbara: a Roman Catholic Church." Thesis, Virginia Polytechnic Institute and State University, 1997. http://hdl.handle.net/10919/53436.
Full textMaster of Architecture
Hilliard, Marie T. "State Catholic conferences a canonical analysis of two constitutions and bylaws /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
Full textFullam, Todd Dominick. "Canons 750 [section] 2 and 1371, 1° and confirmation/reaffirmation by the Roman Pontiff of doctrine taught by the ordinary and universal magisterium." Theological Research Exchange Network (TREN), 2006. http://www.tren.com/search.cfm?p029-0680.
Full textMorvant, Kenneth Romain. "The acquisition and transfer of membership in an autonomous church." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.
Full textGallagher, Mary B. "The Americanist hierarchy : their attempts to integrate American and Catholic culture /." Access Digital Full Text version, 1986. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10621726.
Full textHa, Seong-kwong Louis Edward Keloon. "The foundation of the Catholic mission in Hong Kong, 1841-1894 /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19892767.
Full textVerhelst, Stephane. "La liturgie de Jérusalem à l'époque byzantine genèse et structure de l'année liturgique /." E-thesis Full text, 1999. http://shemer.mslib.huji.ac.il/dissertations/W/JMS/001481250.pdf.
Full textJeremiah, Dominic. "The curial practice in the diocese of St. George's in Grenada." Theological Research Exchange Network (TREN), 2003. http://www.tren.com.
Full textWen, Joseph ShunFeng. "The spirituality of the diocesan priest in the new millennium in the writings of Pope John Paul II." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Full textCameron, John Michael. "Assessing safeguards and remedies against the termination of educational administrators during the life of contract or by non-renewal in the diocese of Lansing." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
Full textMaurutto, Paula. "Governing charities church and state in Toronto's catholic archdiocese, 1850-1950 /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0017/NQ27305.pdf.
Full textPandolfo, Nadia. "Truth and Conflict in the Catholic Church: Catholic Jewish Dialogue." Digital Commons at Loyola Marymount University and Loyola Law School, 2014. https://digitalcommons.lmu.edu/etd/143.
Full textLuniw, Paul. "The reception of Orthodox into the Catholic Church and reception of Catholics into the Orthodox Church." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.
Full textFischer, Albert. "Reformatio und Restitutio das Bistum Chur im Zeitalter der tridentinischen Glaubenserneuerung : zugleich ein Beitrag zur Geschichte der Priesterausbildung und Pastoralreform (1601-1661) /." Zürich : Chronos, 2000. http://catalog.hathitrust.org/api/volumes/oclc/46481677.html.
Full textPerkin, David Rundle. "A comparative analysis of the 1971 and 1984 editions of Permanent deacons in the United States, guidelines on their formation and ministry." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.
Full textSamland, James A. "Towards an evangelical understanding of Roman Catholicism in Eastern Europe." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p006-1546.
Full textKerr, Philip Gregory. "Liturgical spaces : procession in the Catholic church." Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/21641.
Full textZhang, Xinghao John. "Reconciliation and the Catholic Church in China." Chicago, IL : Catholic Theological Union at Chicago, 2006. http://dx.doi.org/10.2986/tren.033-0839.
Full textRauser, Randal Duane. "Contraception and the Catholic Church an inquiry /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.
Full textBaldovin, John F. (John Francis) 1947. "Why Be Baptized in the Catholic Church?:." The Church in the 21st Century Center at Boston College, 2012. http://hdl.handle.net/2345/bc-ir:102658.
Full textValdez, Alanna, Edgar Valdez, Juliette Fay, Tom Fay, Katie Corey, and Dan DiLeo. "Why Get Married in the Catholic Church?:." The Church in the 21st Century Center at Boston College, 2012. http://hdl.handle.net/2345/bc-ir:102712.
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