Relevant bibliographies by topics / Catholic writers

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Catholic writers'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Catholic writers"

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Dmytriv, Iryna. "CREATIVITY OF “LOGOS” WRITERS THE PERIOD OF EMIGRATION." Polish Studies of Kyiv, no. 35 (2019): 121–26. http://dx.doi.org/10.17721/psk.2019.35.121-126.

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The article attempts an integrated analysis of the creativity of the “Logos” group activities of the emigration period on the background of the literary process of the first half of the twentieth century. The aesthetic, religious and national principles that underlie the multifaceted activity of the “Logos” are considered. The “Logos” group should be described by six writers: Hryhor Luzhnytsky, Olexandr-Mykola Moh, Stepan Semchuk, Petro Sosenko (junior), Vasyl Melnyk and Roman Skazynsky. Hryhor Luzhnytsky is the author of more than 500 artistic, scientific, popular scientific works, numerous journalistic works, reviews, essays. After leaving for the United States in 1949, the writer continues his activity and takes on adventure and sensational and spyware. Vasyl Melnyk (Limnychenko) is a “writer-wanderer” and a “political emigrant”. Beyond the borders of his native land continues to write poetry (“Ode to the book”, “Ballad about the Truth”, “Ballad about White Letters”, “Ballad about the Sun in the Bridge” and others). A certain generalization of the writer’s life experiences was his journalistic works “Ukrainian Crusaders”, “Religion and Life”. A peculiar “bridge” between poetry and journalism became essays. Stepan Semchuk − a poet, a journalist, a publicist. Becoming a priest, Stepan Semchuk leaves for Canada, but he does not cease to write there. Out of his native land he published poetic collections. Stepan Semchuk worked as an active publicist, author of the historical and literary articles. Association of catholic writers “Logos” was occupied noticeable place in literary life of Western Ukraine of intermilitary period of the 20th century. “Logos” writers expressly declared that they were the creators of Catholic literature, and tried to outline the concept of “Catholic worldview” and “Catholic literature”. Ideological principles of “Logos” were a christian moral; the main tasks were popularization of religious subject and christian ethics. “Logos” writers literary works are skilful collage of biblical images, motifs, allusions, reminiscences, christian ceremonies, symbols.
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Morris, Kevin L. "Fascism and British Catholic Writers." Chesterton Review 25, no. 1 (1999): 21–51. http://dx.doi.org/10.5840/chesterton1999251/235.

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Corrin, Jay P. "Catholic Writers on the Right." Chesterton Review 25, no. 1 (1999): 81–101. http://dx.doi.org/10.5840/chesterton1999251/240.

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McDannell, Colleen. "Catholic women fiction writers, 1840–1920." Women's Studies 19, no. 3-4 (September 1991): 385–405. http://dx.doi.org/10.1080/00497878.1991.9978881.

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Patterson, W. Brown. "William Bishop as Roman Catholic Theologian and Polemicist." Recusant History 28, no. 2 (October 2006): 209–24. http://dx.doi.org/10.1017/s0034193200011250.

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In a vigorous theological controversy, William Bishop, English Roman Catholic theologian educated at Oxford, Rheims, Rome, and Paris, took on William Perkins, the best-selling English Protestant writer of the late sixteenth and early seventeenth centuries. The two writers were formidable champions of their respective religious traditions. As I will argue, this was a significant exchange, though the dispute has been little noticed by historians of the period. The issues the two writers discussed and the way they discussed them throw considerable light on the state of English religion in the early seventeenth century. Bishop emerges as a more powerful and effective spokesman for the Roman Catholicism of his day than has been heretofore recognised.
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Parker, Charles H. "Diseased Bodies, Defiled Souls: Corporality and Religious Difference in the Reformation*." Renaissance Quarterly 67, no. 4 (2014): 1265–97. http://dx.doi.org/10.1086/679783.

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AbstractThis study examines Catholic and Reformed Protestant readings of the body among pastoral and polemical writers from the mid-sixteenth to the late seventeenth century. Both Catholics and Calvinists utilized bodily corruption as a motif to promote piety and unmask religious difference in a period of intense confessional conflict. This corporal hermeneutic coincided with a pivotal moment in the history of medicine, in which a widespread enthusiasm for anatomy mixed uneasily with time-honored notions of Galenic physiology until the ascendancy of a mechanical Cartesian outlook in the late 1600s. In this intellectual milieu, Catholic and Calvinist pastoral treatises generally relied on similar corporal features to signify a sinful state, but polemical texts made important distinctions about the effects of religious difference. Catholic writers identified the heretical body as the site of humoral contamination, whereas Calvinist theorists regarded the idolatrous body as the locus of inordinate sensuality.
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Engelbrecht, Wilken. "Streekromans en het Tsjechische ruralisme." Werkwinkel 9, no. 1 (July 17, 2014): 75–90. http://dx.doi.org/10.2478/werk-2014-0005.

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Abstract In the netherlands regional novels have never been considered as real literary works. in Flanders regional literature had a better status, especially because several writers of the Van Nu en Straks movement such as Stijn Streuvels wrote about regional themes. in Czech literature since 1848 regional themes was viewed as important in novels and stories, mainly till the end of world war ii. in 1932 the Catholic writer Antonín Matula defined the so-called ruralism, which became a movement of mainly Catholic writers from the countryside. Most of them were severely persecuted in a constructed Stalinist show trial against the green international in 1951. in his work Hlasy země v evropských literaturách (The Voice of Earth in European Literatures, 1933) Matula discussed nearly all major european literatures, i.e. Flemish regional writers. it is no coincidence that especially Flemish writers such as ernest Claes, Stijn Streuvels and Felix timmermans, were translated into Czech during the second quarter of the 20th century.
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MARSHALL, PETER. "JOHN CALVIN AND THE ENGLISH CATHOLICS, c. 1565–1640." Historical Journal 53, no. 4 (November 3, 2010): 849–70. http://dx.doi.org/10.1017/s0018246x10000488.

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ABSTRACTThis article examines the assessments of John Calvin's life, character, and influence to be found in the polemical writings of English Catholics in the Elizabethan and early Stuart periods. It demonstrates the centrality of Calvin to Catholic claims about the character and history of the established church, and the extent to which Catholic writings propagated a vibrant ‘black legend’ of Calvin's egotism and sexual depravity, drawing heavily not only on the writings of the French Calvinist-turned-Catholic Jerome Bolsec, but also on those of German Lutherans. The article also explores how, over time, Catholic writers increasingly identified some common ground with anti-puritans and anti-Calvinists within the English church, and how claims about the seditious character of Calvin, and by extension Calvinism, were used to articulate the contrasting ‘loyalty’ of Catholics and their right to occupy a place within the English polity.
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Kreyling, Michael, and Robert H. Brinkmeyer. "Three Catholic Writers of the Modern South." American Literature 57, no. 4 (December 1985): 696. http://dx.doi.org/10.2307/2926389.

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Sullivan, Walter, and Robert H. Brinkmeyer. "Three Catholic Writers of the Modern South." South Central Review 2, no. 4 (1985): 104. http://dx.doi.org/10.2307/3189281.

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Dissertations / Theses on the topic "Catholic writers"

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Porto, Cristina Francisca de Carvalho. "A inquietude espiritual em Julien e Cornélio Penna /." São José do Rio Preto : [s.n.], 2007. http://hdl.handle.net/11449/106331.

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Orientador: Norma Wimmer
Banca: Maria Cecília Queiroz de Moraes Pinto
Banca: Glória Carneiro do Amaral
Banca: Giséle Manganelli Fernandes
Banca: Lúcia Granja
Resumo: A presente Tese tem como objetivo analisar e comparar as obras de Cornélio Penna e Julien Green, "romancistas católicos", a partir dos romances Fronteira (1935) e Le voyageur sur la terre (1927). Procuraremos, no primeiro capítulo, situar esses escritores em sua época, a década de 30, além de estabelecer a relação desses com o catolicismo. Em seguida, no capítulo de análise das obras, levantaremos uma série de temas recorrentes que compõem a narrativa. No terceiro capítulo, faremos uma breve exposição do caráter sobrenatural, um tanto ilusório, criado pelo misticismo religioso. Em toda a pesquisa pretendemos detectar algumas afinidades que vinculam os romancistas, que permitam-nos compreender como foram produzidos textos tão próximos, além de evidenciar a expressão religiosa de ambos. Abordaremos, portanto, correlações entre os dois autores, com o objetivo de possibilitar uma apreensão mais enriquecedora do romance introspectivo.
Abstract: This Ph.D. Dissertation aims at examining and comparing the novels Fronteira (1935), by Cornélio Penna, and Le voyageur sur la terre (1927), by Julien Green. These authors are known as "Catholic novelists." In the first chapter, the period in which these writers produced, the 30s, is discussed, and their relation to Catholicism is also established. In the following chapter, the novels are analyzed, and a series of recurrent themes that are present in the narratives are shown. In the third chapter there is a brief explanation of the somewhat illusory supernatural feature created by religious mysticism. The objectives of this study are to verify some affinities connecting the novelists in order to point out how such similar texts could be written, besides demonstrating the writers’ religious expression. Similarities between the two authors are approached with the purpose of allowing a more enhanced comprehension of the introspective novel.
Doutor
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Porto, Cristina Francisca de Carvalho [UNESP]. "A inquietude espiritual em Julien e Cornélio Penna." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/106331.

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Made available in DSpace on 2014-06-11T19:35:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-02-26Bitstream added on 2014-06-13T20:26:33Z : No. of bitstreams: 1 porto_cfc_dr_sjrp.pdf: 908868 bytes, checksum: e498e676fc9599dac30c9c68e2cff753 (MD5)
A presente Tese tem como objetivo analisar e comparar as obras de Cornélio Penna e Julien Green, romancistas católicos, a partir dos romances Fronteira (1935) e Le voyageur sur la terre (1927). Procuraremos, no primeiro capítulo, situar esses escritores em sua época, a década de 30, além de estabelecer a relação desses com o catolicismo. Em seguida, no capítulo de análise das obras, levantaremos uma série de temas recorrentes que compõem a narrativa. No terceiro capítulo, faremos uma breve exposição do caráter sobrenatural, um tanto ilusório, criado pelo misticismo religioso. Em toda a pesquisa pretendemos detectar algumas afinidades que vinculam os romancistas, que permitam-nos compreender como foram produzidos textos tão próximos, além de evidenciar a expressão religiosa de ambos. Abordaremos, portanto, correlações entre os dois autores, com o objetivo de possibilitar uma apreensão mais enriquecedora do romance introspectivo.
This Ph.D. Dissertation aims at examining and comparing the novels Fronteira (1935), by Cornélio Penna, and Le voyageur sur la terre (1927), by Julien Green. These authors are known as Catholic novelists. In the first chapter, the period in which these writers produced, the 30s, is discussed, and their relation to Catholicism is also established. In the following chapter, the novels are analyzed, and a series of recurrent themes that are present in the narratives are shown. In the third chapter there is a brief explanation of the somewhat illusory supernatural feature created by religious mysticism. The objectives of this study are to verify some affinities connecting the novelists in order to point out how such similar texts could be written, besides demonstrating the writers religious expression. Similarities between the two authors are approached with the purpose of allowing a more enhanced comprehension of the introspective novel.
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Zatloukal, Jan. "L'exil de Jan Cep : contribution à l’histoire de la littérature tchèque moderne." Thesis, Paris Est, 2008. http://www.theses.fr/2008PEST0025/document.

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L’écrivain tchèque Jan Cep (1902-1974), qui compta au nombre des médiateurs importants des rapports culturels franco-tchèques dans l’entre-deux-guerres, fut, à la suite du Coup de Prague en 1948, contraint à quitter son pays. Ami et traducteur de Pourrat et de Bernanos, il choisit naturellement la France comme patrie d’adoption. L’exil parisien s’avère pour Cep une rude épreuve existentielle. Conditions matérielles dures, déracinement linguistique, manque d’écho favorable pour son oeuvre, tout cela fait que Cep vit en marge de la vie littéraire française. Il s’engage d’autant plus dans diverses structures de l’émigration tchèque, notamment dans la rédaction tchécoslovaque de Radio Free Europe où il déploie son art de l’essai dans des méditations imprégnées d’humanisme chrétien. L’essai autobiographique Ma soeur l’angoisse que Cep écrivit directement en français dans les années 1960, représente la somme de sa vie et de sa pensée
The Czech writer Jan Cep (1902-1974), one of important mediators of French-Czech cultural relations between the two World Wars, was forced to emigrate after the Communist coup in 1948. As Cep was the friend and translator of Pourrat and Bernanos, he naturally chose France as his adoptive homeland. Nevertheless, exile in Paris turned into a harsh existential ordeal for Cep. Difficult material conditions, linguistic disunity, and the fact that his writing was not accepted by a new audience made Cep an outsider in a French literary life. This status led to his increased involvement in the Czech émigré community, especially work on the Czechoslovak editorial staff of Radio Free Europe, where he developed his essay style in meditations infused with Christian humanism. The autobiographical essay My Sister Anxiety, written in French in the 1960s, repesents a summary of Cep’s life and ideas
Ceský spisovatel Jan Cep (1902-1974), jeden z významných prostredníku meziválecných cesko-francouzských kulturních vztahu, byl po komunistickém puci v roce 1948 prinucen k emigraci. Jako prítel a prekladatel Pourratuv a Bernanosuv si za svou adoptivní vlast zcela prirozene zvolil Francii. Parížský exil se však Cepovi stal drsnou existenciální zkouškou. Tvrdé materiální podmínky, jazyková rozpolcenost, neprijetí jeho díla novým publikem, to vše je prícinou, že Cepuv exil se odehrál na okraji francouzského literárního života. O to více se Cep zapojoval do ruzných struktur ceské emigrace. Zcela mimorádný byl jeho prínos v ceskoslovenské redakci Rádia Svobodná Evropa, kde rozvinul své umení eseje v meditacích skrz naskrz proniklých krestanským humanismem. Sumu svého života a myšlení podal Cep v autobiografickém eseji Sestra úzkost, kterou napsal v šedesátých letech prímo francouzsky
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Pouchet, Anne-Marie Denise. "LA SENSIBILIDAD CATOLICA DE JUAN MANUEL DE PRADA: ESCRITOR DE FICCION Y PERIODISTA." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1296659667.

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Mitras, Joao Luis. "Postmodern or post-Catholic? : a study of British Catholic writers and their fictions in a postmodern and postconciliar world." Diss., 1997. http://hdl.handle.net/10500/18636.

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This thesis is an investigation into the nature of the 'postmodern' narrative strategies and fictional methods in the work of two British Catholic writers. The work of David Lodge and Muriel Spark is here taken as an example ofthe 'Catholic novel'. In order to determine ifthe overlap ofpostmodern. and Christian-influenced narrative strategies constitutes more than a convergence or coincidence of formal concerns, narrative form in these novels is analyzed in the light of neo-Tho mist and Tho mist aesthetics, a traditional Catholic Christian theory of the arts. The 'postmodern' in these 'Christian' texts becomes largely a coincidence of terminology. Narrative forms which can be classified as 'postmodern' can also be categorized using the terminology of Thomas Aquinas. The apparent similarities betray radically divergent metaphysical presuppositions, however. The nature of the Catholic 'difference' lies in the way postmodern forms are used to challenge the metaphysical bases of those forms.
English Studies
M.A. (English)
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Reynolds, Morgen Pinnock. "The evangelical Catholic Flannery O'Connor as a Catholic writer in the Protestant South /." 2004. http://www.lib.ncsu.edu/theses/available/etd-06102004-201527/unrestricted/etd.pdf.

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Books on the topic "Catholic writers"

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Some Catholic writers. South Bend, Ind: St. Augustine's Press, 2007.

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Three Catholic writers of the modern South. Jackson: University Press of Mississippi, 1985.

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DelRosso, Jeana, Leigh Eicke, and Ana Kothe, eds. The Catholic Church and Unruly Women Writers. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609303.

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Scally, M. Anthony. Negro Catholic writers, 1900-1943: A bio-bibliography. Detroit: W. Romig & Co., 1987.

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Hanlon, Kevin. Popular Catholicism in Japan: Their own voices, their spiritual writers, and their devotional art. Tokyo: Enderle Book, 2004.

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Not less than everything: Catholic writers on heroes of conscience from Joan of Arc to Oscar Romero. New York: HarperOne, 2013.

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Jacquie, Jambor, and Lampitt Diane, eds. Reconciliation /c [Mary Beth Jambor, writer ; Jacquie Jambor, Diane Lampitt, contributing writers]. Allen, Tex: Resources for Christian Living, 2003.

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Modern spiritual writers: Their legacies of prayer. New York: Alba House, 1989.

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Mathis, Emily Duncan. Grant proposals: A primer for writers. Washington D.C: National Catholic Educational Association, 1994.

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Passion: Contemporary writers on the story of Calvary. Maryknoll, New York: Orbis Books, 2015.

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Book chapters on the topic "Catholic writers"

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Birrell, T. A., Jos Blom, Frans Korsten, and Frans Blom. "Non-Catholic Writers and Catholic Emancipation." In Aspects of Recusant History, 21–37. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Variorum collected studies: Routledge, 2020. http://dx.doi.org/10.4324/9780429346057-3.

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DelRosso, Jeana. "Catholicism and Magical Realism: Religious Syncretism in the Works of Contemporary Women Writers." In Writing Catholic Women, 121–46. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-04654-3_6.

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DelRosso, Jeana. "The Convent as Colonist: Catholicism in the Works of Contemporary Women Writers of the Americas." In Writing Catholic Women, 75–97. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-04654-3_4.

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Ebest, Sally Barr. "“Reluctant Catholics”: Contemporary Irish-American Women Writers." In The Catholic Church and Unruly Women Writers, 159–73. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609303_11.

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DelRosso, Jeana, Leigh Eicke, and Ana Kothe. "Introduction." In The Catholic Church and Unruly Women Writers, 1–6. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609303_1.

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Eckstein, Barbara. "The Legacy of Laveau in the Practice of Helen Prejean: The Tradition and Territory of New Orleans’ Spiritual Advisors." In The Catholic Church and Unruly Women Writers, 139–55. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609303_10.

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Robertson, Ben P. "Marie-Claire Blais Revises John Keats: Sadean Moments and Anti-Catholic Sentiment in Une saison dans la vie d’Emmanuel." In The Catholic Church and Unruly Women Writers, 175–89. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609303_12.

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DelRosso, Jeana. "Catholicism’s Other(ed) Holy Trinity: Race, Class, and Gender in Black Catholic Girl School Narratives." In The Catholic Church and Unruly Women Writers, 191–206. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609303_13.

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Suero-Elliott, Mary Jane. "Challenging Catholicism: Hagar vs. the Virgin in Graciela Limón’s The Memories of Ana Calderón." In The Catholic Church and Unruly Women Writers, 207–20. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609303_14.

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Rader, Pamela J. "Dis-robing the Priest: Gender and Spiritual Conversions in Louise Erdrich’s The Last Report on the Miracles at Little No Horse." In The Catholic Church and Unruly Women Writers, 221–35. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609303_15.

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Reports on the topic "Catholic writers"

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Benson, Vivienne, and Jenny C. Aker. Improving Adult Literacy in Niger Through Mobile Calls to Teachers. Institute of Development Studies and The Impact Initiative, February 2021. http://dx.doi.org/10.35648/20.500.12413/11781/ii368.

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In Niger, one of the poorest countries in the world, 85 per cent of adults are unable to read or write, even in local languages. Adult education programmes can be a route to improving adult literacy rates, but non-governmental organisation (NGO) and government schemes are characterised with low enrolment, high dropout, and poor teacher attendance. In partnership with the Ministry of Education, Catholic Relief Services, the Sahel Group, and Tufts University, regular phone calls and motivational support were given to teachers to encourage and monitor attendance of adult education programmes between 2018 and 2019. The impact of this project directly led to improved reading and maths scores. Based on this evidence, the approach has been tested by the Ministry of Education in primary schools.
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