Relevant bibliographies by topics / Catholics – England – Poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Catholics – England – Poetry'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Catholics – England – Poetry"

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de Flon, Nancy M. "Mary and Roman Catholicism in Mid Nineteenth-Century England: The Poetry of Edward Caswall." Studies in Church History 39 (2004): 308–18. http://dx.doi.org/10.1017/s0424208400015187.

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In her article on the nineteenth-century Marian revival, Barbara Corrado Pope examines the significance of Mary in the Roman Catholic confrontation with modernity. ‘As nineteenth-century Catholics increasingly saw themselves in a state of siege against the modern world, they turned to those symbols that promised comfort’, she writes. Inevitably the chief symbol was Mary, whom the ‘patriarchal Catholic theology’ of the time held up as embodying the ‘good’ feminine qualities of chastity, humility, and maternal forgiveness. But there is another side to Mary that emerged as even more important and
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Harrington, Emily. "The Expiration of Commitments in Adelaide Procter's “Homeward Bound”." Victorian Literature and Culture 48, no. 2 (2020): 435–44. http://dx.doi.org/10.1017/s1060150320000042.

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It has been a long time since the poetry of Adelaide Anne Procter, a favorite of Queen Victoria, captured much interest from readers of poetry, whether they be anthology aficionados, scholars, or students. Now considered a minor poet of the period, she was nevertheless a quintessential poet activist of her day, raising money for and working with the Providence Row Night Refuge, editing and contributing to the English Women's Journal alongside the Langham Place Feminists and the Society for the Employment of Women. She published volumes of her own poems, one of which ran to as many as nineteen
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Bahr, Stephanie. "On the Discovery of an Elizabethan “Sonet in the commendation of Sir Thomas More Knyght”: Memory, Martyrdom, and Poetry." Moreana 57 (Number 214), no. 2 (2020): 121–43. http://dx.doi.org/10.3366/more.2020.0081.

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This article introduces the discovery of a “Sonet in the commendation of Sir Thomas More Knyght” found in a copy of the 1557 English Workes printed by Richard Tottel and edited by William Rastell. It argues the sonnet was written by a Tudor Catholic early in Elizabeth's reign and should also be read in light of its 1557 print context: its physical place in Workes alongside Rastell's Preface, and in conjunction with Tottel's Miscellany printed the same year. Read through such a lens, this newly discovered sonnet helps illuminate the idiosyncratic complexity of Catholic experience in Elizabethan
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KOROLEVA, S. B. "MAURICE BARING AND ALEXANDER PUSHKIN: TRANSLATION AND PROBLEMS OF THE LITERARY CANON DEVELOPMENT." Imagologiya i komparativistika, no. 22 (2024): 88–113. https://doi.org/10.17223/24099554/22/6.

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Maurice Baring’s reception of Alexander Pushkin’s personality and oeuvre can be described in terms of scholarly, educational, editorial, and translation activities. The unique role of this dialogue in the history of the English Pushkin Studies is determined by its immense influence on the perception of Pushkin’s oeuvre in England as well as on the formation of the English canon of Russian poetry. The major ideas of Baring’s concept, outlined in general notions in his Landmarks in Russian Literature (1910) and detailed in An Outline of Russian Literature (1914), can be found in the preface to t
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Boneham, John. "Reserve and Physical Imagery in the Tractarian Poetry of Isaac Williams (1802–65)." Studies in Church History 48 (2012): 246–58. http://dx.doi.org/10.1017/s0424208400001352.

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The Oxford, or Tractarian, Movement began as a conservative reaction to the reforming measures of the 1820s and 1830s and in particular to the Whig government’s passing of the Irish Church Temporalities Bill in 1832. For the Tractarians, the cumulative effect of such legislation was that the authority of the Church was being seriously compromised by interference from the secular government, which could now include those who were not necessarily Anglicans or even Christians. While it was these overtly political concerns that moved John Keble to preach his ‘Assize Sermon’ which has. traditionall
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Javed, Muhammad. "A Study of Elizabethan Period (1558-1603)." IJOHMN (International Journal online of Humanities) 6, no. 2 (2020): 65–86. http://dx.doi.org/10.24113/ijohmn.v6i2.174.

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In this study, the researcher has mentioned the writers and their major works in Elizabethan age (1558-1603). The researcher has mentioned almost nineteen writers and their famous works. By reading this research paper, any general reader can easily understand that who are the major writers of the age and what are their famous works. The language and method of presenting the data are very easy. The researcher also has mentioned the major contributions of this era’s writers. As we know that University Wits also fall in this era, thus the researcher has mentioned them and their works too. S. Dutt
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Coonradt, Nicole. "Shakespeare's Grand Deception: The Merchant of Venice—Anti-Semitism as "Uncanny Causality" and the Catholic-Protestant Problem." Religion and the Arts 11, no. 1 (2007): 74–97. http://dx.doi.org/10.1163/156852907x172430.

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AbstractConsidering the notion of poetry in Early Modern drama as a veil for political commentary during a perilously censorious time, this essay closely examines Shakespeare's The Merchant of Venice in its previously ignored historical context while providing a brief survey of the play's critical heritage to show how the play's anti-Judaism effects reader response. Within an emerging new vein of Dissident Theory that explores formerly overlooked historical facts in England's troubled Reformation history, this essay provides an alternate interpretation reading "otherwise" to discover how Shylo
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Mortensen, Viggo. "Et rodfæstet menneske og en hellig digter." Grundtvig-Studier 49, no. 1 (1998): 268–72. http://dx.doi.org/10.7146/grs.v49i1.16282.

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A Rooted Man and a Sacred PoetBy Viggo MortensenA Review of A.M. Allchin: N.F.S. Grundtvig. An Introduction to his Life and Work. With an afterword by Nicholas Lossky. 338 pp. Writings published by the Grundtvig Society, Århus University Press, 1997.Canon Arthur Macdonald Allchin’s services to Grundtvig research are wellknown to the readers of Grundtvig Studier, so I shall not attempt to enumerate them. But he has now presented us and the world with a brilliant synthesis of his studies of Grundtvig, a comprehensive, thorough and fundamental introduction to Grundtvig, designed for the English-s
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Hyland, Paul, R. C. Richardson, Ivan Roots, et al. "Reviews: The Study of History: A Bibliographical Guide, the English Idea of History from Coleridge to Collingwood, the Changing Face of English Local History, Arthur and the English: The Arthurian Legend in Medieval English Life and Literature, Enacting Gender on the English Renaissance Stage, Shakespeare's Feminine Endings, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660, New Stories for Old: Biblical Patterns in the Novel, Catholicism and Anti-Catholicism in Early Modern English Texts, Primogeniture and Entail in England: A Survey of Their History and Representation in Literature, the English Civil War Through the Restoration in Fiction: An Annotated Bibliography, Diana, Self-Interest, and British National Identity, Dryden and the Traces of Classical Rome, between the Ancients and the Moderns: Baroque Culture in Restoration England, Bacchus in Romantic England: Writers and Drink, 1780–1830, Misogynous Economies: The Business of Literature in Eighteenth-Century Britain, the House of Forgery in Eighteenth-Century Britain, the Clothes That Wear Us, An Oxford Companion to the Romantic Age: British Culture, 1776–1832, Domestic Space: Reading the Nineteenth-Century Interior, Victorians in Theory: From Derrida to Browning, the Age of Virtue: British Culture from the Restoration to Romanticism, Woeful Afflictions: Disability and Sentimentality in Victorian America, Women Writers of the First World War: An Annotated Bibliography, the Pub in Literature, British Industrial Fictions, the Insatiability of Human Wants: Economics and Aesthetics in Market SocietyRichardsonR. C., The Study of History: A Bibliographical Guide , 2nd ed., Manchester University Press, 2000, pp. xiv + 140, £40.00.ParkerChristopher, The English Idea of History from Coleridge to Collingwood , Ashgate Publishing, 2000, pp. vii + 244, £45.RichardsonR. C. (ed.), The Changing Face of English Local History , Ashgate, 2000, pp. viii + 218, £45.00.BarronW. R. J. (ed.), Arthur and the English: The Arthurian Legend in Medieval English Life and Literature , University of Wales Press, 1999, pp. 398, £35.00.ComensoliViviana and RussellAnne (eds), Enacting Gender on the English Renaissance Stage , University of Illinois Press, 1999, pp. 270, £18.95; SaundersEve Rachel, Gender and Literacy on Stage in Early Modern England , Cambridge University Press, 1999, pp. 260, £35.BerryPhilippa, Shakespeare's Feminine Endings , Routledge, 1999, pp. 197, £15.99 pb.; BellIlona, Elizabethan Women and the Poetry of Courtship , Cambridge University Press, 1998, pp. 262, £35.00.NorbrookDavid, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660 , Cambridge University Press, 1999, pp. xiii + 509, £40.FischHarold, New Stories for Old: Biblical Patterns in the Novel , Macmillan, 1998, pp. x + 236, £42.50; FischHarold, The Biblical Presence in Shakespeare, Milton and Blake , Clarendon Press, 1999, pp. xi + 330, £45.MarottiArthur F. (ed.), Catholicism and Anti-Catholicism in Early Modern English Texts , Macmillan, 1999, pp. xvii + 266, £47.50; ShellAlison, Catholicism, Controversy and the English Literary Imagination, 1558–1660 , Cambridge University Press, 1999, pp. xi + 309, £37.50.JamoussiZouheir, Primogeniture and Entail in England: A Survey of their History and Representation in Literature , Centre de Publication Universitaire, Tunis, 1999, pp. 293, 8 DT.MurphRoxane C., The English Civil War through the Restoration in Fiction: An Annotated Bibliography , Greenwood Press, Westport, CT., 2000, pp. viii + 349, £63.95.HammondPaul, Dryden and the Traces of Classical Rome , Clarendon Press, Oxford, 1999, pp. 305, £45.00.LevineJoseph M., Between the Ancients and the Moderns: Baroque Culture in Restoration England , Yale University Press, 1999, pp. xiv + 279, £27.50.TaylorAnya, Bacchus in Romantic England: Writers and Drink, 1780–1830 , Macmillan, 1999, pp. xi + 264, £47.50.MandellLaura, Misogynous Economies: The Business of Literature in Eighteenth-century Britain , University of Kentucky, 1999, pp. x + 228, $42.00.BainesPaul, The House of Forgery in Eighteenth-century Britain , Ashgate, 1999, pp. viii + 195, £47.50.MunnsJessica and RichardsPenny (eds), The Clothes that Wear Us , Newark, University of Delaware Press, 1999, pp. 362, £37.McCalmanIain (ed.), An Oxford Companion to the Romantic Age: British Culture, 1776–1832 , Oxford University Press, 1999, p. xii + 780, £85.BrydenInga and FloydJanet (eds), Domestic Space: Reading the Nineteenth-century Interior , Manchester University Press, 1999, pp. xii + 219, £40.00; KiddAlan and NichollsDavid (eds), Gender, Civic Culture and Consumerism: Middle-class Identity in Britain 1800–1940 , Manchester University Press, 1999, pp. xiv + 223, £46.00, pb. £14.99.SchadJohn Victorians in Theory: From Derrida to Browning , Manchester University Press, 1999, pp. x + 180, £40.MorseDavid, The Age of Virtue: British Culture from the Restoration to Romanticism , Macmillan, 2000, pp. viii + 330, £45.KlagesMary, Woeful Afflictions: Disability and Sentimentality in Victorian America , University of Pennsylvania Press, 1999, pp. 211, $36.50.OudittSharon, Women Writers of the First World War: An Annotated Bibliography , Routledge, 2000, pp. 230, £75; TyleeClaire with TurnerElaine and CardinalAgnes (eds), War Plays by Women: An International Anthology , Routledge, 2000, pp. 225, £16.99 pb.TaylorJohn A., Diana, Self-Interest, and British National Identity , Praeger, 2000, pp. 169, £44.95.EarnshawSteven, The Pub in Literature , Manchester University Press, 2000, pp. x + 294, £45 and £15.99 pb.KlausH. Gustav and KnightS. (eds), British Industrial Fictions , University of Wales Press, 2000, pp. viii + 212, £14.99 pb.; BalchJack S., Lamps at High Noon , University of Illinois Press, 2000, pp. xl + 404, $19.45 pb.; ConroyJack, A World to Win , University of Illinois Press, 2000, pp. xxxv + 348, $17.95 pb.GagnierRegenia, The Insatiability of Human Wants: Economics and Aesthetics in Market Society , University of Chicago Press, 2000, pp. 352, £10.50 pb." Literature & History 10, no. 2 (2001): 84–119. http://dx.doi.org/10.7227/lh.10.2.6.

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Bessler, John D. "Lost and Found: The Forgotten Origins of the “Cruel and Unusual Punishments” Prohibition." British Journal of American Legal Studies, June 19, 2025. https://doi.org/10.2478/bjals-2025-0013.

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Abstract The U.S. Supreme Court and legal scholars have long traced the origins of the Eighth Amendment’s prohibition against “cruel and unusual punishments” to the English Declaration of Rights, codified as the English Bill of Rights (1689). The English Declaration of Rights recited that, in King James II’s reign, “illegal and cruel punishments” had been “inflicted,” with its tenth clause then declaring in hortatory fashion: “That excessive bail ought not to be required, nor excessive fines imposed, nor cruel and unusual punishments inflicted.” The prohibitions against excessive bail and exce
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Dissertations / Theses on the topic "Catholics – England – Poetry"

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Benedict, Mark Russell. "The Ministry of Passion and Meditation: Robert Southwell's Marie Magdalens Funeral Teares and the Adaptation of Continental Influences." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/79.

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In his most popular prose work, Mary Magdalens Funeral Teares (1591), English Jesuit Robert Southwell adapts the Mary Magdalene tradition by incorporating the meditative practices of St. Ignatius Loyola coupled with the Petrarchan language of poetry. Thus, he creates a prose work that ministered to Catholic souls, appealed to Protestant audiences, and initiated the literature of tears in England. Southwell readapts the traditional image of Mary Magdalene for a Catholic Early Modern audience by utilizing the techniques of Jesuit meditation, which later flourished in the weeper texts of Richard
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Roger, Vincent. "De la "beauté de la sainteté" à la sainte beauté : l'esthétique théologique de la poésie de Richard Crashaw." Paris 3, 2008. http://ezproxy.normandie-univ.fr/login?url=http://www.classiques-garnier.com/numerique-bases/garnier?filename=vrrms01.

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L’objet de ce travail de recherche est de démontrer que le poète Richard Crashaw (1612-1649), confronté à une réticence à l’égard des images héritée de l’iconoclasme de la Réforme ainsi qu’à l’influence de son père prédicateur puritain, comble un « vide esthétique » au contact du milieu « High Church » de Cambridge, des poètes jésuites néo-latins ainsi que des saints et des martyrs de l’Église catholique. Son œuvre traduit en effet l’accomplissement poétique d’un cheminement personnel, le passage de l’anglicanisme de l’archevêque William Laud et de son idéal de « beauté de la sainteté » au cat
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Friesen, Sandra A. "The rise and fall of Seigneur Dildoe: the figure of the dildo in restoration literature and culture." Thesis, 2017. http://hdl.handle.net/1828/7750.

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Seigneur Dildoe, as this dissertation will contend, was a fixture in Restoration literature and culture (1660-1700). But what was his provenance, by what means did he travel, and why did he come? This dissertation provides a literary history of the fascinating and highly irreverent dildo satire tradition, tracing the dildo satire’s long and winding progress from antiquity to Restoration England, where the tradition reached its early modern zenith. Adding breadth, context, and texture to existing treatments of the trope’s political and sexual potency, this dissertation investigates the dildo s
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Books on the topic "Catholics – England – Poetry"

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Roberts, Gerald. Gerard Manley Hopkins: A literary life. Macmillan, 1994.

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Roberts, Gerald. Gerard Manley Hopkins: A literary life. St. Martin's Press, 1994.

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Bernard, Bergonzi. Jerādo manrī hopukinzu den. Hokuseidōshoten, 1985.

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Alexander, Pope. The rape of the lock. Bedford Books, 1998.

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Alexander, Pope. The rape of the lock. Bedford Books, 1998.

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Alexander, Pope. The rape of the lock: A heroicomical poem in five cantos ; and A key to the lock. Hesperus, 2004.

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Alexander, Pope. The rape of the lock. Oxford University Press, 2007.

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Joaquin, Kuhn, and Feeney Joseph J, eds. Hopkins variations: Standing round a waterfall. Saint Joseph's University Press, 2002.

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Flon, Nancy Marie De. Edward Caswall: Newman's brother and friend. Gracewing, 2005.

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Mariani, Paul L. Gerard Manley Hopkins. Penguin Group USA, Inc., 2008.

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Book chapters on the topic "Catholics – England – Poetry"

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Chardin, Jean-Jacques. "The Commons in Early Modern Emblem Literature." In Representing the Commons in Early Modern England. Presses universitaires de Caen, 2025. https://doi.org/10.4000/13on1.

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In the sixteenth and seventeenth centuries, the “commons” was often considered as the “common good” or “commonweal” or “utilitas publica”, which should ensure the cohesion of a republic and the well-being of the people. English and continental emblem writers of different affiliations were sensitive to such theories of the concept, which they presented in various forms in their works. Catholic emblems and emblems produced by authors belonging to the Church of England show that denominational differences were transcended by a common approach to the concept of “commonweal”, a defence of the autho
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Miola, Robert S. "Richard Verstegan." In Early Modern Catholicism. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199259854.003.0068.

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Abstract Richard Verstegan (1548–1636) published poetry, horriWc depictions of Catholic martyr-doms, an inXuential collection of Catholic prayers (see poetry, Figs. 6, 9, instructions and devotions), and an important historical work, A Restitution of Decayed Intelligence in Antiquities (1605). Eschewing the traditional adulation of Brut and primitive Britain, 268. like likely. 269. privy private, intimate. 276. true justice Speaking for many, Lord Burlegh disagreed in The Execution of Justice in England (1584). There he distinguished between Catholics Elizabeth executed for treason and the Pro
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Lewis, C. S. "Drab Age Prose—Religious Controversy And Translation." In Poetry and Prose in The Sixteenth Century. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198122319.003.0004.

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Abstract In England, as elsewhere, the Reformation was a process that occurred on three planes: firstly in the thought and conscience of the individual, secondly in the intertangled realms of ecclesiastical and political activity, and thirdly on the printed page. All are connected but only the third is our direct concern. We are to consider what men wrote, and our judgement on it must, of course, attempt to be literary, not theological. This does not mean that we are to confine ourselves rigidly to questions of style. Though we must not judge our authors’ doctrine as doctrine, we must certainl
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Brooks, Francesca. "‘The Axile Tree’." In Poet of the Medieval Modern. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198860136.003.0006.

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Chapter 5 asks how Jones’s vision of an early medieval culture in which Welsh and English tradition are equally dominant resonates throughout the poem’s eight poetic sequences in the image of the cross. The chapter traces a history of Jones’s encounters with The Dream of the Rood, the Ruthwell monument, and the history of early medieval Northumbria during the 1930s, and explores how this experience of the landscape and history of Northumberland informed his reading of the Old English Dream of the Rood tradition. Jones’s visual and verbal engagement with the Ruthwell monument at the climax of T
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Miola, Robert S. "Thomas More." In Early Modern Catholicism. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199259854.003.0004.

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Abstract Humanist and martyr, Thomas More (c.1477–1535), Lord Chancellor of England, stands as a towering Wgure in early modern Catholicism. He wrote polemical works, Latin poetry, the brilliantly satirical Utopia, and deep spiritual works composed in the Tower (see Consolations, instructions and devotions). More defended Erasmus’s biblical scholarship and vernacular translation of the Bible. He suppressed Protestant writing and executed Protestants for heresy. Opposing King Henry VIII’s divorce, remarriage, and break with Rome, he suVered imprisonment and public execution (see lives and death
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"Robert Southwell, In praise of religious poetry (1595)." In English Renaissance Literary Criticism, edited by Brian Vickers. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198186793.003.0018.

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Abstract Robert Southwell (1561-95), English poet and Jesuit martyr. Born into a Catholic family, he was sent abroad to be educated, first at the Jesuit school, Douai, then at the Roman College. He entered the Society of Jesus in 1578, was ordained in 1 584, and returned to England two years later as a priest on the English Mission, becoming chaplain to the Countess of Arundel. In June 1592 he was arrested, imprisoned in solitary confinement in the Tower, and on 21 February 1595 hanged and quartered at Ty burn for high treason.
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Hardie, Philip. "Late Sixteenth Century to the Exaltation of Newton." In Celestial Aspirations. Princeton University Press, 2022. http://dx.doi.org/10.23943/princeton/9780691197869.003.0003.

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This chapter surveys celestial aspirations articulated in British literature, mostly in verse, over a time span from the later sixteenth to the early eighteenth century. It mentions how strong impulses are channelled both by religious enthusiasm, and by natural-philosophical exaltation. The religious enthusiasm embraces the upwards rush of the assertive Protestant culture of France, England and Scotland, as well as the fashion in England, from the 1630s onwards, for imitations of the soaring neo-Latin poetry of the Roman Catholic Casimire Sarbiewski. The chapter discusses the impetus of the Lu
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Caporicci, Camilla. "The English Spouse." In The Song of Songs and Its Tradition in Renaissance Love Lyric. Oxford University PressOxford, 2024. https://doi.org/10.1093/oso/9780192848833.003.0007.

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Abstract This chapter examines the reception and interpretation of the Song of Songs’ text and tradition in sixteenth-century England, with particular attention to its politico-religious use, to the rich tradition of verse versions, and to the appropriation of the biblical book in religious poetry. After discussing how the Song of Songs emerged as a key text for anti-Catholic nationalism, it focuses on the poetic celebration of Queen Elizabeth as the biblical Spouse. Next, this chapter dwells on the tradition of English verse versions of the Song of Songs, including William Baldwin’s The Canti
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Moul, Victoria. "Grammar in verse: Latin pedagogy in seventeenth-century England." In The History of Grammar in Foreign Language Teaching. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463724616_ch06.

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Latin was the medium as well as the main subject of all early modern education across Europe, in both Protestant and Catholic countries. This chapter examines the surprisingly widespread use of Latin verse (rather than prose) for pedagogical and memnonic purposes from the very earliest stages of education, focused on the role of Latin grammatical verse for the teaching of Latin, but discussing also the related phenomena of Latin verse grammars of Greek and Hebrew, and the reflections of this early educational experience in popular Latin poetry of the period. It argues that the use of grammatic
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"Gertrude Thimelby, NéE Aston (c.1615-c.1670)." In Early Modern Women Poets (1520-1700), edited by Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy, and Julie Saunders. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0090.

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Abstract Gertrude aston was The fourth daughter of Sir Walter Aston of Tixall in Staffordshire. Despite Their firm commitment to The Catholic faith, her family held a significant position in late Jacobean and Caroline England. Her faTher Sir Walter was twice ambassador to Spain, in 1623-4, as part of The negotiating
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