Relevant bibliographies by topics / Cathy Caruth

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Cathy Caruth'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Cathy Caruth"

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Sanfelippo, Luis. "Versiones del Trauma: LaCapra, Caruth y Freud”/“Versions of the Trauma: LaCapra, Caruth and Freud." Historiografías, no. 5 (December 31, 2017): 51. http://dx.doi.org/10.26754/ojs_historiografias/hrht.201352459.

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This article sheds light on the concept of “trauma” present in some passages of the works of Dominick LaCapra and Cathy Caruth, and their debts with Sigmund Freud’s conceptions. It also examines the specific proposals of the Viennese intellectual, which can help avoid a purely descriptive use of that concept. Special attention has been paid to the way these authors conceive memory and time, and to potential uses of the concept of trauma for some historical cases.Key WordsTrauma, repression, literality, nachträglich, economic perspective.ResumenEl presente artículo examina el concepto de “traum
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Ms., P. M. Sindhu Bhavani. "Trauma in Domestic Spaces: A Study of Tahmima Anam's A Golden Age." International Journal of Advance Study and Research Work 5, no. 11 (2022): 14–18. https://doi.org/10.5281/zenodo.7414790.

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<strong><em>This research explores Tahmima Anam&rsquo;s novel A Golden Age from the perspective of psychological trauma. This novel vividly depicts the incidents of the Bangladesh War of Independence from March 1971 to December 1971. Anam presents the impact of the civil conflict on women who were confined to their domestic spaces. It focuses on the permanent psychological fragmentation experienced by the female characters from the sidelines in a warzone. Through the lens of the trauma model, the association between war trauma and memory is analysed in depth. The main characteristics of war tr
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Hirth, Brittany. "Unclaimed Experience: Trauma, Narrative, and History by Cathy Caruth." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 45, no. 2 (2018): 345–48. http://dx.doi.org/10.1353/crc.2018.0034.

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Levine, Michael. "Literature in the Ashes of History by Cathy Caruth." Undecidable Unconscious: A Journal of Deconstruction and Psychoanalysis 1, no. 1 (2014): 149–57. http://dx.doi.org/10.1353/ujd.2014.0008.

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Hollyman, Steve. "Literature in the Ashes of History by Cathy Caruth." Journal of Literature and Trauma Studies 3, no. 2 (2014): 123–30. http://dx.doi.org/10.1353/jlt.2014.0024.

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Ingham, Patricia Clare. "Chaucer’s Haunted Aesthetics: Mimesis and Trauma in Troilus and Criseyde." College English 72, no. 3 (2010): 226–47. http://dx.doi.org/10.58680/ce20109434.

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Studying Chaucer’s poem Troilus and Criseyde helps us evaluate current theories of trauma, especially the very different accounts of it provided by Ruth Leys and Cathy Caruth. The poem renders trauma a feature of both linguistic acts and personal pain. Besides citing it in suffering individuals, Chaucer’s text points to a complicated and ambivalent circulation of such wounds both in culture and for it.
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Ndow, Aminata. "Elegies of Absence." Religion and the Arts 29, no. 1-2 (2025): 105–26. https://doi.org/10.1163/15685292-02901016.

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Abstract This essay examines how the now-adult children of the disappeared in The Gambia express their grief through various art forms, focusing on the elegy. Peter Sacks, defines the elegy as “a poem of mortal loss and consolation” (Sacks 3). The traditional functions of the elegy—lament, praise, and consolation—respond to loss by expressing grief and honoring the deceased. The essay explores the mourning process of three young adults through songwriting, letter writing, and memorial tattoos dedicated to their fathers who disappeared during Yahya Jammeh’s dictatorship. In an Islamic context,
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Annecchini Schimid, Vanessa. "INFÂNCIAS APRISIONADAS NOS LABIRINTOS DO TEMPO EM AS MENINAS, DE LYGIA FAGUNDES TELLES E SINFONIA EM BRANCO, DE ADRIANA LISBOA." REVISTA DE LETRAS - JUÇARA 6, no. 1 (2022): 464–81. http://dx.doi.org/10.18817/rlj.v6i1.2837.

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Ana Clara, personagem de Lygia Fagundes Telles, em As Meninas, e Clarice, personagem de Adriana Lisboa, em Sinfonia em branco, compartilham experiências traumáticas semelhantes: ambas foram violentadas sexualmente na infância. Tendo em vista a incessante rememoração do tempo traumático pelas personagens, busca-se compreender, por meio de uma análise comparativa, de que modo os aspectos temporais constituem as personagens, bem como particularizam-nas, por meio de sua representação narrativa. O trabalho apoia-se nas pesquisas de Cathy Caruth sobre o trauma, assim como nos estudos sobre trauma e
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Caruth, Cathy, Romain Pasquer Brochard, and Ben Tam. ""Who Speaks from the Site Of Trauma?": An Interview with Cathy Caruth." Diacritics 47, no. 2 (2019): 48–71. http://dx.doi.org/10.1353/dia.2019.0019.

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Nagayama, Eda. "PÓS-MEMÓRIA E TRAUMA CULTURAL NA COTRADUÇÃO DE INFÂNCIA LISTRADA, DE BOGDAN BARTNIKOWSKI." Revista X 15, no. 6 (2020): 656. http://dx.doi.org/10.5380/rvx.v15i6.76763.

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O artigo aborda o papel da afinidade e empatia na cotradução para o português brasileiro de Dzieciństwo w pasiakach (1969), de Bogdan Bartnikowski para a editora do Museu Auschwitz-Birkenau (Infância listrada, 2018), realizada em parceria com o Prof. Dr. Gabriel Borowski (Universidade Jaguelônica, Cracóvia, Polônia). Na obra em episódios, Bartnikowski (Varsóvia, Polônia, 1932) narra sua experiência, ainda criança, no campo de concentração de Auschwitz. A estrutura de transmissão traumática de pós-memória (Marianne Hirsch) é aqui utilizada, bem como os estudos de Trauma Cultural (Jeffrey Alexan
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Dissertations / Theses on the topic "Cathy Caruth"

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Hubber, Duncan. "Diegetic wounds : the representation of individual and collective trauma in found footage horror films." Thesis, Federation University Australia, 2021. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/179533.

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The type of horror film known as “found footage” was prominent in the 2000s and early 2010s. The term refers to films that aim to scare their audience, and which are primarily shot diegetically, with handheld and surveillance cameras that exist within the world of the film. The thesis identifies conceptual, aesthetic, and thematic links between found footage horror films and psychological trauma theory. For example, in each film the premise of the characters and viewers finding footage of a frightening event evokes the victim’s belated recollection of a traumatic experience. Additionally, the
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Jeo, Noella. "Perry Smith and Josef Kavalier : historical and literary victimized victimizers /." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd938.D4.

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Ammar, Keskes Neila. "L'expression de la violence dans l’oeuvre de Cormac Mc Carthy." Paris 4, 2007. http://www.theses.fr/2006PA040191.

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L’œuvre de McCarthy est imprégnée de violence. Fil conducteur de l’œuvre dans sa totalité. L’œuvre est une re-présentation en miniature de l’Histoire américaine. Une transcription artistique d’un quotidien écrasant, pesant lourd sur les personnages emblématiques. Oeuvre en délire. Nature tourmentée. Texte mobile, mouvant, d’où l’aspect baroque sur le plan stylistique. Style qui épouse les formes d’un paysage convulsionné, torturé ; style apocalyptique, style qui ranime et qui insuffle la vie à une nature décrépite et dilapidée. Style visuel métaphorique. Style qui dépeint la violence pour mieu
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Gunter, James Christiansen. "The Rhetoric of Violence." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2468.pdf.

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Khalil, Lionel. "Généralisation des réseaux d'interaction avec l'agent amb de Mc Carthy : propriétés et applications." Palaiseau, Ecole polytechnique, 2003. http://www.theses.fr/2003EPXX0015.

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ROUX, CAIRE LAURENCE. "Diagnostic et traitement des maladies de l'articulation temporo-mandibulaire d'apres farrar et mc carthy." Aix-Marseille 2, 1988. http://www.theses.fr/1988AIX20264.

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Olson, Danel. "9/11 Gothic : trauma, mourning, and spectrality in novels from Don DeLillo, Jonathan Safran Foer, Lynne Sharon Schwartz, and Jess Walter." Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/25276.

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Al Qaeda killings, posttraumatic stress, and the Gothic together triangulate a sizable space in recent American fiction that is still largely uncharted by critics. This thesis maps that shared territory in four novels written between 2005 and 2007 by writers who were born in America, and whose protagonists are the survivors in New York City after the World Trade Center falls. Published in the city of their tragedy and reviewed in its media, the novels surveyed here include Don DeLillo’s _Falling Man_ (2007), Jonathan Safran Foer’s _Extremely Loud and Incredibly Close_ (2005), Lynne Sharon Schw
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Martel, Audrey. "Le criminel asocial dans la littérature américaine de la seconde moitié du vingtième siècle." Phd thesis, Université Nice Sophia Antipolis, 2013. http://tel.archives-ouvertes.fr/tel-00952972.

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Qu'y a-t-il de commun entre Vladimir Nabokov, Norman Mailer, Don DeLillo, Cormac McCarthy et James Ellroy ? Ces cinq écrivains contemporains se sont intéressés au personnage du criminel asocial sur le territoire des États-Unis. Son existence repose sur le paradoxe propre à tout individu asocial : bien qu'il n'adhère pas aux conventions établies qu'il perçoit comme des entraves, il ne souhaite pas rompre les ponts avec la collectivité et refuse la vie en autarcie. S'il n'est donc pas antisocial, pourquoi fait-il le choix de l'asocialité ? Parce qu'il ne peut accepter ce qu'il perçoit comme des
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Mai, Nadin. "The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz." Thesis, University of Stirling, 2015. http://hdl.handle.net/1893/22990.

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Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema of Filipino filmmaker Lav Diaz merges aesthetics of cinematic slowness with narratives of post-trauma in his films Melancholia (2008), Death in the Land of Encantos (2007) and Florentina Hubaldo, CTE (2012). Diaz has been repeatedly considered as representative of what Jonathan Romney termed in 2004 “Slow Cinema”. The director uses cinematic slowness for an alternative approach to an on-screen representation of post-trauma. Contr
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Abdelhafez, Sarah Nagaty. "Narrative as Memory: A Reading of Nuruddin Farah’s Trilogy Variations on the Theme of an African Dictatorship." Master's thesis, 2015. http://hdl.handle.net/10362/20425.

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The hallmark of the three novels forming Nuruddin Farah’s trilogy Variations on the Theme of an African Dictatorship is the fact that they share several tales of recurrent symbolic departure and return. This cyclical nature of Farah’s narrative foregrounds the collective traumatic past that Farah’s narrative embodies. In three chapters, the trilogy is analysed in the light of the writings of some Trauma Studies theorists such as Anne Whitehead, Cathy Caruth, Marianne Hirsch, and Dominick LaCapra. The first chapter examines the theoretical foundation of reading trauma in Farah’s narrative. Even
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Books on the topic "Cathy Caruth"

1

Wayward Daughter: An Official Biography of Eliza Carthy. Soundcheck Books LLP, 2012.

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Gore, Leroy. Joe Must Go. Hassell Street Press, 2021.

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Book chapters on the topic "Cathy Caruth"

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Kalo, Valbona, and Mirela Shella. "Albanian Migratory Literature." In Globalization, Global Security, and New International Realities for Modern Democracies. IGI Global, 2025. https://doi.org/10.4018/979-8-3373-1355-9.ch023.

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This chapter examines Albanian migratory literature as a critical site for reflecting on identity, tradition, and globalization in the post-communist era. Analyzing the works of Gazmend Kapllani, Elvira Dones, and Ardian Kyçyku, it investigates how trauma, hybridity, and memory are represented through narrative fragmentation and stylistic experimentation. Drawing on theoretical perspectives by Homi Bhabha (hybridity), Jan Assmann (cultural memory), and Cathy Caruth (trauma), the chapter explores how these authors disrupt essentialist national identities and foreground liminal, multilingual sub
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Ford, James Edward. "Introduction." In Thinking Through Crisis. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286904.003.0001.

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The introduction offers several vignettes to mark the limits of Marx’s conceptualization of the slave, Agamben’s concept of the decision in states of emergency, and Cathy Caruth and Shoshana Felman’s unacknowledged connection to “European Man” as the image of thought producing their idea of trauma. Each vignette looks beyond these limits by turning to a different canonical work of Black thought. By staging these encounters between different theoretical traditions, the terms and presuppositions for a different understanding of trauma can commence. This introduction concludes with a call to retu
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Rocha, Lauren. "Traumatic Motherhood." In The Sinful Maternal. University Press of Mississippi, 2024. http://dx.doi.org/10.14325/mississippi/9781496851734.003.0007.

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The Babadook chapter investigates the intersections of possession, trauma, and grief. The character who becomes possessed in the film is Amelia, a single mother with a seemingly unruly son. Amelia is a character haunted by the loss of her husband, who died driving Amelia to the hospital to give birth to their son Samuel. Drawing on Cathy Caruth’s trauma theory, this chapter explores how Amelia’s possession forces her to confront her trauma and repressed feelings about motherhood.
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Dickens, Charles. "To D. F. Mac Carthy, 27 April 1870." In The British Academy/The Pilgrim Edition of the Letters of Charles Dickens, Vol. 12: 1868–1870, edited by Graham Storey. Oxford University Press, 2002. http://dx.doi.org/10.1093/oseo/instance.00120978.

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"Senate Resolution 301: Censure of Senator Joseph McCarthy." In Milestone Documents in American History. Schlager Group Inc., 2020. https://doi.org/10.3735/9781935306528.book-part-131.

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On December 2, 1954, the U.S. Senate, by a 67–22 vote, censured the Wisconsin Republican senator Joseph R. Mc-Carthy. Over the preceding four years, McCarthy had been at the center of a firestorm of anti-Communist hysteria in the United States. From his position as chairman of the U.S. Senate’s Committee on Government Operations, he formed a subcommittee, the Permanent Subcommittee on Investigations. In this position, he chaired investigations into alleged Communist subversion, espionage, and infiltration of the U.S. government as well as of labor unions, the entertainment industry, and other
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Burling, Robbins. "The Slow Growth of Language in Children." In The Transition to Language. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780199250653.003.0014.

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Abstract A surprisingly broad consensus has grown among scholars who are interested in the origin of language that the ability to speak was a relatively recent and quite rapid development (e.g. Noble and Davidson 1996: 17). Hardly anyone would now go so far as to credit a single mutation for all syntax, as Bickerton once did (1990, 1998), and even Bickerton has moderated his earlier position (Bickerton 2000, Calvin and Bickerton 2000). Carstairs Mc Carthy has also proposed a scenario that allows for more than a single stage of syntax (1999, 2000). In spite of this, however, full syntax is stil
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