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Journal articles on the topic 'Cattadori Italian Art Galleries'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Gage, Frances. "Exercise for Mind and Body: Giulio Mancini, Collecting, and the Beholding of Landscape Painting in the Seventeenth Century*." Renaissance Quarterly 61, no. 4 (2008): 1167–207. http://dx.doi.org/10.1353/ren.0.0366.

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This article explores the intellectual foundations for the development of princely art collections, and of Italian picture galleries in particular, as spaces for combined physical and mental exercise and recreation. This study then establishes the relationship between the therapeutic function of picture galleries and the manner in which landscape paintings produced for princely collectors at this moment in Italy embodied ideals of both exercise and repose.

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2

Sanesi, Irene. "Visibility in the Italian Art World: How Far Along We Are." International Journal of Economics, Finance and Management Sciences 12, no. 5 (2024): 284–92. http://dx.doi.org/10.11648/j.ijefm.20241205.16.

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Even though the concept of “nationality” when we talk about an internationally acclaimed artists is more and more blurred and has little to do with the importance of the artworks, it is evident how small the Italian art presence in great international art manifestations is, sometimes almost negligible. It is then necessary to understand the causes of this situation, to draw a map of the current state of the contemporary Italian scene and state some resolutions from it. The first 2022 Report “How (well) known is Italian art abroad?” by BBS-Lombard Benefit Corporation, together with Arte General

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3

Tsirogiannis, Christos. "MAPPING THE SUPPLY: USUAL SUSPECTS AND IDENTIFIED ANTIQUITIES IN ‘REPUTABLE’ AUCTION HOUSES IN 2013." Cuadernos de Prehistoria y Arqueología de la Universidad de Granada 25 (December 8, 2016): 107–44. https://doi.org/10.30827/cpag.v25i0.5396.

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The confiscation of the Medici, Becchina and Symes-Michaelides archives by the Italian authorities (with the cooperation of the French and Swiss) and Greek police and judicial authorities, has led to more than 250 repatriations of antiquities so far. Apart from these successful claims, the main contribution of the on-going research on the archives lies in revealing the fundamental role played by the main members of the international antiquities market (auction houses and galleries) in circulating illicit material after the 1970 UNESCO convention (against the illicit traffic in cultural materia

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4

Depperu, Donatella, Giacomo Magnani, Lisa Crosato, and Caterina Liberati. "Growth of Firms in a Fragmented Cultural Industry: Italian Commercial Art Galleries’ Competitive Strategies." Sustainability 13, no. 9 (2021): 5057. http://dx.doi.org/10.3390/su13095057.

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The growth of cultural firms is important in developing local economies, enhancing employment, and improving urban sustainability, but it is difficult to achieve in fragmented industries that are populated by the smallest firms and offer a particularly unfavorable context for growth. The study takes a contingency perspective and contributes to both the literature on business strategy in fragmented industries and that on the growth of small and medium-sized enterprises (SMEs) by identifying the strategies implemented in a fragmented cultural industry, determining which of them are associated wi

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5

Shcherbakova, Marina I. "“A Trip through Italy” by Bishop Porphyrius (worldly Konstantin Uspensky) as a cultural and historical source." Two centuries of the Russian classics 2, no. 4 (2020): 186–207. http://dx.doi.org/10.22455/2686-7494-2020-2-4-186-207.

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The article presents the creative history of “A Trip through Italy” — an extensive section of “The Book of My Life”, a memoir and journalistic work of Bishop Porphyrius (worldly Konstantin Uspensky), who was an orientalist and a Byzantologist, a paleographer and an archaeologist. The basis for “A Trip through Italy” was the entries in his diary about his acquaintance with Italy in May to August, 1854. When preparing his work, Bishop Porphyrius significantly supplemented the travel notes with materials from rare publications. Thus, the narrative took the form of a unique historical and cultural

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6

Sijka, Katarzyna. "„Jak żyć po czymś takim w Polsce?” Edukacyjne walory podróży na przykładzie Dziennika podróży do Italii i Szwajcarii z lat 1815–1816 Rozalii Dunin-Borkowskiej." Biuletyn Historii Wychowania, no. 43 (September 15, 2020): 27–44. http://dx.doi.org/10.14746/bhw.2020.43.2.

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A Diary of a Journey to Italy and Switzerland in 1815–1816 written by Rozalia Dunin-Borkowska is one of few preserved descriptions of a journey to Italy made by a Polish woman in the early 19th century. Rozalia and her husband Stanisław embarked on their expedition on 27 May 1815 in Lvov; they went to Italy and spent nine months there, from October 1815 to July 1816. The Italian tour started in Venice and included Padua, Bologna, Florence (twice), Rome, Naples, Milan and Geneva. The spouses spent the journey actively although their main goal was to learn about the culture of the Italian Penins

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Ingrassia, Marzia, Claudio Bellia, Chiara Giurdanella, Pietro Columba, and Stefania Chironi. "Digital Influencers, Food and Tourism—A New Model of Open Innovation for Businesses in the Ho.Re.Ca. Sector." Journal of Open Innovation: Technology, Market, and Complexity 8, no. 1 (2022): 50. http://dx.doi.org/10.3390/joitmc8010050.

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The choice of influencer marketing as an endorser for promoting products and services is becoming a more and more effective communication strategy of open innovation. Their use of social media platforms, such as Instagram, allows them to be reached by millions of followers all over the world. As a response to the economic crisis that affected Italy after the first wave of the COVID-19 pandemic, Chiara Ferragni, one of the most endorsed influencers worldwide, started a communication campaign with the aim to promote Italian food and tourist destinations (cities of art, seaside, ski and countrysi

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8

Vežić, Pavuša. "Ikonografija romaničke katedrale u Dubrovniku." Ars Adriatica, no. 4 (January 1, 2014): 63. http://dx.doi.org/10.15291/ars.489.

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In order to deepen our contemporary knowledge about the Romanesque cathedral of Dubrovnik, it is of utmost importance to turn to the archaeological remains and the documented material evidence in order to establish its ground plan. On the basis of the ground plan and in combination with the way the Cathedral was depicted in the art works produced during the period from the fifteenth to the seventeenth century, while also taking into account the contemporary written sources, we can propose a reconstruction of the Romanesque Cathedral together with a number of architectural features which have n

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9

Leslie, Fiona. "Inside Outside: Changing Attitudes Towards Architectural Models in the Museums at South Kensington." Architectural History 47 (2004): 159–200. http://dx.doi.org/10.1017/s0066622x0000174x.

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The union of these collections and the addition of the models of St. Paul’s and various classical buildings, betoken what an Architectural Museum may become, if the individuals and the State will act together. Every foreigner who has seen this commencement sees in it the germ of the finest Architectural Museum in Europe, if the public support the attempt.From the first years of its establishment in June 1857, to the end of the nineteenth century, the South Kensington Museum had amongst its collections over a hundred architectural models. First they were acquired through a policy of encouraged

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10

Angelini, Francesco, Massimiliano Castellani, and Pierpaolo Pattitoni. "Artist Names as Human Brands: Brand Determinants, Creation and co-Creation Mechanisms." Empirical Studies of the Arts, January 17, 2022, 027623742110729. http://dx.doi.org/10.1177/02762374211072964.

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Considering all transactions related to modern and contemporary visual artists mediated by galleries in Italy between 2007 and 2012, we propose an empirical measure of artist brand and explore its relationship with artist-specific characteristics, such as talent, fame, and popularity, through a structural model. We find that artist brand depends positively on talent, fame, and popularity. Moreover, we find that a co-creation mechanism is at work in the Italian art market, where galleries choose their specialization strategies in picking their artist portfolios. We interpret our findings in lig

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11

Squizzato, Alessandra, and Lorenzo Tunesi. "Foreign travellers in Milan and their interests." Journal of the History of Collections, June 17, 2024. http://dx.doi.org/10.1093/jhc/fhae021.

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Abstract This article reviews the presence and movements of foreign travellers in Milan in the mid-nineteenth century, focusing on the cultural context of art collecting. Perceptions of the Milan region abroad are examined through a number of guides and illustrated digests aimed at foreign visitors and produced by local publishers such as Giovanni Pietro Giegler, Ferdinando Artaria, Bettalli and Vallardi. Along with the main landmarks, the importance of private palaces and their art galleries has also been researched. Among them are locations associated with some established names (the Archint

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12

Saba, Cosetta. "Cominciamenti della video arte in Italia (1968-1971)." Sciami | ricerche 6, no. 1 (2019). http://dx.doi.org/10.47109/0102260101.

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In Italy, the progressive digital accessibility of sub-standard films, videotapes and related paper materials (work notes, project layouts, letters, etc.), as well as the study of the archives in which they were preserved, make it possible today to reconstruct the emergence (between the Sixties and the early Seventies), of the artistic practice of analog video. At the same time, this permits to highlight how this emergence interests both the contexts of artist’s and independent cinema and the areas of Arte Povera, Conceptual Art and Pop Art. On this basis and reflecting critically, it is possi

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13

Marosi, Ernő. "Remarks on the Question of the So-Called Monastic Schools of Architecture." Historical Studies on Central Europe 1, no. 1 (2021). http://dx.doi.org/10.47074/hsce.2021-1.01.

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The hypothetical interpretation of the beginnings of monastic architecture in Hungary in the eleventh century as corresponding to the Italian origin of the clergy cannot be proved, and the beginning of the dominating role of a three-apsidal, axially organized basilica in Hungary cannot be traced earlier than the last quarter of the eleventh century.The dominance of the type, which has been considered in Hungarian art history since the nineteenth century as a “national” building type, can be dated as of the last quarter of the eleventh century. It is not only the problem of monastic architectur

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14

Tepeli Türel, Özlem, and Başak Demireş Özkul. "Istanbul as a "City of Design"." M/C Journal 25, no. 3 (2022). http://dx.doi.org/10.5204/mcj.2902.

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Introduction Despite the emphasis on the theoretical definitions of the concept of “creativity“ and its impact on cities, it is still uncertain, difficult to measure and limited. Creativity and its impacts are difficult to generalise because of the multiplicity of approaches and a lack of comparative analysis. The concept of creativity and its reflection on cities represents a paradigm that brings together academics from different fields, including cultural economists, those working on economic development and innovation, sociologists, economic geographers, and urban planners. The creative eco

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15

Webb, Damien, and Rachel Franks. "Metropolitan Collections: Reaching Out to Regional Australia." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1529.

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Special Care NoticeThis article discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the processes of colonisation. Content within this article may be distressing to some readers. IntroductionThis article looks briefly at the collection, consultation, and digital sharing of stories essential to the histories of the First Nations peoples of Australia. Focusing on materials held in Sydney, New South Wales two case studies—the object known as the Proclamation Board and the George Augustus Robinson Papers—explore how materials can be shared with Aboriginal people

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