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Books on the topic 'Caucasian Jews'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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1

Murzakhanov, I︠U︡ I. Ocherk istorii ėtnograficheskogo izuchenii︠a︡ gorskikh evreev: XVIII-nachalo XX v. Moskva: Izd-vo "Choro", 1994.

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2

Bram, Chen. Yehude Ḳaṿḳaz be-Dagesṭan: Zehut ḳoleḳṭivit ṿe-hiśardut ḳehilatit. Ramat-Gan: Merkaz Rapaporṭ le-ḥeḳer ha-hitbolelut ule-ḥizuḳ ha-ḥiyuniyut ha-Yehudit, Universiṭat Bar-Ilan, ha-Faḳulṭah le-madaʻe ha-Yahadut, 2006.

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3

Yehudah, Yaʻaḳobov, ed. Mudret͡sy Kavkaza: Povestvovanie o mudret͡sakh Kavkaza i tradit͡sii gorskikh evreev. Ierusalim: T͡Sentr Tory i dukhovnogo razvitii͡a gorskikh evreev, 2004.

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4

Semenduev, Aleksandr. Zvezda moi͡a (Astaraime): Izbrannye proizvedenii͡a. Chastʹ I - na russkom i͡azyke. Chastʹ II - na i͡azyke gorskikh evreev Kavkaza. Telʹ-Aviv: Ivrus, 2001.

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5

Murzakhanov, I︠U︡ I. Gorskie evrei: Annotirovannyĭ bibliograficheskiĭ ukazatelʹ. Moskva: Choro, 1994.

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6

Mgaloblishvili, Tamila. Kʻartʻuli ebraelebi: Georgian Jews = Yahadut Geʼorgyah : istoria da kultura. Tʻbilisi: Sakʻartʻvelos erovnuli muzeumi, 2010.

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7

Papiašvili, Iakob. Sad aris Sakʻartʻvelo? [Kutaisi]: Kʻutʻaisis saxelmcipʻo universitetis gamomcʻemloba, 2002.

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8

Metreveli, Roin. Ebraelebi Sakʻartʻveloši. Tʻbilisi: "Poligrap'i", 2002.

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9

Čeliże, Gizo. Uketʻu dagivicqo, Israelo! Tʻbilisi: "Inovacʻia", 2006.

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10

Kukullu, Amaldan. Ėkho minuvshikh i zov gri͡a︡dushchikh ėpokh. Moskva: Amaldanik, 1997.

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11

Komaxiże, Tʻeimuraz. Żala ertʻobašia. Batʻumi: S.S. "Gamomcʻemloba Ačara", 2000.

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12

Slaṿin, Yiśraʼel. Sefer Bet Yiśraʼel: Toldot ṿe-ḳorot ḥayim : yovel shanim be-erets ha-ḳodesh, maḥatsit ha-yovel me-aḥore masakh ha-barzel. Yerushalayim: Y.N. Slaṿin, 2000.

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13

editor, Enoch Reuven, Weinstein Sergei editor, and Merkaz ha-universiṭaʼi Ariʼel be-Shomron, eds. Meḥḳarim be-Yahadut Ḳaṿḳaz, Geʼorgyah ṿe-Bukharah: Hebeṭim hisṭoriyim, sotsyologiyim ṿe-tarbutiyim = Studies in Caucasian, and Bukharan Jewry : historical, sociological and cultural aspects. Ariʼel: Universiṭat Ariʼel, ha-Mekhon le-ḥeḳer ha-ʻedut ha-Yahadut shel ha-Ḳaṿḳaz u-Merkaz Asyah, 2014.

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14

Mardi, Shalva. Zhiznʹ skvozʹ smekh i slëzy. Tel-Aviv: [s.n.], 1995.

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15

Slaṿin, Yiśraʼel. Sefer Bet Yiśraʼel: Toldot ṿe-ḳorot ḥayim : yovel shanim be-erets ha-ḳodesh, maḥatsit ha-yovel me-aḥore masakh ha-barzel. Yerushalayim: Y.N. Slaṿin, 2000.

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16

Babalikashvili, Khai͡a, and Revekka Babalikashvili. Neottorzhimye ot Siona: (o semʹe Babalikashvili). Ierusalim: Rachel Torpusman, 2017.

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17

Cʻicʻiašvili, Abon. Ebraelebi da Sakʻartʻvelo: Evrei i Gruzii︠a︡ : 2600 celi ertʻad. Tʻbilisi: "Respublika", 2003.

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18

Atanelov, Yitzhak. ha-Maḥol ha-Geʼorgi be-Yiśraʼel. Lod: Agudat "Neṭaʻ", 1990.

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19

Israel), Ḳehilot ḳolṭot (Organization:. Israeli Artists from Azerbaijan and North Caucasus: Omanim Yiśreʼelim me-Az'erbeg'an u-Tsefon Ḳaṿḳaz : Jerusalem House of Quality Exhibition Hall. 3.01.2011-14.01.2011. Edited by Skizze Gallery (Jerusalem Israel), Genkina Marina, and Schelest Marina. Jerusalem: Skizza Gallery, 2011.

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20

Sepʻiašvili, Abram. Kulaši: Nanaxi, gancʻdili, gagonili. Tʻel-Avivi: Gamomcʻemloba "Alia Migurgia", 2002.

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21

Śalman-Rozenberg, Mikhal. Be-maʻaleh ha-har: Ḳeliṭatam shel ha-Yehudim ha-harhariyim yotsʼe Ḳaṿḳaz be-Yiśraʼel. [Jerusalem]: ha-Miśrad li-ḳeliṭat ha-ʻaliyah, 2002.

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22

Elyahshṿili, Natan. ha-Yehudim ha-Geruzim bi-Geruzyah uve-Erets Yiśraʼel. Zikhron Yaʻaḳov: Itai Baḥur, 2017.

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23

Sepʻiašvili, Abram. Parizi, Boni, Niu-Iorki. Tʻel-Avivi: Gamomcʻemloba "Alia Migurgia", 2000.

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24

Hasan-Rokem, Galit. Adam le-adam gesher: Pitgamim shel Yehude Gorgiyah be-Yiśraʾel. Yerushalayim: Mekhon Ben-Tsevi le-ḥeḳer ḳehilot Yiśraʾel ba-Mizraḥ, 1993.

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25

Gagulashṿili, Yaʻaḳov. Hagadat Yahadut Geʼorgyah Śiaḥ Yaʻaḳov: Beʼurim u-ferushim ʻal derekh ha-pardes. Hagadah shel Pesaḥ. Shir ha-shirim. [Ashdod: Yaʻaḳov Gagulashṿili], 2012.

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26

Vinson, Irmin. Some thoughts on Hitler and other essays. San Francisco, CA: Counter-Currents Pub., 2011.

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27

Vinson, Irmin. Some thoughts on Hitler and other essays. San Francisco, CA: Counter-Currents Pub., 2011.

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28

D. Baazovis saxelobis Sakʻartʻvelos ebraeltʻa istoriul-etʻnograpʻiuli muzeumi. Kʻartʻvel ebraeltʻa kulturuli memkvidreoba: Sakʻartʻvelos erovnuli muzeumis kolekʻcʻiebidan. Edited by Cicuašvili Lela, Jiqašvili Lela, Sakharova Ana, and Sakʻartʻvelos erovnuli muzeumi. Tʻbilisi: Sakʻartʻvelos erovnuli muzeumi, 2013.

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29

Europe, United States Congress Commission on Security and Cooperation in. Implementation of the Helsinki accords: Hearing before the Commission on Security and Cooperation in Europe, One Hundred Third Congress, first session, ethnic violence in Trans-caucasia, March 8, 1993. Washington: U.S. G.P.O., 1993.

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30

United States. Congress. Commission on Security and Cooperation in Europe. Implementation of the Helsinki accords: Hearing before the Commission on Security and Cooperation in Europe, One Hundred Third Congress, first session, ethnic violence in Trans-caucasia, March 8, 1993. Washington: U.S. G.P.O., 1993.

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31

יהודי קווקאז בדאגסטאן: זהות קולקטיבית והישרדות קהילתית: Zehut ḳoleḳṭivit ṿe-hiśardut ḳeḥilatit. Ramat Gan: Universiṭat Bar Ilan, Merkaz Rapoporṭ le-ḥeḳer ha-hitbolelut, 2006.

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32

ha-Savta ha-ḳaṿḳaziyah sheli. Yehud Monoson: Ofir Bikurim, 2014.

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33

Gagolshṿili, Yaʻaḳov. Hagadat Yahadut Geʼorgyah Śiaḥ Yaʻaḳov. 2011.

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34

Mne - sem'desi͡at, i eto obnadëzhivaet! Jerusalem: [s.n.], 2003.

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35

Hasan-Rokem, Galit. Adam le-adam gesher: Pitgamim shel Yehude Gorgiyah be-Yisrael. Mekhon Ben-Tsevi le-heker kehilot Yisrael ba-Mizrah, 1993.

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36

Ebraeltʻa sakitʻxi da kʻartʻuli sinamdvile, 1921-1940. Tʻbilisi: "Mematiane", 2005.

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37

Somehow, We'll Survive: Life in Japan During World War II Through The Eyes Of A Young Caucasian Boy. Vera Vista Publishing, 2007.

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38

Kosstrin, Hannah. White Rooms, Red Scare. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199396924.003.0005.

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Anna Sokolow’s early Cold War choreography cloaked social(ist) challenges to the status quo under the façade of American modernism. Lyric Suite (1953) laid bare sexual discontent in the guise of universal abstraction; Rooms (1954) portrayed gay people’s and Jews’ experiences among those of society’s untouchables in tenement houses; and the Opus series (1958–1965) cemented the political significance of the Old Left meeting the New Left through ironic uses of musical and movement elements drawn from jazz, as Africanist elements like these signaled a generalized Americanness. Sokolow’s assimilation into concert dance whiteness through these works’ critical reception and Israeli Bonds festivals reflected the American Jewish community’s postwar assimilation from racially marked to Caucasian. Sokolow’s work evidences roles played by leftist Jews in crafting definitive images of midcentury Americana as they publicly rewrote their 1930s leftist actions into normative postwar American activities in the wake of the Second Red Scare.
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