Log in

Relevant bibliographies by topics / Cavafy / Journal articles

To see the other types of publications on this topic, follow the link: Cavafy.

Journal articles on the topic 'Cavafy'

Author: Grafiati

Published: 4 June 2021

Last updated: 24 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Cavafy.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Kruczkowska, Joanna. "Cavafy in Poland." Byzantine and Modern Greek Studies 39, no. 2 (2015): 266–85. http://dx.doi.org/10.1017/s030701310001538x.

Full text

Abstract:

Despite the diversity of Modern Greek poetry available in Polish translation, Cavafy's work has eclipsed the achievements of other poets, just as the shadow of his lifelong translator, Zygmunt Kubiak, has inhibited other attempts only starting to surface in the twenty-first century. While external factors have determined Modern Greek anthologies in Poland, Cavafy translation has been mostly driven by personal passion. Apart from translation, this article reflects on various reasons why the Alexandrian's work should be so attractive to the Polish literary scene. Cavafy's seminal place within Polish literature stimulates further reflection on rewriting Cavafy in Poland.

APA, Harvard, Vancouver, ISO, and other styles

2

Gjuzel, Bogomil. "After Cavafy." Hudson Review 53, no. 2 (2000): 278. http://dx.doi.org/10.2307/3852887.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Papargyriou, Eleni. "Cavafy strikes a pose: Duane Michals’s Cavafy photobooks." Interactions: Studies in Communication & Culture 3, no. 2 (November 15, 2012): 209–24. http://dx.doi.org/10.1386/iscc.3.2.209_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Beaton, Roderick. "Cavafy and Proust." Grand Street 6, no. 2 (1987): 127. http://dx.doi.org/10.2307/25006966.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Gifford, Henry. "Seferis and Cavafy." Grand Street 6, no. 4 (1987): 245. http://dx.doi.org/10.2307/25007026.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Kruczkowska, Joanna. "Cavafy in Poland." Byzantine and Modern Greek Studies 39, no. 2 (September 2015): 266–85. http://dx.doi.org/10.1179/0307013115z.00000000065.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Kolocotroni, Vassiliki. "Cavafy among the Modernists." boundary 2 48, no. 2 (May 1, 2021): 59–87. http://dx.doi.org/10.1215/01903659-8936684.

Full text

Abstract:

Placing C. P. Cavafy among the modernists raises interesting questions. Which century can claim Cavafy? What does it mean to claim Cavafy for modernism? What space do we need to make for Cavafy in an approach to modernism that shapes and is shaped by his work? What re- and disorientations might that positioning require? Which nineteenth-century filiations does Cavafy carry over into his modernism? Is courage rather than contemporaneity a better guide in these orienteering exercises? This essay fleshes out these questions, asks a few more in the process, and attempts a set of triangulations and mediations between Cavafian and early twentieth-century words and worlds. This is not to trace influences or deep affinities but to deploy Cavafy as the “century's interlocutor,” in Paul's immodest but resonant phrase. Among the mediating or triangulated figures are F. T. Marinetti, E. M. Forster, T. S. Eliot, George Seferis, Ezra Pound, W. B. Yeats, Vernon Lee, and Pierre Louÿs, with cameo appearances by Bertolt Brecht, Arthur Rimbaud, and Eugène Marsan.

APA, Harvard, Vancouver, ISO, and other styles

8

Kalasaridou, Sotiria. "The history of C. P. Cavafy in Greek education: Landmarks and Gaps." Journal of Literary Education, no. 2 (December 6, 2019): 90. http://dx.doi.org/10.7203/jle.2.12049.

Full text

Abstract:

Abstract This article aims to highlight the crucial stages of C.P. Cavafy’s “history in education” through textbooks about literature from 1930 until today. More specifically, the research is constructed around two areas: a) the fundamental role of literary criticism and how it was related to the introduction of C.P. Cavafy in education in 1930, b) the degree of osmosis between History of Literature and History of Education. The methodological criteria of the research are drawn from different areas, such as: i) literary criticism, ii) history of education and educational policy, iii) history of textbook anthologies, and iv) poetry anthologies. a) During a course of eighty years, C. P. Cavafy is found in thirty-five anthologies, teachers’ textbooks and curricula, whereas the parallel reading recommendations reach a staggering eighty-seven; Ithaca is the most anthologised poem — twelve times. b) The positive opinions by the critics and the momentum of school anthologies that tried a holistic approach to poetry defined the inclusion of C. P. Cavafy in the school anthologies during the educational reform of 1929-1932. c) The position of Cavafy in the History of Modern Greek Literature by K. Th. Dimaras surpasses the efforts made by the critics of that time. Moreover, Linos Politis also holds a part of the restoration of C. P. Cavafy as far as the school textbooks are concerned, as his History of Modern Greek Literature, as well as his poetic anthology, determined the school literary canon from the days of the Restoration of Democracy until now.

APA, Harvard, Vancouver, ISO, and other styles

9

Mendelsohn, Daniel. "New Translations from Cavafy." Hudson Review 50, no. 1 (1997): 40. http://dx.doi.org/10.2307/3852389.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Ricks, David. "Cavafy the poet-historian." Byzantine and Modern Greek Studies 12, no. 1 (January 1988): 169–84. http://dx.doi.org/10.1179/byz.1988.12.1.169.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Papargyriou, Eleni. "Photographic adaptations of Cavafy." Journal of Greek Media & Culture 1, no. 2 (October 1, 2015): 253–77. http://dx.doi.org/10.1386/jgmc.1.2.253_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Pieris, Michael. "Cavafy and the Sea." Journal of Modern Greek Studies 7, no. 2 (1989): 273–86. http://dx.doi.org/10.1353/mgs.2010.0265.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Hofmann, Michael. "Cavafy: Subrosa, and: Midterms." Ploughshares 41, no. 1 (2015): 104–5. http://dx.doi.org/10.1353/plo.2015.0087.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Skawran, Karin M. "David Hockney and Constantine P Cavafy: reflections on the Hockney-Cavafy portfolio." de arte 34, no. 59 (April 1999): 42–54. http://dx.doi.org/10.1080/00043389.1999.11761286.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Paleou, Matrona. "Constructing the poet's image in Ritsos's Δώδεκα Пοιήµατα για του Kαβάφη." Byzantine and Modern Greek Studies 29, no. 1 (2005): 53–69. http://dx.doi.org/10.1017/s0307013100015160.

Full text

Abstract:

This article explores the various elements on which Yannis Ritsos based his approach to construct C.P. Cavafy's image in and focuses on his twofold reading, using his predecessor's biography and poetry.The poem ‘On Form’ clearly depicts the ‘encounter’ between the two poets and provides the guidelines to explore it. The other eleven poems are built up around it and together they stress: (a) the path that brought Ritsos close to Cavafy and the problems generated during this course, (b) the external features that gradually lead deeper to his predecessor's poetics, and (c) the importance of poetic appreciation and the difficulties involved.The following account, therefore, not only explains why Ritsos dedicated Twelve Poems to Cavafy but also underlines their role in his own oeuvre at that time. Formal features and thematic aspects that characterise Cavafy's poetry are incorporated but also elaborated upon in this collection. The younger poet nevertheless retained his independence, foreshadowing his creative assimilation of Cavafy's poetry in the 1960s.

APA, Harvard, Vancouver, ISO, and other styles

16

Jusdanis, Gregory. "Why Is Cavafy so Popular?" Studies in the Literary Imagination 48, no. 2 (2015): 111–21. http://dx.doi.org/10.1353/sli.2015.0017.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Yazigi, Latife. "Two styles of mental functioning and literary language: a phenomenological psychological reading of A. Machado and C. Cavafy. A tribute to Zena Helman." Psicologia: Teoria e Pesquisa 18, no. 3 (December 2002): 315–22. http://dx.doi.org/10.1590/s0102-37722002000300011.

Full text

Abstract:

Following Minkowska's psychological phenomenological approach, a comparative analysis of some poems of Antonio Machado and Constantine Cavafy was carried out. This phenomenological analysis identifies two styles of mental functioning - sensorial and rational. The sensorial style is characterized by adhesiveness - adhesiveness to all that has life, to concrete experience, to surroundings, and to action. The rational style is dominated by abstraction and symbolic thinking, isolation and distance, immobilization and splitting, and less vital contact with reality. A phenomenological comparative analysis of some of Machado and Cavafy poems reveals Machado as a sensorial and impressionistic poet and Cavafy as a poet of isolation and impersonality abstraction.

APA, Harvard, Vancouver, ISO, and other styles

18

Robinson, Christopher. "Cavafy, Sexual Sensibility, and Poetic Practice: Reading Cavafy through Mark Doty and Cathal O Searcaigh." Journal of Modern Greek Studies 23, no. 2 (2005): 261–79. http://dx.doi.org/10.1353/mgs.2005.0022.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Jeffreys, Peter. "Cavafy's Levant: Commerce, Culture, and Mimicry in the Early Life of the Poet." boundary 2 48, no. 2 (May 1, 2021): 7–39. http://dx.doi.org/10.1215/01903659-8936670.

Full text

Abstract:

The bombing of Alexandria by the British in 1882 forced C. P. Cavafy and his family into temporary exile. Traumatic for the young poet, this displacement produced a set of epistolary exchanges between friends and family that sheds much light on his Western orientation, connecting him back to the metropolitan cities—London and Liverpool—where he had previously resided. Cavafy remained firmly oriented toward the West, and his Anglophilic cosmopolitanism is inextricably linked to commerce and culture as they intersect with his family history. The museum ethos that later defines his poetry and his love for the art object is rooted in the cultural world of the Anglo-Greeks from which he found himself exiled—one of many exiles he would experience. Retrieving this lost world and memorializing the pleasure-loving days of his young friends heavily informs Cavafy's poetry, which is saturated with memory, death, and nostalgia.

APA, Harvard, Vancouver, ISO, and other styles

20

Appiah, Kwame Anthony. "Boundaries of Culture." PMLA/Publications of the Modern Language Association of America 132, no. 3 (May 2017): 513–25. http://dx.doi.org/10.1632/pmla.2017.132.3.513.

Full text

Abstract:

So begins Constantine Cavafy's classic poem of November 1898, “Waiting for the Barbarians,” in Edmund Keeley and Philip Sherrard's assured translation. Cavafy was a writer who tested all manner of boundary conditions. His every identity came with an asterisk. He was a Greek who never lived in Greece. A government clerk of Greek Orthodox upbringing, in a tributary state of a Muslim empire, he spent his evenings on foot, looking for pagan gods in their incarnate, carnal versions. He was a poet who resisted publication, save for broadsheets he circulated among close friends; a man whose homeland was a neighborhood, and a dream. Much of his poetry is a map of Alexandria overlaid with a map of the classical world—modern Alexandria and ancient Athens—as Leopold Bloom's Dublin neighborhood underlies Odysseus's Ithaca. And I conjure Cavafy because, as I want to persuade you, he is representative precisely in all his seeming anomalousness.

APA, Harvard, Vancouver, ISO, and other styles

21

Rodenbeck, John. "Alexandria in Cavafy, Durrell, and Tsirkas." Alif: Journal of Comparative Poetics, no. 21 (2001): 141. http://dx.doi.org/10.2307/1350026.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Hirst, Anthony. "A glimpse of Cavafy at work." Byzantine and Modern Greek Studies 23, no. 1 (January 1999): 246–54. http://dx.doi.org/10.1179/byz.1999.23.1.246.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Keeley, Edmund. "Cavafy and His Heirs in America." Iowa Review 32, no. 3 (December 2002): 26–39. http://dx.doi.org/10.17077/0021-065x.5581.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Morello, André-Alain. "La mémoire méditerranéenne de Constantin Cavafy." Babel, no. 7 (January 1, 2003): 212–29. http://dx.doi.org/10.4000/babel.1417.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Jeffreys, Peter. "Cavafy, Forster and the Eastern Question." Journal of Modern Greek Studies 19, no. 1 (2001): 61–87. http://dx.doi.org/10.1353/mgs.2001.0006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Wang, Yue. "Cavafy as a Reader of Browning: The Role of Art in Their Poems." Journal of English Language and Literature 10, no. 3 (December 31, 2018): 1034–38. http://dx.doi.org/10.17722/jell.v10i3.402.

Full text

Abstract:

In this paper, a comparative analysis of four poems by Robert Browning and C. P. Cavafy will be provided. It first compares ‘Protus’ and ‘Orophernes’, and then analyses ‘My Last Duchess’ and ‘Sculptor from Tyana’ in the same way. Through the analysis, it aims to figure out the role of art in their poems. It discusses how Cavafy is influenced by Browning in this topic, and where he diverges from the predecessor.

APA, Harvard, Vancouver, ISO, and other styles

27

Vassiliadi, Martha. "Cavafy, Seferis and the Philosophy of Tango." Advances in Literary Study 10, no. 03 (2022): 275–90. http://dx.doi.org/10.4236/als.2022.103020.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Mackridge, Peter, and Gregory Jusdanis. "The Poetics of Cavafy: Textuality, Eroticism, History." Comparative Literature 43, no. 3 (1991): 288. http://dx.doi.org/10.2307/1770667.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Rexine, John E., and Gregory Jusdanis. "The Poetics of Cavafy: Textuality, Eroticism, History." World Literature Today 62, no. 2 (1988): 317. http://dx.doi.org/10.2307/40143723.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Civjan, Tatyana. "Cavafy through the prism of Balkan Thesaurus." Balcanica, no. 15 (2019): 159–61. http://dx.doi.org/10.31168/2618-8597.2019.15.28.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Margaritis, Nicholas. "The Pursuit of Fidelity: On Translating Cavafy." Translation Review 41, no. 1 (March 1993): 36–46. http://dx.doi.org/10.1080/07374836.1993.10523589.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

McClanan, Anne. "Cavafy the Byzantinist: The Poetics of Materiality." Studies in the Literary Imagination 48, no. 2 (2015): 31–46. http://dx.doi.org/10.1353/sli.2015.0013.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Edmund Keeley. "The Cavafy Rare Book Collection in Firestone Library." Princeton University Library Chronicle 67, no. 1 (2005): 140. http://dx.doi.org/10.25290/prinunivlibrchro.67.1.0140.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Iakovidou, S. "C. P. Cavafy: Poet of the Middle World." Kathedra of Byzantine and Modern Greek Studies, no. 4 (December 10, 2019): 47–62. http://dx.doi.org/10.29003/m810.2658-7157.2019_4/47-62.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Plantzos, Dimitris. "Perverse fragments: Citing Cavafy in crisis-stricken Athens." Journal of Greek Media & Culture 1, no. 2 (October 1, 2015): 191–205. http://dx.doi.org/10.1386/jgmc.1.2.191_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Diamantopoulou, Lilia, and Zyranna Stoikou. "Cavafy reanimated: Intermedial transformations in comics and animation." Journal of Greek Media & Culture 1, no. 2 (October 1, 2015): 299–319. http://dx.doi.org/10.1386/jgmc.1.2.299_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Ekdawi, Sarah. "From the Cavafy Archive: New Publications, 1995–2012." Byzantine and Modern Greek Studies 41, no. 1 (March 16, 2017): 163–65. http://dx.doi.org/10.1017/byz.2016.39.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Clay, Diskin. "C. P. Cavafy: The Poet in the Reader." Journal of Modern Greek Studies 5, no. 1 (1987): 65–83. http://dx.doi.org/10.1353/mgs.2010.0113.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Sichani, Anna-Maria. "Cavafy’s web legacy: C. P. Cavafy in the public sphere of the Web 2.0." Journal of Greek Media & Culture 1, no. 2 (October 1, 2015): 321–37. http://dx.doi.org/10.1386/jgmc.1.2.321_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Sciberras, Lillian. "SIX POEMS BY LILLIAN SCIBERRAS: “TO CONSTANTINE CAVAFY AND THE WORM WHO SPARED HIS WORKS”, “SONG OF THE EARTH”, “SONG OF THE MINISTER’S WIFE”, “IN YOUR EYES OF DARK AMBER”, “MIGRAINE THERAPY” AND “NOW." RAUDEM. Revista de Estudios de las Mujeres 2 (May 22, 2017): 329. http://dx.doi.org/10.25115/raudem.v2i0.606.

Full text

Abstract:

SIX POEMS BY LILLIAN SCIBERRAS: “TO CONSTANTINE CAVAFY AND THE WORM WHO SPARED HIS WORKS”, “SONG OF THE EARTH”, “SONG OF THE MINISTER’S WIFE”, “IN YOUR EYES OF DARK AMBER”, “MIGRAINE THERAPY” AND “NOW

APA, Harvard, Vancouver, ISO, and other styles

41

Coavoux, Sophie. "Aspects de l’hellénisme dans l’œuvre poétique de Constantin Cavafy." Transtext(e)s Transcultures 跨文本跨文化, no. 1 (May 1, 2006): 194–209. http://dx.doi.org/10.4000/transtexts.202.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Ekdawi, Sarah. "'Missing dates': the 'Mϵρϵς' poems of C. P. Cavafy." Byzantine and Modern Greek Studies 35, no. 1 (March 2011): 70–91. http://dx.doi.org/10.1179/030701311x12906801091638.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Varopoulou, Helene. "Brecht's Gestus: Brecht and C.P. Cavafy. And Heiner Müller." TDR/The Drama Review 43, no. 4 (December 1999): 60–64. http://dx.doi.org/10.1162/105420499760263525.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Ekdawi, Sarah. ""Definitive Voices of the Loved Dead": Cavafy in English." Journal of Modern Greek Studies 30, no. 1 (2012): 129–36. http://dx.doi.org/10.1353/mgs.2012.0000.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Goldwyn, Adam J. "Translations and Adaptations of C. P. Cavafy in Albanian." Journal of Modern Greek Studies 30, no. 2 (2012): 247–76. http://dx.doi.org/10.1353/mgs.2012.0018.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Ruprecht, Louis A. "Subterranean Histories: Constantine Cavafy and the Poetics of Memory." Studies in the Literary Imagination 48, no. 2 (2015): vii—xiii. http://dx.doi.org/10.1353/sli.2015.0010.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Butler, Jim. "Fourteen Poems by C. P. Cavafy, chosen and illustrated by David Hockney, translated by Nikos Stangos and Stephen Spender (1966–67)." Book 2.0 10, no. 2 (December 1, 2020): 263–67. http://dx.doi.org/10.1386/btwo_00035_5.

Full text

Abstract:

Review of: Fourteen Poems by C. P. Cavafy, chosen and illustrated by David Hockney, translated by Nikos Stangos and Stephen Spender (1966–67) London: Editions Alecto, Edition A, Folio, illustrated with 12 etchings bound and 1 loose etching, cotton silk boards and silk slipcase, limited edition item

APA, Harvard, Vancouver, ISO, and other styles

48

Beck, Richard. "Complete Plus: The Poems of C. P. Cavafy in English." World Literature Today 87, no. 5 (2013): 68. http://dx.doi.org/10.1353/wlt.2013.0112.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Malkoff, Karl. "Varieties of Illusion in the Poetry of C. P. Cavafy." Journal of Modern Greek Studies 5, no. 2 (1987): 191–205. http://dx.doi.org/10.1353/mgs.2010.0122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Layoun, Mary N. "The Poetics of Cavafy: Textuality, Eroticism, History (review)." Journal of Modern Greek Studies 6, no. 2 (1988): 316–18. http://dx.doi.org/10.1353/mgs.2010.0152.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!