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Books on the topic 'CE. Literacy'

Author: Grafiati

Published: 10 March 2023

Last updated: 31 July 2025

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1

Consiglio nazionale delle ricerche (Italy), ed. Information literacy at the crossroad of education and information policies in Europe. Istituto di ricerca sull'impresa e lo sviluppo, 2008.

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2

Gheorghe, Hrimiuc-Toporaș, and Durnea Victor, eds. De ce scrieți?: Anchete literare din anii '30. Polirom, 1998.

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3

Schaeffer, Jean-Marie. Qu'est-ce qu'un genre littéraire? Seuil, 1989.

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4

ʼOṅʻ, Caṃ Taṅʻ. Mraṅʻ camʻʺ ce khyaṅʻ, Mve Mi khaṅʻ. ʼOṅʻ mre Cā pe, 2006.

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5

Jean-Baptiste-Édouard, Roland. Césaire, ce rebelle bien-aimé: Essai. K. Éditions, 2018.

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6

de Pee, Christian. Urban Life and Intellectual Crisis in Middle-Period China, 800–1100 CE. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721660.

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In the eleventh century, the cities of the Song Empire (960-1279) emerged into writing. Literati in prior centuries had looked away from crowded streets, but literati in the eleventh century found beauty in towering buildings and busy harbors. Their purpose in writing the city was ideological. On the written page, they tried to establish a distinction that eluded them in the avenues and to discern an immanent pattern in the movement of people, goods, and money. By the end of the eleventh century, however, they recognized that they had failed in their efforts. They had lost the Way in the city.

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7

Lehane, Dennis. Ce monde disparu. Éditions Payot & Rivages, 2016.

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8

Lehane, Dennis. Ce monde disparu. À vue d'oeil, 2016.

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9

Lehane, Dennis. Ce monde disparu. Éd. Payot & Rivages, 2015.

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10

Senghor, Léopold Sédar. Ce que je crois: Négritude, francité et civilisation de l'universel. B. Brasset, 1988.

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11

Ivan Toulouse Miguel Angel Molina. THÉORIES DE LA PRATIQUE - Ce qu'en disent les artistes. Editions L'Harmattan, 2012.

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12

Helmut, Gneuss, Korhammer Michael, Reichl Karl, and Sauer Hans, eds. Words, texts, and manuscripts: Studies in Anglo-Saxon culture : presented to Helmut Gneuss on the occasion of his sixty-fifth birthday. D.S. Brewer, 1992.

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13

Bernard, Michel. De quoi parle ce livre?: Élaboration d'un thésaurus pour l'indexation thématique d'œuvres littéraires. Champion, 1994.

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14

Heirman, Jo. The Ideologies of Lived Space in Literary Texts, Ancient and Modern. Academia Press, 2013.

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15

Jacqueline, Klooster, ed. The Ideologies of Lived Space in Literary Texts, Ancient and Modern. Academia Press, 2019.

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16

Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Academia Press, 2010.

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17

Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Academia Press, 2010.

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18

Bemong, Nele. Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives. Academia Press, 2010.

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19

Stein-Hölkeskamp, Elke. Die feinen Unterschiede. De Gruyter, 2020.

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20

Ng, Celeste. Tout ce qu'on ne s'est jamais dit. Sonatine éditions, 2016.

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21

Andenmatten, Anne-Angélique. Les « Emblèmes » d’André Alciat: Introduction, texte latin, traduction et commentaire d’un choix d’emblèmes sur les animaux. Peter Lang International Academic Publishers, 2017.

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22

Lassagne, Laure. Ce que se parler veut dire: La représentation du monologue dans les romans de Stendhal. Honoré Champion éditeur, 2016.

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23

Adrados, Francisco Rodríguez. History of the Graeco-Latin fable. Brill, 2000.

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24

Association internationale de stylistique. Congress(. Poétique des énoncés inconvenants et paradoxaux: Ce que la fonction poétique fait à la pensée. Presses universitaires de Provence, 2020.

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25

Richaudeau, François. Ce que révèlent leurs phrases: Une analyse stylistique quantitative de Aragon, Bergson, Bossuet, Cartland, Céline, Colette, Delly, Descartes, Duras, Ferniot, Flaubert, Gide, Giono ... Editions Retz, 1988.

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26

Stephen, George, ed. Politics in the European Union. 2nd ed. Oxford University Press, 2006.

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27

Myers, K. Sara. Ancient Roman Literary Gardens. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197773239.001.0001.

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Abstract This book offers the first full and in-depth study of the representation of gardens in Latin Literature. Through close readings of the major Latin texts, primarily of the first centuries BCE and CE, it examines the function of garden descriptions in terms of their generic and literary codes and models, their gender constructions, and the ways in which garden descriptions function within the narrative structures of texts and reflect metapoetically on the work itself (geopoetics). Combining fresh dialogues with literary criticism, ancient garden studies, and close readings of poetry and

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28

Sauer, Hans, Michael Korhammer, and Karl Reichl. Words, Texts, and Manuscripts: Studies in Anglo-Saxon Culture : Presented to Helmut Gneuss on the Occasion of His Sixty-Fifth Birthday. D.S. Brewer, 1992.

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29

Qu'est-ce que la dramaturgie? Actes sud, 2010.

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30

Pee, Christian de. Urban Life and Intellectual Crisis in Middle-Period China, 800–1100 CE. Amsterdam University Press B.V., 2022. http://dx.doi.org/10.5040/9789048561223.

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In the eleventh century, the cities of the Song Empire (960-1279) emerged into writing. Literati in prior centuries had looked away from crowded streets, but literati in the eleventh century found beauty in towering buildings and busy harbors. Their purpose in writing the city was ideological. On the written page, they tried to establish a distinction that eluded them in the avenues and to discern an immanent pattern in the movement of people, goods, and money. By the end of the eleventh century, however, they recognized that they had failed in their efforts. They had lost the Way in the city.

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31

Olivelle, Patrick, ed. Social and Literary History of Dharmaśāstra. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198702603.003.0002.

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Who invented the Dharmaśāstra genre and for what reasons? Using the newly discovered semantic history of gṛhastha (householder), the chapter presents new insights into the origin of this literature and its social and literary history. The hypothesis proposed in the chapter is that, rivaling the theology of the āśramas, which presented a variety of lifestyles, especially the gṛhastha and the pravrajita, as alternative religious paths, a new theology appears to have been constructed, asserting the centrality of the gṛhastha. The gṛhastha theology provided the impetus to the creation of the Dharm

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32

qu est-ce qu un evenement litteraire. PUB DE L'UNIVERSITE DE ST ETIENNE, 2008.

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33

Ce que je crois. Grasset, 1988.

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34

Trimble, Jennifer. Communicating with Images in the Roman Empire. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780195386844.003.0007.

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This chapter explores how the size, diversity, and connectivity of the Roman Empire in the first centuries CE fostered developments in image communication in a civilization in which levels of visual literacy, especially among city populations, should be considered quite well developed. At the same time, a full grasp of a monument’s iconography was not essential for effective communication at a range of levels. A remarkable, seemingly modern phenomenon of the period is the proliferation and stability of image use, enabling complex, varied interplays of empire and place to be articulated in all

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35

Jane, Austen. Emma CE. Wordsworth Editions, Limited, 2020.

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36

Downie, Janet, and Anna Peterson, eds. Greek Literary Topographies in the Roman Imperial World. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350385344.

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Focusing on the Greek world during the high Roman Empire betweenthe 1st and 3rd centuries CE,this edited volume examines the representation of space in literary, rhetorical, and mythographic texts of the period.Authors under discussion include major figures such as Dio of Prusa, Aelius Aristides, Arrian, Lucian, and Philostratus. Texts by Apollodorus, Alciphron, Aelian, Artemidorus, and Pausanias also receive attention, along with the Alexander Romance and Egyptian apocalyptic narratives. Attending to the relationship between mobility and cultural rootedness, each chapter examines how Greek wr

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37

Agopian, Ana. Scenariul ca specie literara. Editura Universitara, 2022. http://dx.doi.org/10.5682/9786062813819.

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Teoreticieni de film, scriitori sau profesionisti activi in lumea filmului au scris despre posibilitatea de a privi scenariul ca forma literara. George Garrett, poet si romancier, noteaza in introducerea unui volum de scenarii: „Aceasta remarcabila colectie de scenarii ar putea foarte bine sa reprezinte o veritabila manifestare a literaturii secolului 20”. Scriitorul Sam Thomas considera ca este important sa „recunoastem si sa admitem ca scenariul pentru film, in cele mai reusite forme ale sale, poate si ar trebui sa fie considerat literatura in aceeasi masura ca un roman sau o piesa de teatru

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38

Jane, Austen. Mansfield Park CE. Wordsworth Editions, Limited, 2020.

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39

Moi, ce que j'aime, c'est les monstres - Livre premier. Monsieur Toussaint Louverture, 2018.

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40

Hezser, Catherine. Classical Rabbinic Literature. Edited by Martin Goodman. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199280322.013.0006.

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Classical rabbinic literature comprises all those ancient Jewish literary compilations which transmit the traditions of tannaitic (70–200 ce) and amoraic (third-to fifth-century ce) rabbis in Palestine and Babylonia: the Mishnah, the Tosefta, the Palestinian and the Babylonian Talmud, and various midrashim. Accordingly, rabbinic literature must be seen as a collective rather than an authorial literature, transmitting a wide variety of partly divergent and contradictory views and teachings rather than providing a linear systematic outline of a particular individual's point of view. The critical

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41

Mendoza, Barbara. Artifacts from Ancient Egypt. An Imprint of ABC-CLIO, LLC, 2017. http://dx.doi.org/10.5040/9798400614781.

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Primary source documents and detailed entries reveal what ancient Egypt was like, using the objects and artifacts of daily life from the period covering the Predynastic era through the Græco-Roman period (5000 BCE to 300 CE). Historians have found that valuable knowledge about long-ago civilizations can be derived from examining the simple routines of daily life. This fascinating study presents a collection of everyday objects and artifacts from ancient Egypt, shedding light on the social life and culture of ancient Egyptians. The work starts with a popular notion of ancient Egyptian beauty an

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42

Chatterjee, Paroma. Ancient Statues, Christian City. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190278359.003.0013.

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This chapter examines some of the public statues of Constantinople between the 4th and sixth centuries CE, and their significance to a Christian audience as illuminated in literary records pertaining to the city. The Parastaseis Syntomoi Chronikai account dated to the eighth century CE, which not only describes the statues in their historical urban settings, but also details various encounters of viewers with them. Roman Empire perception was perpetuated into the future and encapsulated by the statues. The statues proved themselves to be superior to Christian images, which, up until the ninth

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43

Potter, David S. Inscriptions and the Narrative of Roman History. Edited by Christer Bruun and Jonathan Edmondson. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780195336467.013.017.

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This chapter offers an analysis of how inscriptions can complement the narratives of Roman history from the third century BCE to the third century CE provided in literary sources. They reveal certain historical events or details that would otherwise be unknown, and they supplement the information offered by the surviving Roman historians .

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44

Sinner, Alejandro G., and Javier Velaza, eds. Palaeohispanic Languages and Epigraphies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198790822.001.0001.

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At least four writing systems—in addition to the Phoenician, Greek, and Latin ones—were used between the fifth century BCE and the first century CE to write the indigenous languages of the Iberian peninsula (the so-called Palaeohispanic languages): Tartessian, Iberian, Celtiberian, and Lusitanian. In total over three thousand inscriptions are preserved in what is certainly the largest corpus of epigraphic expression in the western Mediterranean world with the exception of the Italian peninsula. The aim of this book is to present a state of the question that includes the latest cutting-edge sch

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45

Owen, Stephen. Periodization and Major Inflection Points. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.2.

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Periodization is a function of a virtual literary historical story, organizing selective evidence to support a particular narrative of change. In the Chinese case, the contested variable is the degree to which literary history has autonomy or is one kind of document in a unified narrative of political and cultural history. For macroperiods, technological change is essential, namely, the gradual spread of paper during the second and third centuries ce and the larger adoption of an already existing technology of printing in the tenth century. Large decline and revival narratives were popular, an

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46

Fujiwara, Saitaro. Qing ni po an: Qu wei tui li zhi li zi ce. Zhongguo ren min gong an da xue chu ban she, 1989.

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47

Qu'est-ce que les littératures à contraintes? Agnès Viénot Editions, 2000.

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48

DiGiulio, Scott J. Reading Miscellany in the Roman Empire. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197688267.001.0001.

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Abstract Aulus Gellius and his sole surviving work, the Noctes Atticae (NA), have long stood on the periphery of classical scholarship. This second-century ce compilation, conventionally termed a miscellany, collects vast amounts of otherwise lost ancient literature, and the depictions of scholarly activity throughout the work have led some to see in Gellius a kindred spirit—a classicist avant la lettre. Yet, the NA is a fascinating work of literature in its own right, depicting the intellectual and literary culture at the height of the Roman Empire and offering invaluable evidence for the evo

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49

Stein-Hölkeskamp, Elke. Die Feinen Unterschiede: Kultur, Kunst und Konsum Im Antiken Rom. de Gruyter GmbH, Walter, 2019.

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50

Puett, Michael. Text and Commentary. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.8.

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This essay traces the notions of text, authorship, and commentary in the early Chinese literary tradition, exploring how the notions were debated and redefined from the fourth century bce to the fourth century ce in an endless process of accretion, in which poetic lines were utilized in new ways and stories were constantly varied according to context. The analysis shows how the texts of the classical period emerged together with the commentaries to them and literary production in the early period developed out of contested visions of how to define text and commentary, author and interpreter; i

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