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Relevant bibliographies by topics / Ceaușescu's regime

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Academic literature on the topic 'Ceaușescu's regime'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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Journal articles on the topic "Ceaușescu's regime"

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Georgescu, Diana. "Small Comrades as Historians and Ethnographers: Performativity, Agency, and the Socialist Pedagogy of Citizenship in Ceaușescu's Romania, 1969–1989." Slavic Review 78, no. 01 (2019): 74–102. http://dx.doi.org/10.1017/slr.2019.9.

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Beginning with the state's successful promotion of purposeful and patriotic tourism for children in Ceaușescu's Romania, this article argues that we should move beyond traditional representations of the relationship between citizens and the socialist state in oppositional terms that emphasize resistance, subversion, and indifference, leaving historical subjects strangely disconnected from their socio-political context. Children and teachers who engaged in summer expeditions, for example, found self-fulfillment not only by opposing the regime or escaping into alternative lifestyles, but also by

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Sandu, Traian. "Ceaușescu’s National-Communist Populist Turn of the 1970s: A Failed Charisma?" Connexe : les espaces postcommunistes en question(s) 4 (April 15, 2020): 57–73. http://dx.doi.org/10.5077/journals/connexe.2018.e163.

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Ceaușescu’s name is linked to his Promethean attempt to secure Romania’s independence from the Soviet tutelary power and to build a modern industrial state out of the agricultural and industrial Romania modernised during the 1950s following the Stalinist model. This international and social challenge was implemented through the mobilisation of nationalist ideology and the strengthening of the relation between the leader and his people. To attract the masses, Ceaușescu’s charisma did not refer to any objective and inner quality of the leader but to his capacity to embody and manipulate the aspi

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Bottoni, Stefano. "Finding the Enemy: Ethnicized State Violence and Population Control in Ceaușescu's Romania." Journal of Cold War Studies 19, no. 4 (2017): 113–36. http://dx.doi.org/10.1162/jcws_a_00766.

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State violence as a complex system of ideological prescriptions, normative values, and everyday practices has been emerging as a major topic in the study of Soviet-type regimes. Overcoming the Cold War preoccupation with the totalitarian character of these societies, new historiographical approaches put at the center the changing degree of physical and psychological violence. This article sketches the evolution of state violence concepts and practices in Communist-era Romania, focusing on the treatment of the large Hungarian minority in Transylvania. Although Nicolae Ceaușescu's Romania has be

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Teșculă, Dan. "Nostalgia after the communist regime in Romania." Journal of Education Culture and Society 6, no. 2 (2020): 53–68. http://dx.doi.org/10.15503/jecs20152.53.68.

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The present paper focuses on the nostalgia after the communist regime in Romania. This small study is a general overview of the progress I have made during the period between march and august on my PhD thesis regarding the nostalgia after the communist regime in Romania. The research methodology used is somewhat new in the field of conteporary history research. The quasi-experimental study was used in order to see if there are significant differences in the way the well-defined social categories perceive the feeling of nostalgia after communism. The period we spanned in this study is the so-ca

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Copilaș, Emanuel. "Third World Themes in the International Politics of the Ceaușescu Regime or the International Affirmation of the ‘Socialist Nation’." Symposion 5, no. 1 (2018): 21–40. http://dx.doi.org/10.5840/symposion2018513.

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Bottoni, Stefano. "Talking to the System: Imre Mikó, 1911–1977." East Central Europe 44, no. 1 (2017): 47–75. http://dx.doi.org/10.1163/18763308-04401002.

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Taking a cue from an intelligence file produced by the Romanian political police on Transylvanian Hungarian intellectual Imre Mikó (Cluj, 1911–1977), the article analyzes the various patterns of accomodation with the political system, which represents a key to the understanding of how social legitimacy was built and maintained by the communist regimes of Eastern Europe. The framework in which this story takes place is especially interesting due to the Romanian context. On the one hand, the analysis of an unconventional collaboration established during the 1970s between the security organs of a

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Domalewski, Adam. "Między minimalizmem a melodramatem. Przestrzeń filmowa w kinie rumuńskiej nowej fali." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 27, no. 36 (2020): 71–92. http://dx.doi.org/10.14746/i.2020.36.05.

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The starting point for considering the means of creating and designing a film space in Romanian New Wave cinema is the thesis that Romanian film art in the 21st century is an artistic response to the times of communism and that images of the post-socialist architectural space – their multi-faceted functionalization in film mise-en-scéne – are the key method of evoking memories of the past. The article discusses, via the example of movies by Crisitian Mungiu, Corneliu Porumboiu and Cristi Puiu, (1) ways of depicting the “closing” of film characters in the cramped interiors of their apartments a

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Novák, Csaba Zoltán. "The Intellectuals of Politics and the Policies of Intellectuals: The Role of the Ethnic Hungarian Workers’ Council in the Political Integration of the Ethnic Hungarian Cultural Elite during the Ceaușescu Regime." Transylvanian Review 19, no. 3 (2020): 90–115. http://dx.doi.org/10.33993/tr.2020.3.06.

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"Cristian Culiciu, Cultul personalității lui Nicolae Ceaușescu reflectat în marcarea unor sărbători naționale și internaționale / Nicolae Ceaușescu’s Cult of Personality Reflected in the Celebration of Certain National and International Holidays." PLURAL. History, Culture, Society 4, no. 2 (2016): 140–55. http://dx.doi.org/10.37710/plural.v4i2_7.

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The article deals with the way the ruler of Communist Romania from 1965 to 1989 Nicolae Ceaușescu used various national and international celebrations in order to forge his cult of personality that exceeded even the one of his predecessor, Gheorghe Gheorghiu-Dej. The author focuses especially on the following celebrations like the National Day – 23rd of August (1944), the Day of the Republic – 30th of December (1947), the second being a kind of the second National Day; as well as May 1 – the international Workers’ Day. The celebrations and the way they were used are contextualized in relation

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"Igor Cașu, “Revoluția silențioasă”: revizuirea identității naționale în Moldova Sovetică la apogeul “dezghețului” lui Hrușciov (1956-1957) / ”The Quiet Revolution”: Revisiting the National Identity Issue in Soviet Moldavia at the height of Khrushchev’s Thaw (1956)." PLURAL. History, Culture, Society 3, no. 1 (2015): 103–26. http://dx.doi.org/10.37710/plural.v3i1_7.

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The article highlights the impact of Khrushchev’s Thaw on the question of national identity in Soviet Moldavia in the framework of the internal Soviet debates unleashed by the ‘Secret Speech’ and the subsequent Hungarian Revolution. The question of national identity was expressed by two groups, one representing the former GULAG returnees and the other the intellectuals or students socialized in the Soviet milieu. The position of the former was more radical and anti-Soviet, while the latter was milder and respected the status-quo, i.e. the Soviet regime, and only questioned some previously esta

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Dissertations / Theses on the topic "Ceaușescu's regime"

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Horáková, Jarmila. "Tvůrčí dráha Petra Popesca v kontextu rumunské poválečné literatury." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-334577.

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During the communist era in Romania the literature and its authors had been under pressure of normative demands, which substantially restricted freedom of writing. The authors tried to escape the official socialist realism and restore the esthetic function of literature. In the introduction chapter of this work this evolution is described. One of the authors trying to restore the esthetic function of Romanian prose in the 60s was Petru Popescu inspired by the urban background and American literature. His novels express the emotions of the Romanian post-war young generation. Although being succ

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Book chapters on the topic "Ceaușescu's regime"

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Pop, Doru. "Pop-Rock and Propaganda During the Ceaușescu Regime in Communist Romania." In Popular Music in Eastern Europe. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59273-6_3.

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