Academic literature on the topic 'Cecil Rhodes'

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Journal articles on the topic "Cecil Rhodes"

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McFarlane, Richard A. "Historiography of Selected Works on Cecil John Rhodes (1853–1902)." History in Africa 34 (2007): 437–46. http://dx.doi.org/10.1353/hia.2007.0013.

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The historiography of Cecil John Rhodes may be divided into two broad categories: chauvinistic approval or utter vilification. In the Introduction to Colossus of Southern Africa, Lockhart and Woodhouse wrote: “Those who hated [Rhodes] most were those who knew him least, and those most admired and loved him were those who knew him best.” The earlier works written soon after Rhodes death, and usually by his “intima[te]” friends, constitute the first group. Later works written by historians and journalists largely constitute the second group. Generally speaking, the category into which a particular biography or history is placed has a strong correlation to the time it was written. Chronologically, these two groups divide at about 1945, when the last of Rhodes's intimate companions died and the British Empire was beginning to be dismantled.The earliest published biography of Cecil Rhodes was Cecil Rhodes: His Political Life and Speeches, 1881-1900 published just two years before his death. The work was published pseudonymously under the moniker “Vindex.” C.M. Woodhouse, in the “Notes on Sources” at the front of his book on Rhodes, identified Vindex as the Reverend F. Vershoyle.
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Davis, R. Hunt, Brian Roberts, and Robert I. Rotberg. "Cecil Rhodes: Flawed Colossus." American Historical Review 95, no. 3 (June 1990): 827. http://dx.doi.org/10.2307/2164356.

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Rotberg, Robert I. "Cecil Rhodes in the cotton fields." Ethnic and Racial Studies 9, no. 3 (July 1986): 288–305. http://dx.doi.org/10.1080/01419870.1986.9993534.

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Rohr, Gretchen. "An African-American Rhodes Scholar Confronts the Ghost of Cecil Rhodes." Journal of Blacks in Higher Education, no. 23 (1999): 102. http://dx.doi.org/10.2307/2999329.

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Evans, Joanna Ruth. "Unsettled Matters, Falling Flight: Decolonial Protest and the Becoming-Material of an Imperial Statue." TDR/The Drama Review 62, no. 3 (September 2018): 130–44. http://dx.doi.org/10.1162/dram_a_00775.

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A statue of 19th-century British imperialist Cecil John Rhodes sat at the heart of the University of Cape Town’s colonial façade until 9 April 2015, when it was removed after just one month of student protests known as the Rhodes Must Fall movement. The material alterations made to the body of the statue by protesting students unsettled the dominant epistemology of the university and public discourse by exceeding the bounds and logics of representational politics.
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Watson, R. L., Robert Rotberg, and Miles Shore. "The Founder: Cecil Rhodes and the Pursuit of Power." International Journal of African Historical Studies 25, no. 2 (1992): 442. http://dx.doi.org/10.2307/219416.

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Worger, William H., and Robert I. Rotberg. "The Founder: Cecil Rhodes and the Pursuit of Power." African Studies Review 32, no. 3 (December 1989): 144. http://dx.doi.org/10.2307/524552.

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DUBOW, SAUL. "The Founder: Cecil Rhodes and the pursuit of power." African Affairs 89, no. 354 (January 1990): 130–32. http://dx.doi.org/10.1093/oxfordjournals.afraf.a098264.

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Rotberg, Robert I. "Did Cecil Rhodes Really Try to Control the World?" Journal of Imperial and Commonwealth History 42, no. 3 (May 27, 2014): 551–67. http://dx.doi.org/10.1080/03086534.2014.934000.

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Bond, Patrick. "In South Africa, “Rhodes Must Fall” (while Rhodes’ Walls Rise)." New Global Studies 13, no. 3 (November 18, 2019): 335–50. http://dx.doi.org/10.1515/ngs-2019-0036.

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AbstractThe African borders established in Berlin in 1884–85, at the peak of Cecil John Rhodes’ South African ambitions, were functional to the main five colonial-imperial powers, but certainly not to African societies then, nor to future generations. The residues of Rhodes’ settler-colonial racism and extractive-oriented looting include major cities such as Johannesburg, which are witnessing worse inequality and desperation, even a quarter of a century after apartheid fell in 1994. In South Africa’s financial capital, Johannesburg, a combination of post-apartheid neoliberalism and regional subimperial hegemony amplified xenophobic tendencies to the boiling point in 2019. Not only could University of Cape Town students tear down the hated campus statue of Rhodes, but the vestiges of his ethnic divide-and-conquer power could be swept aside. Rhodes did “fall,” in March 2015, but the South African working class and opportunistic politicians took no notice of the symbolic act, and instead began to raise Rhodes’ border walls ever higher, through ever more violent xenophobic outbreaks. Ending the populist predilection towards xenophobia will require more fundamental changes to the inherited political economy, so that the deep structural reasons for xenophobia are ripped out as convincingly as were the studs holding down Rhodes’ Cape Town statue.
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Dissertations / Theses on the topic "Cecil Rhodes"

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Mdudumane, Khayalethu. "The historical productions of Cecil John Rhodes in 20th century Cape Town." Thesis, University of the Western Cape, 2005. http://etd.uwc.ac.za/index.php?module=etd&amp.

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This thesis analysed the historical productions of Rhodes in 20th century Cape Town. The critique of this study was that Cape Town embodies the history of imperialism in maintaining the memory of Rhodes. The thesis examined the following sites: Rhodes Cottage Museum, Rhodes Groote Schuur minor house, Rhodes Memorial and two statues, one in the Company Gardens at Cape Town and the other at the University of Cape Town.
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Thompson, Richard James. "Cecil Rhodes, the Glen Grey Act, and the labour question in the politics of the Cape Colony." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002415.

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Chapter One: The provisions of the Glen Grey Act of 1894 are summarised. The memoirs of contemporaries are discussed and the historical literature on the Act from 1913 to the present is surveyed. The likelihood of the land tenure provisions of the Act forcing the people of Glen Grey (or the people of other districts that came under the operation of the Act) to seek employment is noted. It is evident that there is an increasing emphasis in the literature on labour concerns rather than on the disenfranchising effects and local government provisions of the Act. It is often assumed that the labour force generated by the Act was meant for the Transvaal gold mines. Chapter Two: The relevance of the labour needs of the Indwe collieries is investigated. These mines lay adjacent to Glen Grey and might have been expected to draw their labour thence if the Act had been effective. Rhodes, the author of the Act and prime minister of the Cape, had bought shares in the collieries for De Beers shortly before the Act was passed, which made a possible connection more intriguing. No causal link between De Beers' interests and the Act could be demonstrated; nor do the collieries seem to have employed many people from Glen Grey. Chapter Three: Examines the Cape colonists' complaints about shortage of labour from 1807 to the eve of the Glen Grey Act, and investigates various official measures to promote the labour supply. The Glen Grey Act was not the first labour measure passed at the Cape, and it seems likely, therefore, that the labour needs of the Cape, rather than the Transvaal, were uppermost in the minds of those responsible for the Act. Chapter Four examines Rhodes's political position in the 1890s and shows him to be increasingly dependent on the parliamentary support of the Afrikaner Bond to stay in office. Since the Bond was an agricultural interest group it seems likely that labour for Cape farms, rather than Transvaal gold mines, was what the Act was supposed to provide. With that Rhodes could readily agree, since he wanted to promote the agricultural development of the Cape. However, the Bond wanted to be able to buy land in Glen Grey (and other district in which the Act was proclaimed). Rhodes wanted to keep such districts as 'reservoirs of labour' so he could not give the Bond all of what they wanted, i.e. Glen Grey titles to be alienable. His manoeuvring to keep the Bond supporting the Bill while not making the land readily salable is described. (In the end the land was alienable with the consent of the government -- consent that a Rhodes ministry would not give, but that another might.) Rhodes's desire to obtain the administration of Bechuanaland for his Chartered Company, and his need therefore to reassure the Colonial Office and humanitarian opinion that he could be trusted to rule over blacks, are pointed out as other possible motivations for the Act, which Rhodes tried hard to present as an enlightened piece of legislation. The course of the Act through the Cape parliament, and the opposition of Cape liberals to the Act, is described. Chapter Five: The mentalité of the Cape colonists as regards race, liquor, land tenure and other political issues is described. Chapter Six: The reaction to the Act of Cape blacks and sympathetic whites, British humanitarians and the Colonial Office is described. The contemporary concern with reserving land for blacks is noted, as well as concern over the morality of economically coerced labour. This is in contrast to the modern concentration on labour almost to the exclusion of other issues in regard to the Glen Grey Act. The unsuccessful efforts of Cape blacks and British humanitarians to have the imperial government veto the Act are described. Rhodes's influence over the Colonial Office is described.
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Trippe, Katie Sophia. "Memorialising White Supremacy: The Politics of Statue Removal: A Comparative Case Study of the Rhodes Statue at the University of Cape Town and the Lee Statue in Charlottesville, Virginia." Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/31294.

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In April 2015, the bronze statue of Cecil John Rhodes- notorious mining magnate, archimperialist and champion of a global Anglo-Saxon empire- was removed from its concrete plinth overlooking Cape Town, South Africa. This came as a result of the #RhodesMustFall (#RMF) movement, a movement that would see statues questioned and vandalised across the country. Two years later, fierce contestation over the hegemonic narrative told through the American South’s symbolic landscape erupted over the proposed removal of a statue of Confederate General Robert E. Lee, resulting in the deaths of multiple people in Charlottesville, Virginia. Increasing research on the removal of Rhodes and the removal of Confederate statuary has emerged in recent years. However, previous scholarship has failed to compare the wider phenomena of the calls for removal, from the memorialised figures to their change in symbolic capital, the movements’ inception and its outcomes. There is subsequently a gap in the literature understanding what the politics of statue removal tell us about not only the American and South African commemorative landscapes, but the nations’ interpretations of the past and societies themselves. Therefore, this thesis uses descriptive comparative analysis to compare two case studies where the debate over statue removal has surfaced most vehemently: Rhodes’ statue at the University of Cape Town and Lee’s statue in Charlottesville. Ultimately, this dissertation finds that the calls for the removal of statues are part of a wider change in tenor towards understanding and disrupting prevailing hegemonic narratives of white supremacy, in both society and its symbolic landscape. The phenomena demonstrates that heterogeneous societies with pasts marred by segregation and racism are moving to reject and re-negotiate these histories and their symbols, a move that has elicited deeply divided, emotional responses. Despite waning attention to monument removals, the issue remains unresolved, contentious, and capable of re-igniting.
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Gibson, Laura. "Utopian fantasies of the perfected imperial prospect and fractured images of unresolved ambivalence and unsuppressed resistance : the Groote Schuur landscape considered as an imperial dream topography of Cecil John Rhodes, 1890-1929." Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/3581.

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The Groote Schuur landscape, probably more than anywhere else in South Africa, is a truly hybrid landscape. Many sets of big ideas were at play on this landscape between 1890 and 1929. At the end of the nineteenth century, Cecil Rhodes brought ideas of paternalism, imperialism and empire to the Estate and notions of creating a European space in Africa; Groote Schuur would be a meeting point where Africa and Europe would fuse in the same frame, where the wildness of Africa and the empire would energise the classicism of European civilisation. The idea of Britain in Africa perhaps found its most expressive form in the establishment of the European styled University of Cape Town on the slopes of a distinctly African mountain. As W J T Mitchell argues, landscape should be "seen more profitably as something like the dreamwork of Imperialism, unfolding its own movement in time and space from a central point of origin and folding back on Itself to disclose both utopian fantasies of the perfected imperial prospect and fractured images of unresolved ambivalence and unsuppressed resistance". Furthermore, this landscape is complicated by the dynamic shifts and changes that occurred in social and political thought during this period. Ideas on paternalism, of Britain having a pastoral role in Africa, were increasingly overshadowed by ideas of indirect rule and nationalism after Union in 1910 and then by the beginnings of ideas on absolute racial separation. A sense of trusteeship was increasingly supplanted by ideas of partnership between coloniser and colonised. These contestations are all played out on the landscape, just as they were in other fields and are complicated further by the enduring legacy of Rhodes. Intention: In this mini dissertation I will examine in detail four elements of the Groote Schuur Estate to see how these "big ideas" of dream topographies are played out on this specific landscape. 1890 is a natural starting point for my project since this was the year in which Rhodes took up permanent residency at Groote Schuur, acquired property that extended from "Mowbray southwards to Constantia" and began shaping the landscape according to his will. However, I have extended my study beyond the year of Rhodes' death in 1902, to 1929. This later date was the year that the University of Cape Town moved into its new Groote Schuur campus, and celebrated its centenary anniversary here. The event was seen as marking the conclusion of one of Rhodes' earlier dreams; the founding of a "teaching University in the Cape Colony... under the shadow of Table Mountain".
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Brink, Linda Eugen. "Die lewe, werk en invloed van F.V. Engelenburg in Suid-Afrika (1889 – 1938) / Linda Eugéne." Thesis, 2015. http://hdl.handle.net/10394/16537.

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This dissertation is a historical biography of F.V. Engelenburg (1863-1938) and covers the period from 1889 to 1938, when Engelenburg lived and worked in South Africa. The study situates Engelenburg in the historical landscape of the Zuid-Afrikaansche Republiek during the late nineteenth and early twentieth century. The focus is mainly on Engelenburg’s journalistic career at De Volksstem, but attention is also given to his many other interests, including the development and promotion of Afrikaans and the Afrikaans academic culture, especially in the northern parts of South Africa. His work pertaining to the development of architecture, literature, aviation, the visual and performing arts, history, libraries, museums and educational institutions comes under the spotlight. His private life is considered as well in order to portray his versatility as a person. The chapters have been subdivided to highlight the variety of matters he was involved in, and a chronological approach has been followed as is customary in a biography. The study is based on archival research. In particular, Engelenburg’s private collections were used, as well as the private collections of some of his contemporaries. Engelenburg assumes a central place in the biography, with special focus on how he perceived and experienced conditions and everyday life in South Africa from the point of view of his transnational European background. His role as influential opinion-maker and political commentator on local and international politics is highlighted. His ties with political leaders and his involvement in government affairs are emphasised. The study also refers to his continued contact with his motherland, the Netherlands, and with the Dutch language. After the Anglo- Boer War, he realised that the languages of the future in South Africa would be Afrikaans (not Dutch), alongside English. His continuing support for Afrikaans as a language of instruction in schools and universities and the development of the Afrikaans literature, as well as his support for the standardization of Afrikaans helped to establish Afrikaans as an official language alongside English and Dutch in South Africa. Engelenburg’s active contribution to the work of the Zuid-Afrikaanse Akademie voor Taal, Lettere en Kuns (now the Suid- Afrikaanse Akademie vir Wetenskap en Kuns), helped to put the organization on a sound footing for future development. The Akademie can be seen as a living monument to his work in South Africa.
PhD (History)--North-West University, Vaal Triangle Campus, 2015.
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Books on the topic "Cecil Rhodes"

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Brian, Roberts. Cecil Rhodes: Flawed colossus. London: Hamish Hamilton, 1987.

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Cecil Rhodes: Flawed colossus. New York: Norton, 1988.

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Cecil Rhodes and his time. Moscow: Progress Publishers, 1988.

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Rhodes Memorial Museum and Commonwealth Centre., ed. An African adventure: A brief life of Cecil Rhodes. Bishop's Stortford: Rhodes Memorial Museum and Commonwealth Centre, 1993.

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Rotberg, Robert I. The founder: Cecil Rhodes and the pursuit of power. New York: Oxford University Press, 1988.

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Rhodes and Rhodesia: The white conquest of Zimbabwe, 1884-1902. Kingston [Ont.]: McGill-Queen's University Press, 1987.

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Cecil Rhodes and the Cape Afrikaners: The imperial colossus and the colonial parish pump. London: Frank Cass, 1996.

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Kanfer, Stefan. The last empire: South Africa,diamonds, and De Beers from Cecil Rhodes to the Oppenheimers. New York: Farrar Straus Giroux, 1993.

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Basil, Williams. Cecil Rhodes. Greenwood-Heinemann Publishing, 1986.

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Cecil Rhodes. Simon Publications, 2001.

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Book chapters on the topic "Cecil Rhodes"

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Houlton, Thomas. "Cecil Rhodes, Oriel College, and the will to change." In Monuments as Cultural and Critical Objects, 122–44. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429197550-11.

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Ramos, Afonso Dias. "From Cecil Rhodes to Emmett Till: Postcolonial Dilemmas in Visual Representation." In Reframing Postcolonial Studies, 157–87. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52726-6_7.

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Murris, Karin. "The Ugly and Violent Removal of the Cecil Rhodes Statue at a South African University: A Critical Posthumanist Reading." In Pedagogies in the Flesh, 183–88. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59599-3_28.

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"Cecil Rhodes." In The Scramble for Africa, 162. Routledge, 2014. http://dx.doi.org/10.4324/9781315833668-41.

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"Sir Cecil John Rhodes:." In #RhodesMustFall, 21–58. Langaa RPCIG, 2016. http://dx.doi.org/10.2307/j.ctvmd84n8.6.

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"Rhodes, Cecil John (1853–1902)." In Encyclopedia of Lesbian and Gay Histories and Cultures, 1208–13. Garland Science, 2003. http://dx.doi.org/10.4324/9780203487884-140.

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"Cecil John Rhodes, Excerpts from The Speeches of Cecil Rhodes 1881–1900 (1900)." In Archives of Empire, 496–528. Duke University Press, 2003. http://dx.doi.org/10.2307/j.ctv1220psq.56.

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"INTRODUCTION Cecil J. Rhodes: Colossus or Caricature?" In Archives of Empire, 475–77. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822385035-058.

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Tamarkin, M. "Introduction." In Cecil Rhodes and the Cape Afrikaners, 1–5. Routledge, 2020. http://dx.doi.org/10.4324/9781315810232-1.

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Tamarkin, M. "The bridegroom and the bride." In Cecil Rhodes and the Cape Afrikaners, 6–84. Routledge, 2020. http://dx.doi.org/10.4324/9781315810232-2.

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Conference papers on the topic "Cecil Rhodes"

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D’Sena, Peter. "Decolonising the curriculum. Contemplating academic culture(s), practice and strategies for change." In Learning Connections 2019: Spaces, People, Practice. University College Cork||National Forum for the Enhancement of Teaching and Learning in Higher Education, 2019. http://dx.doi.org/10.33178/lc2019.13.

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In 2015, students at the University of Cape Town called for the statue of Cecil Rhodes, the 19th century British coloniser, to be removed from their campus. Their clarion call, in this increasingly widespread #RhodesMustFall movement, was that for diversity, inclusion and social justice to become a lived reality in higher education (HE), the curriculum has to be ‘decolonised’. (Chantiluke, et al, 2018; Le Grange, 2016) This was to be done by challenging the longstanding, hegemonic Eurocentric production of knowledge and dominant values by accommodating alternative perspectives, epistemologies and content. Moreover, they also called for broader institutional changes: fees must fall, and the recruitment and retention of both students and staff should take better account of cultural diversity rather than working to socially reproduce ‘white privilege’ (Bhambra, et al, 2015) Concerns had long been voiced by both academics and students about curricula dominated by white, capitalist, heterosexual, western worldviews at the expense of the experiences and discourses of those not perceiving themselves as fitting into those mainstream categories (for an Afrocentric perspective, see inter alia, Asante, 1995; Hicks & Holden, 2007) The massification of HE across race and class lines in the past four decades has fuelled these debates; consequentially, the ‘fitness’ of curricula across disciplines are increasingly being questioned. Student representative bodies have also voiced the deeper concern that many pedagogic practices and assessment techniques in university systems serve to reproduce society’s broader inequalities. Certainly, in the UK, recent in-depth research has indicated that the outcomes of inequity are both multifaceted and tangible, with, for example, graduating students from Black, Asian and Minority Ethnic (BAME) backgrounds only receiving half as many ‘good’ (first class and upper second) degree classifications as their white counterparts (RHS, 2018). As a consequence of such findings and reports, the momentum for discussing the issues around diversifying and decolonising the university has gathered pace. Importantly, however, as the case and arguments have been expressed not only through peer reviewed articles and reports published by learned societies, but also in the popular press, the core issues have become more accessible than most academic debates and more readily discussed by both teachers and learners (Arday and Mirza, 2018; RHS, 2018). Hence, more recently, findings about the attainment/awarding gap have been taken seriously and given prominence by both Universities UK and the National Union of Students, though their shared conclusion is that radical (though yet to be determined) steps are needed if any movements or campaigns, such as #closingthegap are to find any success. (Universities UK, 2019; NUS, 2016; Shay, 2016)
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