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Relevant bibliographies by topics / Celadon ware

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Academic literature on the topic 'Celadon ware'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Celadon ware"

1

Redlak, Małgorzata. "Egyptian imitations of Chinese celadon from the 13th–15th centuries from Kom el-Dikka in Alexandria." Polish Archaeology in the Mediterranean 26, no. 1 (2018): 59–84. http://dx.doi.org/10.5604/01.3001.0012.1769.

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In Islamic Egyptian glazed ceramics there are three ceramic types inspired by Chinese pottery, stoneware and porcelain: sancai pottery, celadon stoneware and Blue and White porcelain. Egyptian imitations of Chinese celadon ware, produced in the 14th and 15th centuries mainly by Cairene potters working at the Fustat workshops, are particularly noteworthy and the Kom el-Dikka site in Alexandria, excavated by the Polish Centre of Mediterranean Archaeology University of Warsaw, has yielded a collection of over 300 pieces. The typological analysis was based on 235 distinct fragments of utilitarian

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Kim, Yunjeong. "The Introduction of North China’s Ceramic Culture to 15th Century Joseon and the Influence on Buncheong Ware." Korean Journal of Art History 312 (December 31, 2021): 5–33. http://dx.doi.org/10.31065/kjah.312.202112.001.

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This paper is a study on Korean Buncheong ware in relation to the ceramic culture of North China. The focus on drawing connections between the ceramic industries of Korea and North China expands on views presented in previous scholarship. Research thus far has traditionally ascribed the origin of Buncheong forms and decoration techniques to the influences of inlaid celadon from the late Goryeo Dynasty and the Cizhou ware of the Yuan and Ming Dynasties. The ceramic culture of North China was quickly transmitted to Korea due to the naturalization of the Jurchen people, who took part in founding

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Choi, Hyejoo. "The Making and Production Circumstances of Child Design Goryeo Celadon." Korean Journal of Art History 315 (September 30, 2022): 5–38. http://dx.doi.org/10.31065/kjah.315.202209.001.

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This paper aims to reveal how and when child design celadon was produced in Goryeo and the circumstances under which the designs were created. As child design celadon vessels are discovered in kiln sites in Gangjin and Buan or at palace sites or tombs of royal family where they were used, it is likely that they were made for the ruling class. The design first appeared on celadon ware in the 12<sup>th</sup> century and was mainly produced and consumed in the 13<sup>th</sup> century. Its appearance decreased after the early 14th century as influences of the Yuan culture c

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Szalai, Emese. "Keleti import áru a török kori Gyuláról." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 2 (2013): 159–72. http://dx.doi.org/10.26080/krrmkozl.2013.2.159.

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The aim of this paper is to present the most valuable ceramic pieces from the excavations of Gyula Castle (1956-61), led by Nándor Parádi. it contains the examination of 17 pieces in all, from the groups of iznik ware, Chinese celadon, porcelain ware and the so-called „Persian” fayance from the 16th–17th centuries.

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Kwon, hyeokjoo. "The Operation and Characteristics of Goryeo Early Celadon Kiln Sites: Focusing on Brick Kiln Celadon Sites." Bukak History Academy 17 (January 30, 2023): 5–40. http://dx.doi.org/10.37288/bukak.2023.17.1.5.

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“Goryeo celadon kiln site” refers to the remains of sites where various types of celadon, including the bowl with a halo-shaped foot, were produced during the early stages of celadon production in Korea. From the 1960s to the 1980s, the Gangjin Yongun-ri No. 9 and 10, Gochang Yonggye-ri, and Yongin Seo-ri sites were excavated, and research was conducted on the date of appearance and comparisons with Yue ware in China, as well as the evolution of the celadon bowl with a halo-shaped foot. After the 1990s, when the early celadon brick kilns in Wonsan-ri, Baecheon, and Bangsan-dong, Siheung,

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Yunjeong Kim. "The Significance and Influence of Song・Jin Dynasty Ding Ware(定窯) on 12th Century Goryeo Celadon". Journal of Korean Field Archaeology ll, № 29 (2017): 39–70. http://dx.doi.org/10.35347/jkfa.2017..29.39.

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이희관. "Several issues related to the Goryeo celadons with the Yue ware(越窯) -type design of two butterflies or two phoenixes : The new aspects of the early Goryeo celadon from the perspective of Yue Ware". Journal of Korean Field Archaeology ll, № 28 (2017): 37–67. http://dx.doi.org/10.35347/jkfa.2017..28.37.

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Hsieh, Ming-Liang. "On ceramic Dao Guan Hu (Bottom-filled Ewer)." Korean Journal of Art History 310 (June 30, 2021): 77–99. http://dx.doi.org/10.31065/kjah.310.202106.003.

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The so-called Dao Guan Hu (bottom-filled ewer), also referred to as Dao Liu Hu (reverse-flow ewer), and Dao Zhu Hu (reverse-filled ewer), is a type of pouring vessel designed with Stevin’s Law, a formula in physics which employs a communicating tube to balance out the equilibrium of the liquid levels via a vacuum lock. The structure has a small hole at the bottom of a ewer, a jar, or a trompe-l'œil figure connected to a hollow tube inside the vessel. The liquid will not leak out when turning the vessel upright after it is filled. The current evidence attests that China started producing such w

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Cho, Yongsun. "Archaeological Analysis of the Pit Dwellings of Joseon Period in the Anseong City, Gyeonggi Province: Based on Hwanggol Site of Majeong-ri, Anseong." Hoseo Archaeological Society 53 (October 31, 2022): 58–84. http://dx.doi.org/10.34268/hskk.2022.53.58.

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This paper is an analytical research of semi-subterranean houses in the Joseon period, focusing on the temporal changes in the structure and artifacts. Total 29 dwellings of the Joseon period were unearthed at Hwanggol site of Majeong-ri in Anseong. The floor plans of the houses were rectangular, square, circular, oval, unclear, and 呂-shaped. Along with pits and postholes, there were fireplaces and floor heating systems as internal facilities of the houses. Total 13 fireplaces were classified into A type and B type according to the structure. Type A, being built with protruding the house wall

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Horlyck, Charlotte. "Desirable commodities – unearthing and collecting Koryŏ celadon ceramics in the late nineteenth and early twentieth centuries." Bulletin of the School of Oriental and African Studies 76, no. 3 (2013): 467–91. http://dx.doi.org/10.1017/s0041977x13000906.

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AbstractIn Korea green-glazed celadon ceramics were manufactured during the Koryŏ kingdom (ad 918–1392), but by the end of the fourteenth century their manufacture ceased and they virtually disappeared from view until the 1880s when they began to be unearthed from tombs and other sites. This led to increased interest in them from Koreans, and especially the Japanese, Americans and Europeans. Focusing on British collections, this article outlines the collecting practices of Korean celadon wares from the time of their discovery in the 1880s to the market boom of the 1910s, culminating in the dec

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Dissertations / Theses on the topic "Celadon ware"

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Aleman, Marilyn K. "Korean celadon pottery : "first under heaven"." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1345332.

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The primary objective of this creative project is the exploration of Korean celadon pottery. This unassuming style of pottery has been highly revered in Asian cultures and has been called the "first under heaven" by the Chinese scholar Hsu Ching (Covall 46). But for Westerners, little is known. This makes the unique features of Korean celadon pottery a subject worthy of study, particularly the celadon vessels of the Koryo Dynasty.For this research, I first studied the Goryeo or Koryo Dynasty (918-1392 A.D.) during which time Korean celadon was revealed, developed to its zenith and declined. Se

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Kline, Scott B. "Anselm Kiefer: Remembering, Repeating, and Working through the Past." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1374927331.

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Marty, Philippe. "". . . Ware wohl entstanden ein zwist. . . " "une discorde menacait d'eclater. . . " le poeme et ses traductions : concurrents ? equivalents ? ressemblants ? semblables ? une etude a partir de poemes de goethe, holderlin, rilke, celan, blake, dickinson, mallarme, rimbaud, horace." Montpellier 3, 1996. http://www.theses.fr/1996MON30004.

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Holderlin, rilke, celan, blake, dickinson, yeats, mallarme, rimbaud, horace. . . La poesie est impossible. Cette impossibilite serait liee a la constitution du poeme qui se presente comme un tout unique, indestructible et clos. Mais si le poeme etait - en meme temps qu'un objet acheve - une forme ouverte decoulant d'une source, d'un dehors ; s'il etait deduction et non plus seulement performance ? en nous appuyant sur les notions de totalite et d'infini telles que les definit emmanuel levinas, sur l'experience de l'epiphanie du visage telle qu'il la decrit, nous envisageons comme oeuvres "ouve

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Yang, Shao-Han, and 楊邵涵. "A Comparative Study of Qingliangsi Ru-ware and Celadon of Zhanggongxiang Yao." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/00224603157106427648.

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碩士<br>國立臺灣師範大學<br>藝術研究所<br>100<br>Ru ware is one of the five famous wares in the Song Dynasty, whose artistic value lies in its elegant shapes, slight sky blue glazes and high quality. In 1987, the site of Ru kiln was found in Qingliangsi Village, Baofeng County, Henan Province. And the central porcelain making workshop area was also found in 2000. According to the report of the Henan Institute of Cultural Relics and Archaeology, these new types of Ru products were different to collections in museums, such as shapes, glazes and decoration. Besides, in 2000, a new kiln was found in Zhanggongxia

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"龍泉窯宗教龕像研究". 2012. http://library.cuhk.edu.hk/record=b5549020.

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本文的研究對象是南宋（1127-1279）至明代（1368-1644）龍泉窯宗教塑像。這裡所指的宗教塑像，是指佛教、道教和民間宗教的人物塑像。本文旨在探討宗教塑像的生產和使用情況，並特別探討當中龕像的年代和所表現的信仰。<br>本文的第一部分探討塑像的生產和使用情況。通過廣泛蒐集、對比和分析考古及傳世塑像，文章總結出龍泉窯在南宋起開始燒造宗教塑像，元代（1271-1368）時擴大規模，明中期以後停產。雖然宗教塑像並非龍泉窯的大宗產品，可是它們製作講究，經製模、模印、塑貼、雕刻、局部施釉和鬆漆多項工序，足見塑像並不因產量相對較少而顯得不重要，相反它們應是一種受到重視的產品。塑像的使用地點廣泛，除民間之外，明代宮廷也有使用。部分塑像更遠銷海外。<br>文章的第二部分集中探討龍泉窯宗教塑像中龕像的年代和所表現的信仰。鑒於收集所得的二十六尊龕像只有兩尊帶有年款，其餘龕像的年代並不明確，故此第二章首先判斷龕像的年代。通過與發掘所得的塑像及紀年龕像進行對比，文章論證這些龕像均約為明代早期的產品。此外，結合文獻和圖像，文章闡明上述龕像乃分別與道教九天應元雷聲普化天尊、佛教觀音以及觀音與道教真武組合信仰有關。<br>This thesis studies religious sculptures made at the kilns in Longquan during Southern Song(

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Chiu, Hui-Yu, and 邱惠玉. "The Ru Ware beauty research of Celadon art– take “Hsiao Fang Pottery” as an example." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/89276077192731419366.

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碩士<br>華梵大學<br>工業設計學系碩士班<br>99<br>Celadon was created in early Chinese ceramics. Due to the glaze of Celadon is deep, implicit and has the texture of “Jade”, it is quickly captured the hearts of the Han nationality. In recent years, many of the pottery workers still continued to create new Celadon, even with the combination of different media to show a modern style. At the first, we will explore the appearance and development of celadon history in order to realize that course of the glaze, then, we are classify into the four points of raw material, visual preferences, the likes to jade and the

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Yu, Chung-tsu, and 俞仲慈. "A Study of the Relationship between the Trade Ceramics of Sung and Yuan Dynasty Excavated from Penghu and the Ones from Kyusyu: To Take the Celadons and the Black Wares of Fuch'ien for Example." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/21834529315345835218.

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Yu, Zhong-Ci, and 俞仲慈. "A Study of the Relationship between the Trade Ceramics of Sung and Yuan Dynasty Excavated from Penghu and the Ones from Kyusyu: To Take the Celadons and the Black Wares of Fuch'ien for Example." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/68210520770187911751.

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Books on the topic "Celadon ware"

1

Ōsaka Shiritsu Tōyō Tōji Bijutsukan., ed. Yōshūyō no seiji =: Celadon of Yaozhou ware. Ōsaka Shiritsu Tōyō Tōji Bijutsukan, 1991.

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2

Ōsaka Shiritsu Tōyō Tōji Bijutsukan. Tō kara Hokusō e: Celadon of Yue ware. Ōsaka Shiritsu Tōyō Tōji Bijutsukan, 1994.

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3

Stacey, Pierson, ed. Qingbai ware: Chinese porcelain of the Song and Yuan dynasties. Percival David Foundation of Chinese Art, 2002.

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Tokiwayama Bunko Chūgoku Tōji Kenkyūkai. 米色青磁. Tokiwayama Bunko, 2008.

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5

Wei, Jiangang. Yue yao zhi ci shi. Zhongguo she hui ke xue chu ban she, 2015.

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6

(Professor), Lü Hong, and Chen Zuohan 1907-1952, eds. Gu Longquan qing ci wen hua tan jiu: Yi Minguo shen shi Chen Zuohan shou gao wei li. Zhongguo shu dian, 2012.

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author, Kang Kyŏng-in, and Han'guk Kongye Tijain Munhwa Chinhŭngwŏn, eds. Cheongja: Korean traditional celadon. Korea Craft & Design Foundation, 2017.

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8

Museum, Fung Ping Shan, and Zhejiang Sheng bo wu guan., eds. Zhejiang qing ci =: Green wares from Zhejiang. Xianggang da xue Feng Pingshan bo wu guan, 1993.

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Ōsaka Shiritsu Tōyō Tōji Bijutsukan. Sōdai no sei-hakuji: Qingbai wares of Song dynasty. Ōsaka Shiritsu Tōyō Tōji Bijutsukan, 1994.

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10

Priestley & Ferraro Chinese Art. Longquan celadon: Southern Song and early Ming. Priestley & Ferraro Chinese Art, 2006.

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Book chapters on the topic "Celadon ware"

1

Olschner, Leonard M. "Celan lesen, Celan denken." In Paul Celan – »sah daß ein Blatt fiel und wußte, daß es eine Botschaft warß. Frank & Timme GmbH, 2022. http://dx.doi.org/10.57088/978-3-7329-9070-2_2.

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Fuller, David. "Hearing the Form: Breath and the Structures of Poetry in Charles Olson and Paul Celan." In The Life of Breath in Literature, Culture and Medicine. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_20.

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AbstractThis essay examines the ways in which the American poet Charles Olson, and the German-speaking Romanian Jewish poet Paul Celan, each in relation to specific post-war cultural circumstances, experimented with new ways of structuring poetry in relation to the breath: Olson in response to new global scientific, political, and intellectual currents; Celan in response to the Holocaust. The essay discusses not only how the poets wrote but also how they realised the printed forms of their poetry in performance, contrasting Olson’s literal performance of his theories with the different relation of print to performance of his contemporary and associate William Carlos Williams. It argues that Olson’s experiments, polemically formulated in his manifesto Projective Verse, while they have influenced central currents of American poetry since the 1950s, have remained largely American, whereas Celan’s, tentatively intimated in his anti-manifesto Der Meridian, and inimitably personal in their specific forms, can also be seen as modelling ways in which a wide range of twentieth- and twenty-first-century poetry can be realised in reading aloud.

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Wiedemann, Barbara. "„von dieser / Zeit“. Claire Golls Plagiatvorwürfe gegen Paul Celan und ihr politischer Kontext." In Paul Celan – »sah daß ein Blatt fiel und wußte, daß es eine Botschaft warß. Frank & Timme GmbH, 2022. http://dx.doi.org/10.57088/978-3-7329-9070-2_4.

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Hainz, Martin A. "Geister-/Geisteswissenschaft. Paul Celan und Yoko Tawada, mit ein paar Bemerkungen zum Hermes H. C. Artmann." In Paul Celan – »sah daß ein Blatt fiel und wußte, daß es eine Botschaft warß. Frank & Timme GmbH, 2022. http://dx.doi.org/10.57088/978-3-7329-9070-2_6.

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Hainz, Martin A. "Nix Styx. Vorwort." In Paul Celan – »sah daß ein Blatt fiel und wußte, daß es eine Botschaft warß. Frank & Timme GmbH, 2022. http://dx.doi.org/10.57088/978-3-7329-9070-2_1.

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Boelderl, Artur R. "„Alles ist mehr, als es ist“ – Prothesen zu einer Begegnung von Musil ‚und‘ Celan In Aegypten." In Paul Celan – »sah daß ein Blatt fiel und wußte, daß es eine Botschaft warß. Frank & Timme GmbH, 2022. http://dx.doi.org/10.57088/978-3-7329-9070-2_8.

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Corbea-Hoisie, Andrei. "Um Celans „rumänische Büffel“." In Paul Celan – »sah daß ein Blatt fiel und wußte, daß es eine Botschaft warß. Frank & Timme GmbH, 2022. http://dx.doi.org/10.57088/978-3-7329-9070-2_3.

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Morris, Leslie. "Deutsch-jüdische lengevitch." In Paul Celan – »sah daß ein Blatt fiel und wußte, daß es eine Botschaft warß. Frank & Timme GmbH, 2022. http://dx.doi.org/10.57088/978-3-7329-9070-2_7.

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Liska, Vivian. "Paul Celans haderndes Judentum." In Paul Celan – »sah daß ein Blatt fiel und wußte, daß es eine Botschaft warß. Frank & Timme GmbH, 2022. http://dx.doi.org/10.57088/978-3-7329-9070-2_5.

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"Celadon Ware." In Encyclopedic Dictionary of Archaeology. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_30272.

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Conference papers on the topic "Celadon ware"

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"An Aesthetic Study of Ancient Chinese Celadon Ware Culture." In 2018 4th International Conference on Social Sciences, Modern Management and Economics. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/ssmme.2018.62207.

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