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Journal articles on the topic 'Celebrities – Homes and haunts'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Lynch, Deidre. "Homes and Haunts: Austen's and Mitford's English Idylls." PMLA/Publications of the Modern Language Association of America 115, no. 5 (2000): 1103–8. http://dx.doi.org/10.2307/463282.

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2

Bourrier, Karen, Hannah Anderson, Sonia Jarmula, et al. "Mapping Victorian Homes and Haunts: A Methodological Introduction." Journal of Victorian Culture 26, no. 2 (2021): 300–309. http://dx.doi.org/10.1093/jvcult/vcab003.

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3

Lutz, Deborah. "Homes and Haunts: Touring Writers’ Shrines and Countries." Nineteenth-Century Contexts 40, no. 2 (2018): 201–2. http://dx.doi.org/10.1080/08905495.2018.1432248.

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Smitheram, Jan, Akari Nakai Kidd, and Sharon Lam. "Celebrified homes: architecture and spacing celebrities." Celebrity Studies 9, no. 3 (2018): 375–90. http://dx.doi.org/10.1080/19392397.2018.1439393.

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Booth, Alison. "Revisiting the Homes and Haunts of Mary Russell Mitford." Nineteenth-Century Contexts 30, no. 1 (2008): 39–65. http://dx.doi.org/10.1080/08905490801945538.

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6

Booth, Alison. "The Real Right Place of Henry James: Homes and Haunts." Henry James Review 25, no. 3 (2004): 216–27. http://dx.doi.org/10.1353/hjr.2004.0019.

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7

Jackson, Lee. "Homes and Haunts: Touring Writers' Shrines and Countries by Alison Booth." Biography 42, no. 4 (2019): 882–85. http://dx.doi.org/10.1353/bio.2019.0086.

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8

McCormick, Richard W., Cornelius Schnauber, and Barbara Zeisl Schoenberg. "Hollywood Haven: Homes and Haunts of the European Emigres and Exiles in Los Angeles." German Quarterly 72, no. 4 (1999): 403. http://dx.doi.org/10.2307/408483.

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9

Boccagni, Paolo. "Haunting Homes and Emerging Dilemmas of Being in the World: A Commentary." Zeitschrift für Anglistik und Amerikanistik 71, no. 1 (2023): 87–94. http://dx.doi.org/10.1515/zaa-2023-2008.

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Abstract Home ‘haunts’ in much fiction literature, as the contributors to this volume of ZAA reveal by engaging in fruitful conversation with the scholarship on migration, displacement, exile, settler colonialism, and human/non-human relations, on all scales from local to global. This commentary underlines the promise of more extended exchanges between art, humanities, and social sciences in home studies. This is critical to make sense of the myriad imaginaries, emotions, and moralities associated with home, while being alert to the underlying ideological interests and subtexts. Writing on hom

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10

Bose, Pablo, and Elizabeth Lunstrum. "Introduction Environmentally Induced Displacement and Forced Migration." Refuge: Canada's Journal on Refugees 29, no. 2 (2014): 5–10. http://dx.doi.org/10.25071/1920-7336.38163.

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Disappearing coastlines, fields and homes flooded by rising waters, lands left cracked and barren by desertification, a snowpack shrinking in circumpolar regions year by year—these are only a few of the iconic images of climate change that have evoked discussion, debate, and consternation within communities both global and local. Equally alarming has been the threat of what such degraded and destroyed landscapes might mean for those who depend upon them for their livelihoods—as their homes, as their means of sustenance, and as an integral part of their cultural and social lives. A mass of huma

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11

Pugliese, Cristiana. "Haunts of the Wealthy: The House as Temple in Robert Marasco’s Burnt Offerings." Preternature: Critical and Historical Studies on the Preternatural 13, no. 2 (2024): 237–57. http://dx.doi.org/10.5325/preternature.13.2.0237.

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Abstract The Allardyce mansion in Burnt Offerings is arguably one of the most unusual homes in supernatural literature. The American novelist and playwright Robert Marasco (1936–1998) published his bestselling novel in 1973. The following year it was translated into Spanish and French and in 1976 was adapted into a successful Hollywood film of the same title (dir. Dan Curtis). The novel is regularly listed on websites and in books as among the best haunted house novels ever written, particularly thanks to Stephen King’s glowing 1988 review. But it has been largely ignored by critics, who see i

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12

Hunter, Siân. "Coppola's postfeminism: Emma Watson and The Bling Ring." Film, Fashion & Consumption 9, no. 1 (2020): 81–98. http://dx.doi.org/10.1386/ffc_00013_1.

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Abstract Sofia Coppola's The Bling Ring explores the contemporary obsession with commodities and celebrity culture which leads a group of Californian teenagers to break into the homes of celebrities, in order to steal their clothes and accessories. This article examines Coppola's critique of celebrity culture and consumerism through the movie itself, and through her casting of British actor Emma Watson and the ways in which she mobilizes the celebrity persona of Watson in order to further her critique. The Bling Ring will be compared to Coppola's work to understand how it contributes to her po

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Feijoo, Beatriz, and Charo Sádaba. "The Relationship of Chilean Minors with Brands and Influencers on Social Networks." Sustainability 13, no. 5 (2021): 2822. http://dx.doi.org/10.3390/su13052822.

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This article presents the results of a study that sought to analyze the relationship between minors and brands on social media. The frequency with which minors search for or share information or subscribe to brand web pages was measured, as well as their following of influencers, who commonly refer to consumer goods. The main purpose of this article is to contribute to learning about the commercial environment that surrounds children in their routines on social media, particularly because of their growing influence in home purchasing decisions. The results, obtained from a survey applied in 50

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14

Banerjee, Ayanita. "Re-Mapping Culture and Identity: Diasporic Theorisation and Dislocation Strain in the Selected Poems of Agha Shahid Ali." International Journal of English Learning & Teaching Skills 3, no. 2 (2021): 2022–32. http://dx.doi.org/10.15864/ijelts.3207.

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Diasporic writings occupy a place of great significance between countries and cultures, mostly as a response to their lost homes. Addressing the predominant issues of dislocation, nostalgia, discrimination, survival, cultural change and identity-crisis, dislocation is one of the stern feelings that rip apart the diaspora community. When people find themselves dislocated from their native strain, their mental trauma haunts them incessantly, and they strive to re-locate themselves by remembering their nostalgic past. The earnest quest for self identity remains the central praxis for an individua

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15

Kocabıyık, Orkun. "Literary Travel and Cycling during fin de siècle England." Khazar Journal of Humanities and Social Sciences 26, no. 4 (2023): 85–99. http://dx.doi.org/10.5782/2223-2621.2023.26.4.85.

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For most of the literary historians, the time period between the 1880s and 1920s have generally been accepted as the climax years of the notion of literary travelling not only in Europe but also in England. This type of journeying fashion is seen in the literary works of many English writers such as Charles Dickens, Thomas Hardy, Arthur Conan Doyle and many others. Literary travel can be considered as roaming of places of literary interest for pleasure where the traveller could experience and re-memory of birthplaces, homes, haunts and even graves of the prominent literary figures. Visiting pl

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16

Le Bel, Pierre-Mathieu. "Homes and Haunts. Touring Writers’ Shrines and Countries." Téoros: Revue de recherche en tourisme 37, no. 1 (2018). http://dx.doi.org/10.7202/1046297ar.

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17

Booth, Alison. "Author Country: Longfellow, the Brontës, and Anglophone Homes and Haunts." Articles, no. 48 (January 17, 2008). http://dx.doi.org/10.7202/017438ar.

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Abstract This essay explores the nineteenth-century development of pilgrimage to authors’ houses and locales in light of British and American regionalism and literary reception. It focuses on the trope of “author country” in the celebrated careers and commemoration of Longfellow and the Brontës, and examines American “homes and haunts” books that represent ritual visits to these different authors. Various representations and sites, including portraits, statues, waterfalls, and houses, mark the indigenous qualities of national literature and international attractions.

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18

Johnson, Walis. "Walking Brooklyn’s Redline: A Journey through the Geography of Race." Journal of Public Pedagogies, no. 4 (November 14, 2019). http://dx.doi.org/10.15209/jpp.1191.

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The Red Line Archive includes visual, material and ephemeral artifacts collected during four walks along the perimeter of formerly redlined neighborhoods in north and central Brooklyn. These areas once provided affordable homes to working class ethnics, black people and immigrants of color; now, ironically, they are the epicenter of some of the most expensive and aggressively gentrified real estate in the city. Historian Jelani Cobb once wrote in the New Yorker, “The past haunts along the periphery” (Cobb, 2015). If this is true what evidence of past redlining are still visible today? What emo

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19

Lilek, Brooke. "Horrors of Society." Digital Literature Review 7 (April 23, 2020). http://dx.doi.org/10.33043/dlr.7.0.125-135.

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The foundation of the Hollywood horror film industry has always been constructed with metaphors of what haunts American society. By utilizing what society fears in daily life and representing it with ghosts or monsters, Hollywood was able to make movies scarier than they appeared to be on the surface. In the 1970s and 1980s, children’s television programming began to take the place of reading or playing as the number of shows and channel rose. Parents began to fear that television programming would take over their children’s lives. Moving through the decades and into the 2010s this fear only g

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20

Lassu, Réka Anna, and Haley O’Steen. "Hurricane, Help, and Harm: Addressing Racial Inequity and Other Complex Trauma Using the “Resilience-Informed Leadership Approach” Across Time." Journal of Nonprofit Education and Leadership, April 1, 2024. http://dx.doi.org/10.18666/jnel-2024-12385.

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The case study is about the 501(c)(3) nonprofit, the Make It Right Foundation (MIR), as it responded to Hurricane Katrina with Help and Harm between 2007-2022. The case focuses on the devastation of the Lower Ninth Ward of New Orleans, Louisiana, which impacted a disproportionate number of Black citizens already living below the poverty line before the hurricane destroyed their homes and community (i.e., Hurricane). Celebrity actor Brad Pitt led the foundation and promised to bring in renowned architects to build environmentally sustainable houses for the displaced residents (i.e., Help). The

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21

Roney, Lisa. "The Extreme Connection Between Bodies and Houses." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2684.

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   Perhaps nothing in media culture today makes clearer the connection between people’s bodies and their homes than the Emmy-winning reality TV program Extreme Makeover: Home Edition. Home Edition is a spin-off from the original Extreme Makeover, and that fact provides in fundamental form the strong connection that the show demonstrates between bodies and houses. The first EM, initially popular for its focus on cosmetic surgery, laser skin and hair treatments, dental work, cosmetics and wardrobe for mainly middle-aged and self-described unattractive participants, lagged after

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22

Leishman, Kirsty. "Flesh." M/C Journal 2, no. 3 (1999). http://dx.doi.org/10.5204/mcj.1748.

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When I think of 'flesh' at this moment in human history, it's difficult not to think of the images on television and in print news reports in recent weeks. The first pictures of Kosovo's Albanian population being purged from their homes and amassed on the borders of neighbouring countries have left an impression. While cameras have stood witness from afar, we have been confronted by images of people being shot at point-blank range. Rows of corpses have lined up after ill-executed bombing raids by NATO forces and the more systematic slaughter of pro-independence activists by wayward Indonesian

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23

Kellner, Douglas. "Engaging Media Spectacle." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2202.

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In the contemporary era, media spectacle organizes and mobilizes economic life, political conflict, social interactions, culture, and everyday life. My recently published book Media Spectacle explores a profusion of developments in hi-tech culture, media-driven society, and spectacle politics. Spectacle culture involves everything from film and broadcasting to Internet cyberculture and encompasses phenomena ranging from elections to terrorism and to the media dramas of the moment. For ‘Logo’, I am accordingly sketching out briefly a terrain I probe in detail in the book from which these exampl

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24

Hackett, Lisa J., and Jo Coghlan. "Why <em>Monopoly</em> Monopolises Popular Culture Board Games." M/C Journal 26, no. 2 (2023). http://dx.doi.org/10.5204/mcj.2956.

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Introduction Since the early 2000s, and especially since the onset of COVID-19 and long periods of lockdown, board games have seen a revival in popularity. The increasing popularity of board games are part of what Julie Lennett, a toy industry analyst at NPD Group, describes as the “nesting trend”: families have more access to entertainment at home and are eschewing expensive nights out (cited in Birkner 7). While on-demand television is a significant factor in this trend, for Moriaty and Kay (6), who wouldn’t “welcome [the] chance to turn away from their screens” to seek the “warmth and conne

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25

Subramanian, Shreerekha Pillai. "Malayalee Diaspora in the Age of Satellite Television." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.351.

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This article proposes that the growing popularity of reality television in the southernmost state of India, Kerala – disseminated locally and throughout the Indian diaspora – is not the product of an innocuous nostalgia for a fast-disappearing regional identity but rather a spectacular example of an emergent ideology that displaces cultural memory, collective identity, and secular nationalism with new, globalised forms of public sentiment. Further, it is arguable that this g/local media culture also displaces hard-won secular feminist constructions of gender and the contemporary modern “Indian

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26

Hunt, Rosanna, and Michelle Phillipov. ""Nanna Style": The Countercultural Politics of Retro Femininities." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.901.

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Over the past two decades in the West, practices of ethical consumption have become increasingly visible within mainstream consumer culture (Lewis and Potter). While they manifest in a variety of forms, such practices are frequently articulated to politics of anti-consumerism, environmentalism, and sustainable consumption through which lifestyle choices are conceived as methods for investing in—and articulating—ethical and social concerns. Such practices are typically understood as both a reflection of the increasing global influence of neoliberal, consumer-oriented modes of citizenship and a

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27

Brien, Donna Lee. "Climate Change and the Contemporary Evolution of Foodways." M/C Journal 12, no. 4 (2009). http://dx.doi.org/10.5204/mcj.177.

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Introduction Eating is one of the most quintessential activities of human life. Because of this primacy, eating is, as food anthropologist Sidney Mintz has observed, “not merely a biological activity, but a vibrantly cultural activity as well” (48). This article posits that the current awareness of climate change in the Western world is animating such cultural activity as the Slow Food movement and is, as a result, stimulating what could be seen as an evolutionary change in popular foodways. Moreover, this paper suggests that, in line with modelling provided by the Slow Food example, an increa

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28

Wang, Jing. "The Coffee/Café-Scape in Chinese Urban Cities." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.468.

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IntroductionIn this article, I set out to accomplish two tasks. The first is to map coffee and cafés in Mainland China in different historical periods. The second is to focus on coffee and cafés in the socio-cultural milieu of contemporary China in order to understand the symbolic value of the emerging coffee/café-scape. Cafés, rather than coffee, are at the centre of this current trend in contemporary Chinese cities. With instant coffee dominating as a drink, the Chinese have developed a cultural and social demand for cafés, but have not yet developed coffee palates. Historical Coffee Map In

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29

Brien, Donna Lee, Leonie Rutherford, and Rosemary Williamson. "Hearth and Hotmail." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2696.

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   Introduction It has frequently been noted that ICTs and social networking applications have blurred the once-clear boundary between work, leisure and entertainment, just as they have collapsed the distinction between public and private space. While each individual has a sense of what “home” means, both in terms of personal experience and more conceptually, the following three examples of online interaction (based on participants’ interest, or involvement, in activities traditionally associated with the home: pet care, craft and cooking) suggest that the utilisation of onli

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30

Maydan, Danielle. "Truth that Matters." Voices in Bioethics 9 (July 1, 2023). http://dx.doi.org/10.52214/vib.v9i.11588.

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Photo by Danie Franco on Unsplash ABSTRACT This research paper explores the family caregivers' role in resolving the ethical dilemma of deception in dementia care. Family members possess the unique capability to engage in "white lies" in a manner that both respects and upholds an individual with dementia's identity. INTRODUCTION It was our usual family Shabbat dinner: golden flames flickered in crystal candleholders, and the smell of warm challah permeated the air. “Where is Elena?” my great-grandmother anxiously asked, scanning the doorway. “I am here, sitting right next to you, babushka!’’ m

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31

Nunes, Mark, and Cassandra Ozog. "Your (Internet) Connection Is Unstable." M/C Journal 24, no. 3 (2021). http://dx.doi.org/10.5204/mcj.2813.

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It has been fifteen months since the World Health Organisation declared the COVID-19 outbreak a global pandemic and the first lockdowns went into effect, dramatically changing the social landscape for millions of individuals worldwide. Overnight, it seemed, Zoom became the default platform for video conferencing, rapidly morphing from brand name to eponymous generic—a verb and a place and mode of being all at once. This nearly ubiquitous transition to remote work and remote play was both unprecedented and entirely anticipated. While teleworking, digital commerce, online learning, and social ne

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32

Piatti-Farnell, Lorna. "Constructions of Luxury in Digital Visual Culture." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3135.

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Introduction Luxury is a contextual notion that evades a single definition and is generally connected to the socio-historical and socio-cultural discourses in which it develops (Ko et al.). As such, what is considered as luxury can be a very subjective experience, and emerges as a “consumer- and culture-dependent construct” (Turunen, 105). The twentieth century witnessed an incredible revolution, as far as the idea of luxury was concerned. While luxury had historically been the domain of the wealthy, consumer capitalist imperatives created stratified and democratised notions of luxury, with di

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33

Lee, Jin, Tommaso Barbetta, and Crystal Abidin. "Influencers, Brands, and Pivots in the Time of COVID-19." M/C Journal 23, no. 6 (2020). http://dx.doi.org/10.5204/mcj.2729.

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In light of the COVID-19 pandemic, where income has become precarious and Internet use has soared, the influencer industry has to strategise over new ways to sustain viewer attention, maintain income flows, and innovate around formats and messaging, to avoid being excluded from continued commercial possibilities. In this article, we review the press coverage of the influencer markets in Australia, Japan, and Korea, and consider how the industry has been attempting to navigate their way through the pandemic through deviations and detours. We consider the narratives and groups of influencers who

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34

Pavlidis, Adele, and David Rowe. "The Sporting Bubble as Gilded Cage." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2736.

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Introduction: Bubbles and Sport The ephemeral materiality of bubbles – beautiful, spectacular, and distracting but ultimately fragile – when applied to protect or conserve in the interests of sport-media profit, creates conditions that exacerbate existing inequalities in sport and society. Bubbles are usually something to watch, admire, and chase after in their brief yet shiny lives. There is supposed to be, technically, nothing inside them other than one or more gasses, and yet we constantly refer to people and objects being inside bubbles. The metaphor of the bubble has been used to describe

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