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Dissertations / Theses on the topic 'Cello Sonata'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Kleinmann, Johannes. "Polystylistic Features of Schnittke's Cello Sonata (1978)." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30478/.

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Polystylism in Alfred Schnittke's music has been considered by scholars as a central aspect of his music. Although there are many published analyses of his choral music, symphonies, concerti and violin sonatas, there is no known published research for Schnittke's first cello sonata. Alfred Schnittke grew up in a culturally diverse environment influenced by many different composers and compositional styles under the restrictions of a communist Russian government. These aspects influenced the development of Schnittke's polystylism, characteristically represented by his Cello Sonata (1978). The detailed musical analysis of this sonata in this study serves the purpose to reveal Schnittke's polystylistic tendencies and his use of cyclic elements. These polystylistic elements in the sonata illustrate how Schnittke de-familiarizes listeners from rules commonly accepted as unavoidable and re-familiarizes listeners with the expressive qualities of tonal, twelve-tone and atonal music. Although Schnittke introduces polystylistic materials in de-familiarized contexts in this sonata, this study finds that Schnittke particularly re-familiarizes the audience's musical and stylistic perception through the reappearance of sections, textures and motifs. Abrupt polystylistic conflicts contrast with the repetition of previous materials, thereby forming a combination of traditional styles with features of discontinuity in 20th century music.

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2

Covarrubias, Ahedo Virginia. "Three Main Chamber Music Works for Strings and Piano by the Mexican Composer Manuel M. Ponce." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/95.

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This essay examines the three main large-scale chamber music works for strings and piano written by the Mexican composer Manuel M. Ponce: the Romantic Trio for violin, cello and piano (1912), the Sonata for violoncello and piano (1922), and the Sonata Breve for violin and piano (1930). The purpose of the study is to aid chamber music performers in the understanding, preparation and execution of these works. Written contextually for performing musicians, the format for the study of the individual works includes sections on historical background and commentary on analysis and performance considerations. In addition, each work exemplifies a different musical stage in Ponce's compositional development. The author traces the composer's compositional and stylistic evolution throughout the study of these works. The essay also includes a comprehensive biography of Ponce and a general overview of the composer's chamber music works.

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3

Lee, Jeong-A. "Benjamin Britten's Sonata in C for Cello and Piano, Op. 65: A Practical Guide for Performance." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9841.

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4

Janssen, Tido. "William Bolcom's Sonata for violoncello and piano (1989)." Thesis, connect to online resource. Access restricted to the University of North Texas campus, 2003. http://www.library.unt.edu/theses/open/20032/janssen%5Ftido/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2003.<br>Accompanied by 4 recitals, recorded Jan. 26, 1998, June 21, 1999, Apr. 15, 2002, and Apr. 23, 2003. Includes bibliographical references (p. 46-49).

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5

Moon, JeeHyung. "Ludwig Van Beethoven's Sonata for cello and piano in F major Op. 5, No. 1: an analysis and a performance edition." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/4881.

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6

Livingston, Hugh. "The solo cello sonata of Bernd Alois Zimmermann : concepts of structure and memory /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9913157.

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7

Bogert, Nathan Bancroft. "Transcribing string music for saxophone: a presentation of Claude Debussy's Cello Sonata for baritone saxophone." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/2442.

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The saxophone has a rich tradition of performing transcriptions. In recent years, saxophonists have begun exploring the performance of transcriptions that would have previously been believed to be outside of the capabilities of the saxophone. In general, this new wave of transcriptions has been drawn from the repertoire of string instruments. Through the arrangement of Claude Debussy's Cello Sonata of 1915, this document provides a step-by-step explanation of how saxophonists can effectively transcribe string music for the saxophone.

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8

Ferreira, Ana Paula Faria. "Edição de performance e recital da sonata para cello e piano Op.24 nº1 de Helza Câmeu." Universidade Federal de Minas Gerais, 2005. http://hdl.handle.net/1843/AAGS-7XYN25.

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The present work is divided in two parts: (1) a recording of the Sonata opus 24 no. 1 by Helza Camêu, interpreted by the author of this work; and (2) an article presenting a brief biography of Helza Camêu, considerations about stylistic aspects of composers music, and an edition of the Sonata opus 24 no. 1 based in a structural, harmonic and stylistic analysis of the movements. The analysis also contribute to discuss technical aspects of the work. The prime aim of this work was divulging brazilian music for and specially, Helza Camêus Music.<br>O presente trabalho é divido em duas partes: (1) uma gravação da Sonata Opus 24 no.1 de Helza Camêu, interpretada pela autora deste trabalho; e (2) um artigo apresentando breve biografia de Helza Camêu, considerações sobre os aspectos estilísticos da obra da autora, e uma edição da Sonata Opus 24 no.1 baseada em uma análise estrutural, harmônica e estilística dos movimentos. A análise também contribuiu para discutir aspectos técnicos da obra. O objetivo principal deste trabalho foi o de divulgar a música brasileira para violoncelo e, especialmente, a obra musical de Helza Camêu.

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9

"The French Baroque Cello Sonata: Context and Style." Texas Christian University, 2009. http://etd.tcu.edu/etdfiles/available/etd-10162009-125616/.

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10

Kao, Chun-Yi, and 高群懿. "The Analysis and Interpretation of Debussy's Cello Sonata." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/91957976240875422145.

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碩士<br>高雄師範大學<br>音樂學系<br>98<br>Debussy's cello sonata, the first one of his three sonatas, was composed in 1915 and it’s one of the most important repertoire of cello in the Impressionicism. This thesis contains five chapters. The first chapter is a preface, which mainly states the motivation, methodology and scope of the research. The second chapter is an introduction to Debussy's life and compositional style. The third chapter shows the form and motive analysis in Debussy's Cello Sonata. The fourth chapter includes the interpretation and performing technique of Debussy's Cello Sonata. The final chapter is a conclusion.

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11

Tang, Yi-Ting, and 湯懿庭. "The analysis and interpretation of Debussy Cello sonata." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/78312566144370573575.

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12

Huang, Hsin-Yi, and 黃馨儀. "A Study of Brahms's Cello Sonata, Op.99." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/26059660513725638660.

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碩士<br>輔仁大學<br>音樂研究所<br>100<br>Although we consider Johannes Brahms (1833-1897) as a composer of Romantic era today, he prefers to confine himself as a classicist. Brahms composed two sonatas for cello and piano. The first one is finished during his middle period, while the second one is during the late period of his life, each in very different styles. This study is focused on Brahms’ second sonata – “Cello Sonata in F Major, Opus 99”, with the attempt to explore its compositional background and writing techniques that are employed in the work. Detailed study of its music content and interpretation suggestions are also included.

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13

Crookall, Christine Evelyn. "Jean Coulthard's Sonata for cello and piano a confluence of stylistic tendencies /." 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3023546.

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14

Wilson, Miranda Clare Antokoletz Elliott Young Phyllis. "Shostakovich's Cello sonata its genesis related to socialist realism /." 2005. http://wwwlib.umi.com/cr/utexas/fullcit?p3165092.

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Wilson, Miranda Clare. "Shostakovich's Cello sonata : its genesis related to socialist realism." Thesis, 2005. http://hdl.handle.net/2152/1573.

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16

Tang, Ya-Jhu, and 湯雅筑. "Research of Samuel Barber' s Cello Sonata Op. 6." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/60853856690061080223.

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17

Chiang, Tsai-yu, and 江采諭. "The Interpretation of Shostakovich''s "Cello Sonata, op. 40"." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/33g7q9.

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碩士<br>國立中山大學<br>音樂學系研究所<br>95<br>Dmitri Shostakovich is one of the most important Russian composers of the Soviet period. Being a prolific composer, he had created a great many orchestra music and opera, as well as a substantial quantity of popular film music under the pressure of the Soviet regime. Although Shostakovich was judged crucially in one of his works in opera by Pravda in 1936, his passion still remained firm he for composition. It was only until his piano quintet finished in1940 that received the national awards, and became honored and well-known both domestically and internationally. In terms of chamber works, Shostakovich had composed one sonata each for violin, viola and cello and fifteen string quartets. His“Cello Sonata in D Minor, op. 40” finished in 1934. This work is subject to traditional musical form with unconventional tonality. For example, Shostakovich’s use of unique harmonics and resonances, blended with lyrical melody and folk style, is so penetrative that it has become one of the most celebrated cello master pieces in Russia. This lecture-recital document includes three major discourses. The first and the second parts summarize the introduction of the background of modern Russia and the personal review of Shostakovich. The third section gives an analysis on the creation background and techniques of the “Cello Sonata in D Minor, op. 40”. This document will try to discuss the techniques and possible interpretations by looking into the recording by Shostakovich. Hopefully, the document can shed light onto the composer’s originality.

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18

Liao, Chin-Yi, and 廖謹儀. "A Study of Brahms Cello Sonata in E Minor." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/8t724x.

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碩士<br>國立中山大學<br>音樂學系研究所<br>96<br>During the prosperous period of romanticism and phenomenon of freedom, Brahms confined himself as a composer of classicism. He integrated the classical structure and the contemporary music language into his works. Brahms created his own style by using the powerful harmony and heavy texture with the form of baroque and classical music. The particular style was highly praised by the complicated rhythm pattern and the development of motive and theme. He left many kinds of works, including chamber music, piano pieces, and symphonies, etc., as a greatly significant legacy for the future generations. Cello Sonata in E Minor was one of Brahms’ most important chamber works created in his middle period of life. In this piece, there was a specific arrangement for cello in order to emphasize on the thick and solid lower timbre of this kind of instrument. His mature style developed later on from the patterns of rhythms and motives. Although this sonata was not composed in the golden period of his life, it still became one of the most important masterpieces in today’s history. This essay can be divided into two parts. The first part is focusing on the Brahms’ background, works sorted, style, and the significant effective position in the music history. The second part uses the music structure, harmony disposition, and motive development to analyze Cello Sonata in E Minor, and goes more in depth over the rhythms and motives of Brahms’ common use in the piece. Finally, it also concentrates on the dynamics, terminology, and the balance between the different pitch compasses in order to meet the hope of not only exactly following the composer’s creative thoughts but also strongly expressing the personal characters of performers.

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19

"Negotiation of Claude Debussy's Sonata for Cello and Piano." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.38758.

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abstract: The Sonata for Cello and Piano (1915) was one of the last three sonatas written by Claude Debussy (1862–1918). When Debussy composed the sonata, France was involved in World War I and Debussy was influenced by political dogmas that sought to advance nationalism as well as the use of French traditions in musical compositions. By discussing the political impact of World War I on French music, this paper will place the Sonata in a context that strengthens the understanding of the work. Debussy, who participated in the political project of seeking out tradition as the protector of French culture, also presents his understanding of what French tradition is in this sonata. An analytical description of the structure, thematic materials, harmonies and intervallic relationships of the Sonata reveals Debussy’s approach of combining the elements that he observed from his French predecessors, as well as his own innovations in the work as he negotiated musical world that was controlled by political dogma<br>Dissertation/Thesis<br>Doctoral Dissertation Music 2016

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20

Lin, Hsin-Ying, and 林欣穎. "Musical Analysis On Grieg Cello Sonata in a minor." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/dxnka6.

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21

Wu, Yu-Ping, and 吳玉萍. "Sergei Rachmaninoff Cello Sonata in G minor, op.19." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/vq9jtd.

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碩士<br>國立臺北藝術大學<br>管絃與擊樂研究所碩士班<br>99<br>Sergei Vasilievich Rachmaninoff1 April was a Russian composer, pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom that included a pronounced lyricism, expressive breadth, structural ingenuity, and a tonal palette of rich, distinctive orchestral colors. The piano is featured prominently in Rachmaninoff''s compositional output. He made a point of using his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works he revealed a sure grasp of idiomatic piano writing and a striking gift for melody.

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22

Wang, Hsin-Chieh, and 王心潔. "A Study of Poulenc's Sonata for cello and piano." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/99886720710465888624.

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23

Hui-ling, Cheng, and 鄭惠齡. "The Study of Brahms Cello Sonata , Op. 99 , No.2." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/85145144026062297057.

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24

Lo, Yenlin, and 羅晏琳. "The Analysis and Interpretation of Cello Sonata by Claude Debussy." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/82613680277104188413.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>100<br>Claude Debussy is an influencial impressionism composer in the late nineteenth century. His revolutionary skill of melody, harmony, rhythm, and musical form was so inspiring. Therefore, this cello sonata researched in this thesis could be regarded as one of the important cello repertoire concerning about music and skills. This thesis was divided into four chapters. The first chapter was about the description of motivation and purpose, scope of the research, and materials. The second chapter narrated the life of the composer, the background of this sonata, and his music and composition technique. The third chapter was an analysis of musical form by the order of the movement and then the last chapter was the interpretation of Debussy Cello Sonata.

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Jine, Hsieh Meng, and 謝孟瑾. "The Analysis and Interpretation of Rachmaninoff’s cello Sonata,op.19." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/64923829765015831172.

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碩士<br>國立臺灣師範大學<br>音樂學系在職進修碩士班<br>101<br>Sergei Rachmaninoff (1873-1943), a great pianist, conductor and composer of Russia, who has very significant contribution and important position in music history. This article is a research to his composition Cello Sonata in g minor Op. 19. The composition was completed in 1901 A. D. Contributed to famous Russian cellist Anatoliy Andreyevich Brandukov (1858-1930). And it was premiered by Rachmaninoff and Brandukov at Moscow. The research scope includes description to Rachmaninoff’s life, style of music composition and the music history of Russia in 19 and 20 century. And also includes composer’s opinion, music structure, technique for performing and music interpretation of the Sonata. It is separated in Five chapters. The first chapter “Overview” discusses my motivation, scope and method to this research. Chapter two “Composer’s life, background of his era and his composing style” discusses composer’s life by describing the era he living in and knowing composer’s composing structuring and what he was intended to say. That helps me to get a correct interpretation during performing. The third chapter “Music Analysis” detail analyzed every movement in its motivations and musical materials. Continued after chapter three, chapter fourth “Performing techniques and interpretations” described how to use a performer’s force, how to deal with phrases and showing the composer’s style better. Chapter five is for summary. The main purpose of take Rachmaninoff’s only Sonata composition as research theme is not only because the loving but also wanting to deeply and fully understand the music style and key features in this composition. After the research, we can make a more convincing and better interpretation to the performing of this composition and also obtaining a perfect balance between logical mind and emotion heart.

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Wen, Hu Chiung, and 胡瓊文. "A Study of Poulenc Cello Sonata, Opus 143, Movement Ⅰ." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/79134860092253564616.

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Tzu-Ai, Liu, and 劉慈愛. "Research for Chopin's cello sonata in G minor Op.65." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/18414430785689465780.

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碩士<br>國立臺中教育大學<br>音樂學系碩士班<br>98<br>The cello sonata was composed by Polish composer Frédéric François Chopin in 1845-1846 which was dedicated to the French cellist, Auguste Joseph Franchome. This music piece was composed in his later period, it’s also one of his representative chamber music. These four movements in the cello sonata had their own individual styles. The Construction of Musical form is very clearly, which its character was built by rich harmonies, colorful voices, continuously cantabile melodies, and folk-like rhythm. This cello sonata is the classical work which cello performer must learn. This article will discuss on the challenges and varieties between music analysis and interpretation. In order to express its unique value of the arts. Hoping to match the composer’s thoughts, and also be able to express my music style.

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Li-Ling, Ting, and 丁莉齡. "The Analysis and Interpretation of Cello Sonata by Claude Debussy." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/75302347285074933902.

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Tseng, Jo Lan, and 曾若嵐. "An Analysis of Claude Debussy's Sonata for Cello and Piano." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/48764945194962841623.

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碩士<br>國立臺南藝術大學<br>鋼琴合作藝術研究所<br>103<br>The only Sonata for Cello and Piano in Debussy's life was composed in 1915. He used this piece to symbol Patriotism in WWI. The whole Sonata is full of exotic melodies with the combination of various composition techniques including parallel interval, short motive, and eastern scale, mode, which create a mysterious and diverse atmosphere.This thesis will discuss and analyze the compositional background, music structures, motives, special scales, and harmonies of Debussy's Sonata for Cello and Piano to express the Debussy's original ideas.

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Tsai, Shun-Yu, and 蔡舜璵. "The Analysis and Interpretation of Cello Sonata by Claude Debussy." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/70045490154764821840.

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碩士<br>臺北市立教育大學<br>音樂學系碩士班<br>99<br>Claude Debussy, a great master of impressionism, inspired both in the ways of diversities in music harmony and various rhythm materials of the twentieth-century music. Due to its contended music and virtuoso skills, this sonata written for violoncello and piano which is intended to be studied, is surely considered to be one of the most important repertoire for the cellists nowadays. The thesis is composed of four chapters. The first chapter is about the descriptions of motivation, scope of the research, and materials. Then the second chapter tells about the life of the composer, his music and composition skills. The third chapter is the analysis of music content and ways of interpretation, and the last chapter is the conclusion of the study.

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31

Rzeczycki, Tomasz Sebastian. "Felix Mendelssohn's Sonata for cello and piano in D-major, Op. 58, its place in the history of the cello sonata and the influence of Beethoven." 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3108501.

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Hsu, Ya-wen, and 許雅雯. "Benjamin Britten Sonata in C, op.65 for Cello and Piano." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/11003662153832645297.

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Lin, Yi-Chun, and 林怡君. "An analysis and interpretation of Johannes Brahms' cello sonata op. 99." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/06066752036051569184.

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Chang, Ting-Yi, and 張婷怡. "A study of concept of Britten''s cello sonata opus 65." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/61742677116620712714.

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碩士<br>國立中山大學<br>音樂學系研究所<br>92<br>Benjamin Britten was a British composer who was notable in the twentieth century. His masterpieces in composing, conducting or in piano performance profoundly affected the later ages. This dissertation discussed his unique features in his creation and the use of skills in the cello sonata. Britten’s motivation of creation was inspired by the perfect skills in performing cello music of Mstislav Rostropovich. First at all, this dissertation discussed Benjamin Britten’s creative opinion of cello sonata and briefly mentioned the music environment at that time in the view of the British contemporary music. In addition, it introduced Britten’s background in order to know the influences of his following musical creations. Lastly, the backbone of this dissertation was to analyze the inter-correlation of the musical forms, tonal analysis, motives, intervals and themes of the masterpiece, in order to induct the original idea of this composition. Britten’s cello sonata not only combined the musical elements from traditional and contemporary period, but also used proper skill to perform the content of cello sonata in the adept skills. I hope the dissertation helped players perform this sonata wonderfully and correspond Brittan’s music languages. Beside music lovers will able to get closer to his deeply thought from this dissertation.

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LIN, CHIEN-HUI, and 林千卉. "An Analysis and Interpretation of Francis Poulenc’s Cello Sonata, Op.143." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/437k4c.

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碩士<br>中國文化大學<br>音樂學系<br>106<br>Francis Poulenc (1899-1963) was a highly accomplished French composer of 20th century. Although his compositions include ballets, choral, solo piano works, and operas, only two strings music were completed throughout his lifetime: his Cello Sonata and Violin Sonata. The thesis will focus on Poulenc’s Sonata for cello and piano. The first chapter aims at the motive of the research. Important influences on Poulenc’s musical style are analyzed in Chapter 2, based on his background factors: Lex Six and Neoclassicism; followed by his motive of composing Cello Sonata. Chapter 3 addresses his compositional technique and its distinctive features. The last two chapters will provide both the listener and the performer with a more informed and nuanced understanding of this work and Poulenc’s musical style as a whole.

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Ho, Ting-An, and 何庭安. "The Analysis and Interpretation of Frank’s cello sonata in A major." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/02572392450460848670.

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碩士<br>國立臺北藝術大學<br>管絃與擊樂研究所絃樂組<br>104<br>Franck is the Romantic French composer, A Major Sonata is an outstanding work he accomplished composer maturity, I think in addition to sonatas by analyzing this creative approach and musical architecture, understand the Romantic composer of the late philosophy, but also hoping to song after the dismantling of the music have a new understanding and ideas, thereby establishing their own performance interpretation. This thesis is divided into three chapters, the first chapter will introduce the Franck biography and a list of important works, and to explore the compositional style; the second chapter will focus on the A major Sonata, starting with the original version of the violin and cello simple version introduction to notation, started discussions on the proposed hearing. Next came the song analysis, focusing on each movement Finisher musical architecture and special compositional techniques, analysis Franck creative fusion music which will create this sonata. The last one will be chosen for the study cello version to the player''s point of view, by the previous article and understanding of the composer of this piece of music, the most close to the original creator of the musical imagination was established based on their own personal for this song musical interpretation. The last chapter is conclusion, I believe that on this issue there are many to explore space, a work must be done to find the source of thought, in order to truly understand the meaning of existence. Franck body in the advocates of liberty, equality, fraternity revolution in the social and artistic ideology, people are eager to standard out of bondage. Romantic music camp Franck belongs precisely the product of this ideology, is also reflected in his work which, in the form of a cross between classical music and the pursuit of ideological and personal uniqueness between, I will also for more research, for continue to study to explore future.

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Luo, Fei-Tsuei, and 羅翡翠. "A Study of Honegger’s Cello Sonata in d minor, H. 32." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/g39n24.

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Lin, Pei-Yi, and 林佩怡. "Performance Technique and Analysis in Debussy's Sonata for Cello and Piano." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/54591365967577784421.

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碩士<br>國立中山大學<br>音樂學系<br>87<br>英文提要： Debussy is one of composers who have much significance in Impressionism. His music language is important in music history, since he had broken the rule of tranditional tonality and harmony in western music. In addition, he explored of string timbre such as "sur le chevalet" , "sur la touche" , "flautando" and different kind of pizzicato for different emotion etc.. Accordingly, this thesis attempts to adopt documentary research and comparative analysis to study and analyze Debussy's Sonata for Cello and Piano. This thesis contains six chapters. The first chapter is a preface, which mainly states the motivation, methodology and scope of the research. The second chapter is an introduction to Debussy's compositional style. The third chapter discusses the traditional and innovatory characteristics in Debussy's Cello Sonata. The fourth chapter shows the form and motive analysis in Debussy's Cello Sonata. The fifth chapter includes the interpretation and performing technique of Debussy's Cello Sonata. The final chapter is a conclusion. The purpose of this study is to provide for the advanced cellist who desires to present this sonata more profoundly through the understanding of background, performing technique and various characteristics in Debussy's Cello Sonata.

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Lee, Yu-Ning, and 李毓寧. "The Analysis and Interpretation of Prokofiev’s Cello Sonata in C Major, Op. 119/Yu-Ning Lee Cello Recital." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/13435581569746999147.

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碩士<br>東吳大學<br>音樂學系<br>93<br>The thesis is studying Prokofiev’s cello sonata, Opus 119. Written in 1949, this sonata, which is one of the great instrumental works in his last five years, explicitly presents the compositional style of Prokofiev's later period. In this thesis, I will first discuss Prokofiev’s life, his compositional technique, and the background of this piece; then, analyses of the piece is followed the writer’s interpretation and the expression of this sonata. 〈Yu-Ning Lee Cello Recital Program〉 J. S. Bach: Sonata for Viola da gamba and Harpsichord, No. 2 in D Major, BWV1028 L. v. Beethoven: Sonata for Cello and Piano No. 5 in D Major, Op. 102, No. 2 Anton von Webern: Two Pieces(1899) Bohuslav Martinů: Sonata No. 3 for Cello and Piano

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Huang, Jia-Di, and 黃佳諦. "César Franck:“Cello Sonata in A Major” Musical articulation and Version comparison." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/87775783200531469332.

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碩士<br>國立臺中教育大學<br>音樂學系碩士班<br>102<br>César Franck (1822-1890), was an early 19th to 20th century French composer. Although he did not have widespread public attention, in the subsequent creation of the French Association of Composers and other innovations, his experience accumulated, gradually mastering and showing his creative style of compositional techniques. His works greatly helped the music industry to flourish. This paper focuses on the analysis of Franck’s writing style in his later years to master the piece "Violin Sonata in A Major". He dedicated it to violinist Eugéne Ysayé(1858-1931), as a wedding gift. The song was also adapted for cello. "Cello Sonata in A Major" did not receive much attention when it was first written, but with Ysayé actively playing and promoting the piece, the public slowly discovered the beauty of the sonata in its mood and musical form of implication. The differences between “Violin Sonata in A Major” and “Cello Sonata in A Major” did not result in favoritism over either piece by the public. In this article, the author will further explain the difficulties encountered during “Cello Sonata in A Major”, and try to provide ways to solve the problems while practicing this piece. I hope that after the reader has finished reading this, it will help shorten learning process of the piece while accomplishing the composer's intention in playing the piece.

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江琬仁. "The Interpretation of Cello Sonata No. 1 in e minor, op. 38." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/04647780474005977369.

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Huang, Tzuen-Yi, and 黃尊義. "An Analysis and Interpretation of Cesar Franck Sonata for Cello and piano." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/00537142675364129599.

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Hsu, Han-Chieh, and 許函潔. "A Study of Brahms''s Cello Sonata in F Major, Opus 99." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/89665927767391749181.

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碩士<br>國立中山大學<br>音樂學系研究所<br>94<br>Johannes Brahms（1833-1897）composed the “Cello Sonata in F Major, Opus 99” in 1886. Brahms composed two sonatas for cello and piano in his lifetime. One of the cello sonatas that Brahms composed had been during the middle period of his life. While the second cello sonata had been composed during the late period of his life. These two cello sonatas showed different styles in different life time. This study is mainly based on “Cello Sonata in F Major, Opus 99”. It will explore the composing background and the techniques, as well as the cello techniques of this sonata. In addition, the paper would initially mention the brief introduction to Brahms chamber music in late period. Moreover, the cellists who had been around Brahms had given him good advice to word his compositions and analyzes the creation technique of cello sonata in F major, with a focus on alternation rhythm and development variation. Lastly, it will explore the cello performing techniques. I hope it will be helpful to the performer and also the performer who plays the sonata would already have the good technical ability. Besides that, able to understand the details of the content in this sonata the performer would be.

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Chien, Jui-chuan Chang, and 張簡瑞娟. "The Analysis and Interpretation of Chopin's cello sonata in g minor op. 65/Jui-chuan Chang Chien Cello Recital." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/65067117741093404714.

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碩士<br>東吳大學<br>音樂學系<br>94<br>The theme of this thesis is to research the musical background, style, harmony, melody and interpretation of Chopin’s cello sonata in g minor, Op. 65. It will first address Chopin’s personal background and his music style, secondly the composition background and detail analysis of this cello sonata. Finally, through in-depth discussions of tempo, and technique of performing interpretation, readers will gain better understanding of Chopin’s cello compositions. Jui-chuan Chang Chien Cello Recital Program: Francoeur:sonate en E Majeur pour violoncelle. J.S Bach:Six Suites pour violoncelle seul Suite 4 BWV1010. Hindemith:Caprice pour violoncelle et piano en A Majeur op. 8 Nr.1 Bloch:"Schelomo" Rhapsodie hebraique pour violoncelle seul et piano.

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"Commissioned Works for Cello by Composers Christian Asplund and Joseph Hallman Through Analytical Studies." Doctoral diss., 2014. http://hdl.handle.net/2286/R.I.27557.

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abstract: The commissioning and recording of music from living composers is a very important tradition in the art of music. The ability to work with living composers gives the performer insight into the music that is far beyond reading the notes on the page. For my research paper, I commissioned two new works for the cello by the composers Joseph Hallman and Christian Asplund, in an effort to continue adding great pieces to the cello repertoire. This paper documents my experiences in finding and working with selected composers. It includes detailed descriptions of the pieces with practice and performance suggestions as well as recordings of the pieces. Commissioning new works often creates many first-hand artistic decisions for the performer as well as many new technical difficulties on the instrument. The two pieces commissioned offer insight into two different instrumentations: the sonata for cello and piano, and a solo cello suite. In this paper I describe various important aspects of these compositions and point out ways to make informed artistic decisions when approaching form, harmony, motive, and extended techniques on the cello. Providing this information on commissioning and collaborating with living composers will help continue this tradition into the future for classical music.<br>Dissertation/Thesis<br>Asplund, C. Solo Suite for Cello. Movement I. "Alap"<br>Asplund, C. Solo Suite for Cello. Movement II. "Tableau"<br>Asplund, C. Solo Suite for Cello. Movement III. "Crossing"<br>Asplund, C. Solo Suite for Cello. Movement IV. "Horizon"<br>Asplund, C. Solo Suite for Cello. Movement V. "Interlude"<br>Asplund, C. Solo Suite for Cello. Movement VI. "Chaconne"<br>Hallman, J. Sonata for Cello and Piano. Movement I.<br>Hallman, J. Sonata for Cello and Piano. Movement II.<br>Hallman, J. Sonata for Cello and Piano. Movement III.<br>Doctoral Dissertation Music 2014

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Kim-Tetel, Sophia. "A musical analysis of Sergei Rachmaninoff's Sonata for cello and piano, op. 19." 2011. http://liblink.bsu.edu/uhtbin/catkey/1652233.

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shih-wei, chi, and 秦詩威. "The Analysis and Interpretation of Chopin's cello sonata in g minor, op. 65." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/69041660756795579356.

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Chiang, Chia-Hua, and 江佳樺. "The Interpretation and Analysis of Shostakovich’s 《Cello Sonata in D Minor, Op.40》." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/66529195435209185302.

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碩士<br>中國文化大學<br>音樂學系碩士班西洋音樂組<br>100<br>This study focuses on Dmitri Shostakovich's Cello Sonata in D minor, composed in 1934. This work is the only cello sonata by Shostakovich, and also his first mature work in chamber music. This thesis consists of five chapters. Chapter one is an introduction, which states the motive, purpose, and researching methodology of this study. Chapter two narrates the composer's life, style, and the background of this sonata. Chapter three focuses on the musical analysis of this work. Chapter four discusses the performance issues and the interpretation of this work. Chapter five concludes with the results of my research.

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Lee, Yi-Ting, and 李宜庭. "The Interpretation and Analysis of Chopin’s 《Cello Sonata in G minor, Op.65》." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/15872724781979635609.

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碩士<br>中國文化大學<br>音樂學系西洋音樂組<br>101<br>Chopin is an important pianist and composer in 19th century. This cello sonata in g minor was composed in 1845, and is the only cello sonata he composed. There are five chapters in this thesis. The first chapter discusses the motive and the method. The second chapter introduces Chopin and the background of this composition. The third chapter analyzes the structure and probe the technique. The fourth chapter is performing interpretation. The fifth chapter is compare six cellists' performing interpretation. The final chapter is the conclusion.

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Li, Jiun-Chieh, and 李俊頡. "The Analysis and Interpretation of César Franck’s Sonata in A Major (Cello Version)." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/nf3wck.

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