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Dissertations / Theses on the topic 'Cello'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Gagnon, Marie-Elaine. "Graduate cello recital." FIU Digital Commons, 2002. http://digitalcommons.fiu.edu/etd/3434.

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2

Ludwig, Aaron B. "Lonely Cello: A Performer's Analysis of Leon Kirchner's "For Cello Solo"." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/533.

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The purpose of this essay is to examine Leon Kirchner’s "For Cello Solo" for the preparation of a performance. The score, manuscripts, and recordings were analyzed to better inform the author’s interpretation of the work. Backgrounds for both the piece and the composer are included to illuminate the origins of the work. Additional information was accumulated through interviews with Carter Brey and Maria Kitsopoulos, performers of the work who collaborated with the composer. This essay aims to aid a performer’s preparation and interpretation of the composition by describing the piece’s historic

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3

Fallowfield, Ellen. "Cello map : a handbook of Cello technique for performers and composers." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/960/.

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Many new sounds and new instrumental techniques have been introduced into music literature since 1950. The popular approach to support developments in modern instrumental technique is the catalogue or notation guide, which has led to isolated special effects. Several authors of handbooks of technique have pointed to an alternative, strategic, scientific approach to technique as an ideological ideal. I have adopted this approach more fully than before and applied it to the cello for the first time. This handbook provides a structure for further research. In this handbook, new techniques are pre

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4

Fan, Chia-Lin. "The solo cello music of Benjamin Britten : an analysis : First cello suite, op. 72, Second cello suite, op. 80, Third cello suite, op. 87, and Tema Sacher." Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1378140.

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The purpose of this study was to recognize the unique character of Benjamin Britten's writing for cello and to exhibit his exceptional contribution to the cello repertory. Britten made a significant contribution to the cello repertory with his six cello works: Sonata. for Cello and Piano in C, Op. 65, Cello Symphony, Op. 68, The Three Cello Suites, Op. 72, Op. 80, Op. 87, and Tema `Sacher . However, many of these compositions are underperformed and overlooked by today's performers. This disregard by the general public for Britten's cello works may be because of the interest in other extreme co

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5

Kaufman, Gabrielle. "Gaspar Cassado : a study of Catalan cello arrangements and cello performance style." Thesis, Birmingham City University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.631677.

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This thesis explores the legacy of Catalan cellist and composer Gaspar Cassadó (1897–1966). It provides a summary of his life and legacy, an analysis of his performance style and transcription style, and explores the implications of the findings for the related fields of Catalan and Spanish twentieth-century music, musical transcription and twentieth-century cello performance. The text is complemented with a CD containing recordings of cello works by Cassadó performed by the author of this thesis, as well as the first attempt to list definitively Cassadó’s compositions, transcriptions and reco

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6

Lee, Sunhaeng. "The Legacy of Bach’s Cello Suites in Twentieth-Century Solo Cello Suites." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1584001275758751.

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7

YANG, HEEYOUNG. "GAME FOR FOUR CELLO." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1151383279.

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8

Gagnon, Marie-Elaine. "The Influence of the French Cello School in North America." Scholarly Repository, 2006. http://scholarlyrepository.miami.edu/oa_dissertations/47.

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The purpose of this study is to explore how the French School of Cello technique evolved over two and a half centuries and how it has influenced cello playing and pedagogy in the United States and in Canada, and whether it is still possible to distinguish it from other schools of bow and left hand technique. The study includes a historical background and overview of the origins of the French cello school: its importance and influence on today's major schools of cello playing, a comparison of the world's five major cello schools, and a proposal of the existence of a Global school of cello playi

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9

Lojewski, Mee Na Manon. "Galant and grotesque aesthetics in the musical language of Haydn's cello concerti: cello concerto in C major (c1765), cello concerto in D major (c1783)." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/11947.

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My performance research is motivated by my practical study of Haydn’s Cello Concerti. My interpretative understanding of this music, which begins in instrumental study and listening, is enriched by an exploration of its historical context. Writings on eighteenth-century music, aesthetic theory and musical criticism bring me new levels of understanding of the music of this period. As a performer I have realised that the traditional view of the ‘classical style’ of Haydn’s Cello Concerti is a limiting one. This view, which seems to prevail among modern cellists, suggests that there is a ‘correct

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10

Clark, James. "Peter sculthorpe| Music for unaccompanied cello." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590072.

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<p> As a contemporary Australian composer, concerned with finding an "Australian sound," Peter Sculthorpe incorporated elements of Aboriginal music, Asian music, and other unique compositional devices in his music. This paper investigates Sculthorpe's compositional style through analysis of <i>Requiem: for Cello Alone, Threnody, Into the Dreaming, For Justine, and Sonata for Cello Alone,</i> in order to explore his incorporation of Australian characteristics within the context of idiomatic writing for the solo cello.</p>

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11

Nichols, Richard A. "Trio for horn, cello and piano /." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486546889382746.

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12

Chen, Ru-Ping. "The Cello works of Hsiao Tyzen /." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488187763848087.

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13

Ko, Ching-Tzy. "Dynamic markings in Bach cello suites /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/11427.

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14

Zhou, Lejing 1986. "A Survey of Solo, Chamber Music and Orchestral Excerpts Selected and Organized Pedagogically for the Intermediate Cellist." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538786/.

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The use of orchestral excerpts from standard music repertoire as a pedagogical means has been adopted by many instrumental pedagogues to train the advanced instrumentalist. This dissertation presents an innovative idea among the excerpt tradition by drawing excerpts from solo, chamber music and orchestral music to function as etudes for the intermediate level cellist. 320 music excerpts are drawn and organized under the headings of different technical categories in order to train the techniques within the context of quality music. The purpose of the dissertation is to introduce the young playe

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15

Moon, Debra A., and Debra A. Moon. "BENJAMIN BRITTEN'S THREE SUITES FOR UNACCOMPANIED CELLO." Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/626521.

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16

Craford, Mary Elizabeth. "Inventory of modern American cello-keyboard literature /." Access Digital Full Text version, 1994. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11847815.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1994.<br>Includes tables. Typescript; issued also on microfilm. Sponsor: Harold F. Abeles. Dissertation Committee: Lenore M. Pogonowski. Includes bibliographical references (leaves 89-104).

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17

Kotsoni-Brown, Stavria. "The solo cello concertos of Antonio Vivaldi." Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366973.

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18

Almeida, Tania Regina Lisboa de. "Children's action and thought in cello playing." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369968.

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19

Kleinmann, Johannes. "Polystylistic Features of Schnittke's Cello Sonata (1978)." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30478/.

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Polystylism in Alfred Schnittke's music has been considered by scholars as a central aspect of his music. Although there are many published analyses of his choral music, symphonies, concerti and violin sonatas, there is no known published research for Schnittke's first cello sonata. Alfred Schnittke grew up in a culturally diverse environment influenced by many different composers and compositional styles under the restrictions of a communist Russian government. These aspects influenced the development of Schnittke's polystylism, characteristically represented by his Cello Sonata (1978). The d

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20

Shen, Shuo. "The Controlled Indeterminacy in Lutoslawski's Cello Concerto." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574713314501106.

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21

Thumpston, Rebecca Mary. "Agency in twentieth-century British cello music." Thesis, Keele University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.699672.

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Music's narrative qualities have received extended analytical scrutiny in recent years. Less attention has been focused on the characters that inhabit those narratives - the agents or personae within the stories music tells. This thesis synthesises and extends existing literature on musical agency in order to forge a new, analytically productive approach to the critical analysis of instances of agency in twentieth-century British cello music. Through analysis of Edward Elgar's Cello Concerto (1919), Benjamin Britten's Symphony for Cello and Orchestra (1963), John Tavener's The Protecting Veil

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22

Meyer, William Joseph. "THE CELLO WORKS OF ERNST VON DOHNÁNYI." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/99.

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This paper aims to draw attention to the oft neglected cello compositions of Ernst von Dohnányi. A prolific performer, composer, and pedagogue, Dohnányi has fallen into obscurity amongst the general population since his passing in 1960. Among the works discussed in this document are two unpublished sonatas from Dohnányi’s childhood, his Cello Sonata in B-flat, op.8 and his Konzertstück for Cello and Orchestra op.12. Each piece is given a historic background placing it among events of the composer’s life that led to its genesis and premier. This is followed by a formal and harmonic analysis and

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23

Draiblate, Yoni. "HISTORY, EVOLUTION AND PEDAGOGY OF CELLO VIBRATO." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/555692.

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Music Performance<br>D.M.A.<br>On 9 April 1860, seventeen years before Thomas Edison invented the phonograph, a Parisian inventor named Leon Scott de Martinville invented the “phonautograph,” the first device capable of recording sound. In the demonstration recording produced by de Martinville, the listener hears the inventor singing a short section of the song “Au clair de la lune.” The recording lasts about ten seconds and is not of very good audio quality—it is full of interference and white noise, making it hard to decipher words. Technology has since evolved and improved to the point wher

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24

Löfberg, Anders. "Examensarbete : en studie i sväng och groove & En stilstudie av Torleiv H. Bjørgum." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2120.

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25

Schütt, Andreas [Verfasser]. "Ortsaufgelöste Charakterisierung in der Photovoltaik mit der CELLO-Technik (Solar Cell Local Characterization) / Andreas Schütt." Kiel : Universitätsbibliothek Kiel, 2015. http://d-nb.info/1067842004/34.

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26

Burkhardt, Rick. "Pipeline : for voice, bass flute, cello, and percussion /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236631.

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27

Crossen-Richardson, Phyllis Jane. "Neglected cello repertoire of twentieth century English composers." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/1382.

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28

Turnbull, Catherine. "Performing the Bach cello suites on the viola /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19293.pdf.

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29

Callner, Anna. "A recital of works for cello and piano." FIU Digital Commons, 2005. http://digitalcommons.fiu.edu/etd/1981.

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Suite No. 4 in E-flat major - J. S. Bach Prelude Courante Sarabande Gigue Sonata, Op. 102, No. 1 - Ludwig van Beethoven Andante-Allegro vivace Adagio Allegro vivace Concerto in A-minor, Op. 129 - Robert Schumann Nicht zu schnell Langsam Sehr lebhaft Requierbros - Gaspar Cassado

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30

Carpinteyro, Eduardo. "Pedagogical aspects in David Popper's four cello concertos." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1195506444.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2007.<br>Advisor: Lee Fiser. Title from electronic thesis title page (viewed Feb. 5, 2008). Includes abstract. Includes bibliographical references.

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31

Hong, Andrew C. (Andrew Choon-Ki). "Non-linear analysis of cello pitch and timbre." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/67119.

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32

Rabelo, Paulo César Martins. "The cello and piano works of Camargo Guarnieri." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342108311.

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33

CARPINTEYRO, EDUARDO. "PEDAGOGICAL ASPECTS IN DAVID POPPER'S FOUR CELLO CONCERTOS." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195506444.

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34

Lim, Yekyung. "Neglected cello repertoire of twentieth century English composers." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/9027.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Music. Title from t.p. of PDF. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Audio available on compact disc;

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35

Chuang, Hsiang-Chu. "The Use of Orchestral Excerpts in Cello Pedagogy and Daily Exercises." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157593/.

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Auditions often require performance of orchestral excerpts as part of the screening process because orchestral literature contains a wealth of technical challenges at different levels of difficulty; however, many cello teachers still only use etudes, sonatas, and concertos for musical development and technical application and do not use orchestral excerpts as pedagogical tools or daily exercises. This dissertation, in an effort to standardize orchestral excerpts as part of common technical exercises, includes the ten most popular major excerpts selected from thirty audition lists from major or

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36

Price-Brenner, Kevin. "Pedagogical transcriptions for teaching two advanced works for cello : Beethoven’s Sonata for cello and piano no. 3 in A major, op. 69 and Haydn’s Cello concerto no. 1 in C major, Hob.VIIb.1." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/2131.

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Advanced cello students and their studio teachers have a wide range of literature to study and perform that spans approximately 400 years. Despite this wealth of repertoire, advanced music from the classical era is often understudied or overlooked due to difficulties of the accompanying part, written either for the piano or the orchestra. For example, Beethoven’s cello sonatas tend to be avoided by teachers of advanced young students because of the difficulties in securing a pianist. Additionally, Haydn’s cello concerti demand a great deal of rehearsal time with an experienced pianist in prepa

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37

Persson, Erika. "Från okänd not till levande dans : En självstudie i tolkning av Bachs cellosviter." Thesis, Karlstads universitet, Institutionen för konstnärliga studier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-55324.

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Studien utforskar hur jag tolkar Prelude i d-moll ur Johan Sebastian Bachs andra svit för solocello. Syftet är att undersöka hur instuderingsprocessen sker, från okänd not till fri tolkning med avseende på att instrumentet ska ”sjunga”. Forskningsfrågorna berör en fungerande inlärningsmetod, hur jag påverkas av min lärares tolkning samt i vilken grad en publik upplever mitt sjungande instrument. Med hjälp av bland annat en barockcello, loggboksskrivande och videoinspelning under processen har jag, utifrån ett hermeneutiskt perspektiv, tolkat stycket på mitt sätt. Resultatet belyser hur jag gåt

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38

Moyer, Susan Elizabeth. "A Detailed Study of Selected Orchestral Excerpts for Cello." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/214.

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The purpose of this essay is to provide detailed information and instruction on the fifteen orchestral excerpts for cello most requested at orchestral auditions. The chosen excerpts were selected by compiling a master list of orchestral excerpts from the audition lists of all the Symphony Orchestras in ICSOM, ordering the list by the frequency in which the excerpts appear on the lists. The essay prepares an applicant to perform these excerpts at an orchestral audition. In the audition, each excerpt demonstrates the applicant's ability in one main area so that upon completion o

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39

Neece, Brenda Sue. "The cello in Britain : a technical and social history." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395236.

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40

Moseley, Ivan. "Scena for cello and piano : a portfolio of compositions." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/00bb1cc8-3bcd-112c-b0f7-2c7d18a0937f/8/.

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My objectives in pursuing this course of study were to widen my knowledge of other composers' music, with a view to: developing my techniques of composition, in terms of application of compositional models to the immediate process of writing (and of notating) music; extending that to works which were more ambitious in scope, duration and cohesion; and producing works which recognise performers' skills and limitations and exploit the former. This involved firstly analytical study of existing works in different genres written using a range of compositional techniques, and an assessment of how I

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41

Gerber, Anzél. "Critical success factors in cello training : a comparative study." Thesis, Goldsmiths College (University of London), 2008. http://research.gold.ac.uk/8055/.

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The research focused on the identification and ranking of critical success factors that contribute most significantly towards the training of a cello student. The empirical study was based on a sample of cello teachers in four countries selected for the study, namely Germany, Russia, the United Kingdom and the United States of America. A literature study, identifying a broad category of factors that could contribute towards successful cello training, formed the basis of the questionnaire. These critical success factors included the quality of the teacher, acquired skills, the talent and gifted

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42

Twillert, Hendrik Van. "Bach's cello suites transcription and interpretation for baritone saxophone." Doctoral thesis, Universidade de Aveiro, 2013. http://hdl.handle.net/10773/12351.

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Doutoramento em Música<br>Bach’s Suites for unaccompanied cello are a masterpiece of the Classical Western canon for their singularity and their creator’s mastery. A myriad of transcriptions were made throughout the centuries with bigger or lesser freedom. This thesis aims at revealing insights from the art of linear polyphony and its performance on a monophonic instrument such as the baritone saxophone. The study of the musical structure is supported by examples from the visual domain that help us to understand the notion of linear polyphony as a third-dimension object. The particularity of t

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43

Sowdon, Nancy, and Nancy Sowdon. "Mendelssohn's works for cello: a musical and technical analysis." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/624869.

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Felix Mendelssohn was a many-faceted individual. While known now primarily as a composer, in his time he was also important as a virtuoso pianist and conductor. His contribution to the musical life of his time and to posterity is significant. As well as composing for nearly every genre (see Table 1) Mendelssohn was a popular soloist and dominated German conducting from 1830 until his death in 1847. Over the years his popularity has waxed and waned. The works of Mendelssohn were highly regarded during his lifetime and remained popular until about 1900. Around 1900, however, there was a major

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44

Becker, Karen Andrews. "Selected cello works of Ernest Bloch : a descriptive essay /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Thesis (D.M.A.)--University of Texas at Austin, 1999.<br>Vita. Discography: leaves 77-79. Includes bibliographical references (leaves 80-83). Available also in a digital version from Dissertation Abstracts.

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45

Flesher, Eric. "Wandering rocks : for flute, clarinet, violin, cello and piano /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11331.

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46

Wang, Ying-Tsui, and 王瑩翠. "Research of Teaching for Cello Beginner by Suzuki Cello School." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/v945h3.

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47

Seo, Jun. "Doctoral thesis recital (cello)." 2014. http://hdl.handle.net/2152/26545.

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48

Karakousoglou, Nora. "Doctoral thesis recital (cello)." 2014. http://hdl.handle.net/2152/26596.

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Cello concerto in D major, op. 101. Allegro moderato / Joseph Haydn ; cadenza by Nora Karakousoglou -- Sonata for piano and cello in B-flat major, op. 45 / Felix Mendelssohn -- Diptychom : for solo cello / Georgios Kassoglou -- From Carnival of the animals. The swan ; Allegro appassionato : op. 43 / Camille Saint-Saens -- Sicilienne / Maria-Theresia von Paradis -- Sicilienne, op. 78 / Gabriel Faure -- Mazurka, op. 11, no. 3 ; Gnomentanz : op. 50, no. 2 ; Tarantella, op. 33 / David Popper.<br>text

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49

Burch, James (Cellist). "Doctoral thesis recital (cello)." 2014. http://hdl.handle.net/2152/27668.

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50

Xin, Yi. "Doctoral thesis recital (cello)." 2014. http://hdl.handle.net/2152/28459.

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Cello suite no.6 in D major, BWV 1012 / Johann Sebastian Bach -- Sonata for solo cello / Gyorgy Ligeti -- From the Bohemian forest, op.68 / Antonin Dvorak -- Cello sonata no.1 in E minor / Johannes Brahms.<br>text

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