Relevant bibliographies by topics / Celtic poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Celtic poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Celtic poetry"

1

Williams, Heather. "The poetry of Celtic places." Nineteenth-Century Contexts 41, no. 1 (2019): 63–74. http://dx.doi.org/10.1080/08905495.2018.1545429.

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Roy, G. Ross, Thomas Rain Crowe, Gwendal Denez, and Tom Hubbard. "Writing the Wind: A Celtic Resurgence: The New Celtic Poetry." World Literature Today 72, no. 2 (1998): 428. http://dx.doi.org/10.2307/40153932.

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Fowler, Jaclyn Maria. "An Orchestrated Awakening: Latent Irish-ness at the Heart of Yeats's Seminal Work." CEA Critic 85, no. 3 (2023): 211–16. http://dx.doi.org/10.1353/cea.2023.a912097.

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Abstract: "The Lake Isle of Innisfree" is more subtle than the poet's more myth- and folklore-facing poems like "Cuchulainn's Fight with the Sea" and "A Faery Song." Yet, it fits squarely in the realm of the nineteenth-century movement known as the Celtic Revival. At its core, the movement sought to reestablish the rich artistic and folkloric traditions of the Irish that had long been outlawed under British rule. To inspire understanding of what it meant to be Irish, writers and artists of all stripes reintroduced Celtic art and dancing, music and theatre, poetry, athletics, and spiritual prac
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Bulas, Ryszarda Maria. "Tkanina z Mashanu (Chiny, V–III w. p.n.e.) a celtycki system ornamentalny." Art of the Orient 1, no. 1 (2012): 57–72. http://dx.doi.org/10.15804/aoto201203.

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In a short article the author presents the hypothesis that certain aspects of Celtic Art has Chinese origin. She compares the decoration of textiles found in 1982 in Mashan, province of Hubei in China with the Celtic system of ornamentation, known from books illumination, sculptures of Celtic crosses and metal products. Among the motifs known to Celtic art she indicates: skulls, tête coupe, pelts, spirals and triskeles. The author also indicates the similarities in the field of color symbolism, animal symbolism (crane), the special role of women and femininity, and Nature (on the basis of phil
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Stalmaszczyk, Piotr. "Place-names in Modern Scottish Gaelic Poetry." Studia Celto-Slavica 5 (2010): 119–28. http://dx.doi.org/10.54586/ohzi1150.

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The significance of place-names in Celtic, especially Irish, literature has been extensively discussed in numerous studies. Though an important feature of older poetry, the usage of geographical names is employed also in contemporary verse, not only in Irish, but also in Scottish Gaelic. The preoccupation with places may be viewed as a broader awareness of the geographical setting, a point extensively discussed by Sorley MacLean (1985) in connection with the consciousness of the presence of the sea in the seventeenth-century Gaelic poetry. Place-names are often used as means of appropriateness
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Min Gun Kang. "Celtic Identity and Other-ness in Seamus Heaney's Poetry." Journal of English Cultural Studies 5, no. 1 (2012): 5–32. http://dx.doi.org/10.15732/jecs.5.1.201206.5.

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Mooney, Sinéad. "KICKING AGAINST THE THERMOLATERS: Beckett's "Recent Irish Poetry"." Samuel Beckett Today / Aujourd'hui 15, no. 1 (2005): 29–42. http://dx.doi.org/10.1163/18757405-015001006.

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"Recent Irish Poetry" (1934), while well-known to Beckett critics, has most frequently been read only in terms of a straightforward binarism between "antiquarian" Celtic twilighter and modernist "other." This essay attempts to move beyond the familiar reading by examining the essay's dialogue with other contributors to the "Irish Number" of in which it originally appeared, to survey readings of the text as Irish modernist manifesto, and to treat it as a "precipitate in prose."
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Williams, Heather. "Are the Bretons French? The Case of François Jaffrennou/Taldir ab Hernin." Nottingham French Studies 60, no. 2 (2021): 192–205. http://dx.doi.org/10.3366/nfs.2021.0316.

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This article explores the poetry of François Jaffrennou, who published under the druidic pseudonym Taldir ab Hernin, as a case study in decolonized multilingualism. Close readings of Taldir's writing in Breton, Welsh and French reveal the pressures of negotiating a hybrid Celtic-French identity, as he affirms his Celticity while maintaining a careful relationship with France. Taldir criticizes the French state in his Welsh texts, whereas in French and Breton his critique is more guarded, subtly codified. The Celtic space which emerges here is full of tensions, as Taldir works both within and a
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Jacobs, Nicolas. "Celtic saga and the contexts of old English elegiac poetry." Etudes Celtiques 26, no. 1 (1989): 95–142. http://dx.doi.org/10.3406/ecelt.1989.1906.

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Aloufi, Aliaa. "Markedness-Based Analysis of Englyn Meter." World Journal of English Language 12, no. 8 (2022): 390. http://dx.doi.org/10.5430/wjel.v12n8p390.

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This research aims to examine the Englyn meter in the poetry of Celtic language (Medieval Welsh) that requires the poetic texts to conform to an abstract prosodic template. This counting meter regulates the phonological constituency on the same metric level of the prosodic hierarchy rather than on the metrical hierarchy in verse (the line). In the main types of Englyn meters, Englyn milwr and Englyn penfyr, phonological units of each line are constrained with a certain number of syllables and rhyme with the final syllable of most lines. This research offers a markedness-based analysis that gen
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Dissertations / Theses on the topic "Celtic poetry"

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Burke, Raymond. "Matthew Arnold and the Celt : the treatment of some conceptions of the Celtic in Arnold's poetry and prose." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294133.

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Krause, Corinna. "Eadar DàChànan : self-translation, the bilingual edition and modern Scottish Gaelic poetry." Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/3453.

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Self-translation has become a firmly established translation practice in connection with contemporary Scottish Gaelic poetry, so much so that the corpus of contemporary Gaelic poetry might be more realistically understood as referring to a bilingual corpus of Gaelic originals and their English translations provided by the author. This was of course not always the case. Rather, today’s situation has to be seen as the result of a steady development over the past sixty years or so which began with initial attempts by Gaelic authors such as Sorley MacLean (Somhairle MacGill-Eain) and Derick Thomso
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Tolen, Heather Lorene. "Resurrecting Speranza : Lady Jane Wilde as the Celtic Sovereignty /." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2700.pdf.

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Robert, Jörg. "Konrad Celtis und das Projekt der deutschen Dichtung : Studien zur humanistischen Konstitution von Poetik, Philosophie, Nation und Ich /." Tübingen : M. Niemeyer, 2003. http://catalogue.bnf.fr/ark:/12148/cb38975803x.

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Reimann, Daniel. "Osservare il silenzio Poetik der Archäologie und Minimalismus in der italienischen Erzählliteratur der achziger und neuziger Jahre." Heidelberg ***5106940, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2664215&prov=M&dok_var=1&dok_ext=htm.

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Signoreli, João Antônio Marra. "Os véus de Mira-Celi: sobre a representação da consciência humana na poesia de Jorge de Lima." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8869.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-09-11T10:59:10Z No. of bitstreams: 2 Dissertação - João Antônio Marra Signoreli - 2018.pdf: 1693751 bytes, checksum: 58a0965298587f02f769a3b06d05f6ab (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-09-11T11:12:55Z (GMT) No. of bitstreams: 2 Dissertação - João Antônio Marra Signoreli - 2018.pdf: 1693751 bytes, checksum: 58a0965298587f02f769a3b06d05f6ab (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD
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Sperry, Amanda. "Fumbling in the Greasy Till: Economic Rhetoric and Contemporary Irish Poetry, 2006-2012." 2015. http://scholarworks.gsu.edu/english_diss/157.

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The anxiety produced by the Celtic Tiger collapse created a cultural demand for cognitive frames that made the dramatically altered social circumstances and processes leading to the new economic conditions relatable. To understand the 2008 financial collapse's impact on Ireland, the nation's leading newspaper, the Irish Times, predictably employed tropes in service since the Great Depression, including human body and geological metaphors for the economic system, while rarely using metaphors such as the casino economy or the networked economy that more aptly described the level of speculation
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Post, Andy. "Political Atheism vs. The Divine Right of Kings: Understanding 'The Fairy of the Lake' (1801)." 2014. http://hdl.handle.net/10222/50412.

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In 'Political Atheism vs. The Divine Right of Kings,' I build on Thompson and Scrivener’s work analysing John Thelwall’s play 'The Fairy of the Lake' as a political allegory, arguing all religious symbolism in 'FL' to advance the traditionally Revolutionary thesis that “the King is not a God.” My first chapter contextualises Thelwall’s revival of 17th century radicalism during the French Revolution and its failure. My second chapter examines how Thelwall’s use of fire as a symbol discrediting the Saxons’ pagan notion of divine monarchy, also emphasises the idolatrous apotheosis of King Arthu
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Books on the topic "Celtic poetry"

1

Squire, Charles. Celtic myth & legend, poetry & romance. Borgo Press, 1992.

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Rain, Crowe Thomas, Denez Gwendal, and Hubbard Tom, eds. Writing the wind: A Celtic resurgence : the new Celtic poetry. New Native Press, 1997.

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Esther, De Waal, and Carmichael Alexander 1832-1912, eds. The Celtic vision. St. Bede's Publications, 1990.

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McGarry, Greg. Sheila na gig: A Celtic treasure hunt. Preas an Phúca, 1993.

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Hannon, Michael. Celtic voices: The poetry of Michael Hannon. BBC Radio Leicester, 1994.

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L, McShane Cathie, ed. Creamy Celtic cake: A book of Irish poetry. The author, 2012.

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Owen, Clancy Thomas, and Márkus Gilbert, eds. Iona: The earliest poetry of a Celtic monastery. Edinburgh University Press, 1995.

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John, Matthews. The Book of Celtic verse. Metro Books, 2010.

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Armstrong, V. S. Runecaster: An otherworld anthology. V.S. Armstrong, 2001.

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Fiacc, Padraic. Red earth. Lagan Press, 1996.

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Book chapters on the topic "Celtic poetry"

1

Moore, Jane. "Celtic Romantic Poetry: Scotland, Ireland, Wales." In A Companion to Romantic Poetry. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444390650.ch15.

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Innes, Sìm. "Gaelic Religious Poetry in Scotland: The Book of the Dean of Lismore." In Christianities in the Early Modern Celtic World. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137306357_8.

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Gábor Kiss, Farkas. "Private Poetry: An Unknown certamen of Conrad Celtis and Its Context." In Dulces ante omnia Musae. Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.stlll-eb.5.124069.

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Keating, Kenneth. "Bilingualism and the Death of the Dual Tradition in Celia de Fréine’s Imram ¦ Odyssey." In Contemporary Irish Poetry and the Canon. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51112-2_6.

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"On Trevor Joyce’s poetry and the Celtic Tiger." In Incomparable Poetry. punctum books, 2020. http://dx.doi.org/10.2307/jj.2353787.4.

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Sims-Williams, Patrick. "The Invention of Celtic Nature Poetry." In Celticism. BRILL, 1996. http://dx.doi.org/10.1163/9789401200288_008.

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Hewitt, Seán. "Seumas O’Sullivan and Revivalist Nature Poetry." In Nature and the Environment in Nineteenth-Century Ireland. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620320.003.0011.

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The Irish Revival was, amongst other things, an attempt to ‘re-enchant’ the Irish natural world as both a protest against Anglicisation and Enlightenment values. Through a study of the poetry of a lesser-known Revivalist poet, Seumas O’Sullivan, who was a keen natural historian, and thus engaged with the popular discourses and practices of natural science in the period, this chapter discusses Revivalist nature poetry as a form of ‘re-enchantment’. In doing so, it also considers how engagement with natural history in the period effected a shift in the poetic relationship to materiality, conside
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"Chaucer and Irish Poetry." In Chaucer and the Norse and Celtic Worlds. Routledge, 2017. http://dx.doi.org/10.4324/9781315260600-10.

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Currie, Arabella. "Moderns of the Past, Moderns of the Future." In Celts, Romans, Britons. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863076.003.0009.

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This chapter complements the volume’s focus on Celtic–Classical interactions within the notion of Britishness by examining the role of such a dialogue in Ireland’s attempts to extricate itself from the British Empire, and by emphasizing the part that Irish scholars and poets have played in shaping Celtic, Roman, and British identities. It focuses on the Revivalist translator and neurologist, George Sigerson (1836–1925), whose comparative reading of ‘Celtic’ and Latin poetry set out to prove an Irish influence on Latin verse, on the one hand by arguing that Cicero was directly influenced in his
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McDonald, Peter D. "Republishing Yeats’s ‘The Lake Isle of Innisfree’ in the 1890s." In The Double Life of Books. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399524407.003.0010.

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This chapter considers how the 1890s publications of Yeats’s ‘The Lake Isle of Innisfree’ were instrumental in shaping its interpretation and Yeats's authorial identity. Scholars like George Bornstein argue that Yeats’s revisions created a carefully constructed public image, with each book offering not just poems but a portrayal of the poet himself. Yeats's editing of his work reflects a desire to shape both his canon and public self. The chapter notes that in Yeats’s 1895 Poems, his works embody a ‘fictive Yeats,’ an idealized Irish poet of tradition, legend, and beauty. This image is further
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Conference papers on the topic "Celtic poetry"

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Storozhuk, Alexander. "BAI JUYI AND ORIGINS OF THE NEW YUEFU." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.07.

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The first poetic cycle of 50 New Yuefu was written by Bo Juyi (白居易, 772–846) in 809 after the works of by his friend Li Shen (李紳, 772–846). Bo Juyi wrote it simultaneously with another great Tang poet Yuan Zhen (元稹, 779–831), and the new literary style has been known for centuries as Yuan-Bo (元白). Both of the poets shared the same attitude towards the role of letters in the society and aspired to implement their credo at the official posts they held. The origin of New Yuefu philosophy dates back at least to 806, when he together with Yuan Zhen created the illustrious political composition know
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Alison, Aurosa. "Les « Unités » Modulor dans la Philosophie de l’Espace de Gaston Bachelard." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1045.

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Résumé: Celui du Modulor est le premier exemple de la mesure humaine utilisée dans l’architecture. L’architecture de la moitié du vingtième siècle a été influencée par les projets de Le Corbusier. En même temps, la pensée de Gaston Bachelard s’évolue contextuellement au Mouvement Moderne et en 1957 le philosophe publie le célèbre ouvrage « La Poétique de l’espace ». Une bonne partie de sa pensée a été influencée par l’étude des quatre éléments naturels, par une conception de l’espace intime et par les différents développements de l’image de la maison. La description de la maison, dans les mots
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