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Journal articles on the topic 'Celtic poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Williams, Heather. "The poetry of Celtic places." Nineteenth-Century Contexts 41, no. 1 (2019): 63–74. http://dx.doi.org/10.1080/08905495.2018.1545429.

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Roy, G. Ross, Thomas Rain Crowe, Gwendal Denez, and Tom Hubbard. "Writing the Wind: A Celtic Resurgence: The New Celtic Poetry." World Literature Today 72, no. 2 (1998): 428. http://dx.doi.org/10.2307/40153932.

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Fowler, Jaclyn Maria. "An Orchestrated Awakening: Latent Irish-ness at the Heart of Yeats's Seminal Work." CEA Critic 85, no. 3 (2023): 211–16. http://dx.doi.org/10.1353/cea.2023.a912097.

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Abstract: "The Lake Isle of Innisfree" is more subtle than the poet's more myth- and folklore-facing poems like "Cuchulainn's Fight with the Sea" and "A Faery Song." Yet, it fits squarely in the realm of the nineteenth-century movement known as the Celtic Revival. At its core, the movement sought to reestablish the rich artistic and folkloric traditions of the Irish that had long been outlawed under British rule. To inspire understanding of what it meant to be Irish, writers and artists of all stripes reintroduced Celtic art and dancing, music and theatre, poetry, athletics, and spiritual prac

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Bulas, Ryszarda Maria. "Tkanina z Mashanu (Chiny, V–III w. p.n.e.) a celtycki system ornamentalny." Art of the Orient 1, no. 1 (2012): 57–72. http://dx.doi.org/10.15804/aoto201203.

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In a short article the author presents the hypothesis that certain aspects of Celtic Art has Chinese origin. She compares the decoration of textiles found in 1982 in Mashan, province of Hubei in China with the Celtic system of ornamentation, known from books illumination, sculptures of Celtic crosses and metal products. Among the motifs known to Celtic art she indicates: skulls, tête coupe, pelts, spirals and triskeles. The author also indicates the similarities in the field of color symbolism, animal symbolism (crane), the special role of women and femininity, and Nature (on the basis of phil

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Stalmaszczyk, Piotr. "Place-names in Modern Scottish Gaelic Poetry." Studia Celto-Slavica 5 (2010): 119–28. http://dx.doi.org/10.54586/ohzi1150.

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The significance of place-names in Celtic, especially Irish, literature has been extensively discussed in numerous studies. Though an important feature of older poetry, the usage of geographical names is employed also in contemporary verse, not only in Irish, but also in Scottish Gaelic. The preoccupation with places may be viewed as a broader awareness of the geographical setting, a point extensively discussed by Sorley MacLean (1985) in connection with the consciousness of the presence of the sea in the seventeenth-century Gaelic poetry. Place-names are often used as means of appropriateness

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Min Gun Kang. "Celtic Identity and Other-ness in Seamus Heaney's Poetry." Journal of English Cultural Studies 5, no. 1 (2012): 5–32. http://dx.doi.org/10.15732/jecs.5.1.201206.5.

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Mooney, Sinéad. "KICKING AGAINST THE THERMOLATERS: Beckett's "Recent Irish Poetry"." Samuel Beckett Today / Aujourd'hui 15, no. 1 (2005): 29–42. http://dx.doi.org/10.1163/18757405-015001006.

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"Recent Irish Poetry" (1934), while well-known to Beckett critics, has most frequently been read only in terms of a straightforward binarism between "antiquarian" Celtic twilighter and modernist "other." This essay attempts to move beyond the familiar reading by examining the essay's dialogue with other contributors to the "Irish Number" of in which it originally appeared, to survey readings of the text as Irish modernist manifesto, and to treat it as a "precipitate in prose."

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Williams, Heather. "Are the Bretons French? The Case of François Jaffrennou/Taldir ab Hernin." Nottingham French Studies 60, no. 2 (2021): 192–205. http://dx.doi.org/10.3366/nfs.2021.0316.

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This article explores the poetry of François Jaffrennou, who published under the druidic pseudonym Taldir ab Hernin, as a case study in decolonized multilingualism. Close readings of Taldir's writing in Breton, Welsh and French reveal the pressures of negotiating a hybrid Celtic-French identity, as he affirms his Celticity while maintaining a careful relationship with France. Taldir criticizes the French state in his Welsh texts, whereas in French and Breton his critique is more guarded, subtly codified. The Celtic space which emerges here is full of tensions, as Taldir works both within and a

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Jacobs, Nicolas. "Celtic saga and the contexts of old English elegiac poetry." Etudes Celtiques 26, no. 1 (1989): 95–142. http://dx.doi.org/10.3406/ecelt.1989.1906.

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Aloufi, Aliaa. "Markedness-Based Analysis of Englyn Meter." World Journal of English Language 12, no. 8 (2022): 390. http://dx.doi.org/10.5430/wjel.v12n8p390.

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This research aims to examine the Englyn meter in the poetry of Celtic language (Medieval Welsh) that requires the poetic texts to conform to an abstract prosodic template. This counting meter regulates the phonological constituency on the same metric level of the prosodic hierarchy rather than on the metrical hierarchy in verse (the line). In the main types of Englyn meters, Englyn milwr and Englyn penfyr, phonological units of each line are constrained with a certain number of syllables and rhyme with the final syllable of most lines. This research offers a markedness-based analysis that gen

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Kruczkowska, Joanna. "Museum Project: 14 Henrietta St. Museum, Paula Meehan, Dragana Jurišić and the Irish Housing Crisis." Text Matters: A Journal of Literature, Theory and Culture, no. 12 (November 24, 2022): 452–69. http://dx.doi.org/10.18778/2083-2931.12.27.

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The aim of the article is to compare three (re)creative activities within one interdisciplinary project: a public space (14 Henrietta St. Museum in Dublin), poetry (Paula Meehan’s cycle of sonnets in Museum of 2019) and photography (Dragana Jurišić’s photos in the same book). They are all examined in the light of the current housing crisis in Ireland, which followed the collapse of the Celtic Tiger in 2008. The Museum project not only comments on the crisis and the changing social relations in Ireland but also challenges the perception of history and private/public memory. In the article, the

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[Donald] Allchin, A. M. "1978 Emerging: a look at some of R. S. Thomas’ more recent poems." Theology 123, no. 4 (2020): 281–88. http://dx.doi.org/10.1177/0040571x20934030.

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A. M. ‘Donald’ Allchin (1930–2010) worked at Pusey House, Oxford, in the 1960s before serving as a Residentiary Canon at Canterbury Cathedral (1973–87). This article reflects his love of the influential poetry of the craggy Welsh poet and Anglican priest R. S. Thomas (1913–2000). Allchin taught himself Welsh by following the daily liturgical readings in Welsh and was fascinated by Celtic culture and ritual and Eastern Orthodoxy, writing a number of devotional books. Editor.

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Zhu, Wenting. "Mythopoetic Resonances: Intertextual Appropriation of Classical Mythology in Modernist British Poetry." Scientific Journal Of Humanities and Social Sciences 7, no. 7 (2025): 66–82. https://doi.org/10.54691/2t12x856.

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The incorporation of classical mythology in British modernist poetry is studied in this research as the works of forgotten British poets like Eliot, Yeats, and H.D. are placed under scrutiny based on how they appropriated ancient myths to tackle issues of their epoch. Analysing "The Waste Land," "Leda and the Swan," and H.D.’s Hellenic poetry, the research shows that modernist poets carved out a cultural critique from the fragments of their experiences shaped by classical modernist references. Eliot's objective correlative, the Celtic-classical synthesis of Yeats, and H.D.'s feminist reclamati

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Philippovsky, German Y. "N. A. Nekrasov and the English pre-Romanticists (to the origins of the poetic motif of Night)." Verhnevolzhski Philological Bulletin 2, no. 25 (2021): 8–18. http://dx.doi.org/10.20323/2499-9679-2021-2-25-8-18.

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The paper investigates the literary roots of «night-motifs» in N. Nekrasov`s epic «Who is Happy in Russia?» and his «night» poems «Knight for an Hour» and «Railroad» down to English poetry of XVII–XVIII cc.: metaphysical poetry by H. Vaughan (XVII c.) and greater didactic poem by E. Young (XVIII c.). Both mythological and lyrical «night» motifs of H. Vaughan`s poetry owed to ancient folk traditions of the poet`s Motherland – Wales, with its archaic Celtic language, rituals and sacred festivals (such as Samhein). E. Young`s poem «Complaint or night thoughts on life, death and immortality» (1743

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Kuzmin, Yuri. "New Perspectives on the Date of the Great Festival of Ptolemy II." Klio 99, no. 2 (2018): 513–27. http://dx.doi.org/10.1515/klio-2017-0035.

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Summary: The dating of the Great Festival at Alexandria described by Callixeinus (in Athenaeus) is controversial: the most widely accepted dates are the winters of 279/78, 275/74 or 271/70 BC. To the arguments for a date in the mid-270s BC should be added Athenaeus' mention (5.196 f) of a pavilion decorated with „silver“ and „golden“ thyreoi, i. e. oblong shields apparently of Celtic origin. This type of shield was not known in the Hellenistic East before the invasion of Celts into Asia Minor in 278 BC. Their appearance in the decoration of the pavilion may be connected to the destruction of t

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Pilný, Ondřej. "Irish Studies in Continental Europe." Irish University Review 50, no. 1 (2020): 215–20. http://dx.doi.org/10.3366/iur.2020.0448.

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This essay seeks to give an overview of the study of Ireland and its culture in continental Europe from the late eighteenth century up to the present day. It discusses the early interest in Ossianic poetry, Celtic philology, and travel writing, together with the internationalist standing of modernist writers such as Joyce and Beckett as the roots of how and under which rubric Irish culture has been received by the general public and studied at universities, and then proceeds to examine the current state of Irish Studies and its prospects on the European continent.

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Ogliari, Elena. "“Burn through the parochial states of mind”: Dorothy Molloy’s Illness Poetry as a Catalyst for Change." Altre Modernità, no. 32 (November 30, 2024): 178–94. https://doi.org/10.54103/2035-7680/27291.

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This article examines how Dorothy Molloy’s poetry inscribes the subjective experience of illness, pain, and female sexuality within ostensibly traditional lyric forms to challenge conventional representations of illness and shed light on the inequities of Celtic Tiger Ireland. The poetic medium is ideally suited to express the painful caesura of infirmity, but Molloy’s poetry also fulfils perlocutive functions that position her cancer poetry as an agent for social change. The aesthetic of the poems collected in the posthumous The Poems of Dorothy Molloy is driven by a socio-political imperativ

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Stoliarova, A. G. "REGIONAL DEVELOPMENT OF A POETICAL TRADITION: FOREIGN INCLUSIONS AS A LITERARY DEVICE (stylistic aspect)." Bulletin of Udmurt University. Series History and Philology 30, no. 6 (2020): 1008–13. http://dx.doi.org/10.35634/2412-9534-2020-30-6-1008-1013.

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Scottish alliterative poetry, which can be regarded as a regional variety and at the same time the final step in the evolution of the alliterative tradition in England and Scotland, was composed in the second half of the 15th century, the period that marked the gradual decline of the tradition. In Scotland the alliterative verse was mainly employed for ironic or satirical purpose. The Buke of Howlat by Richard Holland, the earliest Scottish poem, can provide an example of using alliterative style in allegory and parody. The paper deals with how elements of a foreign language, as well as imitat

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Stalmaszczyk, Piotr. "The Permanence of Place: Places and Their Names in Irish Literature." Studia Celto-Slavica 2 (2009): 93–109. http://dx.doi.org/10.54586/bcbf2160.

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This paper discusses the relation between places and their names as reflected in Irish literature. According to Robbie Hannan (1991: 19) attachment to place is among the strongest human emotions, explicitly revealed in literature. Celtic literature is ‘saturated’ with images of landscape and preoccupied with places and their names, landscape is constantly present in ancient sagas and bardic poetry, modern drama, short stories, novels and essays. The sense of place is explicitly manifest in medieval heroic tales (such as The Táin), and twentieth century novels (e.g. James Joyce’s Ulysses) and p

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Ó Cróinín, Dáibhí. "Thomas Owen Clancy and Gilbert Márkus, Iona: the earliest poetry of a Celtic monastery." Peritia 11 (January 1997): 425–27. http://dx.doi.org/10.1484/j.peri.3.311.

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Becker, Daniel. "“The Debris of History”. On Waste and the Past in Irish Celtic Tiger Poetry." Études irlandaises, no. 43-2 (December 18, 2018): 93–109. http://dx.doi.org/10.4000/etudesirlandaises.5730.

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22

Foot, Sarah. "Plenty, Portents and Plague: Ecclesiastical Readings of the Natural World in Early Medieval Europe." Studies in Church History 46 (2010): 15–41. http://dx.doi.org/10.1017/s0424208400000474.

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Noli paterFather do not allow thunder and lightning,Lest we be shattered by its fear and its fire.We fear you, the terrible one, believing there is none like you.All songs praise you throughout the host of angels.Let the summits of heaven, too, praise you with roaming lightning,O most loving Jesus, O righteous King of Kings.(Thomas Owen Clancy and Gilbert Márkus,Iona: The Earliest Poetry of a Celtic Monastery, 85)Early medieval attitudes to the natural world were distinctly ambivalent. At one level the natural world represented the marvel of God’s creative power; filled with beauty, it supplie

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23

Semenov, Vadim Borisovich. "Guillaume Troubadour and the Englins (towards the construction of the "Welsh" hypothesis of the origin of European rhyming stanzas)." Litera, no. 8 (August 2022): 171–86. http://dx.doi.org/10.25136/2409-8698.2022.8.38539.

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The subject of the study is the real and probable connections of Aquitanian (and in particular Poitevin) poetry of the High Middle Ages with the traditions of early Medieval Celtic (and in particular Welsh) literature. A narrower topic of research was the influence of Welsh poems in the form of Englyns on the early samples of Guillaume IX's poetry, primarily in the early forms of englyn milwr and englyn penfyr. An additional subject of research was the metric features of these early forms of Englyns. At the same time, a broader topic of research was the topic of the possible origin of exact rh

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Evans, David. "Myths of Authenticity and Cultural Performance: Breton Identity in the Poetry Anthology, 1830–2000." Nottingham French Studies 60, no. 2 (2021): 159–74. http://dx.doi.org/10.3366/nfs.2021.0314.

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This article examines the various constructions of Breton identity in twelve anthologies of poetry revealing three broad conceptual phases: celebration of an essential ethno-cultural otherness which nonetheless belongs within the French Republic (1830–1918), calls for independence which harness pan-Celtic or postcolonial discourses (1919–71), and a playful, performative notion of identity based on cultural affinity, inclusive of incomers (1976–2000). I focus on strategies of editorial framing which, in each phase, insist on the apartness, and the authenticity, of Breton expression. These antho

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Mikhailova, Tatyana. "Steal and theft: nomination strategy in the celtic area." St. Tikhons' University Review. Series III. Philology 75 (June 30, 2023): 43–60. http://dx.doi.org/10.15382/sturiii202375.43-60.

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The work concerns itself with studying the way the notions thief and theft, which the author considers to be rather late and secondary, are realized in Celtic languages in diachronic perspective. The author constructs the original four-component model of the contemporary notion theft, and traces, on the basis of comparative material, the development of the original notions the model is based on (a secret action, deprivation through the distancing stage, doing harm, agence’s personal interest). Those notions prove to be basic for the emergence and development of corresponding terms during lingu

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CONNELL, PHILIP. "BRITISH IDENTITIES AND THE POLITICS OF ANCIENT POETRY IN LATER EIGHTEENTH-CENTURY ENGLAND." Historical Journal 49, no. 1 (2006): 161–92. http://dx.doi.org/10.1017/s0018246x0500508x.

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This article examines the scholarly recovery and popular reception of ‘ancient poetry’ in later eighteenth-century England, with a view to elucidating the relationship between cultural primitivism and more overtly politicized discourses of national identity. The publication of the poems of Ossian, in the early 1760s, gave a new prominence to the earliest cultural productions of Celtic antiquity, and inspired the attempts of English literary historians, such as Thomas Percy and Thomas Warton, to provide an alternative ‘Gothic’ genealogy for the English literary imagination. However, both the En

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Kratz, Henry, Daniel G. Calder, Robert E. Bjork, Patrick K. Ford, and Daniel F. Melia. "Sources and Analogues of Old English Poetry II: The Major Germanic and Celtic Texts in Translation." German Quarterly 58, no. 4 (1985): 599. http://dx.doi.org/10.2307/406950.

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Stanley, E. G., Daniel G. Calder, Robert E. Bjork, Patrick K. Ford, and Daniel F. Mella. "Sources and Analogues of Old English Poetry, II: The Major Germanic and Celtic Texts in Translation." Modern Language Review 82, no. 2 (1987): 432. http://dx.doi.org/10.2307/3728442.

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Lazareva, Тatyana G. "THOMAS THE RHYMER’S ROMANCE «SIR TRISTREM»: ON TRACES OF THE ANCIENT CELTIC TECHNIQUES IN MEDIEVAL POETRY." Вестник Пермского университета. Российская и зарубежная филология, no. 1 (2016): 79–85. http://dx.doi.org/10.17072/2073-6681-2016-1-79-85.

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Stubbs, Tara. "‘Its native surroundings’: Marianne Moore, England, and the idea of the ‘characteristic American’." Modernist Cultures 11, no. 1 (2016): 48–64. http://dx.doi.org/10.3366/mod.2016.0125.

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Marianne Moore claimed that she was ‘Irish by descent, possibly Scotch also, but purely Celtic’. Critics have gone so far as to claim Moore as an Irish-American poet. In so doing they have glossed over the English side of her family background (as did Moore herself). This is perhaps unsurprising, considering that it was Moore's father, from whom she was estranged throughout her life, who was of English ancestry. Nevertheless, this ancestry lurks in the background of her imagination. This article argues that Moore's poetry and prose often map ‘Englishness’ onto ‘Americanness’. Here she is both

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Moi, Ruben. "Pangur Bán, Translation, Postmodernism, Paul Muldoon." Nordlit 49, no. 1 (2022): 1–15. http://dx.doi.org/10.7557/13.6480.

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«Pangur Bán» is probably the best know poem in Celtic studies, and a poem that tends to become increasingly more popular to audiences outside of Ireland. However, the anonymous, medieval poem has been cherished throughout history for a wide range of poetic, philosophical, intellectual and educational reasons. To inquire into the longevity and popularity of a marginal gloss on his cat by an Irish monk in a German monastery in the ninth century seems appropriate at a time when contemporary literature and applied hermeneutics of all kinds tend to dominate the literary discourses. This essay relat

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Garcia, Humberto. "Hearing Celtic Minstrelsy in Persian: Henry Louis Vivian Derozio, Kasiprasad Ghosh, and Audiation in Anglo-Indian Persianate Poetry." Comparative Literature 77, no. 2 (2025): 145–67. https://doi.org/10.1215/00104124-11626865.

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Abstract In the early nineteenth century, an incipient national identity for India first found expression in the English literature of the Bengal Renaissance, an aesthetic movement influenced by skeptical Enlightenment philosophies, Orientalist philology, and bardic nationalism from Britain’s Celtic periphery. The movement’s most prolific spokespersons were Henry Louis Vivian Derozio (1809–1831), the Indo-Portuguese poet, teacher, and journalist; and his student Kasiprasad Ghosh (1809–1873), the first Hindu to write poetry in English. While literary critics have emphasized their contributions

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Aliyeva, E. "BORROWED WORDS AND THEIR USAGE DEGREE IN ENGLISH RIDDLES." Sciences of Europe, no. 135 (February 26, 2024): 72–73. https://doi.org/10.5281/zenodo.10704555.

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Riddles being one of the oldest and richest genres of folklore are valuable treasure of word reflecting the history, spiritual values, customs and traditions of the people in themselves. Borrowed words in the English riddles are highlighted in the article. The article determines riddles as short works the basis of which is a witty, metaphorical question that involves an answer. It should be noted that the vocabulary of the language is enriched in a number of ways and methods, in addition to internal capabilities. Words or borrowings from other languages in connection with this or that need are

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Linnichenko, S. I. "Language Representation of Myth-making as a Method of Artistic Cognition (Based on the British Postmodern Poetry)." NSU Vestnik. Series: Linguistics and Intercultural Communication 22, no. 4 (2025): 35–48. https://doi.org/10.25205/1818-7935-2024-22-4-35-48.

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The article is devoted to the issue of myth-making in postmodern literature. A new mythology is regarded as a philosophical and literary phenomenon, and is also analyzed from the point of view of cognitive linguistics. The main sources of mythology and trends in myth-making in modern fiction are also defined. The purpose of the study is to identify linguistic ways of representing myth-making as an innovative cognitive practice of British postmodern poets. Modern myth-making is a complex philosophical phenomenon that becomes a source of pseudo-reality and at the same time constantly refers to o

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Meek, Donald E. "Iona; The Earliest Poetry of a Celtic Monastery by edited by Thomas Owen Clancy and Gilbert Márkus. Edinburgh University Press, 1995. 271 pp. £12.95." New Blackfriars 76, no. 897 (1995): 466–68. http://dx.doi.org/10.1017/s0028428900047557.

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Breeze, Andrew. "The Germanic Hero Wade and Wat's Dyke, Wales." Language Culture Politics International Journal 1, no. 1/2023 (2023): 117–28. http://dx.doi.org/10.54515/lcp.2023.1.117-128.

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Wat's Dyke is an earthwork running along the border of England and Wales, like its western neighbour Offa's Dyke. But it is the shorter of the two, stretching a mere thirty-eight miles (62 kilometres) from the coast of the Dee Estuary to the environs of Old Oswestry, an Iron Age fortress in Shropshire, England. Although Wat's Dyke is now dated to the early ninth century (some decades later than Offa's Dyke), its name has remained obscure. A solution is yet possible. It can be related to the legendary Germanic hero Wade, who figures in Old and Middle English verse (including that of Chaucer), O

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O.O., Smolnytska. "THE REFLECTION OF SCANDINAVIAN AND CELTIC NATIONAL ARCHETYPES IN THE CONTEXT OF THE UKRAINIAN STUDIES (BY THE TRANSLATIONS OF SKALDIC POETRY AND THE BRETON BALLADS)." Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 1, no. 85 (2017): 132–45. https://doi.org/10.5281/zenodo.843906.

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У статті висвітлені архетипові нюанси передачі символіки та інших деталей у скальдійській (староісландській і старонорвезькій) і кельтській (бретонській) поетичних традиціях. Цитовані тексти вперше перекладені українською. При поетичному перекладі враховано особливості оригіналів. Зокрема, відтворено алітерації, які у старогерманській поезії заміняли Запропоновано пошуки українських варіантів на позначення скандинавських реалій. Пояснюються формальні особливості скальдичної та еддичної поезії. Подані історичний, біографічний, міфологічний, лінгвістичний, компаративний аспекти. Присвячено увагу

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Ibragimova, Karina. "EARLY WORK OF E. POUND AND W.B. YEATS (PECULIARITIES OF THE LYRICAL SUBJECT IN THE POEM “PLANH”)." Lomonosov Journal of Philology 48, no. 1, 2025 (2025): 192–200. https://doi.org/10.55959/msu0130-0075-9-2025-48-01-15.

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The article is dedicated to Ezra Pound’s poem “Planh” (Lament), which is included in the poet’s book of poems Exultations. Exploring the phenomenon of Pound’s early poetics, the author of the article pays attention to its extreme sensitivity to various literary influences. The individual poetic voice of the young Pound was largely influenced by the work of W.B. Yeats. Using the example of the poem “Planh”, the article examines the techniques by which Pound borrowed from Yeats some grammatical and syntactic constructions (archaisms, Irishisms, enjambments) as well as the theme and imagery of Th

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Canan, Özgür. "The Musical and the Philosophical Analysis of the Opera Tristan and Isolde by Wagner." International Journal of Social and Humanities Sciences Research (JSHSR) 11, no. 114 (2024): 2810–16. https://doi.org/10.5281/zenodo.14585138.

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German composer, theorist, conductor Wagner invented a structure of continuous narrative flow, which is different than the traditional and conventional opera structure. He had a strong influence on the musical world lasting for at least one century. His fascinating opera <em>Tristan and Isolde</em> is one of the most interesting and loved ones in music history. In this opera, everything is symbolic and works for the mythic world that Wagner created. The opera is based on a medieval Celtic legend about a romantic tragedy of love and death told by an exceptional music. Wagner, being under the in

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McGinn, Bernard. "Island of Saints and Scholars: Some Recent Books on Early Irish ChristianityIona: The Earliest Poetry of a Celtic Monastery. Thomas Owen Clancy , Gilbert MarkusKing of Mysteries: Early Irish Religious Writings. John CareyConversing with Angels and Ancients: Literary Myths of Medieval Ireland. Joseph Falaky Nagy." Journal of Religion 79, no. 2 (1999): 280–83. http://dx.doi.org/10.1086/490401.

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Fry, Donald K. "Daniel G. Calder, Robert E. Bjork, Patrick K. Ford, and Daniel F. Melia, transs., Sources and Analogues of Old English Poetry, 2:The Germanic and Celtic Texts in Translation. Cambridge, Eng.: D. S. Brewer; Totowa, N.J.: Barnes & Noble, 1983. Pp. xxiv, 222; 2 maps. $42.50." Speculum 61, no. 01 (1986): 228. http://dx.doi.org/10.1017/s0038713400120123.

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Mehl, James V. "Hermann von dem Busche's Vallum humanitatis (1518): A German Defense of the Renaissance Studia Humanitatis*." Renaissance Quarterly 42, no. 3 (1989): 480–506. http://dx.doi.org/10.2307/2862080.

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Hermann von dem Busche typifies the younger, more aggressive generation of humanists who became embroiled in the literary feuds and controversies of pre-Reformation Germany.' While Peter Luder and Conrad Celtis had preceded him as "apostles of humanism" in Germany, Busche carried the tradition of the "wandering poet" into the early sixteenth century. His major prose work, the Vallum humanitatis, exemplifies an important literary genre of the humanists, the "defense of poetry," usually approached as a defense of humanistic learning against scholastic opponents. Several recent studies need to be

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Бурцев, А. А. "Phenomenon of P. A. Oyunsky in the Context of World Literature." Эпосоведение, no. 2(14) (June 28, 2019): 73–81. http://dx.doi.org/10.25587/svfu.2019.14.32182.

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Актуальность проблемы обусловлена ростом интереса к личности и творческому наследию П. А. Ойунского в современную эпоху. Тем более что в изучении его творчества остаются нерешенные вопросы. В частности, не учитывается его эволюция как мыслителя и художника слова, что приводит к идеологизированному подходу к нему только как пламенному борцу и буревестнику революции. Ранний П. А. Ойунский представлял собой тип ангажированного художника. Его поэзия была неразрывно связана с общественнополитической деятельностью. Устанавливая советскую власть в Якутии, участвуя в гражданской войне, создавая Песню

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Price, David. "Desiring the Barbarian: Latin, German and Women in the Poetry of Conrad Celtis." German Quarterly 65, no. 2 (1992): 159. http://dx.doi.org/10.2307/406475.

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Klecker, Elisabeth. "Italicis oris Germana in regna tulisti / Castalides." Specimina Nova Pars Prima Sectio Medaevalis 6 (May 12, 2022): 143–62. http://dx.doi.org/10.15170/spmnnv.2011.06.09.

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Italicis oris Germana in regna tulisti / Castalides. The reception of humanist poetry at Vienna university in the early 16th century. In 1512 Adrian Wolfhard (1491 – 1545), a Transylvanian Saxon graduated magister in 1511, published a lengthy hexametric poem (Panegyris, Viennae: Singrenius – Vietor) in praise of Emperor Maximilian I. The eulogy of the emperor concentrates on his humanist learning and promotion of humanist studies. Echoing Conrad Celtis’ famous ode, Wolfhard praises Maximilian for having introduced Apollo and the Muses into his German speaking territories. Apart from its emphas

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Barbarzak, Dawid. "The Humanist at the Table." Tabula, no. 17 (November 16, 2020): 21–46. http://dx.doi.org/10.32728/tab.17.2020.1.

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Italian humanists’ discoveries of ancient texts and printed editions of such ancient works as Lucretius’ De rerum natura, Plato’s Symposium or Apicius’ De re coquinaria strongly influenced the renewal of the Epicurean category of pleasure (voluptas) and created a new approach to eating. Many Italian humanists began emphasizing bodily needs and stressed their importance. We can find these ideas in the works of Lorenzo Valla (De voluptate, 1431), Marsilio Ficino (De voluptate, 1457) or Bartolomeo Platina (the author of the first printed cookbook De honesta voluptate et valetudine, ca. 1465-68) w

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Jones, Nerys Ann. "Joseph Falaky Nagy & Lesley Ellen Jones (ed), Heroic poets and poetic heroes in Celtic tradition: a Festschrift for Patrick K. Ford." Peritia 21 (January 2010): 351–54. http://dx.doi.org/10.1484/j.perit.1.102392.

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Sitayeb, Stéphane. "Ethnic and gendered vulnerability at the fin de siècle: Celtic and female sub/objects in some poetical works of Algernon Charles Swinburne, William Butler Yeats and Arthur Machen." Leaves, no. 3 (January 30, 2017). https://doi.org/10.46608/leaves.vi3.260.

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Focusing on fin-de-siècle poetry (1880-1900s), this paper will try to determine whether the notion of vulnerability is ethnic-based and gendered, and therefore collective, or whether it is only inherent in the qualities of each individual, regardless of his/her sex, class and origins. Although Celticism and femininity might have been perceived as collective forms of vulnerability all along the Victorian era, Aesthetic and Decadent poetry largely contributed to debunk the traditional equation between women and inferiority (the alleged ‘weaker sex’) and to deconstruct the correlation between non

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Fernández Arce, Francisca. "Towards an Approximation of Yeats’ Poetical Landscape in his Early Poetry." ESLA English Studies in Latin America, no. 17 (July 2019). http://dx.doi.org/10.7764/esla.61149.

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This article discusses the development of William Butler Yeats’ poetical landscapes, in his early poetry. Understanding Yeats’ definition of symbols and his relation to Symbolism through the works of William Blake, I will analyse four different musical symbols across a selection of five poems taken from Yeats’ first two collections— “The Wanderings of Oisin and Other Poems” (1889) and “The Rose” (1893). In this sense, I present a common line from these selected poems based on a mythological character travelling to an other-worldly island, where an imbalanced dialogue is maintained with fairies

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Canny, Brian Gerard. "The economics and ethics of Celtic Ireland." REVISTA PROCESOS DE MERCADO, March 19, 2021, 215–38. http://dx.doi.org/10.52195/pm.v7i2.279.

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For thousands of years the Gaelic speaking territories of north-western Europe were home to a polycentric legal order that has been of great interest to Austro-libertarian theorists in the field of free-market legal reform (Rothbard, For a New Liberty, 1970). This ancient legal system, known as «Brehon law» after the caste of professional judges called Brehons who wrote and upheld the laws, was best preserved on the island of Ireland where it remained in place from pre-history up until the 17th century. To understand the economics and ethics of this early Irish legal system one must firs

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