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Relevant bibliographies by topics / Cenci (Shelley, Percy Bysshe)

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Academic literature on the topic 'Cenci (Shelley, Percy Bysshe)'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Cenci (Shelley, Percy Bysshe)"

1

Fulford, Tim, and Michael O'Neill. "Percy Bysshe Shelley." Modern Language Review 90, no. 2 (April 1995): 419. http://dx.doi.org/10.2307/3734568.

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Bakić-Mirić, Nataša, and Mirjana Lončar-Vujnović. "Percy Bysshe Shelley: The neglected genius." Зборник радова Филозофског факултета у Приштини 49, no. 3 (2019): 129–45. http://dx.doi.org/10.5937/zrffp49-21447.

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Borushko, Matthew C. "Percy Bysshe Shelley and the Sciences." Literature Compass 2, no. 1 (January 2005): **. http://dx.doi.org/10.1111/j.1741-4113.2005.00205.x.

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Stephens, Paul. "Percy Bysshe Shelley: Poet and Revolutionary." Keats-Shelley Review 33, no. 1 (January 2, 2019): 134–36. http://dx.doi.org/10.1080/09524142.2019.1611285.

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Clemit, P. "Review: Percy Bysshe Shelley. The prose works of Percy Bysshe Shelley, vol. I, ed. EB Murray." Notes and Queries 43, no. 2 (June 1, 1996): 223–34. http://dx.doi.org/10.1093/nq/43.2.223.

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Paley, Morton D., Donald H. Reiman, Neil Fraistat, and Percy Bysshe Shelley. "The Complete Poetry of Percy Bysshe Shelley." Studies in Romanticism 40, no. 2 (2001): 300. http://dx.doi.org/10.2307/25601508.

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Coffey, Bysshe Inigo. "Percy Bysshe Shelley and China’s Gayest Art." Wordsworth Circle 51, no. 2 (March 2020): 221–41. http://dx.doi.org/10.1086/709153.

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Kasmer, Lisa. "National Trauma and Romantic Illusions in Percy Shelley’s The Cenci." Humanities 8, no. 2 (May 14, 2019): 94. http://dx.doi.org/10.3390/h8020094.

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Percy Shelley responded to the 1819 Peterloo Massacre by declaring the government’s response “a bloody murderous oppression.” As Shelley’s language suggests, this was a seminal event in the socially conscious life of the poet. Thereafter, Shelley devoted much of his writing to delineating the sociopolitical milieu of 1819 in political and confrontational works, including The Cenci, a verse drama that I argue portrays the coercive violence implicit in nationalism, or, as I term it, national trauma. In displaying the historical Roman Cenci family in starkly vituperous manner, that is, Shelley reveals his drive to speak to the historical moment, as he creates parallels between the tyranny that the Roman pater familias exhibits toward his family and the repression occurring during the time of emergent nationhood in Hanoverian England, which numerous scholars have addressed. While scholars have noted discrete acts of trauma in The Cenci and other Romantic works, there has been little sustained criticism from the theoretical point of view of trauma theory, which inhabits the intersections of history, cultural memory, and trauma, and which I explore as national trauma. Through The Cenci, Shelley implies that national trauma inheres within British nationhood in the multiple traumas of tyrannical rule, shored up by the nation’s cultural memory and history, instantiated in oppressive ancestral order and patrilineage. Viewing The Cenci from the perspective of national trauma, however, I conclude that Shelley’s revulsion at coercive governance and nationalism loses itself in the contemplation of the beautiful pathos of the effects of national trauma witnessed in Beatrice, as he instead turns to a more traditional national narrative.

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Duffy, Cian. "The Neglected Shelley; The Oxford Handbook of Percy Bysshe Shelley." European Romantic Review 27, no. 4 (June 28, 2016): 526–32. http://dx.doi.org/10.1080/10509585.2016.1190090.

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Lindstrom, Eric. "Mourning Life: William Wordsworth and Percy Bysshe Shelley." Romanticism 23, no. 1 (April 2017): 38–52. http://dx.doi.org/10.3366/rom.2017.0305.

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What does it mean that Shelley publicly mourns the death a living Wordsworth in his poetry? This essay argues that Percy Bysshe Shelley's renunciation of a narrow concept of selfhood not only informs, but germinates, his psychological and political principles, and in the process shapes his response to William Wordsworth—not as an “egotistical” poet, but as one who paradoxically and enviably escapes mutability by being ontologically identified with forms of non-life. I argue that Shelley brilliantly (and correctly) attributes this position to Wordsworth's poetic thought through his own poetic thinking in works such as Peter Bell the Third, and that Shelley also finds such an alignment incomprehensible. His construction of Wordsworth is a skeptical dialectician's disavowal of mute or dull inclusion. The essay attends to Shelley's treatment of Wordsworth in connection to Shelley's performative speech acts of inversion: life-death; heaven-hell; blessing-curse. Shelley abjures Wordsworth for excessive love for otherwise inanimate things; for ‘ma[king] alive | The things it wrought on’ and awakening slumberous ‘thought in sense’.

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Dissertations / Theses on the topic "Cenci (Shelley, Percy Bysshe)"

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Roussetzki, Rémy Joseph. "A theater of Anxiety : the irrepresentable in Shelley's The Cenci and in Musset's Lorenzaccio /." Ann Arbor : UMI, 1999. http://catalogue.bnf.fr/ark:/12148/cb37155209d.

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Aubel, Damien. "Autour des Cenci : approche structurale d'un épisode de la Renaissance italienne au dix-neuvième siècle." Amiens, 2006. http://www.theses.fr/2006AMIE0020.

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Brookshire, David J. "Percy Bysshe Shelley and the Gothic." College Park, Md.: University of Maryland, 2009. http://hdl.handle.net/1903/9467.

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Thesis (Ph.D.) -- University of Maryland, College Park, 2009.
Thesis research directed by: Dept of .English. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Schmid, Susanne. "Shelley's German afterlives, 1814 - 2000 /." New York, NY [u.a.] : Palgrave Macmillan, 2007. http://www.loc.gov/catdir/enhancements/fy0704/2006047154-b.html.

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Hannant, Fiona. "The religious thought of Percy Bysshe Shelley." Thesis, University of Sheffield, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319416.

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Fell, Annabelle E. "Soul-making in the writing of Percy Bysshe Shelley." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq28565.pdf.

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Lowe, Peter James. "Christian Romanticism : T.S. Eliot's response to Percy Bysshe Shelley." Thesis, Durham University, 2002. http://etheses.dur.ac.uk/4127/.

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This thesis presents a reading of T. S. Eliot's response to the work of Percy Bysshe Shelley, focusing on Eliot's Christian faith and the role it played in this response. Chapter One shows how Shelley was a great influence on Eliot's early work and how, after his Christian conversion, Eliot repudiated his influence. The chapter will show how previous readings of Eliot's relations with Romanticism have tended to centre on a Bloomian poetic 'anxiety of influence'. 1 will then offer my religious reading of Eliot's thought, and show how the period of initial repudiation gives way to a rapprochement with past poetic influences, as Eliot eventually accommodates past influences into his Christian scheme. Chapter Two examines the ways in which Shelley and Eliot address the issue of self-consciousness and our inherent sense of isolation. Chapter Three looks at the treatment of human love m the work of both poets. In both cases, Shelley desires, unsuccessfully, some release from selfhood, either in social communion or with an ideal lover. It is only with the adoption of a divine perspective that human relations can be set in context - something that Eliot came to realise in his later work. Chapter Four looks at the way the two poets reacted to the work of Dante, stressing that Eliot's Christian faith enabled him to relate to Dante's work in a way that Shelley, although appropriating Dantean motifs in his own work, could never fully attain. Chapter Five looks at the way both Eliot and Shelley address the fundamental shortcomings of language, showing how Eliot, in the years after his conversion, could be reconciled to linguistic shortfall because he could relate it to a higher, divine reality. Shelley, like Eliot in his early years, was vexed by this problem because he did not have the faith that offered a transcendent view of it. A concluding section draws together these chapters and sums up my reading of Eliot’s faith, and the extent to which it affected his response to the work of Shelley.

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Laniel-Musitelli, Sophie. "Science et poésie dans l'oeuvre de Percy Bysshe Shelley." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030109.

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L’époque romantique marque un tournant décisif dans les relations entre création littéraire et connaissance scientifique. Le discours scientifique se dote progressivement d’un langage et d’une méthode spécifiques, rompant avec la philosophie naturelle, qui conjuguait jusqu’alors considérations physiques et métaphysiques, observation et célébration de la nature. À l’heure où William Wordsworth lance l’aphorisme « we murder to dissect », déclaration d’indépendance de la parole poétique vis-à-vis du discours scientifique, Percy Bysshe Shelley (1792-1822) étudie avec assiduité les sciences à Eton puis à Oxford, avant d’entreprendre une formation médicale au Saint Bartholomew’s Hospital de Londres. Cette thèse met en évidence la transfiguration poétique des concepts et théories scientifiques dont Shelley avait pris connaissance à travers ses lectures et sa formation, ainsi que le saut imaginatif qui subvertit ces représentations en les intégrant aux réseaux des métaphores que le texte tisse selon ses propres lois. En une métamorphose féconde, Shelley déploie les soubassements mythiques et imaginaires, ainsi que les prolongements éthiques et métaphysiques des écrits scientifiques sur lesquels il se pencha. Cette étude se situe à la rencontre de deux ambitions heuristiques, de deux exigences formelles. Science et poésie sont à la recherche des harmonies cachées qui sous-tendent le monde des apparences. Soumettre l’absolu à la mesure, soumettre la beauté à la métrique poétique, soumettre la complexité infinie du monde naturel au calcul mathématique : telles sont les entreprises parallèles de la poésie de Shelley et de la science de son temps
The Romantic era was a time of tremendous change in the relationship between literary creation and scientific knowledge. Scientists framed a specific language and distinctive methods as they moved away from natural philosophy, which had thus far combined physics with metaphysics and united the observation of nature with its celebration. While William Wordsworth stated that « we murder to dissect », thus declaring the secession of poetic writing from scientific discourse, Percy Bysshe Shelley (1792-1822) was steadily studying science at Eton and then at Oxford, before embarking on a medical training at Saint Bartholomew’s Hospital in London. This thesis explores the poetic transfiguration of the scientific theories and concepts that Shelley came across in his readings and during his studies. It focuses on the way science is subverted by the poet’s imagination, as scientific representations undergo a fruitful metamorphosis, and become pa! rt of the webs of metaphors woven by the text according to its own laws. Shelley recreates the mythical and imaginary foundations as well as the ethical and metaphysical implications which lie dormant in the scientific writings he looks into. This study examines the encounter of two heuristic endeavours, of two highly formalised ways of writing. Science and poetry are in search of the hidden harmonies which underlie appearances. Measuring the measureless, encompassing absolute beauty within poetic metrics, subsuming the infinite richness of the natural world within the rules of mathematical calculation, such are the parallel endeavours of Shelley’s poetry and the science of his age

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Duffy, Cian. "Shelley and the revolutionary sublime /." Cambridge [u.a.] : Cambridge Univ. Press, 2005. http://www.loc.gov/catdir/enhancements/fy0659/2006274988-d.html.

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Mercer, Anna. "Rethinking the collaborative literary relationship of Percy Bysshe Shelley and Mary Wollstonecraft Shelley." Thesis, University of York, 2017. http://etheses.whiterose.ac.uk/18022/.

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This thesis offers a reassessment of the literary relationship and instances of creative collaboration between Percy Bysshe Shelley (PBS) and Mary Wollstonecraft Shelley (MWS). Rather than focusing on biography, I study the textual connections between the Shelleys’ works - though I have drawn on biographical information to put their collaboration into a historical context. I establish that their written works are profoundly influenced by and constructed through their intellectual exchange. Spoken discussions can never be recovered, but the evidence provided in the Shelleys’ writings, manuscripts, and non-fiction allows informed inferences to be made about how their compositions are interrelated. The study begins with the Shelleys’ meeting and their subsequent elopement in 1814, and continues on to PBS’s death in 1822, and beyond. It includes several case studies examined in detail. I give due attention to the work of existing scholars that have recognised the Shelleys’ collaboration, but emphasise that a comprehensive study of the Shelleys’ texts in light of their status as a literary couple has been lacking. More recent studies in Romanticism have shown a marked interest in the significance of collective creativity: PBS and MWS have the potential to provide one of the most intriguing examples of this paradigm, and critics have called for a ‘major study of this collaboration’ (Charles E. Robinson). I demonstrate MWS’s involvement in the production of PBS’s writings, and I identify shared working spaces. My analysis reveals the reciprocity of a relationship that in popular culture - including much of the discourse surrounding the Frankenstein manuscript - is often misrepresented as that of a patriarchal husband exerting intellectual dominance over his wife.

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Books on the topic "Cenci (Shelley, Percy Bysshe)"

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Reiman, Donald H. Percy Bysshe Shelley. Boston: Twayne Publishers, 1989.

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Reiman, Donald H. Percy Bysshe Shelley. Boston: Twayne Publishers, 1990.

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Shelley, Percy Bysshe. Percy Bysshe Shelley. New York: Pearson Longman, 2009.

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O’Neill, Michael. Percy Bysshe Shelley. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20294-2.

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Shelley, Percy Bysshe. Percy Bysshe Shelley. New York: Garland Pub., 1985.

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Percy Bysshe Shelley: A biography. Baltimore: Johns Hopkins University Press, 2008.

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Shelley, Percy Bysshe. Percy Bysshe Shelley: Selected poems. New York: Gramercy Books, 1994.

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Shelley, Percy Bysshe. Percy Bysshe Shelley: [selected poems]. London: J.M. Dent, 1998.

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Percy Bysshe Shelley: Leben und Werk. Frankfurt am Main: P. Lang, 1998.

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Michael, O'Neill. Percy Bysshe Shelley: A literary life. New York: St. Martin's Press, 1990.

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Book chapters on the topic "Cenci (Shelley, Percy Bysshe)"

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Schmid, Susanne. "Shelley, Percy Bysshe: The Cenci." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17075-1.

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Müller, Wolfgang G. "Percy Bysshe Shelley." In Kindler Kompakt: Englische Literatur, 19. Jahrhundert, 63–69. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05527-9_9.

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Müller, Wolfgang G. "Shelley, Percy Bysshe." In Englischsprachige Autoren, 247–51. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_91.

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Martin, Brian. "Percy Bysshe Shelley." In The Nineteenth Century (1798–1900), 197–220. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20159-4_17.

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Schmid, Susanne. "Shelley, Percy Bysshe." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17071-1.

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"Exceeding Grief: The Cenci." In The Life of Percy Bysshe Shelley, 230–39. Chichester, UK: John Wiley & Sons, Ltd, 2019. http://dx.doi.org/10.1002/9781118534014.ch22.

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Chandler, James. "Percy Bysshe Shelley." In The Cambridge Companion to English Poets, 344–59. Cambridge University Press, 2011. http://dx.doi.org/10.1017/ccol9780521874342.019.

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SHELLEY, PERCY BYSSHE. "PERCY BYSSHE SHELLEY." In Lofty Dogmas, 319–22. University of Arkansas Press, 2005. http://dx.doi.org/10.2307/j.ctvmx3j3j.89.

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"Percy Bysshe Shelley." In A Literary History of England Vol. 4, 131–41. Routledge, 2004. http://dx.doi.org/10.4324/9780203393055-19.

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"PERCY BYSSHE SHELLEY." In 100 Poets, 113–14. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1z9n1r9.40.

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