Relevant bibliographies by topics / Censure motion

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Censure motion'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Censure motion"

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Akpanke, Akwagiobe Richard, Osemudiame Mercy Okpoko, and Aminu Bakori Mohammed. "Parliamentary Censure of Ministers in Uganda: A Motion that May not Cause a Movement." INOSR ARTS AND HUMANITIES 10, no. 2 (2024): 38–46. http://dx.doi.org/10.59298/inosrah/2024/102.3846.

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The Ugandan Constitution provides for the cabinet office of Ministers. Ministers are appointed by the President of Uganda with the approval of the Parliament. The President assigns executive portfolios to the ministers and they are answerable to him and he can remove them from office at his pleasure. However, upon a gross abuse of office, they can be censured by the parliament. The ordinary implication of that censure intended a removal from office of the affected minister. The aftermath of the censure leaves the President with powers to take appropriate action if the minister fails to resign.
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González Hernández, Esther. "El modelo de responsabilidad del Gobierno en la Constitución de 1978 o jugar a las siete y media // Government’s model of Responsibility/Responsiveness in 1978 Constitution or playing at «seven and a half»." Revista de Derecho Político 1, no. 101 (2018): 183. http://dx.doi.org/10.5944/rdp.101.2018.21957.

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Resumen:El presente paper, analiza el régimen de responsabilidad del Gobierno contenido en la Constitución española de 29 de diciembre de 1978 desde una doble vertiente. Por un lado, explica las normas constitucionales que regulan el régimen de responsabilidad gubernamental tanto jurídica como política. Por otro, centra su atención en el desarrollo de las previsiones constitucionales en los cuarenta años de vigencia de nuestra Carta Magna, comentando los supuestos más sobresalientes de juicios penales en los que se ha visto inmersos ex-miembros del Consejo de Ministros y como las «cuestiones d
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Baron, David P. "Comparative Dynamics of Parliamentary Governments." American Political Science Review 92, no. 3 (1998): 593–609. http://dx.doi.org/10.2307/2585483.

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This article presents a dynamic theory of parliamentary governments that incorporates attributes of the institutional system in a country, exogenous events that shape parliamentary and electoral opportunities, and the strategies of the government and the opposition as structured by institutions and preferences. The dynamics are investigated in an infinitely repeated game in which events in the form of shocks to income or government resources occur and the government responds with a legislative proposal that is subject to a confidence or censure procedure and may lead to government continuation
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Zhira, Kezadri. "Strengthening the motion of censure as a Mechanism to raise the Government's Political resposability in the 2020 Constitutional Amendment." Science, Education and Innovations in the Context of Modern Problems 8, no. 3 (2025): 1160–71. https://doi.org/10.56334/sei/8.3.71.

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SAFTA, Marieta. "Criminal law as ultima ratio / The constitutional regime of the motion of censure, according to the Romanian Constitution." Revista de Drept Constituțional, no. 2 (2021): 105–20. http://dx.doi.org/10.47743/rdc-2021-2-0007.

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Boffo, Stefano, and Pierre Dubois. "The weakness of university legislative bodies: the cases of France and Italy." International Review of Administrative Sciences 71, no. 1 (2005): 35–54. http://dx.doi.org/10.1177/0020852305051682.

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In theory, the Conseil d’administration in France and the Senato Accademico and the Consiglio di Amministrazione in Italy constitute the most powerful organs of government within the universities but their actual power can be limited. In fact, they are subject to a number of structural weaknesses. The first arises from their heterogeneous composition. The second is due to the fact that they are compelled to take into account decisions taken by faculty councils. The third relates to the spread of a presidential model of governance in the majority of universities in both countries. Without legis
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Bernard, Mathias. "Le groupe des Républicains indépendants : « l'ordre et le dialogue »." Parlement[s], Revue d'histoire politique 9, no. 1 (2008): 31–43. http://dx.doi.org/10.3917/parl.009.0031.

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Résumé L’étude des interventions des députés Républicains indépendants au cours des débats parlementaires de Mai 68 révèle les ambiguïtés et les contradictions du discours et de la stratégie adoptée par les amis de Valéry Giscard d’Estaing. D’un côté, les Républicains indépendants à la fois affirment comprendre le mouvement de la jeunesse et réclament une réforme de l’Université et une modernisation des pratiques politiques. À leurs yeux, la contestation de Mai 68 valide les analyses critiques de leur chef à propos du pouvoir gaullien. D’un autre côté, ils n’ont pas les moyens politiques de ba
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Cortés Rodríguez, Luis. "La arquitectura del discurso que cambió el gobierno en españa (aunque ya estuviera decidido)." Anuario de Letras. Lingüística y Filología 8, no. 1 (2020): 35–68. http://dx.doi.org/10.19130/iifl.adel.2020.1.0002.

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Among the different devices deployed by those who make political speeches are those of an architectural kind, which form the skeleton of the dissertation. These are certainly the least studied in the analysis of discourses of this kind, although its proper use is very often pivotal to better structured, more cohesive and more intelligible presentations. In this paper we concentrate on the speech given by Pedro Sánchez on 31 May 2018 on the occasion of a motion of censure presented by his political party, the Socialist Group, against the then president of the Government Mariano Rajoy. We segmen
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Markiewicz, J., M. Kowalczyk, K. Karwel, P. Kot, and Ł. Markiewicz. "THE EVALUATION OF STRUCTURE-FROM-MOTION WORKFLOW WITH THE TLS SYNTHETIC IMAGES SIMULATOR – THE CULTURAL HERITAGE APPROACH." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 26, 2023): 1013–20. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-1013-2023.

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Abstract. Modern measurement technologies such as Terrestrial Laser Scanning or combined Structure-from-Motion with Multi-View Stereo are commonly utilised to monitor, preserve and document cultural heritage objects and sites. For this reason, it is essential to know the capabilities and limitations of the sensor used, the data processing methods, and in particular, the orientation of the images. However, these algorithms tackle different errors and have different effects on the final accuracy of images orientation. For this reason, it is essential to know how the algorithms implemented in the
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Audigier, François. "Le groupe gaulliste : quand les « godillots » doutent." Parlement[s], Revue d'histoire politique 9, no. 1 (2008): 12–30. http://dx.doi.org/10.3917/parl.009.0012.

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Résumé Les députés gaullistes, qui disposaient avec leurs alliés RI d’une faible majorité à l’Assemblée depuis les législatives de 1967, furent ébranlés par la crise de Mai 68. N’ayant pas perçu le malaise étudiant, puis n’ayant pas mesuré l’ampleur exacte de la contestation, ils semblèrent dépassés par la révolte des universités quand celle-ci gagna les entreprises et paralysa le pays. Rapidement des “godillots” se montrèrent critiques envers des ministres (A. Peyrefitte et C. Fouchet) soupçonnés de faiblesse envers les émeutiers. Inversement, une minorité de gaullistes de gauche (R. Capitant
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Dissertations / Theses on the topic "Censure motion"

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Moco, Silva Miklos Aline. "Liberté d'expression et de création artistique menacées : analyse de cas de censure et de tentatives de censure d'œuvres d'art pour des motifs religieux au Brésil et en Argentine durant la période post-dictatoriale." Electronic Thesis or Diss., Paris, EHESS, 2025. http://www.theses.fr/2025EHES0012.

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Cette étude examine les relations conflictuelles entre les œuvres d'art contemporain à thématique religieuse et l'Église catholique lors de la période post-dictatoriale au Brésil (à partir de 1985) et en Argentine (à partir de 1983). Certes, cette époque est caractérisée par une ouverture démocratique significative dans les deux pays, néanmoins l'art continue de faire l'objet de censures, en particulier lorsqu'il aborde des thèmes de nature religieuse. Pourquoi ces œuvres suscitent-elles encore autant d'émoi dans certains secteurs de la population, au point de pousser ces derniers à les détrui
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Dias, Daniela Cristina Barroso Ferreira. "O paraíso demoníaco. A censura inquisitorial na América a partir do veto às Chronicas da Companhia de Jesu, contexto e motivos." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-08092016-154332/.

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Este trabalho é um estudo da censura realizada no Brasil colonial, século XVII, a partir do veto ao livro Notícias Curiosas e Necessárias das Cousas do Brasil, de Simão de Vasconcelos. A abordagem prioriza encontrar alvos e temas censuráveis nos trechos subtraídos da obra1, a partir dos elementos constitutivos da sociedade da época. Investimos em levantar as questões primordiais da sociedade colonial, mas, principalmente, em encontrar os aspectos culturais que constituíram o catolicismo e as práticas da Inquisição, segundo inúmeros autores, a instituição \"mais sanguinária e impiedosa da human
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Amadieu, Jean-Baptiste. "Index romain et littérature française au XIXe siècle : les motifs de censure des œuvres de fiction, à la lumière des archives de la Congrégation de l’Index." Paris 4, 2007. http://www.theses.fr/2007PA040242.

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De nombreuses oeuvres de romanciers et dramaturges du XIXe siècle furent mises à l’Index par la Congrégation romaine du même nom, puis inscrites dans l’Index librorum prohibitorum, interdisant ainsi leur lecture aux catholiques. On y trouve notamment des ouvrages de Lamartine, Hugo, Balzac, Sand, Dumas, Sue, Flaubert, Stendhal et Zola. Le corpus d’étude porte sur l’ensemble des documents de procédure que l’ouverture de l’Archivio della Congregazione per la Dottrina delle fede a rendus publics à partir de 1998. Les censeurs de l’Index rédigeaient sur chaque oeuvre poursuivie un votum, ou rappor
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Salgues, Marie. "Nationalisme et théâtre patriotique en Espagne pendant la seconde moitié du XIXème siècle (1859-1900)." Paris 3, 2001. http://www.theses.fr/2001PA030144.

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Le théâtre patriotique, né lors de la guerre d'Indépendance qui ouvre le XIXème siècle espagnol, connaît une très grande popularité au moment de la guerre d'Afrique (1859-60) et continue à se développer à la faveur de quarante ans de conflits incessants qui débouchent sur le "Désastre" de 1898 et la perte des dernières colonies espagnoles. Ses auteurs sont issus de la bourgeoisie et mettent en scène la société dont ils rêvent, où le bon peuple va se faire tuer sans provoquer d'émeutes, lui permettant de racheter du service ses propres enfants. Théâtre de propagnade parfois, il s'appuie sur les
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Roumy, Thierry. "La violence dans la bande dessinée." Bordeaux 1, 1987. http://www.theses.fr/1987BOR1D025.

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Denigree pendant longtemps comme un genre mineur la bande dessinee est aujourd'hui consacree comme un art a part entiere: le 9e art. Mais si son importance est desormais reconnue unanimement son contenu violent est sujet a beaucoup de controverse. La violence dans la bande dessinee apparait pour certains comme un instrument de boheur et pour d'autres comme un objet malefique. Elle plait aux uns precisement en ce par qui elle deplait aux autres. Elle suscite de telles contestations qu'elle fait l'objet d'un proces. La violence dans la bande dessinee devient l'enjeu d'un veritable debat. Discred
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Bouillon, Yves-Marie. "Poètes durant la guerre : une étude de motifs psychiques dans la langue des soldats, "La Jeune Parque" de Valéry, "Calligrammes" d'Apollinaire." Thesis, Brest, 2012. http://www.theses.fr/2012BRES0045.

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L’étude de locutions de soldats, de La Jeune Parque de Valéry et de Calligrammes de Apollinaire manifeste une variété de fonctionnements psychiques durant la Première Guerre mondiale. La lecture utilise les instruments d’intelligibilité de la psychologie collective proposés par Freud. Collecté par Gaston Esnault, Le poilu tel qu’il se parle révèle les inventions des soldats pour supporter la guerre et la dénoncer. Le régime de terreur n’empêcha pas les soldats de fonctionner en collectifs démocratiques. Le réalisme et la décence de locutions en témoignent malgré l’horreur ou la détresse vécues
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Occelli, Alain. "Le désir dans l'oeuvre de Edward Morgan Forster." Nice, 2003. http://www.theses.fr/2003NICE2032.

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Outre l'analyse thématique du désir au niveau de la diégèse, et l'enquête génétique, notre recherche utilise l'approche narratologique, afin de faire émerger les structures du récit, et l'approche sémio-pragmatique, dans le but d'étudier la façon dont le texte forstérien, à certains endroits métatextuel, programme sa réception par le lecteur, sollicitant la participation active de celui-ci. Par ce jeu des désirs auctoriaux et lectoraux se dessinent au final les figures respectivent du lecteur et de l'auteur, engagées dans l'échange littéraire. Dans cette perspective, nous explorons la fiction
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Couture, Paméla. "La fille de nulle part : suivi de Les limites du dévoilement dans Prague de Maude Veilleux." Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/35233.

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Ce mémoire de maîtrise porte sur les limites du dévoilement de soi et des autres dans les écrits autofictionnels. Il examine les conséquences du dévoilement et des processus de censure liés au genre de l’autofiction. La première partie de ce mémoire, La fille de nulle part, est un recueil de poèmes s'articulant autour d'un deuil amoureux. Divisés en cinq parties égales, les poèmes de cette collection explorent les thèmes de l’abandon, de l’estime personnelle et de la vengeance. Adressé à un TU (représentant l'ancien amoureux), ce recueil est porté par la voix d'un JE désabusé et profondément t
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Soler, i. Alomà M. Encarnació. "La sarsuela en el cinema com a imatge del quotidià : 1896-1940." Doctoral thesis, Universitat de Barcelona, 2005. http://hdl.handle.net/10803/403462.

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Un dels més reeixits descobriments nascut a les acaballes del segle XIX, el cinema, marcà definitivament la societat aportant noves formes de comunicació i de relació social. Aquest nou art esdevindria no sols una font de distracció i coneixement sinó que, com qualsevol producció artística de l’ésser humà, deixaria una empremta que amb el temps mostraria la seva magnitud com objecte patrimonial. Néta i filla de músics vaig aprendre a estimar la música, sense distinció. Per aquest motiu, lamentava el rebuig vers el conjunt d’un gènere centenari, la sarsuela, que tants esforços i lluita va com
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Mouradian, Élisabeth. "Survivre en poésie dans un régime totalitaire : Yéghiché Tcharents, 1933-1937 (pour une tentative de traduction)." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPC0013/document.

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Le poète arménien Yéghiché Tcharents (1897-1937) devient victime des répressions staliniennes des années 30. Tcharents est déjà un poète connu lorsque la révolution éclate en Russie. Il voit dans la révolution le sauveur de son peuple au destin tragique. Il croit aux idéaux humanistes de Lénine comme beaucoup de ses contemporains. Cependant, le pouvoir totalitaire de Staline change son regard politique. Sa poésie reflète ses inquiétudes. En 1933, le recueil de poèmes Livre du chemin, un compte-rendu de sa vision poétique de la construction de la nouvelle société, ainsi que de l’éducation de l’
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Books on the topic "Censure motion"

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Bier, Christophe. Censure-moi: Histoire du classement X en France. Esprit frappeur, 2000.

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Douin, Jean Luc. Dictionnaire de la censure au cinéma: Images interdites. Presses universitaires de France, 1998.

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Meyer, Georges. Censure d'État: Cinéma, moeurs et politique autour de 1968. Presses universitaires de Vincennes, 2019.

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Laurent, Natacha. L'Oeil du Kremlin. Cinéma et censure en URSS sous Staline (1928-1953). Privat, 2000.

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Théry, Jean-François. Pour en finir une bonne fois pour toutes avec la censure. Cerf, 1990.

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Hervé, Frédéric. La censure du cinéma en France à la Libération, 1944-1950. Association pour le développement de l'histoire économique, 2001.

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1949-, Hébert Pierre, Landry Kenneth, and Lever Yves, eds. Dictionnaire de la censure au Québec: Littérature et cinéma. Fides, 2006.

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Caïra, Olivier. Hollywood face à la censure: Discipline industrielle et innovation cinématographique, 1915-2004. CNRS, 2005.

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Telesforo, Tajuelo, ed. La saga des interdits: La censure cinématographique au Québec. Libre expression, 2006.

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Godet, Martine. La pellicule et les ciseaux: La censure dans le cinéma soviétique du dégel à la perestroïka. CNRS, 2010.

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Book chapters on the topic "Censure motion"

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Yamada, Kunio, Kenji Mochizuki, Kiyoharu Aizawa, and Takahiro Saito. "Motion Segmentation with Census Transform." In Advances in Multimedia Information Processing — PCM 2001. Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/3-540-45453-5_119.

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Vespoli, Lorenzo. "AP V 6, XII 136 e Mart. I 90, VII 18: esempi di censura pudoris causa." In Studi e ricerche del Dipartimento di Lettere e Filosofia. Società Editrice Fiorentina, 2024. http://dx.doi.org/10.35948/dilef/978-88-6032-734-5.17.

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I copisti di ogni epoca sono talvolta intervenuti sui testi classici per motivi morali. Questo tipo di intervento ha portato a interpolazioni difficili da individuare, a meno che altri testimoni non tramandino la lettura corretta. In questo articolo fornirò alcuni esempi di censura in epigrammi erotici greci e latini che sono stati interpolati pudoris causa, come AP V 6, XII 136 e Mart. I 90, VII 18. La mia ricerca mira a indagare il modo in cui i copisti interpolarono gli epigrammi per comprendere meglio le modalità e gli scopi dei loro interventi e in che misura fossero interessati a mascher
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Guerrini, Federica. "Data-Informed Models for the Coupled Dispersal of Microplastics and Related Pollutants Applied to the Mediterranean Sea." In Special Topics in Information Technology. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-15374-7_1.

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AbstractMicroplastic pollution is a ubiquitous environmental threat, in particular to the oceans. In the marine environment, microplastics are not just passively transported by sea currents, but often get contaminated with organic pollutants during the journey. The uptake of chemicals onto microplastics can worsen the adverse effects of microplastics to marine organisms; however, investigation on this urgent phenomenon is hampered by the impossibility of monitoring and tracking such small plastic fragments during their motion at sea. This work aims at addressing the need for an effective model
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"TFEU." In The EU Treaties and Charter of Fundamental Rights: A Commentary, 2nd ed., edited by Manuel Kellerbauer, Marcus Klamert, and Jonathan Tomkin. Oxford University Press, 2024. http://dx.doi.org/10.1093/law/9780198913689.003.0411.

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Abstract This chapter explores the provision of Article 234 TFEU, which gives the European Parliament (EP) the power of censure over the Commission. It implies how the EP may force the Commission to resign based on a motion of censure passed by a two-thirds majority of the votes cast, representing an absolute majority of the component members of the EP. It also points out that the submission of a motion of censure requires the support of one-tenth of the total number of MEPs. The chapter discusses the motions of censure that may not be adopted against individual commissioners, but the EP may r
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Loewenthal, Paul-John. "Article 234 TFEU." In The EU Treaties and the Charter of Fundamental Rights. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198759393.003.370.

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Article 201 EC If a motion of censure on the activities of the Commission is tabled before it, the European Parliament shall not vote thereon until at least three days after the motion has been tabled and only by open vote.
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"From Book XV." In Selections From The Female Spectator, edited by Eliza Haywood and Patricia Meyer Spacks. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195109214.003.0012.

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Abstract That there is no Account to be given for Taste, is a Maxim we hear commonly repeated; and that it is so seldom disputed is because we see such Variety of odd Whims take Place, each of which are, by its Followers, supported with Vehemence: But this will be found of no Weight with any one who takes the Pains to distinguish between that Taste which is guided by the Senses, and that which is purely the Effect of the Mind.—In our Food, in our Apparel, our Equipages, the build—of an exact Order and Harmony,—no jostling Atoms disturb the Motion of each other,—every Thing above, below, and ab
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Billheimer, John. "Origins of the Code." In Hitchcock and the Censors. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177427.003.0002.

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This chapter traces the origins of film censorship in the US from 1910 onward. It documents the rise of public concern over movie sex and violence and traces the manner in which pressures from religious and social groups led to the formation of individual censorship entities in various states and municipalities. The motion picture industry tried to counter these pressures by forming the Motion Picture Production and Distribution Association under Will Hays and promising to police itself, an effort that proved ineffectual until 1934, when government pressure, the Legion of Decency, and Catholic
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Billheimer, John. "The Decline of the Code." In Hitchcock and the Censors. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177427.003.0039.

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This chapter describes the decline of the Production Code and its replacement by the current rating system. Two Supreme Court rulings contributed to the end of the Production Code. In 1948, the court ruled that the major motion picture companies could no longer control the theaters in their distribution system, making it possible for independently produced and foreign films without a Code Seal to obtain first-run screenings. And in 1952 the court overturned the ban on Roberto Rossellini’s The Miracle and ruled that motion pictures were entitled to the guarantees of free speech and free press.
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Billheimer, John. "Television Censorship." In Hitchcock and the Censors. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177427.003.0037.

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This chapter addresses the censorship issues faced by Hitchcock while producing his television series, Alfred Hitchcock Presents. It traces the history of broadcast censorship from the introduction of the Federal Communication Commission in 1934 through the development of the National Association of Broadcasters’ Code of Practices in 1951. The Code resembled the Motion Picture Production Code and was accompanied by a Seal of Good Practice, which was displayed on the closing credits of most US television programs from 1952 through the early 1980s. In practice, the sponsors of television program
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Watts, Jill. "I Had Them All." In Mae West. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195105476.003.0012.

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Abstract West’s initial experiences with television left her dissatisfied. “I’m not too crazy about the TV scene because it places too many restrictions on my type of material,” she wrote. “I don’t like being censored, I don’t think I deserve it.” She had invitations to return to motion pictures, but her insistence on complete control shut down those possibilities. After being idle for almost a year, in the spring of 1961, West prepared for another comeback in the theater. While she was no longer a motion picture star, she could still play one onstage. She dug out Sextette and reworked it for
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Conference papers on the topic "Censure motion"

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Marziale, Nicole Palucci. "Sobre a possibilidade de resistência das instituições culturais em meio ao recrudescimento do conservadorismo em escala global." In Encontro da História da Arte. Universidade Estadual de Campinas, 2018. http://dx.doi.org/10.20396/eha.13.2018.4588.

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Diante de recentes episódios tanto de censura e ataque a exposições, como de demissões de diretores de instituições culturais por motivos ideológicos, em escala global, interessa ao presente artigo questionar acerca da efetiva autonomia das instituições para manter seu posicionamento político em tempos de recrudescimento do conservadorismo. Para discutir acerca dessa questão, atentamos para a possibilidade conflitos internos dentro das instituições culturais, advindos de posições contrastantes entre funcionários e os membros dos conselhos diretores dessas instituições, bem como da influência d
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Ahn, Kwang-Won, Yoonik Kim, Chang-Hyun Chung, and Kil-Yoo Kim. "Development of Reliability Function and Failure Rate Considering Information of Censored Data." In 10th International Conference on Nuclear Engineering. ASMEDC, 2002. http://dx.doi.org/10.1115/icone10-22248.

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Generally, there are two methods to estimate reliability of system or component failure in engineering, or survival function of patient death in medicine: 1) parametric and 2) non-parametric methods. The parametric method has been used widely since there is few data on severe accidents in nuclear power plants. However, if we have a lot of data on system failure or patient death, the non-parametric method could be used to estimate reliability or survival function. In this paper we focus on the latter case in which one problem arises in treating the data. The problem is how to reflects efficient
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Ghaddar, Nesreen, Kamel Ghali, and Bassel Jreije. "Ventilation of Wind-Permeable Clothed Cylinder Subject to Periodic Swinging Motion." In ASME/JSME 2007 Thermal Engineering Heat Transfer Summer Conference collocated with the ASME 2007 InterPACK Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/ht2007-32052.

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A theoretical and experimental study has been performed to determine ventilation induced by swinging motion and external wind for a fabric-covered cylinder of finite length representing a limb. The estimated ventilation rates are used in determining the sensible heat loss form a clothed cylinder using a simplified resistance model. A model is developed to estimate the external pressure distribution resulting from the relative wind around the swinging clothed cylinder. A mass balance equation of the microclimate air layer is reduced to a pressure equation assuming laminar flow in axial and angu
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Delamorclaz Ruiz, Carolina Francisca. "Evolución del rol de las mujeres en la animación televisiva." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5771.

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Equidad, independencia económica o libertad sexual son algunos conceptos asociados a las problemáticas de la mujer. Conocedores de esta realidad, la animación ha ido configurando nuevos arquetipos femeninos en un intento por que ellas tengan la misma relevancia que los personajes masculinos. Por su parte, se ofrece una reflexión que permita entender hasta qué punto se han plasmado las distintas problemáticas de género y sexualidad en el ámbito de la animación televisiva. Para ello, se tiene en cuenta la inestimable contribución de diversos estudios de género y sexualidad (Judith Butler, Nancy
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Sedlak, Marko, and Nemanja Josifov. "Ethnic changes and challenges of preserving the regional identity of the Severnobačka region." In Population in Post-Yugoslav Countries: (Dis)Similarities and Perspectives. Institute of Social Sciences, 2024. http://dx.doi.org/10.59954/ppycdsp2024.23.

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Due to their location, border areas are often multi-ethnic. Numerous national minorities intertwine in them as a result of the long-term historical process of population settlement and migration, as well as political-territorial changes. Regional identities in border areas of states are manifested through the establishment of cross-border cooperation in the field of trade exchange, planning and construction of infrastructure facilities, tourism through the implementation of programs for the protection and management of natural and anthropogenic tourist values and daily migrations (pupils, stud
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