Relevant bibliographies by topics / Center of contemporary art and architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Center of contemporary art and architecture'

Author: Grafiati
Published: 28 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Center of contemporary art and architecture"

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Bashirova, Elza, Elena Denisenko, Kamilla Akhmetova, and Vilnur Kadirov. "Museum and center for contemporary art: design principles and functional features." E3S Web of Conferences 274 (2021): 01019. http://dx.doi.org/10.1051/e3sconf/202127401019.

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The article discusses the topical issue of the establishment of museum and center for contemporary art. The objective of the research is to analyze the historical background of contemporary art museums; to review the world design practice of them according to urban planning, functional, architectural and expositional criteria; to reveal functional features’ trends and to identify the design principles of an advanced center for contemporary art. We collected more than 45 leading examples to compile a matrix using classification and analysis methods. As a result, we reached the museums’ function
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Fazra Risky Nasution and Morida Siagian. "Contemporary Art Gallery (Expressionism Architecture)." International Journal of Architecture and Urbanism 4, no. 2 (2020): 174–80. http://dx.doi.org/10.32734/ijau.v4i2.4520.

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Some issues prove that the development of art in Medan is relatively slow and does not become a concern of the public because of the availability of minimal and inadequate space, while Medan is a multicultural city in terms of art, many artists in the city of Medan have great potential. The construction of contemporary art gallery aims to meet the needs and facilities of art activities in the city of Medan because Medan does not yet have a decent art gallery for art activities, from exhibitions, artwork making space, to fine arts training venues and also as a center for art development likenes
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Dau, Kenny Chris Imantaka, and J. C. Heldiansyah. "PUSAT SENI KONTEMPORER DI BANJARBARU." JURNAL TUGAS AKHIR MAHASISWA LANTING 10, no. 2 (2021): 173–83. http://dx.doi.org/10.20527/jtamlanting.v10i2.865.

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The Contemporary Art Center in Banjarbaru is a place that presents a place to facilitate artists and the general public who are interested in various elements of art that are developing now, such as installation art. This center of contemporary art aims to create an environment that can indicate the behavior of artists and contemporary art, so that it can be used as an art space for artists and the general public to collaborate with each other in various branches of art. By using combined metaphor method and character concept, it is expected to be able to create an art center design with conte
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Whiting, Cécile. "Philip Johnson." Journal of the Society of Architectural Historians 75, no. 3 (2016): 318–38. http://dx.doi.org/10.1525/jsah.2016.75.3.318.

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In the late 1950s and 1960s, before it became a norm to situate contemporary art in public spaces, Philip Johnson employed a model for relating contemporary architecture and art, proposing mutual enhancement based on juxtaposition and contrast over independence or integration. In Philip Johnson: The Whence and Whither of Art in Architecture, Cécile Whiting examines two examples of Johnson's use of contemporary art: the New York State Theater at Lincoln Center and the New York State Pavilion at the 1964–65 New York World's Fair. Whiting discusses the ways in which the commissioned art contraste
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Merrill, Elizabeth M. "Zaha Hadid’s Center for Contemporary Art and the perils of new museum architecture." Architectural Research Quarterly 23, no. 3 (2019): 210–24. http://dx.doi.org/10.1017/s1359135519000204.

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As epitomised in the works of Renzo Piano, Frank Gehry, and Daniel Libeskind, the ‘new museum’ of art claims its own architectural typology. With asymmetrical silhouettes, gallery spaces that eschew the much derided ‘white cube’, and cleverly conceived circulation systems, the new museum has been heralded as revolutionising the display of art. Yet its function extends beyond the display and conservation of art. The new art museum is conceived as a multifaceted cultural centre – a public forum – where art and culture are democratised, and families, scholars, students, tourists, and teachers com
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Wang, Yawen. "Ullens Center for Contemporary Art Design Alterations." Highlights in Art and Design 3, no. 2 (2023): 1–5. http://dx.doi.org/10.54097/hiaad.v3i2.9827.

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Taking the past life of 718 Factory as an example, this paper explores the spatial transformation of old industrial heritage in Beijing and its current development; and how the cultural heritage of the industrial era can be combined with contemporary art that represents the "future style" in the contemporary context. The paper is a time-line analysis of architectural positioning, spatial planning, material utilization and other dimensions, which provides a reference for the transformation of urban industrial relics.
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Darma, Septia, and Neneng Yulia Barky. "PENERAPAN ARSITEKTUR KONTEMPORER PADA BANGUNAN ART CENTER AND GALLERY DI KOTA MEDAN." JAUR (JOURNAL OF ARCHITECTURE AND URBANISM RESEARCH) 7, no. 2 (2024): 129–33. https://doi.org/10.31289/jaur.v7i2.11346.

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North Sumatra is one of the largest islands in Indonesia with the capital city in Medan. It has an area of 72,460.744 km2, with a population of 2,494,512 people, and is surrounded by 21 districts. known as the paris of Sumatra van, which has a lot of interesting cultural diversity. It can be seen from several aspects of people's lives, ranging from grammar, customs, clothing, food, and art. Medan City itself has quite recognizable arts including Malayu art, and Batak art. According to Perda (Regional Regulation of Medan City on the Preservation of Cultural Heritage Buildings and Environments),
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Qutrunnada, Annisa Sesa. "SEMARANG JAVANESE ARTS CENTER IN SEMARANG WITH BEHAVIORAL ARCHITECTURE APPROACH." Canopy: Journal of Architecture 12, no. 1 (2023): 22–32. http://dx.doi.org/10.15294/canopy.v12i1.70950.

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Semarang City is one of the cities on the island of Java that also serves as the capital of Central Java Province. As a Javanese city, Semarang has its traditions, culture, and unique Javanese art with its charm. The Javanese art in Semarang is greatly influenced by hybrid culture factors, where the art has undergone many cultural acculturations throughout the city's history. Unfortunately, many of these arts are not well spotlighted due to a lack of activities to showcase them (events) and the limited spaces available to accommodate various Javanese art activities in Semarang. This has caused
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Rahayu, Silfina, and Anna Oktaviana. "BANJARBARU PERFORMING ART CENTER YANG RESPONSIF DI ERA NEW NORMAL." JURNAL TUGAS AKHIR MAHASISWA LANTING 11, no. 2 (2022): 231–45. http://dx.doi.org/10.20527/jtamlanting.v11i2.1482.

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The design of the Performing Art Center in Banjarbaru City was the background of the lack of art container that accommodates and can only facilitate art activists on a small scale. So it can be said that the Banjarbaru City really needs a place that can accommodate art containers creativity, plus the problem in the pandemic era makes the art apparent death. The design of Performing Art Center aim to produce a design concept that can be an art container place responsive to the new normal with new normal concept and the new normal phenomenological approach, as for the appearance of the building
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Pane, J. B., J. Rilatupa, and S. Simatupang. "The development of an arts centre with the application of futuristic architecture." IOP Conference Series: Earth and Environmental Science 878, no. 1 (2021): 012029. http://dx.doi.org/10.1088/1755-1315/878/1/012029.

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Abstract Art is a culture that was born from human freedom of expression. One type is contemporary art, which is the development of art that is affected by the impact of modernization, but contemporary and modern are two different things, because contemporary continues to keep up with the times. Appreciation for art in Indonesia has recently been appreciated both at the national and international levels, art appreciation is shown by the many art activities held, this has resulted in many artists being required to hold their work so they need a place such as an art gallery building so that the
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Dissertations / Theses on the topic "Center of contemporary art and architecture"

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Tartoni, Nicole M. "ART WORKS the creation of a contemporary art center in Johnstown, Pennsylvania /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1179760479.

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DEGRAAF, NATHAN MARK. "MILIEU, MEANING AND ARCHITECTURE: CONTEMPORARY INSTALLATION ART GALLERY DESIGN." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148191782.

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Valente, Liz Fagundes Oliveira. "Space and art – interrelations between architecture and contemporary art at Inhotim." Universidade Federal de Viçosa, 2016. http://www.locus.ufv.br/handle/123456789/8449.

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Submitted by Reginaldo Soares de Freitas (reginaldo.freitas@ufv.br) on 2016-09-02T13:13:13Z No. of bitstreams: 1 texto completo.pdf: 3929198 bytes, checksum: 97d1e9f437e559874e88219c5ebee761 (MD5)<br>Made available in DSpace on 2016-09-02T13:13:13Z (GMT). No. of bitstreams: 1 texto completo.pdf: 3929198 bytes, checksum: 97d1e9f437e559874e88219c5ebee761 (MD5) Previous issue date: 2016-04-18<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A presente dissertação é o resultado de uma pesquisa fenomenológica, onde o objeto de pesquisa são as inter-relações entre a arquitetur
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Zhang, Xu. "Art Center on the Lake." Thesis, Virginia Tech, 2020. http://hdl.handle.net/10919/96806.

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The water's shore, used for defense, trade, transportation and industry, always plays an important role in a city's development. Buildings were built there to fulfill related practical functions, such as barns, factories or piers. However, at the present time, the functions mentioned above are not the only purpose of the shore, now more entertainment activies happen along the water's edge. Therefore, architecture's roles are changing. The site is in a small town called Riva San Vitale, which is located at the south end of Lake Lugano, Switzerland. For this small town, lake's shore is usually
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Leclerc, Pierre E. (Pierre Emile). "Architectural definition of an environment suitable for contemporary art." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/79013.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1990.<br>Supervised by Fernando Domeyko.<br>Includes bibliographical references (p. 111).<br>The title of this thesis implies a critical consideration of the subject. i.e how do we create. show and consume the product of art today. which environment suits it the best and why. The term itself, contemporary art is actually too vague and encompasses such a long historical period that I will restate its period. for the purpose of this project. to the actual; and its actors: those who are affecting the art community no
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Carpenter, William Joseph. "Center for Art and Architecture: Center for Art and Architecture at the Aspen Institute for Humanistic Studies, Wye River Plantation, Queenstown, Maryland." Thesis, Virginia Polytechnic Institute and State University, 1991. http://hdl.handle.net/10919/53286.

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Nikolic, Bojana. "Light art in Contemporary Architectural Lighting Design." Thesis, KTH, Ljusdesign, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-208660.

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This research focuses on understanding the relationship betweenlight art and architectural lighting design and determining towhat extent can aspects of light art be used when designingfunctional lighting for architecture.The first part of this paper looks into the historical applicationof light as a material. Light has been an important element inart even prior to the introduction of artificial light sources, butthe exploration of light as an independent material throughinstallation art only developed in the last century. Similarly inarchitecture, the impact of light on creating and shaping sp
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Garrison, John. "The Contemporary Uncanny: An Architecture for Digital Postmortem." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1617109466087914.

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DeGraaf, Nathan Mark. "Milieu, meaning and architecture contemporary installation art gallery design /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1148191782.

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Thesis (Master of Architecture)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed July 24, 2006). Includes abstract. Keywords: Art Museum; Art Display; Installation Art; Includes bibliographical references.
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Rosenwald, Heidi. "Non-linearity as architectural narrative : a center for contemporary composition in three movements." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/69754.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1999.<br>Includes bibliographical references (p. 129-133).<br>A thesis for architecture in three movements: I. Tempo molto moderato. (Theory.) (2767 w). II. Allegro. (Architectural Expression.) (2283 w). III. Gusto. (Final Building.) (3102 w). To see space, one needs a language. To express space, one needs a vocabulary. I have built on an existing vocabulary - one found in the writings of Faulkner - of non-linear narration. Through a series of studies I attempted to translate this literary construct into a languag
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Books on the topic "Center of contemporary art and architecture"

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1968-, Dochantschi Markus, ed. Zaha Hadid: Space for art ; Contemporary Arts Center, Cincinnati ; Lois & Richard Rosenthal Center for Contemporary Art. Lars Müller, 2004.

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Zaha, Hadid, Grieco Douglas, Ing Wendy, Rappaport Nina, and Yale University. School of Architecture., eds. CAC: Contemporary art center, Zaha Hadid Studio 2000, Yale School of Architecture. Monacelli Press, 2001.

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Guest, Andrew. Baltic Centre for Contemporary Art. Scala, 2008.

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Zaha, Hadid, Grieco Douglas, Ing Wendy, Rappaport Nina, and Yale University. School of Architecture., eds. CAC: Hadid Studio Yale : Contemporary Art Center, Zaha Hadid Studio 2000, Yale School of Architecture. Monacelli Press, 2001.

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Battista, Nicola Di, and Ferruccio Izzo. Archivio Jodice: An archive of contemporary art in the historic centre of Naples. Niggli, 2012.

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Rubió, Ignasi Solà-Morales. Differences: Topographies of contemporary architecture. MIT Press, 1997.

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Neustein, Joshua. Joshua Neustein: Light on the ashes : August 10-October 2, 1996, Southeastern Center for Contemporary Art. The Center, 1996.

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Alan, Bowness, and Contemporary Art Society, eds. British contemporary art 1910-1990: Eighty years of collecting by the Contemporary Art Society. Herbert Press, 1991.

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Chodoriwsky, Steven. This is not a wall: Collected short stories on CODA's Party wall at MoMA PS1. Cornell AAP Publications, 2017.

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1958-, Lindhe Jens, ed. Den Frie, Centre of Contemporary Art: The story of the artists' house. Den Frie Udstillingsbygning, 2011.

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Book chapters on the topic "Center of contemporary art and architecture"

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Faulder, Sally J. "Galician Centre of Contemporary Art (Centro Galego de Arte Contemporánea), Santiago de Compostela." In Philosophical Hermeneutics and the Architecture of Álvaro Siza. Routledge, 2024. https://doi.org/10.4324/9781032706351-6.

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Stevens, Jeroen. "Central occupations: stills from a city in movement." In Embodying Peripheries. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-661-2.05.

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This visual essay dwells on the particular struggle for the historical city center of São Paulo enacted by contemporary urban occupation movements. The series of photographs, taken during multiple periods of ethnographic fieldwork (2014–2019), seeks to shed light on the notorious bodily encounter between thousands of homeless families engaged in urban movements on the one hand, and the vacated architecture of the city on the other hand. The aim is to interrogate how occupations are particular momentary spaces where the city is brought into motion by urban movements, prefiguring more just and s
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Ricci, Mosè, Alessandra Battisti, Aldo Aymonino, Pio Baldi, Franco Summa, and Kay Bea Jones. "CHAPTER 23. Painted Surfaces in Contemporary Architecture." In Science and Art. Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781788016384-00477.

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Lenssen, Anneka, and Sarah A. Rogers. "Articulating the Contemporary." In A Companion to Islamic Art and Architecture. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch51.

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Bobic, Nikolina. "The Museum of Contemporary Art, Belgrade." In The Visibility of Modernization in Architecture. Routledge, 2023. http://dx.doi.org/10.4324/9781003257776-10.

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Gilpin, George H. "The City: Pop Art and Brutal Architecture." In The Art of Contemporary English Culture. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21746-5_5.

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Machida, Margo. "Convergent Conversations: Contemporary Art in Asian America." In A Companion to Asian Art and Architecture. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444396355.ch11.

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Federici, Angelica. "Art, Architecture, and Aesthetics in the Baronial Convents of Medieval Latium." In Royal Nunneries at the Center of Medieval Europe. Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.convisup-eb.5.132390.

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Roeck, Claudia. "Languages of Conservation: A Comparison Between Internet-Based Art and Built Heritage." In Conservation of Contemporary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_6.

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AbstractAs relational, social practices in a changing environment, internet-based art and built heritage require a substantial effort to maintain functionality. This chapter explores the hypothesis that architecture conservation and conservation of internet-based art encounter the same challenges and follow the same principles. The comparison allows one to articulate the materiality of internet-based art, which may not be obvious at first glance. Most important, it suggests that conservation approaches for built heritage may expand the conservation options for internet-based art. To substantia
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Hassanein, Hala. "Trends of Contemporary Art in Innovative Interior Architecture Design of Cultural Spaces." In Cities' Identity Through Architecture and Arts. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-14869-0_3.

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Conference papers on the topic "Center of contemporary art and architecture"

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Bandalo, Visnja. "ECDOTIC APPROACH TO INTERDISCIPLINARY ANNOTATED EDITIONS IN THE CONTEMPORARY ITALIAN PANORAMA." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs10.22.

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The presentation aims to focus from an ecdotic perspective, and from unexplored hermeneutic angles, on potentially prominent features of the annotated editions in which are brought together those genologically varied literary-type writings that are correlated with the analogous artistic fields, such as the visual arts, architecture or music, starting from relevant concrete examples in the Italian cultural landscape. Furthermore, attention will be drawn to how to make an edition of a philological character, scientifically grounded, in which a literary transposition of the philosophical content
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Stojković Minić, Miloš, Bogdan Knežević, Ljubica Arsić, et al. "The Artifice of Water – Art project H3O2 Vol. 3 – Aquatectorium: Habitats of The Future." In On Architecture — Shaping the City through Architecture. STRAND, 2024. https://doi.org/10.60152/6cgmugy6.

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The intention of The Art project H3O2 Vol. 3 is to conclude a three-year annual tradition of exhibiting artworks which are created in the process of post-production inspired by students′ works and projects created at The University of Belgrade – Faculty of Architecture, which were explored through the processes of artistic experimental practice that interprets the structure and elusive form of water. The research focuses on the dimensions and principles of water application in the process of structuralization of the (open) spaces and spatial installations. The very important part of that proce
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Del Sole, Francesco. "Hints for a Neo-Baroque Aesthetic in Contemporary Architecture." In 6th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2023, 14-16 June 2023. Alanya University, 2023. http://dx.doi.org/10.38027/iccaua2023en0061.

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The 17th century has always been called 'the century of flowers'. Apart from the invasion of exotic plants from the New World, the birth of the Flower Garden as a new type of exposition and the evolution of the art of gardening, the flower is a symbol of an era. Baroque architecture is defined precisely by the 'witty shapes' of the curved lines and the impressive 'decorative efflorescence'. This paper intends to highlight the neo-Baroque character intrinsically present in some of the greatest contemporary architects such as Paolo Portoghesi, Frank Gehry and Jean Nouvel who, in parallel with th
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Szymanska-Stulka, Katarzyna. "SPACE PERFORMS FOR SACRED AMONG MUSIC AND ARCHITECTURE. THE CASE OF STABAT MATER??S MOTIF IN POLISH CONTEMPORARY MUSICAL WORKS BY PAWEL LUKASZEWSKI AND IGNACY ZALEWSKI." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.09.

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In sacred musical works we find structures and composing solutions that introduce a specific action, similar to visual elements. What are the means for the architectural and sound space that create a sacred space? Are there playing in common? I answer this question on the basis of contemporary architecture (e.g. Church of Light by Tadao Ando in Ibaraki/Japan, Fritz Hoger�s Kirke in Berlin/Germany, Basilica Sanctuary of Our Lady of Tears by Stephane Aboudaram in Syracuse/Italy) confronted with music dedicated to the sacred sphere. In accordance with the currently developed cognitive interpretat
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JIGHIRGIU, Octavian. "Five Days at the International Art Biennale in Venice." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0013.

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Seeing La Biennale di Venezia is a celebration in itself. This major contemporary art event has a long history that speaks on the importance of strategic thinking and the cultural dimension of a city's leaders. Because the “lagoon city” had such visionary people. At the end of the 19th century, in 1893, at the initiative of a group of Venetian intellectuals, led by the mayor of the time, Riccardo Selvatico, an administrative resolution was launched to “establish a national biennial art exhibition”. Two years later (1895), the first edition of this event dedicated to visual arts took place. Ove
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Merlo, Alessandro, and Gaia Lavoratti. "Vernacular architecture and art. The representation of traditional build-ings in Lorenzo Ghiberti's Gates of Paradise in the Baptistery of Florence." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15140.

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In the ten bas-relief panels of the Gates of Paradise of the Florence Baptistery, Lorenzo Ghiberti depicted episodes from the Old Testament, narrated through a succession of scenes, in which the figurative language also fulfils a catechetical function.The master set the Istorie (Stories) of the main characters of the Bible against a background of landscapes depicting territories and architecture known to him, and sculpting in great detail the flora, fauna and human structures. With regard to the latter, in the fifth, sixth and tenth panels, the scenery consists of monumental architecture inspi
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Erpek, Ertuğ, and Esin Komez Daglioglu. "Unfolding the Potentials of the Oblique Function Theory in Educating the Cosmopolitan Architect." In 2023 ACSA/EAAE Teachers Conference. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.teach.2023.21.

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The paper unfolds the potentials of the Oblique Function Theory, founded by architect Claude Parent and urban theorist/ philosopher Paul Virilio under Architecture Principe group, in educating the cosmopolitan architect. It examines how the Oblique Function Theory engages with the architectural problems of cosmopolitan dynamics by extrapolating a new architectural language around tenets of habitable circulation, flexibility, continuity, free movement, openness, and adaptability. By emphasizing the importance of architectural space-making in pedagogy, the paper questions the validity of the Obl
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BOUKIL, Mehdi. "Cultural revitalization and tourist conversion of historical monuments: The cases of the ancient medinas of Fez and Tunis." In Vernacular Architecture: Support for Territorial Development. Materials Research Forum LLC, 2025. https://doi.org/10.21741/9781644903391-19.

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Abstract. This article explores the similarities between the medinas of Fes and Tunis, focusing on cultural repurposing projects. Both cities are UNESCO World Heritage Sites and share similar heritage resources, including mosques, mausoleums, madrasas, zawiyas, and traditional houses. As popular tourist and artisanal destinations, both medinas have undertaken multiple heritage rehabilitation initiatives and policies. Significant investments have been made in the cultural repurposing and economic revitalization of restored heritage, avoiding the construction of new cultural spaces by repurposin
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Gaju, Emil. "Reflections on stage exegesis in the sphere of contemporary directing." In Cultura și arta: cercetare, valorificare, promovare. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.12.

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The beginning of the 20th century, thanks to some great personalities of the Universal Theatre, places Directing in its primary function in Theater Art. I will try to be brief, forgive my brevity, to review the great names that gave shape and value to this profession that has become a key one. Without the contribution of the ancestors, we will not understand the development paths and avatars, metamorphoses and dialectics of the dynamic development of this wonderful artistic vocation .Equally important is another component – scenography. In passing let it be said, there were exponents of this p
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Guadagno, Vincenzo, and Enrico Carafa. "Rifunzionalizzazione del Castello di Ugento - Boutique Hotel e Scuola Internazionale di Cucina." In FORTMED2025 - Defensive Architecture of the Mediterranean. edUPV. Editorial Universitat Politècnica de València, 2025. https://doi.org/10.4995/fortmed2025.2025.20401.

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The Castle of Ugento is a compact structure made of carparo stone, built in different periods on the highest part of the Serra di Ugento. Between 2014 and 2019, it underwent restoration and repurposing interventions aimed not only at preserving the building from deterioration and the risk of collapse but also at integrating it into contemporary life. This was achieved by introducing hospitality and educational functions, as well as museum spaces. The restoration project of the Castle of Ugento is an excellent example of a public-private synergy. The privately owned building was partially entru
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Reports on the topic "Center of contemporary art and architecture"

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Plessi, Fabrizio, Celestino Soddu, and Adriano Abbado. digitalyart: An exhibition honoring Italy, Host of the 44th Annual Meeting of the Board of Governors of the Inter-American Development Bank. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0005909.

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An exhibition of technological art from Italy, featuring the seminal piece ROMA II by Venetian contemporary master Fabrizio Plessi, with digitally designed architectural projects by Celestino Soddu, and interactive images by Adriano Abbado. Held in honor of Italy and the City of Milan, host of the 44th Annual Meeting of the IDB Board of Governors, the show was organized by the IDB Cultural Center with support from the IDB Information and Communication Technology for Development Division, and cooperation from the Istituto Italiano di Cultura of Washington, D.C.
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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006215.

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The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i
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Vive Haïti!: Contemporary Art of the Haitian Diaspora. Inter-American Development Bank, 2004. http://dx.doi.org/10.18235/0008267.

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The Cultural Center of the Inter-American Development Bank pays tribute to the Haitian people and the country¿s bicentennial of its independence with an exhibition entitled: Vive Haïti! Contemporary Art of the Haitian Diaspora, which focuses primarily on the work of artists belonging to recent generations from that country who live abroad as a result of the upheaval that has characterized modern Haitian social and economic history.
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Vive Haïti!: Contemporary Art of the Haitian Diaspora. Inter-American Development Bank, 2004. http://dx.doi.org/10.18235/0005959.

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The IDB Cultural Center paid tribute to the Haitian people and the country's bicentennial with this exhibition of 11 outstanding contemporary Haitian artists. The show focused primarily on the work of artists belonging to recent generations who live abroad. They have synthesized inherited traditions, such as Vodoo, while living the present with uncertainty and seeing the future as elusive. The exhibit includes the work of a few artists who, although living in Haiti, depend on outside sources such as commercial galleries and collectors interested in Haitian art for professional recognition and
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Contemporary Jamaican Artists: A Jamaican Presence in the ABOUT CHANGE Exhibition. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0005963.

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Contemporary Jamaican Artists is part of ABOUT CHANGE, a project implemented by the World Bank Art Program in cooperation with the Inter-American Development Bank Cultural Center, and the Art Museum of the Americas of the Organization of American States (OAS). This initiative comprises a series of exhibitions representing Latin America and the Caribbean that are being held in various venues in Washington during 2011.
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At the Gates of Paradise: Art of the Guaraní of Paraguay. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0008210.

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The exhibit unites a number of artistic expressions of the Guaraní Indians of Paraguay, from the colonial period to the present. Include 65 pieces including statuary, both sacred and secular, photographs, videos, and contemporary art. All of the art works allow for a better understanding of the Guaraní culture that transmits knowledge fundamentally through an oral tradition, but has also come to assimilate a number of influences, modifying them to their own needs. The exhibition was open at the Art Gallery of the Cultural Center of the Inter-American Development Bank on September 2005.
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