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1

Costa Rica) Simposio Centroamericano de Prácticas Artísticas y Posibilidades Curatoriales Contemporáneas (1st) 2000 San José. Temas centrales. San José, Costa Rica: TEOR/éTica, 2001.

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2

Czech Republic) Parallel Inquiries: Art and Visual Culture in Early-Modern Central Europe (Conference) (2012 Brno. Central European and American perspectives on visual arts in early modern Europe. Brno: Barrister & Principal, 2013.

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3

Olasky, Marvin N. Central ideas in the development of American journalism: A narrative history. Hillsdale, N.J: L. Erlbaum Associates, 1991.

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4

Mexico and Central America: A fiesta of culture, crafts, and activities for ages 8-12. Chicago: Chicago Review Press, 2004.

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5

Sweet Sixties: Specters and Spirits of a parallel avant-garde. Berlin: Sternberg Press, 2013.

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6

Moore College of Art and Design, Pennsylvania Academy of the Fine Arts, Philadelphia Museum of Art, Temple Gallery (Philadelphia, Pa.), and Print Center for Prints and Photographs (Philadelphia, Pa.), eds. The graphic unconscious. Philadelphia, PA: Philagrafika, 2011.

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7

Saunders, Frances Stonor, and Frances Stonor Saunders. The cultural cold war: The CIA and the world of arts and letters. New York: New Press, 2000.

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8

Banco Central de la República Dominicana. Departamento Cultural, ed. La cultura en el Banco Central. [Santo Domingo]: Banco Central de la República Dominicana, Departamento Cultural, 2008.

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9

Czechoslovak Society of Arts and Sciences. World Congress. Abstracts: 20th World Congress, Czechoslovak Society of Arts and Sciences (SVU), August 8-13, 2000, American University, Washington, D.C. : central theme : civil society and democracy into the new millenium. [Washington, D.C: Czechoslovak Society of Arts and Sciences, 2000.

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10

Chʻae-wan, Im, ed. Rŏsia, Chungang Asia hansang netʻŭwŏkʻŭ: Business network of overseas Koreans in Russia and Central Asia. Sŏul-si: Buk Kʻoria, 2007.

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11

1961-, Dijk Han van, ed. Arid ways: Cultural understandings of insecurity in Fulbe society, central Mali. Amsterdam: Thela, 1995.

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12

Rodríguez, Bélgica. Arte centroamericano. 2nd ed. San José: EDUCA, 1998.

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13

Godnick, William. Small arms control in Central America. London (GB): International Alert, Security and Peacebuilding Programme, 2003.

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14

Saunders, Frances Stonor. La CIA y la guerra fría cultural. La Habana: Editorial de Ciencias Sociales, 2003.

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15

La CIA y la guerra fría cultural. La Habana: Editorial de Ciencias Sociales, 2003.

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16

Who paid the piper?: The CIA and the cultural Cold War. London: Granta Books, 1999.

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17

Who paid the piper?: The CIA and the cultural Cold War. London: Granta Books, 2000.

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18

Viajes de arte por América Central. Madrid: Ediciones Cultura Hispánica, Instituto de Cooperación Iberoamericana, 1985.

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19

Libal, Autumn. Cuban Americans: Exiles from an island home. Philadelphia: Mason Crest Publishers, 2006.

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20

F, Scott John. Mexican, Central, and South American art. New York, NY: Facts on File, 1996.

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21

Chemical arts and technologies of indigenous Americans. Oxford, England: Archaeopress, 2009.

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22

Gordon, B. Le Roy. Chemical arts and technologies of indigenous Americans. Oxford, England: Archaeopress, 2009.

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23

Fundación Arias para la Paz y el Progreso Humano., ed. The Arms Trade Treaty (ATT) and Central American existing law. San Jose, Costa Rica: Arias Foundation for Peace and Human Progress, 2006.

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24

Bienal de Artes Visuales del Istmo Centroamericano (5th 2006 San Salvador, El Salvador). Artistas seleccionados. [San Salvador]: Museo de Arte de El Salvador, 2006.

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25

Edward, Lucie-Smith. Latin American art of the 20th century. London: Thames and Hudson, 1993.

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26

Del estrecho dudoso a un Caribe invisible: Apuntes sobre arte centroamericano. [Valencia]: Universitat de València, 2013.

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27

Nicaragua) Bienal de Artes Visuales del Istmo Centroamericano (3d 2002 Managua. III Bienal de Artes Visuales del Istmo Centroamericano: Entrega de premios Tlahcuilo. Managua, Nicaragua: Fundación Ortíz-Gurdián, 2002.

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28

Handy, Emmanuel. Le chamanisme et les arts précolombiens. Paris: Harmattan, 2009.

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29

Le chamanisme et les arts précolombiens. Paris: Harmattan, 2009.

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30

Ramón, Caballero, ed. Contrapunto de la forma: Ensayos críticos sobre arte hondureño y centroamericano. [Tegucigalpa]: Secretaría de Cultura, Artes y Deportes, 2007.

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31

Canada. Arms Control and Disarmament Division., ed. Security considerations and verification of a Central American arms control regime. Ottawa, Ont., Canada: External Affairs and International Trade Canada, 1990.

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32

Barbier-Mueller, Musée. Artes rituales del nuevo continente: América precolombina. [Milán]: Skira, 1997.

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33

El arte de ficcionar: La novela contemporánea en Centroamérica. Madrid: Iberoamericana, 2012.

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34

Klepak, H. P. Verification of a Central American Peace Accord. Ottawa, Ontario, Canada: The Arms Control and Disarmament Division, Department of External Affairs, 1989.

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35

Franch, José Alcina. El arte precolombino. Madrid, España: Akal, 1990.

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36

Godnick, William. Stray bullets: The impact of small arms misuse in Central America. Geneva: Small Arms Survey, 2002.

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37

Briggs, Peter S. Art, death, and social order: The mortuary arts of pre-Conquest Central Panama. Oxford, England: B.A.R., 1989.

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38

Instituto Hondureño de Antropología e Historia, ed. Manual básico de arte rupestre de Honduras. [Tegucigalpa]: Instituto Hondureño de Antropología e Historia, 2008.

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39

Flores, Juan Carlos. Magic and realism: Central American contemporary art = Magia y realismo : arte contemporáneo centroamericano. [Tegucigalpa]: Galeria Trio's, 1992.

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40

Económica, Banco Centroamericano de Integración. Integración: Relevante muestra de artistas plásticos centroamericanos. [Tegucigalpa, Honduras]: Banco Centroamericano de Integración Económica, 2001.

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41

Virginia, Pérez-Ratton, Castellón Rolando, and Museo de Arte y Diseño Contemporáneo (San José, Costa Rica), eds. Mesótica II: Centroamérica, re-generación. San José, Costa Rica: El Museo, 1996.

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42

Gallery), TEOR/éTica (Art, ed. Estrecho dudoso. [San José] Costa Rica: TEOR/éTica, 2006.

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43

Siete incursiones en la III Bienal Iberoamericana de Lima 2002: Seven incursions at the III Iberoamerican Lima Biennale 2002. San José, Costa Rica: Publicaciones TEOR/éTica, 2002.

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44

Truman, Margaret. Margaret Truman: Three complete mysteries. New York: Wings Books, 1994.

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45

1930-, Whitten Dorothea S., and Whitten Norman E, eds. Imagery & creativity: Ethnoaesthetics and art worlds in the Americas. Tucson: University of Arizona Press, 1993.

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46

Adela, Fernández, ed. Los mayas: Vida, cultura y arte a través de un personaje de su tiempo. 5th ed. México, D.F: Panorama, 1985.

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47

M, Demetrio Sodi. Los Mayas: Vida, cultura y arte a través de un personaje de su tiempo. México, D.F: Panorama Editorial, 1991.

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48

Mesoamérica: Oscilaciones y artificios : Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, 6 agosto-11 octubre 2002. [Las Palmas de Gran Canaria]: Centro Atlàntico de Arte Moderno, 2002.

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49

Caribe y Centroamérica. Bogotá, Colombia: Art Editions, 2004.

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50

Pérez-Ratton, Virginia. Centroamérica y el Caribe: Una historia en blanco y negro : XXIV Bienal Sao Paulo, 1998. San José, Costa Rica: XXIV Bienal Sao Paulo, 1998.

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