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Books on the topic 'Central Americans in motion pictures'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Carballo, Willian. Centroamérica, una película de Hollywood: Representación de los países del Área y sus migrantes en series y filmes estadounidenses de 1990 a 2015. Escuela de Comunicación Mónica Herrera, 2016.

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2

Amir, Labaki, ed. O cinema brasileiro: De O pagador de promessas a Central do Brasil = The films from Brazil : from The given word to Central Station. 2nd ed. Publifolha, 1998.

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3

University of Illinois (Urbana-Champaign campus). Press., ed. African Americans in cinema: The first half century. University of Illinois Press, 2003.

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4

Richard, Alfred Charles. Contemporary Hollywood's negative Hispanic image: An interpretive filmography, 1956-1993. Greenwood Press, 1994.

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5

Keller, Gary D. Hispanics and United States film: An overview and handbook. Bilingual Review/Press, 1994.

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6

Dönmez-Colin, Gönül. Cinemas of the other: A personal journey with film-makers from the Middle East and Central Asia. Intellect, 2006.

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7

Dönmez-Colin, Gönül. Cinemas of the other: A personal journey with film-makers from the Middle East and Central Asia. Intellect, 2006.

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8

Gribben, Arthur. Images of the Irish & Irish-Americans in commercial and ethnographic film. Northeastern University, 1987.

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9

Cooper, Rose. 3 Black chicks review flicks: A film & video guide with flava! Amistad, 2002.

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10

Berry, Torriano. The fifty most influential Black films: Movies that changed the way we see America. Citadel Press/Carol Pub. Group, 1999.

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11

Rockett, Kevin. The Irish filmography: Fiction films, 1896-1996. Red Mountain Media, 1996.

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12

Charles, Tesson, Paquot Claudine, Garcia Roger, Assayas Olivier, and Festival internazionale del film di Locarno., eds. L' Asie à Hollywood. Cahiers du cinéma, 2001.

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13

Fishman, Sylvia Barack. Real Americans: The evolving identities of American Jews. Jewish Media Fund, 1996.

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14

Ruth, Barton, ed. Screening Irish-America: [representing Irish-America in film and television]. Irish Academic Press, 2009.

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15

Ruth, Barton, ed. Screening Irish-America: [representing Irish-America in film and television]. Irish Academic Press, 2009.

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16

Ruth, Barton, ed. Screening Irish-America: [representing Irish-America in film and television]. Irish Academic Press, 2009.

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17

Restrepo, Patricia. Los mediometrajes de FOCINE: 10 años cine club, universidad central. Universidad Central, 1991.

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18

Harvey-Kattou, Liz. Contested Identities in Costa Rica: Constructions of the Tico in Literature and Film. Liverpool University Press, 2022.

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19

Contested Identities in Costa Rica: Constructions of the Tico in Literature and Film. Liverpool University Press, 2019.

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20

Film Freak Central 2007 Annual. Chaw, Walter, 2007.

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21

Cinema in Central Asia. I.B.Tauris & Co Ltd, 2013.

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22

The cinema of Central Europe. Wallflower Press, 2004.

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23

Chambers, Bill. Film Freak Central 2009 Superannual. Lulu Press, Inc., 2009.

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24

Cinema In Central Asia Rewriting Cultural Histories. I.B.Tauris & Co Ltd, 2013.

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25

Hames, Peter, and Catherine Portuges. Cinemas in Transition in Central and Eastern Europe After 1989. Temple University Press, 2013.

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26

Chambers, Bill. The Film Freak Central 2006 Annual. Lulu.com, 2006.

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27

Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia. Bloomsbury Publishing Plc, 2016.

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28

Sarkisova, Oksana. Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia. Bloomsbury Publishing Plc, 2021.

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29

Popular Cinemas in East Central Europe: Film Cultures and Histories. I. B. Tauris & Company, Limited, 2017.

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30

Ostrowska, Dorota, Zsuzsanna Varga, and Francesco Pitassio. Popular Cinemas in East Central Europe: Film Cultures and Histories. I. B. Tauris & Company, Limited, 2017.

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31

Ostrowska, Dorota, Zsuzsanna Varga, and Francesco Pitassio. Popular Cinemas in East Central Europe: Film Cultures and Histories. I. B. Tauris & Company, Limited, 2017.

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32

Ostrowska, Dorota, Zsuzsanna Varga, and Francesco Pitassio. Popular Cinemas in East Central Europe: Film Cultures and Histories. Bloomsbury Publishing Plc, 2021.

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33

Miller, Jade L. Nollywood Central: The Nigerian Videofilm Industry. BFI Publishing, 2016.

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34

Miller, Jade L. Nollywood Central: The Nigerian Videofilm Industry. British Film Institute, 2016.

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35

Hames, Peter. The Cinema of Central Europe (24 Frames). Wallflower Press, 2005.

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36

Hames, Peter. The Cinema of Central Europe (24 Frames). Wallflower Press, 2004.

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37

Daiya, Kavita. Violent Belongings: Partition, Gender, and National Culture in Postcolonial India. Temple University Press, 2011.

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38

Daiya, Kavita. Violent Belongings: Partition, Gender, and National Culture in Postcolonial India. Temple University Press, 2008.

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39

Violent Belongings: Partition, Gender, and National Culture in Postcolonial India. Temple University Press, 2008.

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40

Violent Belongings: Partition, Gender, and Postcolonial Nationalism in India. Temple University Press, 2008.

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41

Skrodzka, Aga. Magic Realist Cinema in East Central Europe. Edinburgh University Press, 2014.

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42

Agnieszka, Skrodzka, and Aga Skrodzka. Magic Realist Cinema in East Central Europe. Edinburgh University Press, 2012.

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43

Magic Realist Cinema in East Central Europe. Edinburgh University Press, 2014.

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44

Magic Realist Cinema in East Central Europe Traditions in World Cinema. Edinburgh University Press, 2012.

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45

Feng, Peter X. Screening Asian Americans. Rutgers University Press, 2002.

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46

Cinema of the other Europe: The industry and artistry of East Central European film. Wallflower, 2003.

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47

Isaacs, Rico. Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia. Bloomsbury Publishing Plc, 2022.

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48

Isaacs, Rico. Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia. I. B. Tauris & Company, Limited, 2017.

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49

Chavez, Daniel. Nicaragua and the Politics of Utopia: Development and Culture in the Modern State. Vanderbilt University Press, 2015.

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50

Nicaragua and the politics of utopia: Development and culture in the modern state. 2015.

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