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1

Wimal, Dissanayake, ed. Melodrama and Asian cinema. Cambridge University Press, 2005.

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2

Vick, Tom. Asian cinema: A field guide. Collins, 2007.

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3

Ty, Eleanor Rose. The politics of the visible in Asian North American narratives. University of Toronto Press, 2004.

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4

Givanni, June. Black/Asian film & video list. BFI Education, 1988.

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5

Givanni, June. Black/Asian film & video list. BFI Education, 1988.

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6

Kyung, Chang Elaine, ed. Reel Asian: Asian Canada on screen. Coach House Books, 2007.

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7

1953-, Yomota Inuhiko, ed. Ajia eiga =: Asian movie. Sakuhinsha, 2003.

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8

Server, Lee. Asian pop cinema: Bombay to Tokyo. Chronicle Books, 1999.

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9

Chung, Hye Seung. Hollywood Asian. Temple University Press, 2009.

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10

1961-, Hunt Leon, and Leung Wing-Fai 1970-, eds. East Asian cinemas: Exploring transnational connections on film. New York, 2008.

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11

Shimizu, Celine Parreñas. Straitjacket sexualities: Unbinding Asian American manhoods in the movies. Stanford University Press, 2012.

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12

Amir, Labaki, ed. O cinema brasileiro: De O pagador de promessas a Central do Brasil = The films from Brazil : from The given word to Central Station. 2nd ed. Publifolha, 1998.

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13

Cinema in Central Asia. I.B.Tauris & Co Ltd, 2013.

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14

Cinema In Central Asia Rewriting Cultural Histories. I.B.Tauris & Co Ltd, 2013.

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15

Dve ėpokhi nat͡sionalʹnogo samoopredelenii͡a v kino T͡Sentralʹnoĭ Azii: 60-e i 90-e gody = Two epochs of national self-determination in Central Asian cinema : the 60-s and 90-s. T͡Sentr T͡Sentralʹnoĭ Aziatskoĭ Kinematografii, 2006.

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16

Isaacs, Rico. Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia. Bloomsbury Publishing Plc, 2022.

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17

Isaacs, Rico. Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia. I. B. Tauris & Company, Limited, 2017.

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18

Daiya, Kavita. Violent Belongings: Partition, Gender, and National Culture in Postcolonial India. Temple University Press, 2011.

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19

Daiya, Kavita. Violent Belongings: Partition, Gender, and National Culture in Postcolonial India. Temple University Press, 2008.

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20

Violent Belongings: Partition, Gender, and National Culture in Postcolonial India. Temple University Press, 2008.

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21

Violent Belongings: Partition, Gender, and Postcolonial Nationalism in India. Temple University Press, 2008.

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22

Lee, Sangjoon. Cinema and the Cultural Cold War. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.001.0001.

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This book explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. The book adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. The book reconstructs Asian film history in ligh
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23

Dissanayake, Wimal. Melodrama and Asian Cinema. Cambridge University Press, 2012.

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24

Vick, Tom. Asian Cinema: A Field Guide. Collins, 2008.

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25

Film Freak Central 2007 Annual. Chaw, Walter, 2007.

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26

Dissanayake, Wimal. Colonialism and Nationalism in Asian Cinema. Indiana University Press, 1994.

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27

Gates, Philippa, and Lisa Funnell. Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange. Taylor & Francis Group, 2015.

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28

Gates, Philippa, and Lisa Funnell. Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange. Taylor & Francis Group, 2012.

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29

Gates, Philippa, and Lisa Funnell. Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange. Taylor & Francis Group, 2012.

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30

Gates, Philippa, and Lisa Funnell. Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange. Taylor & Francis Group, 2012.

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31

Gates, Philippa, and Lisa Funnell. Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange. Taylor & Francis Group, 2012.

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32

Gates, Philippa, and Lisa Funnell. Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange. Taylor & Francis Group, 2012.

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33

Gates, Philippa, and Lisa Funnell. Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange. Taylor & Francis Group, 2012.

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34

Asian Influence on Hollywood Action Films. McFarland & Company, Incorporated Publishers, 2008.

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35

Grossman, Andrew. Queer Asian Cinema: Shadows in the Shade. Taylor & Francis Group, 2018.

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36

Grossman, Andrew. Queer Asian Cinema: Shadows in the Shade. Taylor & Francis Group, 2018.

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37

Grossman, Andrew. Queer Asian Cinema: Shadows in the Shade. Taylor & Francis Group, 2018.

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38

Grossman, Andrew. Queer Asian Cinema: Shadows in the Shade. Taylor & Francis Group, 2018.

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39

Grossman, Andrew. Queer Asian Cinema: Shadows in the Shade. Haworth Press, 2001.

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40

East Asian film stars. Palgrave MacMillan, 2014.

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41

Asian film journeys: Selections from Cinemaya. Wisdom Tree, 2010.

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42

Vick, Tom. Asian Cinema: A Field Guide. Collins, 2008.

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43

Chang, Elaine. Reel Asian: Asian Canada on Screen. Coach House Books, 2007.

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44

Reel Asian: Asian Canada on screen. Coach House Books, 2006.

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45

Chang, Elaine. Reel Asian: Asian Canada on Screen. Coach House Books, 2004.

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46

Queer Asian Cinema: Shadows in the Shade. Harrington Park Press, 2001.

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47

Queer Asian cinema: Shadows in the shade. Harrington Park Press, 2000.

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48

Server, Lee. Asian Pop Cinema: Bombay to Tokyo. Chronicle Books, 1998.

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49

Fang, Karen. Surveillance in Asian Cinema: Under Eastern Eyes. Taylor & Francis Group, 2017.

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50

Davis, Darrell, and Emilie Yueh-yu Yeh. East Asian Screen Industries. British Film Institute, 2008.

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