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1

Desmond, Ray. A century of Kew plantsmen: A celebration of the Kew Guild. Richmond: Kew Guild, 1993.

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2

Durham, Walter T. Josephus Conn Guild and Rose Mont: Politics and plantation in nineteenth century Tennessee. Franklin, Tenn: Hillsboro Press, 2002.

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3

Stages and playgoers: From guild plays to Shakespeare. Montreal: McGill-Queen's University Press, 2002.

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4

Dalen, Hendrik P. van. Efficiency and collusion in Dutch real estate brokerage: The case of a twentieth century middlemen's guild. Rotterdam: Onderzoekcentrum Financieel Economisch Beleid, 1995.

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5

Instytut ukraïnsʹkoï arkheohrafiï (Akademii︠a︡ nauk Ukraïny). Lʹvivsʹke viddilenni︠a︡, ed. Li︠u︡dy korporat︠s︡iï: Lʹvivsʹkyĭ shevsʹkyĭ t︠s︡ekh u XVII-XVIII st. = Members of the corporate association : the Lviv shoemaking guild in the 17th and 18th century. Lʹviv: Instytut ukraïnsʹkoï arkheohrafiï ta dz︠h︡ereloznavstva im. M.S. Hrushevsʹkoho, 2012.

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6

Pam, Andich, University of Florida. Gallery Guild., University of Florida. University Gallery., and Museum of Fine Arts (Saint Petersburg, Fla.), eds. The Gallery Guild and the University Gallery present American paintings from the first half of the 20th century: From the Eloise and William Chandler Collection. Gainesville: University Gallery, College of Fine Arts, University of Florida, 1985.

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7

Assael, Alyce. Singular visions: Long Island folk art from the late 18th century to the present : Guild Hall Museum, East Hampton, New York, 26 May-7 July 1985. East Hampton, N.Y: The Museum, 1985.

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8

Artists, Guild of Railway, ed. A century of railways: Through the pages of "Railway magazine" and paintings from members of the Guild of Railway Artists : includes the 100-year history of "Railway magazine". Sparkford, Somerset: Oxford Pub. Co., 1996.

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9

Evans, Stuart. Arthur Heygate Mackmurdo (1851-1942) and the Century Guild of Artists: A thesis submitted to the University of Manchester for the degre of M.A. in the faculty of Arts. Manchester: University of Manchester Faculty of Arts, 1986.

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10

Guilds, merchants & ulama in nineteenth-century Iran. Washington, DC: Mage Publishers, 2009.

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11

Sex without guilt in the 21st century. Fort Lee, NJ: Barricade, 2003.

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12

Stansky, Peter. Redesigning the world: William Morris, the 1880s, and the Arts and Crafts. Palo Alto, Calif: Society for the Promotion of Science and Scholarship, 1996.

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13

Stansky, Peter. Redesigning the world: William Morris, the 1880s, and the Arts and Crafts. Princeton, N.J: Princeton University Press, 1985.

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14

Stansky, Peter. Redesigning the world: William Morris, the 1880s, and the Arts and Crafts. Guildford: Princeton University Press, 1985.

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15

Clarke, Peter D. The interdict in the thirteenth century: A question of collective guilt. Oxford: Oxford University Press, 2007.

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16

The hatters of eighteenth-century France. Berkeley: University of California Press, 1987.

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17

Munck, Bert De. Technologies of learning: Apprenticeship in Antwerp guilds from the 15th century to the end of the ancien régime. Turnhout: Brepols Publishers, 2007.

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18

The birth of liberal guilt in the English novel: Charles Dickens to H.G. Wells. Chapel Hill: University of North Carolina Press, 1995.

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19

Adorno, Theodor W. Guilt and defense: On the legacies of national socialism in postwar Germany. Cambridge, Mass: Harvard University Press, 2010.

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20

Anger, guilt, and the psychology of the self in Clarissa. New York: P. Lang, 1999.

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21

Das Unbehagen des Helden: Schuld und Scham in Hartmanns von Aue Erec. Frankfurt am Main: Lang, 2005.

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22

Park, Katharine. Doctors and medicine in early Renaissance Florence. Princeton, N.J: Princeton University Press, 1985.

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23

Doctors and medicine in early Renaissance Florence. Princeton, N.J: Princeton University Press, 1985.

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24

Fitzmaurice, Kathryn. A diamond in the desert. New York: Scholastic Inc, 2013.

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25

Fitzmaurice, Kathryn. A diamond in the desert. New York: Viking, 2012.

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26

McPherson, Karen S. Incriminations: Guilty women/telling stories. Princeton, N.J: Princeton University Press, 1994.

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27

Guild and State: European Political Thought from the Twelfth Century to the Present. Transaction Publishers, 2002.

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28

Durham, Walter T. Josephus Conn Guild and Rose Mont: Politics and Plantation in Nineteenth Century Tennessee. Hillsboro Press, 2003.

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29

Black, Antony. Guild and State: European Political Thought from the Twelfth Century to the Present. Taylor & Francis Group, 2017.

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30

Guild Dynamics in Seventeenth-Century Istanbul: Fluidity and Leverage (Ottoman Empire and Its Heritage). Brill Academic Publishers, 2003.

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31

Semmens, Peter W. A Century of Railways: Through the Pages of Railway Magazine and Paintings from Members of the Guild. Motorbooks International, 1997.

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32

United States. Dept. of Education, ed. The 21st-Century Community College: A Strategic Guild To Maximizing Labor Market Responsiveness, Vol. 2, September 2004. [S.l: s.n., 2004.

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33

Semmens, P. W. B. 1927- and Guild of Railway Artists, eds. A century of railways: Through the pages of 'Railway Magazine'and paintings from members of the Guild of Railway Artists. Sparkford: Oxford Publishing Co., 1996.

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34

Oliver, George. History of the Holy Trinity Guild: At Sleaford, with an Account of Its Miracle Plays, Religious Mysteries, and Shows, As Practiced in the Fifteenth Century. HardPress, 2020.

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35

Ellis, Albert. Sex Without Guilt in the Twenty-First Century. Barricade Books, 2004.

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36

University of Florida. University Gallery, Eloise and William Chandler Collection., and Museum of Fine Arts (Saint Petersburg, Fla.), eds. The Gallery Guild and the University Gallery present American paintings from the first half of the 20th century, from the Eloise and William Chandler Collection: University Gallery, College of Fine Arts, University of Florida, Gainesville. Gainesville, Fla, 1985.

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37

Schwadron, Hannah. Comic Glory (and Guilt). Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190624194.003.0004.

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This chapter covers the late twentieth- and early twenty-first-century shift toward a new brand of postassimilatory and postfeminist joke-work. It highlights select material by celebrity Jewish female comics from the 1990s though the present. An “appropriative license” of select comic material conjoins the reappropriative and misappropriative effects of women performing Jewishly in a zeitgeist of American comedy. Self-ironizing performances by Sandra Bernhard, Sarah Silverman, and Broad City’s Abbi Jacobson and Ilana Glazer illustrate how comics slide among race, gender, and sex identities to play up their progressive politics and white guilt in an era of newfound access to mainstream comedy.
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38

Omer, Bartov, Grossmann Atina, and Nolan Mary 1944-, eds. Crimes of war: Guilt and denial in the twentieth century. New York: New Press, 2002.

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39

(Editor), Omer Bartov, ed. Crimes of War: Guilt and Denial in the Twentieth Century. W. W. Norton & Company, 2003.

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40

Grossmann, Atina. Crimes of War: Guilt and Denial in the Twentieth Century. New Press, 2002.

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41

(Editor), Omer Bartov, Atina Grossman (Editor), and Mary Nolan (Editor), eds. Crimes of War: Guilt And Denial in the Twentieth Century. Diane Pub Co, 2002.

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42

The locomotive of war: Money, empire, power, and guilt. Bloomsbury Publishing Plc, 2017.

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43

The Interdict in the Thirteenth Century: A Question of Collective Guilt. Oxford University Press, USA, 2007.

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44

Higashida, Cheryl. Rosa Guy, Haiti, and the Hemispheric Woman. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036507.003.0005.

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This chapter examines Rosa Guy's Black feminist and queer engagement with tropes and discourses of twentieth-century radical literature about Haitian Revolution generated by the U.S. occupation of Haiti (1918–1934) and interwar anticolonialism. Although Guy is a little-known figure of the post-World War II Black Left, she cofounded two of its influential institutions: the Harlem Writers Guild and the Cultural Association for Women of African Heritage. Over thirty years after the height of this activism, Guy reflected on the limitations of Black nationalism and its Left articulations in her novel, The Sun, The Sea, a Touch of the Wind (1995). Guy's novel revises Black masculinist messianism, and in representing the ongoing history of American military intervention in the Caribbean, makes critique of U.S. imperialism central to Black feminism.
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45

Technologies of Learning: Apprenticeship in Antwerp from the 15th Century to the End of the Ancien RTgime (Studies in European Urban History (1100-1800)). Brepols Publishers, 2007.

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46

Scuriatti, Laura. Groups, Coteries, Circles and Guilds: Modernist Aesthetics and the Utopian Lure of Community. Lang AG International Academic Publishers, Peter, 2019.

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47

Groups, Coteries, Circles and Guilds: Modernist Aesthetics and the Utopian Lure of Community. Lang AG International Academic Publishers, Peter, 2019.

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48

Scuriatti, Laura. Groups, Coteries, Circles and Guilds: Modernist Aesthetics and the Utopian Lure of Community. Lang AG International Academic Publishers, Peter, 2019.

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49

Scuriatti, Laura. Groups, Coteries, Circles and Guilds: Modernist Aesthetics and the Utopian Lure of Community. Lang AG International Academic Publishers, Peter, 2019.

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50

Vees-Gulani, Susanne. Trauma and Guilt: Literature of Wartime Bombing in Germany. De Gruyter, Inc., 2003.

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