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Relevant bibliographies by topics / Century painters

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Academic literature on the topic 'Century painters'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Century painters"

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Lee, Kyunghwa. "Discarding the Brush: Kang Sehwang and a Sociocultural History of the Chŏlp’il Practice in Eighteenth-Century Chosŏn." Korean Journal of Art History 316 (December 31, 2022): 39–71. http://dx.doi.org/10.31065/kjah.316.202212.002.

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Literally meaning “discarding the brush,” chŏlp’il refers to a painter’s sudden withdrawal from artistic activities. In the field of Korean art history, chŏlp’il has long been treated as a secondary topic of inquiry, occupying merely the margins of scholarly discourse. Eighteenth-century Chosŏn, however, witnessed a remarkable increase in the frequency of occasions that the scholar-painter “discarded the brush.” That suggests the decision of chŏlp’il was neither a personal choice nor an accidental event, but a reflection of certain sociocultural norms and values. This article discusses the his

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Schaus, Gerald P. "Two Fikellura Vase Painters." Annual of the British School at Athens 81 (November 1986): 251–95. http://dx.doi.org/10.1017/s0068245400020177.

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The two most important Fikellura vase painters are here studied and their works catalogued. The earlier of the two, the Altenburg Painter, was recognized first by R. M. Cook (BSA 34 (1933–4) 1–98), but the number of vases attributed to this painter has greatly increased and now includes some of the earliest Fikellura vases with figure decoration. His career covers most of the third quarter of the sixth century. The second painter, named the Painter of the Running Satyrs, is studied for the first time here. His production spans most of the fourth quarter of the century. Although not very numero

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Altes, Everhard Korthals. "Philip van Dijk, een achttiende-eeuwse Haagse schilderkunsthandelaar met een lokale en internationale clientèle*." Oud Holland - Quarterly for Dutch Art History 116, no. 1 (2003): 34–56. http://dx.doi.org/10.1163/187501703x00260.

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AbstractPhilip van Dijk was an important eighteenth-century painter-dealer. During this period lots of dealers in paintings started out as painters, a combination also found previously in the seventeenth century. Quite a few painters began dealing due to the falling demand for contemporary art in the eighteenth century, and some of them sought new outlets abroad where there were many well-off collectors interested in both contemporary Dutch painters and the masters of the seventeenth century. Van Dijk, too, built up a clientele both locally in The Hague and abroad. Bills and receipts from Joha

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Suciu, Silvia. "Afacerea artei. Piața de artă în Marea Britanie în secolele XVII -XVIII." Anuarul Muzeului Etnograif al Transilvaniei 35 (December 20, 2021): 105–45. http://dx.doi.org/10.47802/amet.2021.35.06.

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While the royal houses and the aristocracy of Italy, Low Countries, France and Spain had already an history in collecting pieces of art, Great Britain adopted this “fashion” only under Charles the 1st reign, in 17th century. Charles the 1st understood that his painted portraits, sculpted busts and a royal collection of art could bring a higher value to his royal status and this practice was representing the power, the authority and the virtues of a king. He was a prodigious collector and made numerous acquisitions of paintings and statues. He collected the artworks of more than 1750 artists; t

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Firea, Ciprian. "“De Piloso Fonte Sum”: On Dishonorable Backgrounds, Lawsuits, Guilds, and Artisans in Early Renaissance Cluj." Studia Universitatis Babeș-Bolyai Historia Artium 68 (December 30, 2023): 45–66. http://dx.doi.org/10.24193/subbhistart.2023.02.

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“De Piloso Fonte Sum”: On Dishonorable Backgrounds, Lawsuits, Guilds, and Artisans in Early Renaissance Cluj. This study, based on an exceptional source (a judicial record of 1549, published here for the first time) aims at the restitution of the biography and the distinctive character and personality of an early Renaissance painter from Transylvania, Gregorius Pictor, while making recurrent references to the artistic milieu of the sixteenth century Cluj – the town where he was mainly active. The study reveals, undoubtedly, one of the most comprehensive painters’ biographies of Transylvania in

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Sardet, Christian. "Two centuries of arts and science in Nice and Villefranche sur Mer: 1) Pioneers: 1800 to 1900." Arts et sciences 9, no. 2 (2025): 46–67. https://doi.org/10.21494/iste.op.2025.1290.

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We tell the story of exploration of the flora and fauna in the Nice region, and especially pelagic organisms, the work of some twenty biologists associated with painters. In 1800, Antoine Risso, Jean Gabriel Prêtre, François Péron and Alexandre Lesueur described and painted flowers, fish and some marine invertebrates. In the middle of the century, Jean Baptiste Vérany, a naturalist from Nice, welcomed prestigious German and Swiss biologists - Johannes Müller, Rudolf Leuckart, Ernst Haeckel and Carl Vogt - who described andstudied little known organisms such as siphonophores and radiolarians. A

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Teukolsky, Rachel. "Modernist Ruskin, Victorian Baudelaire: Revisioning Nineteenth-Century Aesthetics." PMLA/Publications of the Modern Language Association of America 122, no. 3 (2007): 711–27. http://dx.doi.org/10.1632/pmla.2007.122.3.711.

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John Ruskin's Modern Painters V (1860) and Charles Baudelaire's “The Painter of Modern Life” (1863) are contemporaneous texts that both champion modern painters. Yet the two have rarely been considered together; while Ruskin's work is usually taken to represent a moralistic Victorianism, Baudelaire's essay is a foundational text of aesthetic modernism. This article compares the two texts in order to arrive at a more accurate, descriptive sense of nineteenth-century aesthetics, especially at the mid-century moment when “the modern” emerges as an aesthetic value in both England and France. Ruski

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Lores-Chavez, Isabella. "The Plaster Cast and the Intimacy of the Studio." Ge-conservacion 23, no. 1 (2023): 120–28. http://dx.doi.org/10.37558/gec.v23i1.1214.

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In the seventeenth century, plaster casts, which were essential sources of inspiration and instruction, became a recurring motif in images of Dutch painters’ workspaces, a marker of both intellectual and manual labor. Painters used plaster casts to proclaim their erudite knowledge of antiquity and of Renaissance sculpture that emulated ancient models. Plaster casts also provided a means for ambitious painters to communicate their personal and aspirational ties to other masters. The presence of plaster casts in archival records along with painted depictions of the studio provide insights into t

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Vojvodic, Dragan. "The icon of the Theotokos from the Church of St. Nicholas (Rajko’s Church) and the question of painting workshops in medieval Prizren." Zograf, no. 40 (2016): 95–116. http://dx.doi.org/10.2298/zog1640095v.

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Based on stylistic and paleographical analysis, it can be safely concluded that the icon of the Theotokos from the Church of St. Nicholas (Rajko?s Church) in Prizren was not created in the 14th century as previously believed. It was painted in the last third of the 16th century by an icon painter close to the circle of Serbian painters formed in Pec. The suggestion of stylistic ties between this icon and the first fresco layer at the Church of the Holy Savior in Prizren and the wall paintings in the Church of St. Nicholas (the Tutic Church) is not acceptable. Furthermore, comparison of wall pa

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D’Elia, Una Roman. "Painting on sculptures in fifteenth-century Florence: case studies." Sculpture Journal 34, no. 1 (2025): 69–86. https://doi.org/10.3828/sj.2025.34.1.05.

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This article focuses on the painted and gilded surfaces of sculptures in fifteenth-century Florence, offering a few case studies to suggest the variety of ways in which painters brought three-dimensional works to life. Paint adds shifting colours that mimic the warmth of flesh, but also shadows and highlights that change the perception of form. The paint can be extremely fine – infinitely delicately delineated eyelashes – or rough, with seemingly splashed-on blood that is in fact carefully executed. The painter Neri di Bicci uses the terms ‘incarnation’ and ‘ornament’ to describe his painting

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Dissertations / Theses on the topic "Century painters"

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Sprague, Abbie Noel. "The craftsman painters of the arts and crafts movement." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609045.

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Lee, Sai-chong Jack. "Painting in western media in early twentieth century Hong Kong /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19668296.

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Mannering, Hildegard Kirsten. "European stylistic influence on early twentieth century South African painters." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002207.

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South African artists, d i ssatisfied with the staid environment in local circles, felt the need to travel abroad for fresh stimulation. This need allowed for a historical investigation into the results, beneficial or otherwise, of the influence of European modernism on early twentieth century South African painters. Because of the numerous practising artists in South Africa at the time, it was found necessary to give cohesion to the artists discussed and, therefore the most pertinent were grouped into artistic movements. Thus, H.Naude, R . G. Goodman and H.S. Caldecott are discussed in conjun

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Siu, Fun-kee, and 蕭芬琪. "The conventional and the individual in Fu Baoshi's (1904-1965) painting." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31245912.

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O'Neil, Maryvelma Smith. "Giovanni Baglione : seventeenth-century artist, draughtsman and biographer of artists." Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:b1494a9e-8c16-4d48-9553-0f63da44cb6c.

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This thesis explores Baglione's contributions to art and to the history of art by examining the nature of his artistic and critical originality and the significant influences thereon. In the work for which he is best known, Le Vite ... (1642), Baglione was an interesting and generous critic who was unusually receptive to pictorial effects, even when in architecture and sculpture. He assesses Caravaggio's accomplishments with well chosen observations thereby breaking his restriction to discuss only accessible works of art. A broad view of his paintings and drawings shows Baglione's complex, ori

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Howard, Samantha. "A new theatre of prospects : eighteenth-century British portrait painters and artistic mobility." Thesis, University of York, 2010. http://etheses.whiterose.ac.uk/2792/.

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The eighteenth century saw the emergence of Britain as a pre-eminent imperial, mercantile and maritime power. At home, the 1707 Act of Union between England and Scotland, and the advances in communications stimulated new opportunities for artists working inside and outside of London. Overseas, the aftermath of the Seven Years War (1756-1763) in particular, saw the spectacular growth of Britain's world-wide interests through imperial expansion. Britain's triumph over France resulted in impressive territorial gains which opened up a wealth of commercial possibilities and generated new markets fo

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蕭芬琪 and Fun-kee Siu. "The case of Wang Yiting (1867-1938): a uniquefigure in early twentieth century Chinese art history." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31223357.

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Pasco, Hélène. "When 19th century painters prepared organic-inorganic hybrid gels : physico-chemical study of « gumtions »." Electronic Thesis or Diss., Sorbonne université, 2019. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2019SORUS296.pdf.

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Les médiums étaient utilisés par les peintres aﬁn de modiﬁer la texture et le séchage de leur peinture. Au 19ème siècle, des artistes britanniques ont développé un médium composé d’huile siccative, de résine mastic et d’acétate de plomb trihydraté : le « gumtion ». Ce matériau de type gel surpasse les additifs alors existants. Dans cette thèse, nous contribuons à la compréhension des processus chimiques impliqués dans la formation et le vieillissement des gumtions. Dans un premier temps, nous avons centré l’étude sur la résine mastic, car il s’agit d’un élément clé dans la préparation des gels

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Setti, Godfrey. "An analysis of the contribution of four painters to the development of contemporary Zambian painting from 1950-1997." Thesis, Rhodes University, 2001. http://hdl.handle.net/10962/d1002218.

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This study presents an analysis of the contribution of four painters to the development of contemporary Zambian painting, from 1950 to 1997. This is preceded by a brief history of Zambian painting, including Bushmen rock painting and early Bantu art, which is followed by an account of the way western influence, introduced by the white man, started changing the style of painting in the country as it began to affect indigenous artists. In the work of artists who began painting from about 1900 to 1950, both western and traditional stylistic influences can be seen. While the painters whose work is

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Siu, Fun-kee. "The case of Wang Yiting (1867-1938) : a unique figure in early twentieth century Chinese art history /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21415274.

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Books on the topic "Century painters"

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Spalding, Frances. 20th century painters and sculptors. Edited by Collins Judith 1946-. Antique Collectors' Club, 1990.

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Marius, Gerarda Hermina. Dutch painters of the 19th century. Antique Collectors' Club, 1988.

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Lou, Klepac, and Pearce Barry, eds. Australian painters of the twentieth century. Beagle Press, 2000.

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Dawson, Bee. Lady painters: The flower painters of early New Zealand. Viking, 1999.

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Waterhouse, Ellis. British 18th century painters in oils andcrayons. Antique Collectors' Club, 1991.

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Wright, Christopher. The Dutch painters: 100 seventeenth century masters. Orbis Pub., 1985.

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David, Alston, Mitchell Bernard, and National Museum & Gallery Cardiff., eds. Welsh painters talking. Seren, 1997.

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Grimes, Teresa. Five women painters. Lennard, 1989.

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Grimes, Teresa. Five women painters. Lennard Pub., 1989.

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Stevenson, Jane. Edward Burra: Twentieth-century eye. Jonathan Cape, 2007.

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Book chapters on the topic "Century painters"

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Eitner, Lorenz. "Academic and Salon Painters." In An Outline of 19th Century European Painting. Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-10.

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Peng, Lü. "Guohua Painters and New Guohua." In A History of Chinese Art in the 20th and 21st Century. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-5327-7_5.

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Luque, Manuel García. "Patrons, Sculptors, and Painters in Eighteenth-Century Spain." In Polychrome Art in the Early Modern World. Routledge, 2024. http://dx.doi.org/10.4324/9781003010005-12.

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Peng, Lü. "The Shanghai School and Its Painters." In A History of Chinese Art in the 20th and 21st Century. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-5327-7_2.

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Frost, Mark. "John Ruskin, ‘of the Open Sky’, Modern Painters I." In Environment and Ecology in the Long Nineteenth-Century. Routledge, 2024. http://dx.doi.org/10.4324/9780429355660-218.

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Peng, Lü. "The Transformation of Chinese-Style Painting and Guohua Painters." In A History of Chinese Art in the 20th and 21st Century. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-5327-7_13.

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Birkeli, Helene Engnes. "Chapter 3. Touching difference and colonial space." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxvi.03bir.

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This essay argues that Little Marie on Neky’s Arm (1838), a portrait by the Danish painter Niels P. Holbech, provides a challenge to sentimental constructions of the West-Indian “nanny” figure. The relational ambiguity of this painting recalls that of the wet nurse and her charge, a figure of nineteenth-century French painting described by Linda Nochlin (1988). In the context of the colonial imaginary, the nanny figure represented fears of “miscegenation” while also acting as a foil to white European motherhood. Other Danish painters portrayed the nanny figure against the backdrop of the exter

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Helmus, Liesbeth M. "Journeymen and Servants: Sixteenth-Century Employment Contracts with Painters from the Netherlands." In Me Fecit. Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.mef-eb.3.815.

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Matthew, Louisa. "15. Painters Marketing Paintings in Fifteenth and Sixteenth-Century Florence and Venice." In Studies in European Urban History (1100-1800). Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.seuh-eb.4.00072.

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Immerwahr, Henry R. "Early Classical: From the Persian Wars to the Mid-Fifth Century." In Attic Script. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198132233.003.0010.

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Abstract After the Persian Wars certain changes took place in the production and distribution of Attic pottery. Yet many painters and potters continued their prior activities, so that there is not so much a break as a gradual transformation in the direction of the Classical style. Among smaller vases, the lekythos and the small Nolan amphora replace the cup in popularity; among large vases, the column krater becomes more common. The export is still to Etruria, but more so for the small vases. Larger vases are used mainly in Athens and in South Italy: no doubt these changes in the market cause

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Conference papers on the topic "Century painters"

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Harper, William B. "Environmental and Health Concerns Relating to Water and Wastewater Coating and Painting Projects." In CORROSION 1990. NACE International, 1990. https://doi.org/10.5006/c1990-90388.

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Abstract This presentation traces recent history of environmental and health concerns and regulations specifically directed to, or directly affecting, the coating and paint industry. Rules and regulations for abrasives used in blast cleaning, solvents used in coatings and paints, quantities of volatile organic compounds for coatings and paints and other environmental or health related restrictions on such products are discussed. Comments are offered to assist owners, engineers, specifiers, contractors and others involved in barrier protection via coatings and paints in meeting the challenges o

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Kline, Eric S., and William D. Corbett. "Single Coat Paint System Research." In Paint and Coatings Expo (PACE) 2006. SSPC, 2006. https://doi.org/10.5006/s2006-00040.

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Abstract Corrosion on steel bridges has long been recognized as a major concern. Over the years, technology has advanced from lead-based paints used for a century to three-coat systems. Recently, two-coat systems have been developed and are gaining acceptance. Research which is now underway to develop a one-coat system is described in this paper.

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Kline, Eric S., and William D. Corbett. "Completion of Phase 1 of the Single Coat Research Program." In Paint and Coatings Expo (PACE) 2007. SSPC, 2007. https://doi.org/10.5006/s2007-00050.

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Abstract Corrosion on steel bridges has long been recognized as a major concern. Over the years, technology has advanced from lead-based paints used for a century to three-coat systems. Recently, two-coat systems have been developed and are gaining acceptance. Research which is now underway to develop a one-coat system is described in this paper, along with the results of the Phase 1 testing which has been completed.

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Olson, Ahren, Todd Williams, Mark Hudson, and C. Wayne Fleming. "Two-Coat Polyaspartic Urethane Coatings Protect Virginia Steel Bridges for over a Decade." In SSPC 2016 Greencoat. SSPC, 2016. https://doi.org/10.5006/s2016-00053.

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Protective coatings have been used for more than a century to protect steel bridges from corrosion. Oil-based coatings with lead and chromium pigments applied directly over mill scale were the industry standard for almost 100 years, and provided excellent protection against corrosion at a reasonable price. In the mid-1960s, use of lead-based paints declined and zinc became the inhibitive pigment of choice1. Zinc-based pigments galvanically couple to steel, causing the zinc pigments to sacrifice themselves as they are anodic to the steel. For more than 40 years, zinc-rich primers in three-coat

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Agarwal, D. C., and Jutta Kloewer. "Nickel Base Alloys: Corrosion Challenges in the New Millennium." In CORROSION 2001. NACE International, 2001. https://doi.org/10.5006/c2001-01325.

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Abstract To fully appreciate the corrosion challenges of the new millenium, one has to learn from the innovations made in the nickel alloy metallurgy of the past century. In the 21st century, as was the case in the last century, within the various industries, after carbon steel, the 300 series stainless steels will continue to be the "most widely used tonnage" material. Other corrosion mitigation technologies such as electrochemical protection, non-metallics, coatings and paints and use of inhibitor technology will also play a major role. The materials of construction for these modern chemical

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Holcomb, G. R., B. S. Covino, S. J. Bullard, and S. D. Cramer. "Microclimate Corrosion Effects in Coastal Environments." In CORROSION 1996. NACE International, 1996. https://doi.org/10.5006/c1996-96501.

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Abstract The Albany Research Center is conducting atmospheric corrosion research in coastal environments to improve the performance of materials in the Nation’s infrastructure. The corrosion of bare metals, and of painted, thermal-sprayed, and galvanized steels are presented for one-year exposures at sites located on bridges and utility poles along the Oregon coast. The effects of microclimates (for example distance from the ocean, high wind zones, and salt-fog prone regions) are examined in conjunction with sample orientation and sheltered/unsheltered comparisons. An atmospheric corrosion mod

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Ortiz, Carolyn N., Drew Miller, Rebekah Wilson, and Brooke Divan. "New Coatings in Research vs Military Specified Coatings Used for Steel Structures." In CONFERENCE 2024. AMPP, 2024. https://doi.org/10.5006/c2024-21209.

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Abstract Paints and coatings are commonly applied to military steel structures to enhance the durability, corrosion resistance, and protect raw materials. The Paint Technology Center, Technical Center of Expertise (TCX) consistently conducts research and gathers performance data of coating systems new and old for military and civil work infrastructure applications. In this experiment the novel and currently specified coatings were exposed to UV/condensation, salt fog, and low temperature conditions within the laboratory. The performance data collected within this environment show the dispariti

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Erickson, Laura, Derek Horton, Marybeth Parker, et al. "Ships Corrosion Control Design Requirements." In CONFERENCE 2025. AMPP, 2025. https://doi.org/10.5006/c2025-00348.

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Abstract As the U.S Navy strives to strengthen its maritime dominance in the 21st century, the need for higher operational availability is integral to being able to perform its mission. Corrosion of structures and systems in corrosion prone areas drives reliability and is a significant contributor to depot maintenance availability schedules and costs. Ultimately, corrosion is a key risk item that impacts all seawater exposed systems, reduces or even defines system life/reliability, degrades operational availability, and demonstrably increases lifecycle costs. Design decisions made in acquisiti

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Beriş, Yeter. "DEVELOPMENT OF FEMALE ARTIST IDENTITY IN THE 19TH CENTURY: AN EXAMINATION IN THE CONTEXT OF PRINT ART." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p65.

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The 19th century stands as a pivotal period in art history, marked by significant strides in both artistic expression and the struggle for women's rights. Women encountered various obstacles as they endeavoured to carve out their identities, seeking greater recognition and acceptance within the artistic sphere. However, this journey was fraught with substantial impediments to women's artistic and educational development. Initially, during the first half of the 19th century, access to art education for women was severely restricted. Often deprived of formal artistic training, they were typicall

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Hockney, David, and Charles M. Falco. "Optical instruments and imaging: the use of optics by 15th-century master painters." In Photonics Asia 2004, edited by Yongtian Wang, Zhicheng Weng, Shenghua Ye, and Jose M. Sasian. SPIE, 2005. http://dx.doi.org/10.1117/12.580846.

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Reports on the topic "Century painters"

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Galenson, David. Toward Abstraction: Ranking European Painters of the Early Twentieth Century. National Bureau of Economic Research, 2005. http://dx.doi.org/10.3386/w11501.

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Galenson, David. The Methods and Careers of Leading American Painters in the late Nineteenth Century. National Bureau of Economic Research, 2005. http://dx.doi.org/10.3386/w11545.

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García-Dory, Fernando, Ella Houzer, and Ian Scoones. Livestock and Climate Justice: Challenging Mainstream Policy Narratives. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/1968-2021.128.

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In discussions around food systems and the climate, livestock is often painted as the villain. While some livestock production in some places contributes significantly to climate change, this is not universally the case. This article focuses on pastoral production systems – extensive, often mobile systems using marginal rangelands across around half of the world’s surface, involving many millions of people. By examining the assumptions behind standard calculations of greenhouse gas emissions, a systematic bias against pastoralism is revealed. Many policy and campaign stances fail to discrimina

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NARYKOVA, N. A., S. V. KHATAGOVA, and Yu R. PEREPELITSYNA. PEJORATIVE WORDS IN GERMAN MASS-MEDIA IN NOMINATIONS OF POLITICIANS. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2021-14-1-3-57-68.

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One of the main functions of mass media is influence on public opinion. So emotionally-painted lexical means are widely used in mass media in relation to leading politicians who are the centre of political arena. They are exposed to the frequent criticism, a negative estimation. The present article is devoted to the consideration of pejorative lexicon which is applied in nominations for heads of states. An empirical material of research were electronic newspapers and editions: Der Spiegel, Die Zeit, Sueddeutsche Zeitung, Der Tagesspiegel, taz, Die Welt, Gegenblende. As the basic methods of res

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A Century of Painting in Panama. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0005898.

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An exhibition of exceptional paintings by 25 outstanding artists selected from a survey of a wide-ranging group of art connoisseurs, historians, critics, professors and art dealers in Panama gave the public an overview of the development of painting in Panama over the 20th century. The selection included early 20th century artists such as Roberto Lewis, Humberto Ivaldi, and Manuel Amador; and painters from Mid-century and end of the 20th century. Dr. Mónica E. Kupfer, Former Curator of the Panama's Museum of Contemporary Art, was invited as Associate Curator for this exhibition.

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Dreaming Mexico: Painting and Folk Art from Oaxaca. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0005910.

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Works of the famous painters, Rufino Tamayo, Francisco Toledo and Rodolfo Morales with alebrijes (ah-lay-bree-heys), hand painted sculpted animals, and ceramics, many inspired by local legends and beliefs. The exhibition was organized by the IDB Cultural Center with logistical support from the IDB Country Office in Mexico, and the collaboration of the Oaxacan Institute of Cultures, the Rodolfo Morales Foundation in Oaxaca, the Mexican Cultural Institute in Washington, D.C., the Museo de Arte Contemporáneo Internacional Rufino Tamayo in Mexico City and various private collectors.

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