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Journal articles on the topic 'Ceramic appreciation'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Wang, Mian. "Mobile Information System of Ceramic Appreciation and Communication Management Based on Mobile Edge Computing." Mobile Information Systems 2021 (September 15, 2021): 1–11. http://dx.doi.org/10.1155/2021/4540664.

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Mobile edge computing is a very popular technology now. It was proposed to eliminate the problem of lack of global computing resources. This article aims to study the use of the latest mobile edge computing technology to study the mobile information system for appreciation, exchange, and management of the traditional ceramic industry. The whole article uses mobile edge computing technology. It enters the network using wireless methods and provides recent users with the required services and cloud computing functions, allowing users to easily query the information and data they want, plus mobil

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2

Sun, Dongyao. "Symphony of Ceramic Archeology, Appreciation and Law." Journal of China Studies 18, no. 3 (2015): 77–89. http://dx.doi.org/10.20288/jcs.2015.18.3.5.

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3

Temmy, Temmy. "A Brief Analysis of The Influence of Chinese Culture Ceramic on Rococo Art of The West." Humaniora 5, no. 1 (2014): 281. http://dx.doi.org/10.21512/humaniora.v5i1.3022.

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Chinese culture elements accepted for the first time by the Western countries was ceramic and silk. China's silk was found in ancient Greece during the Roman era and since then China has become the “Country of Silk”. Chinese ceramics came to the West a bit later. It was during the Song Dynasty that Western countries started accepting Chinese ceramics, and soon after that Chinese Ceramics had became a new surprise to the Western Countries and had China known as the “Country of Porcelain”. Porcelain as a cultural element is considered not only as material but also as a spirit. When the Europeans

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4

Frendo, Anthony J. "H. J. Franken's Method of Ceramic Typology: an Appreciation." Palestine Exploration Quarterly 120, no. 2 (1988): 108–29. http://dx.doi.org/10.1179/peq.1988.120.2.108.

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5

Mudra, I. Wayan, I. Gede Mugi Raharja, and I. Wayan Sukarya. "Estetika Visual Kriya Keramik Berornamen Wayang Khas Bali." Gondang: Jurnal Seni dan Budaya 5, no. 1 (2021): 53. http://dx.doi.org/10.24114/gondang.v5i1.21036.

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The Balinese puppets in the traditional paintings as a cultural heritage has inspired Balinese craftsmen created ceramic works of aesthetic value. The efforts these craftsmen can be read as resistance to entry the ceramic works from outside and the production of the ceramic art in Indonesia that ignore Indonesian characters. This study aims to discuss the aesthetics of visuals ceramic works that apply Balinese puppets ornaments. The data collection method by observation and documentation. The results showed that the aesthetics of the ceramic craft products with Balinese puppets ornaments seen

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Machado Junior, Wilton Antônio, Maria Gabriela Araujo Ranieri, Rosinei Batista Ribeiro, Jorge Luiz Rosa, and Adilson da Silva Mello. "Microstructural characterization of ceramic artifacts made using the raku technique." Research, Society and Development 10, no. 9 (2021): e6910917755. http://dx.doi.org/10.33448/rsd-v10i9.17755.

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This study was carried out at the atelier “Adamas”, located in the city of Cunha, in the state of São Paulo, Brazil. The objective is to characterize the physical and mechanical properties of ceramics made using the raku technique in the Adamas atelier. As a methodology, the specimens were submitted to the following tests: Scanning Electron Microscopy (SEM), X-ray Energy Dispersion Spectroscopy (EDS), mass loss and linear shrinkage. It was observed that the specimens were mainly composed of silicon and aluminum, which is typical of ceramics made with kaolinitic clays, possessing a plastic beha

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7

변주성. "Appreciation of ceramic education that considered the contextual angle in art culture education." Journal of Art Education 21, no. ll (2007): 135–52. http://dx.doi.org/10.35657/jae.2007.21..006.

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8

Gaishun, A. S., E. S. Gaishun, E. V. Kovaleristova, and K. S. Yavruyan. "WALL CERAMIC MATERIALS BASED ON TECHNOGENIC RAW MATERIALS OF COAL SERIES." Herald of Dagestan State Technical University. Technical Sciences 46, no. 1 (2019): 152–59. http://dx.doi.org/10.21822/2073-6185-2019-46-1-152-159.

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Objectives. The paper discusses the feasibility of using the technogenic raw materials of the coal series in the production of highly efficient wall ceramics. The interest in the man-made raw materials of the coal series (sludge, screenings and cake) as the raw materials used in the manufacture of ceramic products has now greatly increased. The reason for this was the reduction of the base of high-quality clay raw materials, the appreciation of its use in the production of wall ceramics, a large amount of accumulated reserves of various rocks of coal-based man-made raw materials.Method. The re

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9

Manteli, K., and D. Evely. "The neolithic levels from the Throne Room system, Knossos." Annual of the British School at Athens 90 (November 1995): 1–16. http://dx.doi.org/10.1017/s006824540001604x.

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Small pockets of neolithic levels were sampled during the 1987 investigation of the Throne Room System in the palace of Knossos. The limited stratigraphic evidence is here presented, as well as sections concerning the pottery, small finds, and animal bones. The most interesting point to emerge concerns the presence of Final Neolithic characteristics in the ceramic evidence that will help towards formulating an appreciation of that elusive period at Knossos.

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10

Olalere, Folasayo Enoch, and Ab Aziz Shuaib. "Hybridized Prototyping Process: A Contemporary Cultural Approach to Enhance Ceramic Production." Key Engineering Materials 706 (August 2016): 31–35. http://dx.doi.org/10.4028/www.scientific.net/kem.706.31.

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The development of postmodern theory, are based on contemporary cultural thought and practice. That is; the eclectic mixture of any tradition with that of its immediate. Thus, Postmodernists artists have shown the taste for hybrids, which involves conjoining two different techniques or cultures across the units of time, background and place. This conjunction or creative binding (hybrid) enables the appreciation of both sides of the equation and their union. Therefore, this study employed a deductive and practice-led approach to determine how viable rapid prototyping technology can improve the

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11

Ponimin and Guntur. "The COVID-19 War in Ceramic Arts: Navigating Aesthetic and Symbolic Expressions." Aisthesis. Pratiche, linguaggi e saperi dell’estetico 14, no. 1 (2021): 81–99. http://dx.doi.org/10.36253/aisthesis-12056.

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This paper reports on the production of a ceramic installation artwork that explores the story of the COVID-19 pandemic experienced by people throughout the world. The work is a symbolic expression in the form of a set of ceramic art models that portray the story of the battle between positive and negative values, expressed through a 3-dimensional visual ceramic installation consisting of an arrangement of statues that portray an imaginary battle between COVID-19 troops and Lord Krishna. The method used in the process of creating this work was a creative approach that combined appreciation and

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12

Scur, Gabriela, and Renato Garcia. "The impact of actors, networks and institutions in the cluster’s evolution." Competitiveness Review: An International Business Journal 29, no. 3 (2019): 267–86. http://dx.doi.org/10.1108/cr-08-2018-0049.

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Purpose This paper aims to analyze the impact of the capabilities and strategies of the actors (micro-dynamics), learning process and networks (meso-dynamics) and institutions (macro-dynamics) in the evolution of the Brazilian ceramic clusters. Based on these experiences, managerial and policy implications are suggested. Design/methodology/approach Main data were gathered through 22 in-depth face-to-face interviews with managers and industry experts. The data were complemented by documentary analysis, including brand documents, descriptions of internal processes and Brazilian and international

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13

Hunt, C. O., D. J. Mattingly, D. D. Gilbertson, et al. "ULVS XIII: Interdisciplinary Approaches to Ancient Farming in the Wadi Mansur, Tripolitania." Libyan Studies 17 (1986): 7–47. http://dx.doi.org/10.1017/s0263718900007032.

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AbstractThis article describes the interdisciplinary methods developed by the UNESCO Libyan Valleys Survey in connection with the study of ancient agriculture. These methods combine the techniques of settlement archaeology with those of the earth sciences and palaeoeconomics. The interactive nature of the enquiry does not resolve all the questions, but it can help to re-shape those questions and suggest new lines of enquiry. The example of the Wadi Mansur is used here to demonstrate the application of both conventional and new techniques and the contribution this can make to our appreciation o

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14

Wahyuningsih, Novita, and Joko Lulut Amboro. "APPRECIATION AND CREATION IN CERAMIC ART LEARNING AS A FORM OF CULTURAL PRESERVATION FOR STUDENTS OF TK PANDEYAN 2 SUKOHARJO IN SURAKARTA RESIDENCY." Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni dan Pengajarannya 45, no. 1 (2017): 040–49. http://dx.doi.org/10.17977/um015v45i12017p040.

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15

Plaziat, Jean-Claude. "Bernard Palissy (1510–1590) and the French geologists: a critical reappraisal concerning the founding naturalist and his rustic ceramics." Bulletin de la Société Géologique de France 182, no. 3 (2011): 255–67. http://dx.doi.org/10.2113/gssgfbull.182.3.255.

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Abstract Bernard Palissy benefited from two centuries (mid-18th - mid-20th c.) of a striking reputation – only partly justified – as a precursor of the European geologists and as a prolific producer of a new ceramic ware. During the last decades that appreciation was revealed to be overrated. His scientific and technological fame were respectively founded on misreadings by 18th c. rediscoverers (Jussieu, Réaumur, Fontenelle) and on erroneous attributions to a so-called “rustic Palissy’s ware style” of most of the pieces of China with animals in full relief referred to Palissy. The attribution

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16

Et.al, Harozila Ramli. "Creative and Innovative Thinking in the Holistic Development of Students’ Potentials through ‘Sekolah Bitara’ Visual Art Program." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 3 (2021): 406–17. http://dx.doi.org/10.17762/turcomat.v12i3.745.

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UPSI-Sekolah Bitara Visual Art Program was a smart, collaborative project involving Universiti Pendidikan Sultan Idris (UPSI) and SekolahKebangsaanDato’ Kamaruddin, BehrangStesen, Perak. The UPSI’s Sekolah Bitara Visual Art Program was a smart collaborative project held at the SekolahKebangsaanDato’ Kamaruddin, BehrangStesen, Perak. This program was implemented based on the concept of sharing and exchange of the knowledge of visual art involving several teachers and students, aged 8-12. This ‘visual art expression’ program was carried out in several series, which began in 2014 and ended in 201

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17

Zhang, Ru. "The Ancient Ceramics Identification Methods Based on Non-Linear Support Vector Machines." Applied Mechanics and Materials 278-280 (January 2013): 1201–4. http://dx.doi.org/10.4028/www.scientific.net/amm.278-280.1201.

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With the ceramics market's developing, the use of image processing and intelligent algorithm is applied to the ancient ceramics recognition and appreciation is one of the most challenging issues in the field of ancient ceramics. Article focuses on selected Ming Qing Dynasty blue and white porcelain as research samples, and explore how to extract the effective image recognition features of ancient ceramics, and to quantify the comparison, given the ancient craft of evaluation index system, and improve the identification of categories of, and appreciation evaluation model to extract special reco

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18

Petersen, Andrew. "The archaeology of Islam in Britain: recognition and potential." Antiquity 82, no. 318 (2008): 1080–92. http://dx.doi.org/10.1017/s0003598x00097799.

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AbstractWhat did the British know about Islam before the modern period? The author reviews evidence which shows that there was contact with, and appreciation of, Muslim culture from almost the time of the Hegira in the seventh century. This appreciation varied and was reflected in different choices of material culture: coinage, ceramics and architecture, in successive periods from the eighth century to the nineteenth.

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19

Beran, A., K. K. Chawla, W. M. Kriven, M. Schmuecker, and H. Schneider. "Hartmut Schneider: An appreciation." Journal of the European Ceramic Society 28, no. 2 (2008): 327–28. http://dx.doi.org/10.1016/j.jeurceramsoc.2007.03.004.

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20

Hodge, Christina. ""Articles too Tedious to Enumerate": The Appreciation of Ceramics in mid-18th-Century Newport, Rhode Island." Northeast Historical Archaeology 35, no. 1 (2006): 1–14. http://dx.doi.org/10.22191/neha/vol35/iss1/19.

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21

Johnson-Ortiz, Aaron. "Appreciating the "Work" in Artwork: Handmade Ceramics from San Vicente de Nicoya, Costa Rica." Anthropology of Work Review 26, no. 2 (2005): 28–33. http://dx.doi.org/10.1525/awr.2005.26.2.28.

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22

Polschikova, N. V., and N. V. Kovbasyuk. "PHILOSOPHY AND ARCHITECTURE OF TEA HOUSES IN JAPAN." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 166–78. http://dx.doi.org/10.31650/2519-4208-2020-20-166-178.

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Tea ceremonies have evolved a great deal since they first got their start, and as the ceremonies have grown and shifted in purpose, so have the tea houses that hold them. Japanese tea house, Chashitsu in Japanese, is where chado, the tea ceremony takes place, which expresses Japanese sentimentality and aesthetics through the act of drinking tea. Chashitsu is truly the product of all of the traditional Japanese crafts combined and sophisticated.As tea began to grow in popularity, tea ceremonies became a source of entertainment for members of the upper class who could afford to gamble, read poet

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23

Goski, Dana, Tatsuki Ohji, and Mark Mecklenborg. "With our utmost admiration and appreciation: Farewell to HT Lin and Monica Ferraris." International Journal of Applied Ceramic Technology 18, no. 1 (2020): 4. http://dx.doi.org/10.1111/ijac.13645.

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24

Carosio, Sebastián, and M. Lourdes Iniesta. "Una aproximación a las trayectorias estilísticas cerámicas del valle de Guandacol (Provincia de La Rioja): continuidades y rupturas entre los siglos XIII y XVIII." Revista del Museo de Antropología 10 (July 26, 2017): 123. http://dx.doi.org/10.31048/1852.4826.v10.n0.13619.

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<p>Presentamos una síntesis de los resultados de nuestros estudios sobre las manifestaciones estilísticas cerámicas del valle de Guandacol (La Rioja). Abordamos la alfarería desde una perspectiva metodológica que involucra análisis macroscópicos, submacroscópicos y microscópicos, con el objetivo de registrar los atributos relacionados con la cadena de producción. A partir del análisis de las diferentes técnicas implementadas en el tratamiento de materias primas, en el levantado de las piezas y sus formas, en la decoración y en las cocciones, reconocemos similitudes y diferencias entre lo

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25

Simpson, St J. "Christians at Nineveh in Late Antiquity." Iraq 67, no. 1 (2005): 285–94. http://dx.doi.org/10.1017/s002108890000139x.

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The mound of Kuyunjik contains the longest known archaeological sequence of occupation in Mesopotamia, spanning all periods from the sixth millennium BC until at least the thirteenth century AD. The prehistoric periods have been comprehensively studied by Gut (1995, 2002) and the general sequence of excavation, occupation and principal architectural finds reviewed by Reade (2000), yet despite a few exceptions (Curtis 1976, 1995; Reade 1998, 1999, 2001; Simpson 1996), the pottery and other finds from the Seleucid period onwards have thus far attracted surprisingly little study. For these period

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26

Balasubramanian, M., and S. Madhu. "Evaluation of delamination damage in carbon epoxy composites under swirling abrasives made by modified internal threaded nozzle." Journal of Composite Materials 53, no. 6 (2018): 819–33. http://dx.doi.org/10.1177/0021998318791340.

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Carbon fibre-reinforced polymer composites are finding increased applications in the field of automotive manufacture and aircraft industries due to their appreciative combination of high strength and low weight. The machining of these composites with economically viable and high part qualities requires enhancement in machining strategies. Delamination and surface roughness are the undesirable geometrical defects inherent in abrasive jet machining of layered polymer composites. This investigation focuses on the mechanism of delamination and surface roughness in abrasive jet machining of carbon

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27

Widiarti, Lisa, and Eliya Pebriyeni. "KARYA SENI GLASS PAINTING SEBAGAI OBJEK PENGEMBANGAN PEMBELAJARAN SENI RUPA DAN KETERAMPILAN DI SMPN 1 DAN SMPN 2 KOTA PADANG." Gorga : Jurnal Seni Rupa 8, no. 1 (2019): 167. http://dx.doi.org/10.24114/gr.v8i1.12986.

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AbstrakPelaksanaan pendidikan seni rupa di sekolah umum terutama tingkat pendidikan lanjutan harus berdasarkan prinsip bahwa pendidikan seni merupakan wahana bermuatan edukatif dan membangun kreativitas siswa. Orientasi mata pelajaran Seni budaya/Seni Rupa di SMP adalah memfasilitasi pengalaman emosi, intelektual, fisik, konsepsi, sosial, estetis, artistik dan kreativitas kepada siswa dengan melakukan aktivitas apreasiasi dan kreasi terhadap berbagai produk benda di sekitar siswa yang bermanfaat bagi kehidupan manusia. Pemilihan media yang tepat dalam berkarya seni bagi siswa merupakan hal yan

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Perttula, Timothy K. "East Texas Caddo Ceramic Sherd Database." Index of Texas Archaeology Open Access Grey Literature from the Lone Star State, 2015. http://dx.doi.org/10.21112/.ita.2015.1.64.

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A considerable amount of effort has been expended over the years by archaeologists in the identification, description, and classification of ancestral Caddo ceramic vessels and sherds recovered from sites across East Texas, beginning with the masterful efforts of Alex D. Krieger. These analyses have led to an appreciation of the stylistic, technological, functional, and morphological character of Caddo ceramics, as well as their age, and their role in the identification and scale of social networks of different Caddo communities in existence as early as ca. A.D. 850 to the early 19th century.

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29

"Dr Stephen Flood: an appreciation." Powder Metallurgy 46, no. 1 (2003): 7. http://dx.doi.org/10.1179/003258903765072003.

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30

Thurston, Scott. "The Dance and Movement Work of Jennifer Pike Cobbing: Economies of Effort and Vitality Dynamics." Journal of British and Irish Innovative Poetry, May 14, 2021. http://dx.doi.org/10.16995/bip.3401.

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Jennifer Pike (1920-2016) was a majorartist whose practice traversed the disciplines of painting, drawing,sculpture, textiles, ceramics, photography, jewellery-making, poetry andperformance. Although a fuller appreciation of the scale and range of herachievements has been recently enabled by the making of a film about her lifeand work by Holly Antrum (Catalogue,2013) and the publication of two volumes of selected works by Veer books (The Conglomerization of Wot and Scrunch, both 2010), her work has stillyet to be the subject of extended academic consideration. One aspect of Pike’spractice whic

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Utami, Sari, Nurindah Dwiyani, and Legiman Slamet. "PERBANDINGAN METODE THINK-PAIR- SHARE DENGAN METODE CERAMAH TERHADAP HASIL BELAJAR SISWA PADA MATA PELAJARAN INSTALASI PERANGKAT JARINGAN LAN JURUSAN TKJ KELAS I SMK N 5 PADANG." Voteteknika (Vocational Teknik Elektronika dan Informatika) 2, no. 2 (2018). http://dx.doi.org/10.24036/voteteknika.v2i2.4081.

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The learning method in computer engineering and network at SMK N 5 Padang apply the direct learning method that have appreciation character and apply the speech method which is appropriate with the lesson,however, the student doesn’t have great motivation to follow the lesson and the lesson result is still under school grades standard.Because of that, it needs a learning model to make the student more active along with the increase of motivation and the student learning result in learning process. Based on the indication above, it conclude that the research question in this thesis is Is there

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32

Dan Sukiman, Suripto, Gunawan, E. R. ,. Aryanti. "PENGGUNAAN MOLUSISIDA JAYANTI DALAM MENGATASI HAMA KEONG MAS DI DESA BUNUT BAOK LOMBOK TENGAH." JURNAL BIOLOGI TROPIS 13, no. 2 (2013). http://dx.doi.org/10.29303/jbt.v13i2.145.

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ABSTRAKAkibat serangan keong mas, produksi padi menurun hingga 30% di beberapa tempat di Provinsi NusaTenggara Barat. Desa Bunut Baok Lombok Tengah adalah termasuk sentra penghasil padi yangmengalami gagal panen akibat serangan keong mas. Kegiatan penerapan iptek bagi masyarakat (IbM)untuk mengatasi masalah hama keong mas telah dilakukan di desa tersebut. Kegiatan IbM diawalidengan koordinasi Tim Pelasana IbM dengan Ketua Kelompok Tani Mohon Petunjuk di Desa BunutBaok untuk memantapkan persiapan dan sosialisasi teknik pelasanaan IbM. Program IbM dilakukandengan materi meliputi karakteristika t

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