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Journal articles on the topic 'Ceramic decoration'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Xie, Ru Hong, Jun Jie Feng, and Shan Xin Feng. "Application Research of High Temperature Silver Plating in Products." Materials Science Forum 980 (March 2020): 70–78. http://dx.doi.org/10.4028/www.scientific.net/msf.980.70.

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Silver has functional properties such as disinfection, sterilization, and anti-corrosion.The combination of silver and conventional ceramics by high-temperature silver plating can impart the functionality to ceramic products and increase the functionality of ceramic products.The traditional way of decorating ceramic products is mainly glazed decoration, which combines silver and ceramics, and its silver metallic luster can bring decorative effects to ceramic products. And it is produced by high-temperature silver plating, which saves costs in the production process compared to traditional silver plating.At the same time, compared with traditional ceramics, high-temperature silver-plated ceramics can take into account the properties of ceramics and can also play the role of disinfection, sterilization, anti-corrosion and other properties of silver. It is produced by high-temperature silver plating, which is more cost-effective than traditional silver plating in the production process. At the same time, compared with traditional ceramics, high-temperature silver-plated ceramics can achieve the disinfection and sterilization of silver in consideration of the properties of ceramics,anti-corrosion and other attributes, a reasonable combination of the two, fully demonstrate the functionality and decoration of both.

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., Gde Deny Gita Pramana, Dra Luh Suartini, M. Pd ., and I. Gusti Made Budiarta, S. Pd ,. M. Pd . "METODE PEMBELAJARAN DEKORASI KERAMIK TEKNIK MARBLE DI SMK NEGERI 1 SUKASADA." Jurnal Pendidikan Seni Rupa Undiksha 8, no. 2 (September 6, 2019): 63. http://dx.doi.org/10.23887/jjpsp.v8i2.14977.

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Penelitian ini dilatarbelakangi metode pembelajaran guru DPK Keramik menempatkan peranan guru lebih dominan dibandingkan siswa. Dekorasi keramik yang dibuat, mengolah keramik sebagai fungsi pakai. Bentuk penelitian adalah deskriptif yang bersifat kualitatif. Bertujuan untuk mendeskripsikan tujuan penelitian pertama sampai dengan ketiga, yaitu (1) menerapkan metode pembelajaran dekorasi keramik teknik marble di SMK Negeri 1 Sukasada, (2) mendeskripsikan keunggulan dan kelemahan metode pembelajaran dekorasi keramik teknik marble di SMK Negeri 1 Sukasada, (3) mendeskripsikan hasil penerapan dekorasi keramik teknik marble di SMK Negeri 1 Sukasada. Penelitian ini menggunakan teknik pengumpulan data observasi, wawancara, dan dokumentasi dengan objek penelitian adalah guru dan siswa di jurusan DPK Keramik kelas XI. Hasil penelitian ini adalah (1) data berupa dokumentasi dan deskripsi proses guru dalam menerapkan metode pembelajaran dekorasi keramik teknik marble, yaitu dengan metode yang berpusat pada guru (ceramah dan demonstrasi) yang selanjutnya metode yang dipusatkan kepada siswa (eksperimen, mengajar sesama teman, metode drill dan elaborasi). (2) dari proses guru menerapkan metode maka didapat keunggulan dan kelemahan metode pembelajaran dekorasi keramik teknik marble, metode dengan keunggulan paling banyak adalah eksperimen yaitu 8 keunggulan dan metode dengan kelemahan terbanyak adalah metode ceramah dengan 6 kelemahan. (3) hasil penerapan metode pembelajaran dekorasi keramik teknik marble berupa benda keramik yang sudah diberikan dekorasi marble, karya siswa dengan metode drill dan eksperimen yang diberikan guru, sudah menunjukkan keberhasilan penerapan dekorasi teknik marble. Kata Kunci : Kata- kata kunci: metode pembelajaran, dekorasi keramik, teknik marble This research is based on learning method of teacher of DPK Ceramic put role of teacher more dominant than student. Ceramic decorations are made, ceramic processing as a function of wear. The form of research is descriptive that is qualitative. Aiming to describe the purpose of the first study to the third, namely (1) applying the marble ceramic decoration learning method in SMK Negeri 1 Sukasada, (2) describing the advantages and disadvantages of marble ceramic decoration learning method at SMK Negeri 1 Sukasada, (3 ) describes the result of application of ceramic decoration of marble technique at SMK Negeri 1 Sukasada. This study uses observation data collection techniques, interviews, and documentation with the object of research are teachers and students in the department of Class XI Ceramics. The results of this research are (1) data in the form of documentation and description of teacher process in applying marble ceramic decoration teaching method, that is with teacher-centered method (lecture and demonstration), then the method which is centered to the students (experiment, drill and elaboration). (2) from the process of applying the method teacher then obtained the advantages and disadvantages of marble ceramic decoration learning method, the method with the most advantage is the experiment that is 8 advantages and the method with the most weakness is the lecture method with 6 weaknesses. (3) result of application of marble decoration technique method of marble ceramic that have been given marble decoration, student work with drill method and experiment given by teacher, has shown success of marble technique application implementation. keyword : Keywords: learning method, ceramic decoration, marble technique

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Do, Quang Minh, Thi Thuy Linh Nguyen, Vo Thi Ha Quyen Pham, and Nguyen Hoc Thang. "The Novel Crystalline Glaze for Decoration of Ceramic Pottery." Materials Science Forum 987 (April 2020): 165–70. http://dx.doi.org/10.4028/www.scientific.net/msf.987.165.

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The ceramic glaze is a glass layer with an amorphous structure. Crystalline glazes are special glazes used to decorate ceramic products. It is based on the research results, the authors proposed a novel crystalline glaze from titanium frit (denoted by FV090/540) for pottery and ceramics with the heating temperature at 1200°C. The heating temperature for the crystallization of glaze was determined by differential thermal analysis (DTA). This study aimed to synthesis willemite crystals (Zn2SiO4) in pottery and ceramics. These crystals were detected and identified using X–ray diffraction (XRD), optical microscope (OM), and scanning electron microscope (SEM). The chemical composition of the samples was analyzed by X-ray fluorescence (XRF). From the results of experiments, the authors carried out decorating on industrial ceramic pottery products using this novel crystalline glaze and adjusted the required technological parameters.

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Moreno, Arnaldo, Vicente Lázaro, Ana Mateu, and Yolanda Reig. "Innovations and New Trends in Ceramic Tile Decoration." Advances in Science and Technology 68 (October 2010): 165–75. http://dx.doi.org/10.4028/www.scientific.net/ast.68.165.

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The goal of this paper is to review the latest innovations in ceramic tile decorating techniques, encompassing not only the most widespread techniques, such as inkjet printing, but also other decoration techniques with a strong potential to provide tile surfaces with new finishes and enhanced aesthetics, such as physical vapour deposition and laser treatment.

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Taxel, Itamar, Ayala Lester, and Uzi ʿAd. "Two Rare Early Abbasid Paint-Decorated Ceramic Bowls from el-Khirba/Nes Ziyyona, Israel." Muqarnas Online 35, no. 1 (October 3, 2018): 273–80. http://dx.doi.org/10.1163/22118993_03501p011.

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Abstract This article discusses two near-complete ceramic vessels—a deep, cup-shaped bowl and a shallow bowl/plate—found in recent excavations carried out at the rural site of el-Khirba/Nes Ziyyona in central Israel, in an early Abbasid context dated to the ninth century. The vessels bear unusual painted decorations on their exterior and interior. The decoration of the first bowl consists of alternating pairs of large black and white palm trees and large birds. The second bowl/plate is decorated with eight stylized trees emerging from a central circle, with small circles between them; these motifs were drawn in black over a white-painted surface. These bowls are associated with a local fine ware ceramic group, known as Fine Byzantine (or Fine Islamic) Ware, which originated in the Jerusalem region. However, their decorations reflect stylistic traditions familiar across the Early Islamic Near East and beyond, including from statuary works, illustrated manuscripts, and other ceramics. Altogether, it can be suggested that rural elites in Early Islamic Palestine used luxury ceramics decorated with pan-Islamic patterns as a way of identifying themselves with cosmopolitan, pan-Islamic society.

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Safronova, Elena Mikhailovna. "Saint Petersburg period of creativity of P. K. Vaulin (1906-1914)." Человек и культура, no. 2 (February 2021): 1–11. http://dx.doi.org/10.25136/2409-8744.2021.2.35221.

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The subject of this research is the stylistic peculiarities and means of artistic expression of the architectural majolica by Peter Kuzmich Vaulin. The object of this research is the architectural ceramics of Vaulin in facades of the buildings of St. Petersburg in the early XX century. The application of inclusive approach allows tracing correlations between the historical facts and the cultural characteristics of this period. The compositional-artistic analysis, comparative-descriptive method, and imagery-stylistic analysis were used for consideration of the means of artistic expression of architectural ceramics, compositional interaction of the materials and space, and examination of the style and formative peculiarities of ceramics. Detailed analysis is conducted on the Saint Petersburg period of the ceramist P. K. Vaulin, opening of his own ceramic workshop, and active participation in the development of decorative image of St. Petersburg in the early XX century. Special attention is given to the most remarkable works of the master for architectural decoration of the city. Emphasis is placed on his works for the Insurance Company Building “Russia”, which is brilliant example of the harmonious synthesis of majolica and architecture. The conclusion is made that the architectural ceramics of the master made in many ways determined the majolica decoration of St. Petersburg – compositional, textured, color, imagery-stylistic, and plastic peculiarities of the ceramic works of P. K. Vaulin contributed to aesthetic transformation of the environment. The scientific novelty of consists in the thesis that the ceramic workshop of P. K. Vaulin was one of the leading manufacturers of artistic majolica of the indicated period. It is also proven that the Heldwein-Vaulin workshop was able to organically synthesize the heritage of the best traditions of the past with the courage and ambiguity of the Art Nouveau.

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Ren, Tian Qi, Kai Fang, and Shi Hong Zhang. "Study on Influence to the Ceramic Glaze Color of Environmental-Friendly Pottery Brick by Low-Carbon Catalytic Combustion Furnace of Natural Gas." Advanced Materials Research 1088 (February 2015): 706–10. http://dx.doi.org/10.4028/www.scientific.net/amr.1088.706.

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This experiment consists of two parts. On the one hand is about the concentration of Variation of exhaust gas when heated potteries .On the other hand is about the compared between the potteries (Tang Dynasty) heated by natural gas catalytic combustion furnace and the traditional firing of the glaze. The potteries fired by catalytic combustion furnace could be used for decorating are not only more fine and glossy than the traditional, but also more translucent. Therefore, the potteries made by catalytic combustion furnace will be applied in decoration industries, such as decorative murals.

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Kanaev, V. K., L. A. Isakova, and N. S. Blostotskaya. "Sanitary ceramic products with marbled decoration." Glass and Ceramics 44, no. 1 (January 1987): 17–18. http://dx.doi.org/10.1007/bf00697469.

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Merkin, A. P., and N. A. Nikolaenko. "Decoration of self-glazing ceramic tiles." Glass and Ceramics 48, no. 6 (June 1991): 257–60. http://dx.doi.org/10.1007/bf00677743.

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10

Chua, Chee Kai, Robert Gay, and Wolfgang Hoheisel. "Computer Aided Decoration of Ceramic Tableware. Part I: 3-D decoration." Computers & Graphics 21, no. 5 (September 1997): 641–53. http://dx.doi.org/10.1016/s0097-8493(97)00041-1.

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Solecki, Rafał. "Fragments of ceramic vessels with imprints of probable Teutonic Order bracteates from the settlement in Grabina, Ostróda county." Masuro-⁠Warmian Bulletin 301, no. 3 (October 10, 2018): 546–56. http://dx.doi.org/10.51974/kmw-134882.

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The article presents the characteristics of three fragments of ceramic vessels that were found during the investigations of the medieval stronghold in Grabin, within Ostróda county. Their uniqueness stems from their decoration, which was made using a stamp technique (ceramics decorated with a stamp decoration are called StempelverzierteKeramik), probably with a bracteate type coin. In order to be able to present these artefacts as fully as possible, it is also necessary to present the context of their discovery, the history of the site as well as an attempt at interpretation.

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La Duc, Elizabeth, and Angela Chang. "Analysis and Replication Studies of Prehistoric Chinese Ceramics from the Qijia Culture." MRS Advances 2, no. 35-36 (2017): 1849–67. http://dx.doi.org/10.1557/adv.2017.156.

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ABSTRACTEleven ancient Chinese ceramics from the early Bronze Age Qijia culture (c. 2200 – 1600 BCE) in the collection of the Harvard Art Museums were the subject of an interdisciplinary research project to explore questions about manufacturing techniques, specifically details of formation and decoration. While the Qijia culture, centered in the Gansu and Qinghai provinces of northwest China, is historically important as one of the earliest metalworking cultures of China and as a center of intercultural communication between China and central Asia, detailed scholarship about the culture is still emerging. Qijia ceramics have been categorized by typology, but little has been done regarding methods of manufacture. This study used visual examination and digital X-radiography to investigate ceramic production, especially the use of a wheel. In addition, the ceramic paste, including natural inclusions and temper, was examined. While film radiography has often been used to study ceramics, digital radiography presented new capabilities as well as challenges. Experimentation through the making of test vessels and tiles at the Harvard Ceramics Program provided additional insights into Qijia ceramics’ manufacture and surface decoration techniques, often described as cord-impressed.

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HASSAN, ZULKARNIAN, Noor Ashraf Noor Othman, Haslinda Md Nazri, and Yasmeen Arni Jr Jasni Adie. "Dummy Decal: Contemporary Ceramics and Endless Decorative Creative Work." Idealogy Journal 3, no. 2 (September 7, 2018): 87–92. http://dx.doi.org/10.24191/idealogy.v3i2.76.

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Regardless of the type of product or the differences in its basic elements, the product graphic is synonymous with high beauty, uniqueness, and precision. It is parallel with the beautiful ornaments that adorn the surface of the ceramic product, which originate from diverse civilizations and reflect the maker's creative inspiration. The decal is based on the most advanced and widely used ceramic decoration techniques in Europe and China, which serves as an inspiration for the rest of the globe when it comes to putting decoration to their products. Whichever is the case, the manufacturing and distribution expenses of decal decoration techniques are considerable, needing extensive preparation and execution to provide a high-quality result. As a result, the invention of the 'Dummy Decal' decoration process has enabled manufacturers of ceramic products to maintain a consistent level of output while adding differentiation to their designs. Water Based Inkjet Water Transfer Paper is a fresh source of inspiration for creative items and ceramic works. With a modest access fee and the ability to purchase, this decoration serves as a magnet for contemporary products and creative works. This article can be used as a guide and resource for small and medium-sized businesses, as well as individuals, to assist them in developing their creative thinking when it comes to marketing their organic products.

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Ali Yasin, Siti Maryam, Hamdzun Haron, Zuliskandar Ramli, Suhaimi Tular, and Hanafi Mohd Raffie. "Translating Traditional Malay Pottery Motifs To Inspire Ceramic Surface Decoration Design." Idealogy Journal 6, no. 2 (September 1, 2021): 98–103. http://dx.doi.org/10.24191/idealogy.v6i2.289.

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A particular ceramic product offered by the designers and manufacturers is measured based on its appearance and performance from aesthetic value, design and craftsmanship quality. Products in our daily life play an essential role in bringing us happiness, comfort, convenience and satisfaction to the consumers and buyers. In a Malay community in Malaysia, the Malay Traditional Pottery is one of the Malay arts heritage. Its products used to have a high demand among the locals as well as people from abroad. However, today, demand for Malay Traditional Pottery from the locals has declined significantly. Hence, to improve the product appearance, this study highlights one of the essential factors in ceramic design features, namely surface decoration, by using motifs derived from the Malay Traditional Pottery onto the new contemporary design of the local ceramic products. The surface decoration consists of motifs, patterns, colours, techniques and materials. Surface decoration study would give designers and local ceramic entrepreneurs the product appearance improvement. With such improvements, local ceramic products would become a preferred choice for the consumer’s daily use. This study also aimed to entice the designer to be involved in pattern design and ceramic product surfaces.

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Kashina, Ekaterina, and Nataliya Yu Petrova. "The Kargopol type ceramics – the first pottery of the northern part of the East European Plain|." Documenta Praehistorica 46 (December 6, 2019): 174–82. http://dx.doi.org/10.4312/dp.46-11.

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The small group of early ceramics was found between the 1930s and 1990s, but was previously underestimated as a source that points directly to the origins of ceramic production in the boreal forest zone c. 5500–5000 BC. The Kargopol type ceramics demonstrate very archaic technological traits: a straight rim with round holes below the rim and clay paste with sand temper. This type of ceramics had a wide distribution and was made uniformly, at least concerning vessel capacities and basic decoration patterns, probably reflecting the birch bark vessel features. We recognize this phenomenon as key to understand how the process of ceramic production emerged in the zone of Russian boreal forest.

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Kashina, Ekaterina, and Nataliya Yu Petrova. "The Kargopol type ceramics – the first pottery of the northern part of the East European Plain|." Documenta Praehistorica 46 (December 6, 2019): 174–82. http://dx.doi.org/10.4312/dp.46.11.

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The small group of early ceramics was found between the 1930s and 1990s, but was previously underestimated as a source that points directly to the origins of ceramic production in the boreal forest zone c. 5500–5000 BC. The Kargopol type ceramics demonstrate very archaic technological traits: a straight rim with round holes below the rim and clay paste with sand temper. This type of ceramics had a wide distribution and was made uniformly, at least concerning vessel capacities and basic decoration patterns, probably reflecting the birch bark vessel features. We recognize this phenomenon as key to understand how the process of ceramic production emerged in the zone of Russian boreal forest.

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Pérez-Arantegui, Josefina, and Paz Marzo. "Characterization of Islamic Ceramic Production Techniques in Northeast Iberian Peninsula: The Case of Medieval Albarracin (Spain)." Applied Sciences 11, no. 16 (August 5, 2021): 7212. http://dx.doi.org/10.3390/app11167212.

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Ceramic objects found in the Islamic Taifa of Albarracin (Spain), 12th century CE, were studied to ascertain the main characteristics and influences of its manufacture. Production centers even from small kingdoms can add new insights in medieval ceramic technology. Several types of decorated ceramics, such as tin-opacified glazed, monochrome glazed and cuerda seca, were investigated. Ceramic bodies were analyzed by ICP-Optical Emission Spectrometry, and glazes were studied by Scanning Electron Microscopy with Energy Dispersive X-ray Spectrometry. All the ceramic bodies showed the use of Ca-rich pastes, although three groups could be distinguished and related to their decoration. Lead and silicon were the main components of the glazes, as well as scattered tin oxide in the case of white or green opacified glazes. Some features, such as calcareous bodies, double firing for tin-opacified glazes, glaze components, and coloring oxides, were common in Albarracin samples and other Islamic production centers in the Iberian Peninsula. However, some differences were also highlighted in lead/silica proportions and cuerda seca decoration, and several influences from northern or southern pottery centers. Lead isotope ratios, measured by ICP-Quadrupole Mass Spectrometry, revealed two different sources or suppliers of lead raw materials according to the type of glaze to be prepared.

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Sarjeant, Carmen. "Mental Templates and Ceramic Manufacture at Neolithic An Son, Southern Vietnam." Cambridge Archaeological Journal 24, no. 2 (June 2014): 269–88. http://dx.doi.org/10.1017/s0959774314000468.

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The 1000-year Neolithic occupation of An Son in southern Vietnam consists of ceramics that belong to a tradition that was potentially ancestral to those in many other regions of mainland Southeast Asia. The forms, dimensions, modes of decoration and fabrics of the An Son ceramics throughout the site's occupation have been studied in detail. The morphological dimensions were analysed with coefficient of variation (CV) calculations and the fabrics were characterized using scanning electron microscopy with energy dispersive spectrometry (SEM-EDX), in conjunction with statistical applications such as principal components analysis (PCA), cluster analysis and canonical variate analysis (CVA). The results suggest that a coherent method of manufacture and a mental template was applied in the manufacture of each major rim form that existed throughout the occupation of An Son. These vessel forms had a continuous evolution with evidence for conservatism in the shape and raw materials, while innovation and variation was observed in the decorative variables. The established mental templates indicate that the organization of ceramic production at An Son was linked to tradition and function in the community.

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He, Feng, Cai Ming Ping, and Jin Shu Cheng. "Phase Evolutionary Process of CaO-Al₂O₃-SiO₂ System Glass and Glass-Ceramic." Advanced Materials Research 168-170 (December 2010): 1947–52. http://dx.doi.org/10.4028/www.scientific.net/amr.168-170.1947.

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Sintering glass-ceramics, a new type material for architectural decoration, belong to CaO-Al2O3-SiO2system (CAS) without nucleation agent. Combined by Differential thermal analysis (DTA), X-ray diffraction (XRD), Scanning electron microscopy (SEM) and Transmission electron microscope (TEM), phase evolutionary process of CaO-Al2O3-SiO2system glass and glass-ceramic was investigated. According the relation between heat treatment schedule and microstructure, the glass system has a very wide temperature range of crystallization. The crystalline phase is β-CaSiO3(β-wollastonite) and there is no other crystalline phases precipitated in these glass-ceramics. The influences of various heat treatment systems on the structure and properties of the glass-ceramics were investigated simultaneously. The optimal heat treatment schedule, microstructure and bending strength of the CAS glass ceramic were gained.

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Malykh, Svetlana. "Egyptian Motifs in the Ceramic Decoration of Meroe." Восток. Афро-Азиатские общества: история и современность, no. 5 (2018): 37–55. http://dx.doi.org/10.31857/s086919080001848-9.

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Jernigan, E. W. "A Non-Hierarchical Approach to Ceramic Decoration Analysis: A Southwestern Example." American Antiquity 51, no. 1 (January 1986): 3–20. http://dx.doi.org/10.2307/280390.

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The element-motif-layout framework of design analysis, which has dominated the study of prehistoric Southwestern ceramic decoration since the late 1930s, is shown to be ambiguous as a means of understanding and comparing such decoration. A new analytical approach is presented involving the isolation of design units based on comparative study of how design configurations are used in a style corpus of whole vessels. Application of the method and its usefulness in comparative stylistic studies, as well as potential usefulness in ceramic dating, are discussed.

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Aube, Sandra. "The Uzun Hasan Mosque in Tabriz: New Perspectives on a Tabrizi Ceramic Tile Workshop." Muqarnas Online 33, no. 1 (November 14, 2016): 33–62. http://dx.doi.org/10.1163/22118993_03301p004.

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The recent rediscovery of the mosque erected around 1477–84 (882–89) in Tabriz by the Aq Qoyunlu ruler Uzun Hasan (r. 1457–78]) provides new perspectives on ceramic tile production in the former Turkmen capital. The Blue Mosque and its exceptional tile decoration have long been considered to be the last vestiges of the innovative features of the Qara Qoyunlu workshops in Tabriz. The recovery of the Uzun Hasan Mosque sheds new light on this prestigious artistic center: besides confirming the innovative traits of Tabrizi production, its architectural decoration highlights the strong artistic continuity from Qara Qoyunlu to Aq Qoyunlu workshops. These unusual ceramic tiles also constitute a previously unknown stage in the history of Iranian ceramic tiles.

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Hirshman, Amy J. "TARASCAN CERAMIC PRODUCTION AND IMPLICATIONS FOR CERAMIC DISTRIBUTION." Ancient Mesoamerica 19, no. 2 (2008): 299–310. http://dx.doi.org/10.1017/s0956536108000424.

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AbstractResearch on the emergence of social complexity and state economies tends toward an understanding of either political economies or market economies as the privileged economic form and with producer specialization emerging contemporaneously with the state. Markets and political control need not be seen as oppositional; rather, they are part of the continuum of multiple strategies elites use to create the larger political economy of a state. The Late Postclassic period Tarascan state is known for its strong centralizing tendencies, and an overview of previous research indicates political involvement in various aspects of the larger economic coordination of metal, obsidian, and agricultural production and distribution. Tarascan state ceramics are highly distinctive in form and decoration. Ethnohistoric evidence suggests that they were produced under court control, yet no direct evidence for ceramic production has been found in the Tarascan core, the Lake Patzcuaro Basin. A mix of compositional and statistical analyses of the ceramic assemblage from Urichu, Michoacan, Mexico, indicates that ceramics were not under centralized political control but, instead, were produced at a local level and distributed using the market mechanisms of the larger mixture of economic strategies on the part of the Tarascan political elite.

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Kulkova, Marianna Altkseevna. "PETROGRAPHY FOR ASSESSMENT OF MOULDING COMPOUND OF ANCIENT POTTERY." Samara Journal of Science 4, no. 3 (September 1, 2015): 100–107. http://dx.doi.org/10.17816/snv20153208.

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Ancient ceramics are the valuable artifacts which saves the information about ancient people and their traditions. The process of making pottery is begun with the choosing and preparation of raw clay and temper material and further applying of different techniques (moulding of vessel, decoration etc.) and finally firing. Petrographical analysis of ancient pottery allows to determine the mineralogical composition of ceramic matrix, the features of their technology and to identify the raw mineral sources (Feliu et al. 2004, Papadopoulou et al. 2006, Bastie et al. 2006). Such kind investigations expand the frames of our knowledge about ancient technological traditions in pottery making. The following characteristics could be determined in thin-sections of ceramic shards: nature and features of plastic and aplastic inclusions; textural and optical characteristics of clay matrix; shape, amount and orientation of pores; features of surface treatment, decoration. This information is animportant for understanding of principles of ancient technologies. The different temper materials inside clay matrix such as sand, crushed rocks, organic materials, shells, grog can be identified accurately using petrography. The ceramic structure and characteristics of mineral changes during the firing are indicators of firing temperatures and atmosphere. A distribution of clay particles and porous inside of ceramic matrix is useful for reconstruction of moulding methods. The study of ceramic collection of the same cultural tradition and from the same region using petrography gives the possibility for differentiation of the natural and cultural factors influenced on the choose of raw materials, variations in the ceramic composition and techniques. This method is one the most precise for identification of an import pottery.

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Güngör, Gülşen L., Alpagut Kara, Davide Gardini, Magda Blosi, Michele Dondi, and Chiara Zanelli. "Ink-jet printability of aqueous ceramic inks for digital decoration of ceramic tiles." Dyes and Pigments 127 (April 2016): 148–54. http://dx.doi.org/10.1016/j.dyepig.2015.12.018.

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Mui, Ma So. "Cantonese Sojourners and Shiwan Ceramic Roof Decoration in Malaysia." Journal of Chinese Overseas 8, no. 1 (2012): 38–81. http://dx.doi.org/10.1163/179325412x634300.

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Abstract Over the period October 2006-July 2008, the author conducted a detailed survey of five historic buildings in Malaya constructed by 19th-century Chinese immigrants. These buildings feature roof decorations made in and imported from Shiwan 石灣, China, during that period. The decorations include scenes and figurines representing events and characters taken from Cantonese operas, Chinese legends and classical novels. In studying these decorations the author has come across several recurring themes illustrating concepts such as justice, sworn brotherhood, loyalty and courage in the face of adversity, which shed light on the cultural identities and thinking of the Cantonese migrants. In this paper these themes are interpreted against the background of the social and political circumstances in China and Southeast Asia during the period under discussion, showing how an understanding of the concerns of these Chinese migrants of the past can help one to understand contemporary migrant communities worldwide.

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Arnold, Philip J. "Early Formative Pottery from the Tuxtla Mountains and Implications for Gulf Olmec Origins." Latin American Antiquity 14, no. 1 (March 2003): 29–46. http://dx.doi.org/10.2307/972234.

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AbstractThis paper explores patterning in ceramic data from an Early Formative component at the site of La Joya, located in southern Veracruz, Mexico. The discussion uses ceramic paste characteristics, in addition to vessel form and decoration data, to suggest that this Early Formative pottery assemblage undergoes an in situ transformation between the “pre-Olmec” Tulipan phase and the “Olmec” Coyame phase. This conclusion is then used to revisit the hypothesis of a Chicharras phase (ca. 1250 B.C.) immigration of Pacific coastal groups into the southern Gulf lowlands (e.g., Clark 1990, 1997; Clark and Blake 1989; Coe and Diehl 1980). A consideration of ceramics from several Isthmian lowland contexts does not support this scenario. The discussion suggests that an over-reliance on the surface characteristics of ceramics at San Lorenzo may have encouraged an erroneous Gulf Olmec origin story.

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Sutakova, Elza, and Alexei Mestnikov. "Basics of recreation of ancient ceramics production technology." MATEC Web of Conferences 143 (2018): 02001. http://dx.doi.org/10.1051/matecconf/201814302001.

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The paper investigates possibility of ancient ceramics technology recreation based on materials of archaeological excavations and experimental simulation and describes results of the research. The structure and properties of ceramic samples found during archaeological excavations of the neolithic age and clay raw materials from different deposits were studied. The fragments under study were shown to consist mainly of light-melting clays, possessing polimineral composition with additives of fire clay, sand, loose sedimentary rock, and in some cases wool and vegetation. Clays under study are characterized by variability of chemical and mineral composition, by their combining it is possible to obtain optimal moulding compositions to produce ceramic products of artistic and architectural-structural purpose. Overview of scientific and technical information in archaeology and the obtained experimental results enable to reveal compositions and peculiarities of ancient technology of ceramics production and technical decoration application. Peculiar features of experimental simulation of the ancient ceramics technology considering chemical and mineral composition of clay raw materials are described.

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Jaramillo Nieves, Leidy Johana, Ana V. Lot, Fábio Gomes Melchiades, and Anselmo O. Boschi. "Digital decoration for ceramic tiles: The effect of glazes particle size distribution on the inkjet decoration." Boletín de la Sociedad Española de Cerámica y Vidrio 59, no. 1 (January 2020): 44–48. http://dx.doi.org/10.1016/j.bsecv.2019.06.005.

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Fukushima, Manabu, Yu-ichi Yoshizawa, and Paolo Colombo. "Decoration of Ceramic Foams by Ceramic Nanowires via Catalyst-Assisted Pyrolysis of Preceramic Polymers." Journal of the American Ceramic Society 95, no. 10 (July 5, 2012): 3071–77. http://dx.doi.org/10.1111/j.1551-2916.2012.05341.x.

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Cheng, Jin Xia, and Jin Fa Huang. "Exploration of Offbeat Funny Design on Daily Ceramic Products." Advanced Materials Research 712-715 (June 2013): 2847–51. http://dx.doi.org/10.4028/www.scientific.net/amr.712-715.2847.

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With the propose to meet the common characteristics of the forthcoming 80s and 90s groups, the offbeat funny design of daily ceramic product takes maverick and personal style as the main idea to explore ceramic product design, through unearthly design conceptual analysis, investigate offbeat shape, function, decoration and other aspects, in order to enrich the daily ceramic product creative and market, and final to satisfy the new era of mainstream groups aesthetic and consumption demands.

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Cheng, Dong. "Research on the design and Creation of contemporary Powder enamel based on NURBS modeling method." E3S Web of Conferences 236 (2021): 02043. http://dx.doi.org/10.1051/e3sconf/202123602043.

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as an important discovery of ceramic design, contemporary ceramic design must be able to keep pace with the development of the times, learn to actively introduce new elements into the creation. This paper attempts to carry out the research of contemporary ceramic design and creation based on NURBS modeling, which is to integrate digital technology into the traditional ceramic design, and use NURBS modeling to innovate the decoration design of contemporary Famile-rose porcelain, so that the pastel porcelain works have a stronger sense of the times.

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Chua, Chee Kai, Robert Gay, and Wolfgang Hoheisel. "Computer Aided Decoration of Ceramic Tableware. Part II: Rapid tooling." Computers & Graphics 21, no. 5 (September 1997): 655–72. http://dx.doi.org/10.1016/s0097-8493(97)00042-3.

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Germanidou, Sophia, and Alexandra Konstantinidou. "An Unusual Ceramic Beehive Lid Decoration from Nineteenth-Century Tabriz." Iran 51, no. 1 (January 2013): 249–52. http://dx.doi.org/10.1080/05786967.2013.11869212.

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Ferraço, Fabio, and Anselmo Ortega Boschi. "Study of the Variables that Lead to Hue Variations on Tiles Decoration Based on Silicon Cylinder Technique Laser Engraving Method." Advances in Science and Technology 92 (October 2014): 168–73. http://dx.doi.org/10.4028/www.scientific.net/ast.92.168.

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In the process of ceramic tiles production, the hue variation is one of the oldest and common problems whose appearance persists within the production and between two different productions of the same product; therefore it’s a problem to be solved still. Identify the origin the hue variation and minimize its occurrence it’s a constant challenge in the ceramic tile production, and the target is always to increase the quality end decrease the batches with different tones. Although the hue variation can have it’s origin within which one of the whole steps of the process, this work is focused on the decoration process using one of the most widespread technics of such step, the laser engraving silicon cylinders. This work accosts the influence of the speed of the ceramic line production and its effects on the hue variation. The studied characteristics were the shape and volume of the ink dot transferred by the cylinder to the tile surface, measured by optical microscopy and the result tone of the decoration, measured by spectrophotometry.

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Bel, Martijn van den. "The Palikur Potters: an ethnoarchaeological case study on the Palikur pottery tradition in French-Guiana and Amapá, Brazil." Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas 4, no. 1 (April 2009): 39–56. http://dx.doi.org/10.1590/s1981-81222009000100005.

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Ethnographic fieldwork (1994-1998) by the author among the Palikur of French-Guiana and Amapá State, in Brazil, provided a description of the actual state of their pottery tradition. It shows how the last Palikur potters manufacture ceramics and how they decorate their pottery. The Palikur decoration motifs reflect the organisation of Palikur society which is embedded in their oral tradition. They play an important role during public (ritual) events such as marriage, initiation and death. This information can be used as a tool for archaeologists to gain a better understanding of pre- Columbian ceramic complexes.

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Deng, Yi, Yang Zhou, Yuanyi Yang, Xiuyuan Shi, Kewei Zhang, Ping Zhang, and Weizhong Yang. "Preparation and Coloration of Colored Ceramics Derived from the Vanadium-Titanium Slags." Advances in Materials Science and Engineering 2018 (2018): 1–8. http://dx.doi.org/10.1155/2018/5085031.

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Vanadium-titanium slag is a type of industrial solid waste from vanadium-titanium magnetite, and the resource utilization of vanadium-titanium slag is of great significance. The chemical composition of vanadium-titanium slag is similar to ceramic raw materials. Besides, the Fe, Ti, and Mn elements in vanadium-titanium slags possess strong color rendering ability. In the present study, we explored the influence of Fe, Ti, and Mn in vanadium-titanium slags on the coloration of ceramics. Besides, the crystal structures and chemical constituents of the sintered ceramics were studied by XRD, SEM, EDS, XPS, and ultraviolet-visible near-infrared spectrophotometer, and the color-rendering ability (L∗a∗b∗ values) of the ceramics was investigated. The results showed that the main crystal phases of the ceramics were quartz and anorthite. In addition, the color of the ceramics with the addition of vanadium-titanium slags was significantly affected by Fe and Mn ions, which decreased their L∗ and a∗ values. Meanwhile, Ti ion alone had no apparent coloring effect but strengthened the coloring effects of Fe and Mn ions. This work could provide the feasibility for preparation of colored ceramics based on vanadium-titanium slag, which could be used in the fields of high-value added building decoration, infrared-emission ceramic, and artwork.

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Forsyth, Donald W. "The Ceramic Sequence at Nakbe, Guatemala." Ancient Mesoamerica 4, no. 1 (1993): 31–53. http://dx.doi.org/10.1017/s0956536100000766.

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AbstractThe site of Nakbe, located approximately 13 km southeast of El Mirador in the far northern part of the Peten, has been investigated by the RAINPEG Project, directed by Richard Hansen, for the last four field seasons. The ceramic sequence from Nakbe has provided us with a much broader view of cultural development in the north-central Peten. We have defined a series of preliminary ceramic complexes that span Middle Preclassic through Late Classic times.The earliest complex at Nakbe, called Ox, which belongs to the Mamom horizon, is one of the two best represented at the site, and definitely associated, late in the period, with large-scale architecture. The principal ceramic groups are the Juventud, Chunhinta, and Pital. The main forms are bowls or basins with flaring walls and direct or everted rims, short-necked jars, cuspidors or semicuspidors, and composite-silhouette bowls. Particularly notable, although rare, are the types Muxanal Red-on-Cream and Tierra Mojada Resist. The Ox Complex is characterized by a high frequency of decoration executed by penetration methods, especially incision and chamfering.The unslipped pottery pertains to the types Achiotes Unslipped and Palma Daub. The latter is marked by a red wash applied to the exterior neck of the jar, the major form in these types. Daub is a form of decoration limited to the Middle Preclassic in this area, as is the chamfering technique on the slipped pottery.The ceramic complexes most similar to Ox are located to the south of Nakbe at Uaxactun and Tikal. The high frequency of chamfering, daub, and other traits strongly link Nakbe to these southern sites during the Middle Preclassic, while sites to the north and southwest, such as Seibal, Altar de Sacrificios, and Becan exhibit more tenuous connections.The Kan Complex belongs to the Late Preclassic period, and is characterized by the Sierra, Polvero, Flor, and Sapote Ceramic Groups. Although associated with the large structures in the site center, Kan ceramics are less abundant than Ox ceramics in our samples. Kan pottery corresponds closely to that of El Mirador and is similar to other complexes of the Chicanel horizon. Particularly noteworthy are everted rims with circumferential grooves and lateral, labial, and medial flanges and ridges. The unslipped pottery of the Kan Complex consists almost exclusively of jars bearing exterior striation from the shoulder to the base.The closest ceramic ties to Kan pottery continues to be with the southern complexes, especially Uaxactun and Tikal. Moreover, the similarity to Seibal is greater during Chicanel times, while Belize appears to differentiate itself ceramically from the Peten during this time. Nevertheless, the Chicanel horizon is the period in which the maximum geographical extent of a ceramic sphere is reached.“Protoclassic” ceramics are rare, but the small amounts recovered at Nakbe are similar to those from El Mirador. The major type is Iberia Orange, found in small quantities in surface contexts. Characterized by hollow, mammiform supports, hooked rims, and orange slip, this Nakbe pottery seems to be more similar to pottery at Seibal than to other complexes with Protoclassic pottery.Early Classic pottery is virtually nonexistent in our excavations, suggesting an insignificant occupation during this period.Late Classic pottery (Uuc Complex) appears in significant quantities at Nakbe, mainly in the outskirts of the site. All of the types and modes defined at El Mirador are found at Nakbe, principally Tinaja Red, Chinja Impressed, Infierno Black, and Carmelita Incised, as well as the polychrome types. Moreover, Codex-style polychrome was also found at the site. As at El Mirador, the Uuc ceramics are not found in association with large-scale architecture, and it appears that Nakbe was not a major center at this time.The major occupations at Nakbe pertain to the Middle and Late Preclassic periods. The abundance of architecture, ceramics, and other classes of artifacts from the Ox Complex provides us with an opportunity to investigate a Middle Preclassic occupation in which there was a much more complex social organization, at least at Nakbe, than had previously been suspected.

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Sterner, Judy. "Who is signalling whom? Ceramic style, ethnicity and taphonomy among the Sirak Bulahay." Antiquity 63, no. 240 (September 1989): 451–59. http://dx.doi.org/10.1017/s0003598x00076420.

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The pattern of pottery decoration among the Sirak Bulahay is exceptional in being most elaborate when least visible in the context of primary use. In this and related cultures of the Mandara Highlands of North Cameroon, pottery decoration is mainly used for reflexive signalling, by the users of the pots to themselves, in the form of communications with the spirit world. Information regarding ethnicity is, however, transmitted by pot morphology or even by patterns of utilization.Passage from the behavioural to the archaeological context is subject to well-defined cultural rules, and is accompanied by major redistributions of ceramic types and attributes such that the pottery that most regularly occurs on potential archaeological ‘sites’ is a subset of that least visible in the behavioural context.

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40

Bonga, Lily. "Early ceramic styles and technologies in the Aegean and the Balkans:." Documenta Praehistorica 46 (December 6, 2019): 158–72. http://dx.doi.org/10.4312/dp.46-10.

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Ceramics have always played a central role in defining the Neolithic period in southeastern Europe. Early Neolithic ceramic assemblages, forming techniques, clay recipes, shapes, decoration, and vessel function have been traditionally used to establish the chronology and cultural groups of a region based on a handful of purported type-sites. This paper presents a critical review of the literature on Early Neolithic pottery in Greece, highlighting how preconceptions shaped the research and interpretation of the data of not only the ceramics themselves, but also how those interpretive conclusions were projected into other aspects of Early Neolithic life, such as the gender and status of potters and the socio-functional use of pottery. The recent reevaluation of old and new absolute dates through Bayesian analysis, statistical modelling, and stratigraphic considerations has also helped to provide a more nuanced use of relative pottery chronologies. New archaeological evidence from Northern Greece as well as reevaluations of Knossos and the Franchthi Cave are highlighted.

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Bonga, Lily. "Early ceramic styles and technologies in the Aegean and the Balkans:." Documenta Praehistorica 46 (December 6, 2019): 158–72. http://dx.doi.org/10.4312/dp.46.10.

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Ceramics have always played a central role in defining the Neolithic period in southeastern Europe. Early Neolithic ceramic assemblages, forming techniques, clay recipes, shapes, decoration, and vessel function have been traditionally used to establish the chronology and cultural groups of a region based on a handful of purported type-sites. This paper presents a critical review of the literature on Early Neolithic pottery in Greece, highlighting how preconceptions shaped the research and interpretation of the data of not only the ceramics themselves, but also how those interpretive conclusions were projected into other aspects of Early Neolithic life, such as the gender and status of potters and the socio-functional use of pottery. The recent reevaluation of old and new absolute dates through Bayesian analysis, statistical modelling, and stratigraphic considerations has also helped to provide a more nuanced use of relative pottery chronologies. New archaeological evidence from Northern Greece as well as reevaluations of Knossos and the Franchthi Cave are highlighted.

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42

Goldthwaite, Richard A. "The Economic and Social World of Italian Renaissance Maiolica*." Renaissance Quarterly 42, no. 1 (1989): 1–32. http://dx.doi.org/10.2307/2861915.

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Italian maiolica has a long history extending back into the Middle Ages. That history recounts a slow evolutionary process, with its main themes being: first, the importation of tin-glazed pottery from the Islamic world in the eleventh and twelfth centuries, which has survived primarily as architectural decoration (the bacini inserted into church façades); secondly, the development of the local production of ceramics with lead glazes and then improved tin glazes and with modest painted and incised decoration; thirdly, the diffusion of that production, presumably from Sicily and southern Italy, throughout the rest of the peninsula; and, finally, beginning in the later fourteenth century, the elevation of the quality of production to the level of a veritable art form. Our knowledge of this history has been amply expanded in the last few years by an extraordinary amount of very solid research conducted into the subject by medieval archaeologists and by ceramic scholars—many of the latter talented amateurs who work on their own local traditions in Italy; and this lively interest has had reverberations in both the museum world and the art market.

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43

Rico, V. J., R. Lahoz, F. Rey-García, F. Yubero, J. P. Espinós, G. F. de la Fuente, and A. R. González-Elipe. "Laser Treatment of Nanoparticulated Metal Thin Films for Ceramic Tile Decoration." ACS Applied Materials & Interfaces 8, no. 37 (September 8, 2016): 24880–86. http://dx.doi.org/10.1021/acsami.6b07469.

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44

Zhou, Jun, Dazhi Guo, Yi Zhang, and Pinggen Rao. "Combustion synthesis of ZnFe Cr O4 nanocrystallites for ceramic digital decoration." Materials Chemistry and Physics 244 (April 2020): 122695. http://dx.doi.org/10.1016/j.matchemphys.2020.122695.

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45

Peris-Fajarnés, G., P. Latorre, B. Defez, I. Tortajada, and F. Brusola. "Evaluation of color prediction models in the decoration of ceramic tiles." Journal of the Ceramic Society of Japan 116, no. 1349 (2008): 146–52. http://dx.doi.org/10.2109/jcersj2.116.146.

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46

Li, Huan, Zhen Yi Feng, Yan Ju Li, Yu Xiao, and Min Zheng. "The Practice of Aluminum Plate Material in Modern Traffic Architecture." Advanced Materials Research 919-921 (April 2014): 1195–98. http://dx.doi.org/10.4028/www.scientific.net/amr.919-921.1195.

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With the rapid development of China's railway construction, the modern traffic architecturee used aluminum plate material in decoration more widely. This paper describes the different types of aluminum plate materials, and then introduces the function and the economy of the ceramic aluminum plate in modern traffic architecture.

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47

Demina, Alisa. "Pottery of the Chornolis culture in the middle Dnieper region." Recherches Archéologique Nouvelle Serie 9 (December 31, 2018): 87–106. http://dx.doi.org/10.33547/rechacrac.ns9.04.

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The article presents the method and results of an investigation of 885 ceramic sherds from Chornolis hillfort, Tyasmyn hillfort, and Kalantaiv hillfort of the Chornolis culture in the middle Dnieper region. Although highly fragmented ceramic sherds are the most frequent type of archaeological material at these sites, this is the first time their morphology and decoration have been statistically analysed. The discovered correlations among pottery parameters helped us to establish a framework for comparison of the hillforts. These findings clarified the microchronology of the sites and cultural relationships of the Chornolis culture.

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Kujawa, Joanna, Marta Głodek, Izabela Koter, Borys Ośmiałowski, Katarzyna Knozowska, Samer Al-Gharabli, Ludovic F. Dumée, and Wojciech Kujawski. "Molecular Decoration of Ceramic Supports for Highly Effective Enzyme Immobilization—Material Approach." Materials 14, no. 1 (January 3, 2021): 201. http://dx.doi.org/10.3390/ma14010201.

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A highly effective method was developed to functionalize ceramic supports (Al2O3 powders and membranes) using newly synthesized spacer molecules. The functionalized materials were subsequently utilized for Candida antarctica lipase B enzyme immobilization. The objective is to systematically evaluate the impact of various spacer molecules grafted onto the alumina materials will affect both the immobilization of the enzymes and specific material surface properties, critical to enzymatic reactors performance. The enzyme loading was significantly improved for the supports modified with shorter spacer molecules, which possessed higher grafting effectiveness on the order of 90%. The specific enzyme activity was found to be much higher for samples functionalized with longer modifiers yielding excellent enantioselectivity >97%. However, the enantiomeric ratio of the immobilized lipase was slightly lower in the case of shorter spacer molecules.

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Lu, Zhaolin, Yaqun He, Bing Yu, and Xiaojuan Hu. "Harmful effects of airborne dust diffused from ceramic tiles during home decoration." Powder Technology 267 (November 2014): 86–94. http://dx.doi.org/10.1016/j.powtec.2014.07.014.

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Gardini, Davide, Magda Blosi, Chiara Zanelli, and Michele Dondi. "Ceramic Ink-Jet Printing for Digital Decoration: Physical Constraints for Ink Design." Journal of Nanoscience and Nanotechnology 15, no. 5 (May 1, 2015): 3552–61. http://dx.doi.org/10.1166/jnn.2015.9857.

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