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Journal articles on the topic 'Ceramica Etrusca'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Pola, Angela. "Una coppa della Bottega del Pittore di Meleagro da Tarquinia." Aristonothos. Rivista di Studi sul Mediterraneo Antico 20 (December 20, 2024): 63–108. https://doi.org/10.54103/2037-4488/27598.

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Oggetto di questa breve nota è una coppa attica a figure rosse lacunosa, ricostruita grazie ad alcuni frammenti rinvenuti tra ilmateriale di riempimento di un pozzo recentemente scavato presso il ‘complesso monumentale’ della città etrusca di Tarquinia. Nonostante l’estrema frammentarietà, è possibile ricostruirne l’apparato decorativo e riferirla con certezza ad un ceramografo operante all’interno della Bottega del Pittore di Meleagro, uno degli ateliers ceramici più prolifici dell’Atene degli inizi del IV secolo a.C. Questa attribuzione permette di aggiungere dati importanti riguardo alla co

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Barker, Graeme, and Tom Rasmussen. "The Archaeology of an Etruscan Polis: A Preliminary Report on the Tuscania Project (1986 and 1987 Seasons)." Papers of the British School at Rome 56 (November 1988): 25–42. http://dx.doi.org/10.1017/s0068246200009557.

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ARCHEOLOGIA DI UNA POLIS ETRUSCA: RAPPORTO PRELIMINARE SUL PROGETTO TUSCANIA (STAGIONI 1986 E 1987)La comunicazione riguarda i risultati preliminari delle prime due stagioni di intensa ricognizione di superficie nella campagna circostante la città di Tuscania. Questo progetto della British School at Rome in collaborazione con l'università di Manchester, è diacronico in quanto si raccolgono reperti di superficie di tutti i periodi principali dalla preistoria al medioevo, ma con particolare interesse per il periodo etrusco, e si cerca di documentare tramite la sola ricognizione di superficie, la

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Corke-Webster, James. "Roman History." Greece and Rome 65, no. 2 (2018): 259–66. http://dx.doi.org/10.1017/s0017383518000207.

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Identity studies live. This latest batch of publications explores what made not just the Romans but the Italians, Christians, and Etruscans who they were. We begin with both age and beauty, the fruits of a special exhibition at the Badischen Landesmuseum Karlsruhe in the first half of 2018 into the most famous of Roman predecessors, the Etruscans. Most of the exhibits on display come from Italian museums, but the interpretative essays that break up the catalogue – which are also richly illustrated – are by both Italian and German scholars. These are split between five overarching sections cove

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Garatti, Giorgio, and Giulia Iadicicco. "Alcune osservazioni sulla forma calice dagli scavi di San Basilio di Ariano nel Polesine (campagne 2019-2022)." Archeologia Veneta XLVI (January 10, 2024): 86–103. https://doi.org/10.5281/zenodo.10643161.

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Riassunto Il contributo intende esaminare gli esemplari appartenenti alla forma ceramica del calice a pareti troncoconiche provenienti dall’insediamento preromano di San Basilio di Ariano nel Polesine (RO) e, in particolare, dalle recenti campagne di scavo condotte dall’Università di Padova (2019-2022). Lo studio di questa forma, ampiamente attestata in Etruria padana e presente all’interno del centro polesano in diverse classi ceramiche, permette di cogliere un interessante fenomeno di ibridazione fra produzioni differenti, esito dell’interazione fra le diverse

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de Grummond, Nancy. "(F.R.) Serra Ridgway and (L.C.) Pieraccini Ed.Pithoi stampigliati ceretani, una classe originale di ceramica etrusca (Studia archaeologica 178) Rome: L'Erma di Bretschneider, 2010. Pp. 306, illus. €200. 9788882655723." Journal of Hellenic Studies 132 (September 17, 2012): 251–52. http://dx.doi.org/10.1017/s0075426912000791.

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Perru, Nicolas. "La collection étrusque du musée national de Céramique : un ensemble technique." Sèvres. Revue de la Société des Amis du musée national de Céramique 32, no. 1 (2023): 8–17. http://dx.doi.org/10.3406/sevre.2023.1624.

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The Sèvres museum has a remarkable collection of Etruscan terracottas and ceramics assembled between the end of the 18th and the end of the 19th century. This collection of nearly 70 pieces, offers a wide panorama of the techniques developed by the Etruscans, from the Villanovian period to the Hellenistic times. This article proposes a selection of the most evocative pieces, which reflect the history of the formation of the collection, of its presentation in the museum and of its contribution to Etruscan studies.

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Kobakhidze, Ekaterine. "Metaia." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 16, no. 1 (2021): 54–87. http://dx.doi.org/10.25205/1995-4328-2022-16-1-54-87.

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It could be said with some precision, that in Antiquity the myth of the Argonauts and especially of Medea herself as a personage of this myth, has enjoyed popularity not only in Greece but also outside its territories. The first among the Italic tribes to be introduced to the personage of Medea no doubt were the Etruscans, who were the first to establish intensive contacts with the Greeks from Euboea founding a colony in Cumae, Italy. It is noteworthy that the first image of Medea in the World Art is seen on Etruscan ceramics. The paper gives detailed analyses of Etruscan olpe and other artefa

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Davies, Glenys. "Experiencing Etruscan Pots: Ceramics, Bodies and Images in Etruria." Etruscan Studies 21, no. 1-2 (2018): 199–206. http://dx.doi.org/10.1515/etst-2018-0005.

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Longoni, Margherita, Noemi Calore, Matilde Marzullo, et al. "Bucchero Ware from the Etruscan Town of Tarquinia (Italy): A Study of the Production Site and Technology through Spectroscopic Techniques and Multivariate Data Analysis." Ceramics 6, no. 1 (2023): 584–99. http://dx.doi.org/10.3390/ceramics6010035.

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Bucchero is a well-known class of Etruscan ceramics, characterized by being entirely black both on the surface and in the body. In the present investigation, a representative set of bucchero sherds from the excavations of the Etruscan town of Tarquinia (Viterbo, Italy) was analyzed through flame atomic absorption spectroscopy (FAAS), Fourier-transform infrared spectroscopy (FTIR) and near-infrared (NIR) reflection spectroscopy. Both elemental and mineralogical composition data were treated with methods of multivariate analysis. It was thus possible to discriminate between local and imported pr

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Angelini, Ivana, Cinzia Bettineschi, Marica Venturino, and Gilberto Artioli. "Gaming in Pre-Roman Italy: Characterization of Early Ligurian and Etruscan Small Pieces, Including Dice." Applied Sciences 12, no. 4 (2022): 2130. http://dx.doi.org/10.3390/app12042130.

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An interesting assemblage of ancient ceramic materials connected or potentially connected with gaming activities has been characterized from the archaeometric point of view. The materials (washer-like pieces, small spheres, and cubic dice, with and without inscriptions) were found in the Villa del Foro excavation (Alessandria, Italy). They are related to the early Ligurian population of the site and their frequent contacts with Etruscan both in Etruria and in the Po Valley, in a period spanning the early VI century BC till the first half of the V century BC. Starting from the materials evidenc

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Nigro, Lorenzo, Federico Cappella, Ilenia Melis, and Daniele F. Maras. "UN FONDO DI HYDRIA RITAGLIATO E ISCRITTO DA MOZIA: CONVIVENZA DI ALFABETI E LINGUE DIVERSE." Vicino Oriente 27 (2023): 39–68. http://dx.doi.org/10.53131/vo2724-587x2023_4.

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During the XLII season (2022) of excavations in Zone D at Motya, under the floor levels of the “House of Triton’s Horn”, Sounding IVr eached a pit filled up with archaic ceramic fragments. Here a cut-out bottom of a Greek hydria inscribed on both sides with different scripts and languages was found. The finding spot, the associated ceramics,the ceramological and epigraphic examination of the fragment allowed to hypothesize that it probably belonged to one of the merchants who used to live in that residential part of Motya towardsthe end of 7thand the beginning of the 6thcentury BC. Other finds

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Spivey, Nigel. "G. Camporeale: La collezione C.A. Impasti e buccheri I. (Archaeologica, 101.) Pp. 170; 113 plates, 25 figs. Rome: G. Bretschneider, 1991. Paper. - G. Zampieri: Ceramica greca, etrusca e italiota nel Museo Civico di Padova. (Collezioni e musei archeologici del Veneto). 2 vols. Pp. 389; Illustrated throughout. Rome: G. Bretschneider, 1991. Cased." Classical Review 44, no. 1 (1994): 232–33. http://dx.doi.org/10.1017/s0009840x00291713.

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Wallace. "An Etruscan Votive Inscription on Attic Ceramic." Memoirs of the American Academy in Rome 65 (2020): 534. http://dx.doi.org/10.2307/27031304.

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Vistoli, Fabrizio. "Una nuova acquisizione di ceramica "white-on-red" dall'ager Veientanus." Opuscula. Annual of the Swedish Institutes at Athens and Rome 1 (November 2008): 63–77. http://dx.doi.org/10.30549/opathrom-01-05.

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This paper presents an unpublished clay plate with painted decoration found during field surveys conducted in 1994 inside the area of a new Etruscan settlement discovered in the district of “Acquatraversa”, nearby the ancient route of via Veientana (Rome). The analytical study of this important and typical object, besides comparison with related pottery, makes it possible to assign its date exactly to the beginning of the last quarter of seventh century BC, as well as to suggest that it was manufactured in the territory of ancient Capena.

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Martelli, Marina. "Roberta Gabrielli: Ceramica etrusco-corinzia del Museo Archeologico di Tarquinia." Gnomon 84, no. 3 (2012): 238–45. http://dx.doi.org/10.17104/0017-1417_2012_3_238.

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Hall, Edith. "How much did pottery workers know about classical art and civilisation?" Bulletin of the Institute of Classical Studies 63, no. 1 (2020): 17–33. http://dx.doi.org/10.1093/bics/qbaa005.

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Abstract The voices of pottery workers across the British Isles during the heyday of the taste for classically themed ceramics are almost silent to us, since so few left memoirs or diaries. But other sources cumulatively build up a picture of skilled male, female, and child workers familiar with multifarious ancient artefacts and books visually reproducing them. At Etruria and Herculaneum, workers were encouraged to see themselves as participants in the rebirth of the ancient ceramic arts; they were trained in painstaking reproduction of details not only from ancient vases but from ancient gem

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Ceccarelli, L., C. Moletti, M. Bellotto, G. Dotelli, and S. Stoddart. "Compositional characterization of Etruscan earthen architecture and ceramic production." Archaeometry 62, no. 6 (2020): 1130–44. http://dx.doi.org/10.1111/arcm.12582.

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Di Giuseppe, Helga. "Un confronto tra l'etruria settentrionale e meridionale dal punto di vista della ceramica a vernice nera." Papers of the British School at Rome 73 (November 2005): 31–84. http://dx.doi.org/10.1017/s006824620000297x.

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UN CONFRONTO TRA L'ETRURIA SETTENTRIONALE E MERIDIONALE DAL PUNTO DI VISTA DELLA CERAMICA A VERNICE NERAQuesto articolo propone una comparazione dell'Etruria settentrionale e meridionale dal punto di vista del ‘comportamento’ della ceramica a vernice nera, il principale fossile guida dell'età repubblicana e tra i principali indicatori della conquista romana e dell'integrazione dei popoli dell'Italia antica. La base documentaria da cui parte lo studio è costituita dalla ceramica a vernice nera proveniente dallo scavo del teatro romano di Volterra, sito in località di Vallebuona, e dalla South E

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Spivey, Nigel, and Janos Gyorgy Szilagyi. "Ceramica etrusco-corinzia figurata. Vol. 2, 590/580-550 A. C." American Journal of Archaeology 105, no. 2 (2001): 370. http://dx.doi.org/10.2307/507311.

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Bruni, Silvia, Margherita Longoni, Francesca De Filippi, Noemi Calore, and Giovanna Bagnasco Gianni. "External Reflection FTIR Spectroscopy Applied to Archaeological Pottery: A Non-Invasive Investigation about Provenance and Firing Temperature." Minerals 13, no. 9 (2023): 1211. http://dx.doi.org/10.3390/min13091211.

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The mineralogical composition of archaeological pottery is closely related to the raw material and the firing conditions, thus constituting a source of information both on the origin and the manufacturing technology of ceramic artefacts. The techniques used to clarify the composition of the ceramic material from the point of view of the mineralogical phases include X-ray diffraction (XRD), Fourier-transform infrared spectroscopy (FTIR) and petrographic analysis. Such techniques normally require the taking of a sample from the object, thus often limiting their applicability to sherds rather tha

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Ridgway, D. "Review. Ceramica Etrusco-Corinzia figurata. Parte I: 630-580 a.C. JG Szilagyi." Classical Review 47, no. 1 (1997): 169–70. http://dx.doi.org/10.1093/cr/47.1.169.

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Fermo, P., F. Cariati, D. Ballabio, V. Consonni, and G. Bagnasco Gianni. "Classification of ancient Etruscan ceramics using statistical multivariate analysis of data." Applied Physics A 79, no. 2 (2004): 299–307. http://dx.doi.org/10.1007/s00339-004-2520-6.

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Bruni, Silvia. "Etruscan Fine Ware Pottery: Near-Infrared (NIR) Spectroscopy as a Tool for the Investigation of Clay Firing Temperature and Atmosphere." Minerals 12, no. 4 (2022): 412. http://dx.doi.org/10.3390/min12040412.

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Fine ware pottery from the Etruscan town of Tarquinia, whose necropolis in inscribed in the list of UNESCO sites, was studied by means of near-infrared (NIR) diffuse reflection spectroscopy. The aim was to investigate the correlation between the firing conditions of the illitic-calcareous local clay, in terms of temperature and atmosphere, and the physical properties of the ceramic paste, usually exploited by the archaeologists for a classification of pottery sherds. For comparison, analytical data related to the mineralogical composition of the samples were obtained by X-ray diffraction and F

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Gill, David W. J. "METRU.MENECE: an Etruscan painted inscription on a mid-5th-century BC red-figure cup from Populonia." Antiquity 61, no. 231 (1987): 82–87. http://dx.doi.org/10.1017/s0003598x00072574.

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Pottery is so ubiquitous among the material we have surviving from later periods that it is easy to think that ancient people occupied a world which was as stuffed with broken sherds as the layers we excavate; and ceramics seem especially important when they are as handsome and archaeologically informative as classical vases. Starting with a single sherd from Populonia, David Gill takes a different view of pottery, and its commercial transport, in the classical Mediterranean.

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Cantelli, Margherita, Dafne Cimino, Alberta Facchi, Raymond J. Phaneuf, and Elisabetta Zendri. "Non-Vascular Ceramic Sherds Coming from Two Italian Etruscan Settlements: Peculiarities and Interpretation of Their Possible Use." Heritage 5, no. 3 (2022): 1433–48. http://dx.doi.org/10.3390/heritage5030075.

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Peculiar non-vascular ceramic slabs of uncertain use were found in two different Etruscan settlements of the Po Delta region (San Basilio di Ariano nel Polesine and Adria, North-East Italy) dated back to the first millennium BC. Different interpretations concerning the primary role of these fragments have been suggested by previous scholars. To bring to light an understanding of the construction processes that appear to be unique to the San Basilio and Adria settlements, a multi-analytical approach has been carried out. Macroscopic observations enabled these materials to be preliminary subdivi

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Caccioli, David A. "The Funerary Function of Villanovan and Etruscan Ceramics in the Detroit Institute of Arts." Bulletin of the Detroit Institute of Arts 85, no. 1-4 (2011): 52–61. http://dx.doi.org/10.1086/dia23183262.

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Chiaro, Mario Del. "Etruscan black-figure pottery from Tarquinia - BIRGITTE GINGE , CERAMICHE ETRUSCHE A FIGURE NERE (”Archaeologica” 72, Giorgio Bretschneider, Roma 1987). Pp.117, 105 plates. Lit. 250.000. ISBN 88-7689-010-6." Journal of Roman Archaeology 2 (1989): 151–53. http://dx.doi.org/10.1017/s1047759400010400.

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Rajala, Ulla. "The concentration and centralization of late prehistoric settlement in central Italy: the evidence from the Nepi Survey." Papers of the British School at Rome 81 (September 26, 2013): 1–38. http://dx.doi.org/10.1017/s0068246213000032.

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This article discusses the evidence for the concentration and centralization of late prehistoric settlement in central Italy, using the territory of Nepi as an example of settlement aggregation in southern Etruria. This example helps to explain the regional developments leading to urbanization and state formation in Etruria from the Bronze Age to the Iron Age. The article also publishes new sites with late prehistoric ceramic material from the Neolithic or Epineolithic to the Iron Age in the territory of Nepi found during the Nepi Survey Project. This new evidence is discussed together with pr

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Brecciaroli Taborelli, Luisa. "Ceramica a vernice nera da sepolcreti nelle “Alte Marche”. Dati inediti per una microstoria." PICVS 44 (December 12, 2024): 35–73. https://doi.org/10.63277/pcs.v44i.4061.

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L’originale scenario geografico e antropologico argomento dell’indagine è un territorio di piccole dimensioni collocato alle pendici dei monti Appennini ma non lontano dalle coste del mare Adriatico. Esso era attraversato da percorsi stradali utilizzati già in tempi remoti per i collegamenti tra il versante montano orientale abitato da genti umbre e galliche e il versante occidentale abitato da genti umbre ed etrusche. Si trattava di un territorio caratterizzato da piccoli insediamenti i cui abitanti risentivano di influssi culturali e commerciali esterni di particolare interesse. Tali influss

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Revello Lami, Martina. "Disegnare per Osservare, Capire, Raccontare. Conversazione con Agostino Sotgia." Ex Novo: Journal of Archaeology 6 (February 11, 2022): 217–27. http://dx.doi.org/10.32028/vol6isspp217-227.

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Agostino Sotgia (Roma, 1990) è dottorando in archeologia preistorica presso la “Sapienza – Università di Roma” e la “RUG – University of Groningen”. Si occupa prevalentemente di Landscape Archaeology con particolare attenzione alla ricostruzione dei paesaggi agro-pastorali antichi in Etruria Meridionale a cavallo del I millennio a.C. Precedentemente si è interessato alla cultura materiale con una serie di studi sulle fornaci e le aree produttive per il vasellame ceramico in Italia peninsulare tra Età del bronzo e Età arcaica. All’attività di ricerca ha affiancato anche quella di sorveglianza a

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Brown, A. G., and C. Ellis. "People, climate and alluviation: theory, research design and new sedimentological and stratigraphic data from Etruria." Papers of the British School at Rome 63 (November 1995): 45–73. http://dx.doi.org/10.1017/s0068246200010199.

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POPOLI, CLIMA ED ALLUVIONI: TEORIA, PROGETTO DI RICERCA E NUOVI DATI SEDIMENTOLOGICI E STRATIGRAFICI DALL'ETRURIAQuesto lavoro presenta il progetto di ricerca, i dati stratigrafici e la datazione preliminare (ceramica e paleomagnetica) di un nuovo studio sull'alluvione regionale in Etruria. Le mutevoli relazioni tra popolazione, uso della terra ed erosione nel Mediterraneo vengono discusse allo scopo di mettere in discussione alcune tradizionali ipotesi eco-demografiche. I risultati preliminari indicano un cambiamento da fiumi lateralmente mobili che erodevano e depositavano sabbia e ghiaia du

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Huntsman, Theresa. "Etruria II: Catalogue: Sculpture, Bronzes, Ceramics, Bucchero, Figure Decorated Ceramics, Complete Tomb Finds: I. Tarquinia, II. Bologna, III. Cerveteri." Etruscan Studies 21, no. 1-2 (2018): 233–35. http://dx.doi.org/10.1515/etst-2017-0028.

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Gretchen E. Meyers. "Women and the Production of Ceremonial Textiles: A Reevaluation of Ceramic Textile Tools in Etrusco-Italic Sanctuaries." American Journal of Archaeology 117, no. 2 (2013): 247. http://dx.doi.org/10.3764/aja.117.2.0247.

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Stanco, Enrico Angelo. "Un contesto ceramico medio-repubblicano nella Valle del Mignone (Frassineta Franco Q. 266)." Papers of the British School at Rome 69 (November 2001): 97–130. http://dx.doi.org/10.1017/s006824620000177x.

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A SITE WITH MID-REPUBLICAN POTTERY IN THE VALLE DEL MIGNONE (FRASSINETA FRANCO Q. 266)During field survey in the area of the Monti della Tolfa, carried out by the Gruppo Archeologico Romano between 1975 and 1984, a clandestine excavation was discovered. It yielded a concentration of pottery sherds from the rubbish dump of a small rural settlement of the second quarter of the second century BC. Some of the pottery was of local production, whilst some had been imported. The study of the finds in comparison with those from published sites dated to between the middle of the third and the end of th

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Rasmussen, Tom. "J. G. Szilágyi, Ceramica Etrusco-Corinzia figurata. Parte I. 630–580 a.C. (Monumenti etruschi VII). Florence: Leo S. Olschki Editore, 1992. Pp. 266, 113 pls, 39 illus. ISBN 8-822-23954-7. L. 250,000. - L. Cerchiai, Le officine etrusco-corinzie di pontecagnano. Naples: Istituto Universitario Orientale, 1990. Pp. xiii + 253, 89 pls, 6 plans." Journal of Roman Studies 84 (November 1994): 215–17. http://dx.doi.org/10.2307/300897.

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Bossolino, Isabella. "Collo, spalla, pancia, piede. Riflessioni sull’anatomia del vaso." ACME 76, no. 1-2 (2024): 115–30. http://dx.doi.org/10.54103/2282-0035/23076.

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Questo contributo prende in considerazione uno dei fenomeni più trasversali a numerose lingue, antiche e moderne: la designazione delle diverse parti di un vaso con lo stesso lessico impiegato per le parti del corpo umano. Il lavoro si concentra su quattro tra le lingue moderne più utilizzate nella bibliografia archeologica (italiano, inglese, francese e tedesco) e sulle due lingue classiche per eccellenza (greco e latino), offrendo una panoramica del lessico utilizzato e delle metafore o figure retoriche che nel mondo antico e moderno includono la figura del vaso e le sue parti. In un secondo

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Petsalis-Diomidis, Alexia. "Pottery workers, ‘the Ladies’, and ‘the Middling Class of people’: production and marketing of ‘Etruscan and Grecian vases’ at Wedgwood c.1760–1820*." Bulletin of the Institute of Classical Studies 63, no. 1 (2020): 34–53. http://dx.doi.org/10.1093/bics/qbaa006.

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Abstract Collections of Greek vases, and their reproductions in the form of luxury publications and vessels displayed atop bookshelves in libraries, were the domain of male elites in eighteenth- and nineteenth-century Britain. Less well explored is the consumption of creative reproductions of Greek vases by elite and ‘middling’ women, and the participation of women across the social spectrum in the production of ceramics inspired by Greek vases. This article uses the Wedgwood archive to tell such stories. The subjects range from aristocratic designers through paintresses to women doing the har

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Amicone, Silvia, Kyle P. Freund, Paola Mancini, Rubens D'Oriano, and Christoph Berthold. "New insights into Early Iron Age connections between Sardinia and Etruria: Archaeometric analyses of ceramics from Tavolara." Journal of Archaeological Science: Reports 33 (October 2020): 102452. http://dx.doi.org/10.1016/j.jasrep.2020.102452.

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Wickham, Chris. "Medieval studies and the British School at Rome." Papers of the British School at Rome 69 (November 2001): 35–48. http://dx.doi.org/10.1017/s0068246200001756.

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GLI STUDI MEDIEVALI E LA ‘BRITISH SCHOOL AT ROME’Le ricerche in campo medievale hanno costituito uno dei tratti distintivi dell'attività della ‘British School at Rome’ sin dagli esordi, con la pubblicazione di consistenti ricerche storico artistiche (Rushforth) e di storia amministrativa (Jamison) nella prima decade del ventesimo secolo. Successivamente, però, fino al secondo dopoguerra, itemi medievali vennero trattati in maniera piuttosto discontinua. Negli anni '50 l'attenzione si concentro sugli studi storici, mentre quelli archeologici iniziarono negli anni '60. Questi ultimi conobbero un

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Martini, Marco, and Anna Galli. "Thermoluminescence Analysis of the Clay Core of Bronze Statues: A Re-Appraisal of the Case Studies of Lupa Capitolina and Other Masterpieces in Rome." Applied Sciences 11, no. 17 (2021): 7820. http://dx.doi.org/10.3390/app11177820.

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In this work, we present some new results in applying thermoluminescence (TL) dating to the clay core of bronze statues. This is very important, due to the impossibility of directly dating a metal. Very few cases of indirect dating of clay cores by TL are reported in the literature. We re-considered three cases of dating of clay core from important bronzes in Rome. The parameters to be considered were not easy to calculate in the case of the Lupa Capitolina. However, its traditionally reported Etruscan origin is definitely ruled out, even if the accuracy in the dating is too low to precisely p

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Bruni, Silvia, Vittoria Guglielmi, Elena Della Foglia, Marina Castoldi, and Giovanna Bagnasco Gianni. "A non-destructive spectroscopic study of the decoration of archaeological pottery: from matt-painted bichrome ceramic sherds (southern Italy, VIII-VII B.C.) to an intact Etruscan cinerary urn." Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy 191 (February 2018): 88–97. http://dx.doi.org/10.1016/j.saa.2017.10.010.

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BANDRIVSKYI, Mykola. "NEW MATERIALS FOR ARCHAEOLOGICAL MAP OF THE WEST OF UKRAINE IN LATE BRONZE AGE – EARLY IRON AGE." Materials and studies on archaeology of Sub-Carpathian and Volhynian area 27 (2023): 174–94. https://doi.org/10.33402/mdapv.2023-27-174-194.

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In the first subsection of the article, the issue of tracing intercultural connections of the modern Western Ukrainian region on the basis of military archaeological finds is raised. For example, a bronze helmet from the Ternopil region, belonging to the extremely rare Oranienburg type, which was used in the south of Europe (for example, in Knossos) from the 15th century B. C. and in Central Europe during the 14th–13th centuries B. C. was introduced into scientific circulation for the first time. Considerable attention is paid to an exceptionally interesting and rare complex of elite horseman

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Becker, Jeffrey A. "G. Pucci and C. Mascione (Eds), Manifattura ceramica etrusco-romana a Chiusi: il complesso produttivo di Marcianella (Bibliotheca Archaeologica 10). Bari: Edipuglia, 2003. Pp. 340. ISBN 88-7228-306-x. €42.00." Journal of Roman Studies 95 (November 2005): 310–11. http://dx.doi.org/10.1017/s0075435800003129.

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Maffre, Jean-Jacques. "Vases étrusques et vases attiques au Musée de Tarquinia [Archeologia 13, 16, 32 et 33, Materiali del Museo archeologico nazionale di Tarquinia, I, II, V et VI ; Giampiero Pianu, Ceramiche etrusche a figure rosse ; Lucrezia Campus, Ceramica attica a figure nere : piccoli vasi e vasi plastici ; Carlo Tronchetti, Ceramica attica a figure nere : grandi vasi : anfore, pelikai, crateri ; Elena Pierro, Ceramica « ionica » non figurata e coppe attiche a figure nere]." Bulletin de l'Association Guillaume Budé : Lettres d'humanité 44, no. 4 (1985): 417–21. http://dx.doi.org/10.3406/bude.1985.1697.

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Moignard, Elizabeth. "(M.) Iozzo Vasi antichi dipinti del Vaticano. La Collezione Astarita nel Museo gregoriano Etrusco 2.1: Ceramica attica a figure nere. Vatican City: Monumenti, Musei e Gallerie Pontificie, 2002. Pp. 246, illus. 110." Journal of Hellenic Studies 125 (November 2005): 188–89. http://dx.doi.org/10.1017/s0075426900007436.

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Spivey, Nigel. "M. Martelli (ed.), La Ceramica degli Etruschi: La Pittura Vascolare. By B. Adembri [and others]. Novara: Istituto Geografico de Agostini, 1987. Pp. 344, numerous illus. (incl. pls, text figs)." Journal of Roman Studies 79 (November 1989): 177–78. http://dx.doi.org/10.2307/301192.

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Ridgway, F. R. Serra. "Etruscan Vases - Birgitte Ginge: Ceramiche etrusche a figure nere. (Archaeologica 72: Materiali del Museo Archeologico Nazionale di Tarquinia, 12.) Pp. 117; 105 plates. Rome: Bretschneider, 1987. Paper, L. 250,000. - Nigel Jonathan Spivey: The Micali Painter and his Followers. (Oxford Monographs on Classical Archaeology.) Pp. xv + 103; 19 figures; 40 plates. Oxford: Clarendon Press, 1987. £30." Classical Review 39, no. 2 (1989): 341–44. http://dx.doi.org/10.1017/s0009840x00272120.

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Ginge, Birgitte. "Recent studies of Etruscan ceramics - MARINA MARTELLI (ed.), LA CERAMICA DEGLI ETRUSCHI. LA PITTURA VASCOLARE (texts by Benedetta Adembri, Fulvio Canciani, Mauro Cristofani, Marina Martelli, and Maria Antonietta Rizzo). (Istituto Geografico de Agostini, Novara 1987). Pp.344 (of which 65-240 are colour plates), 19 figures in text. Lit. 110.000. - NIGEL JONATHAN SPIVEY , THE MICALI PAINTER AND HIS FOLLOWERS (Oxford Monographs on Classical Archaeology, Clarendon Press, Oxford 1987). Pp.xv + 103, 19 figures in text, 40 plates. ISBN 0-19-813225-5. £30.00. - MARIA ANTONIETTA RIZZO (ed.), UN ARTISTA ETRUSCO E IL SUO MONDO. IL PITTORE DI MICALI texts by Mauro Cristofani, Antonio Giuliano, Donna C. Kurtz, Marina Martelli, Maria Antonietta Rizzo, and Nigel Spivey. Appendices by Armando Cherici, Franco Ceschi, and A. Maria Sgubini Moretti) (Studi di Archeologia 5; Exhibition catalogue: Rome, Museo Nazionale Etrusco di Villa Giulia, 22 marzo – 30 giugno 1988; Milano, Civiche Raccolte Archeologiche e Numismatiche, dicembre 1988) (De Luca, Roma 1988). Pp.112; 205 figures in text; 8 colour plates. Lit. 25.000." Journal of Roman Archaeology 3 (1990): 225–33. http://dx.doi.org/10.1017/s1047759400011016.

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Konstantin-Hansen, Niels Henrik. "Migration i førromersk jernalder." Kuml 62, no. 62 (2013): 9–40. http://dx.doi.org/10.7146/kuml.v62i62.24462.

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Migration in the Pre-Roman Iron AgeThe archaeological group in focus here is the so-called Poienesti-Lukaševka culture (PLC), which came into existence very suddenly around 200 BC in present-day Romania and Moldavia. Stray finds are also known from the Ukraine, but the main area of settlement lay on the southern bank of the Dniester river, as attested by professionally excavated settlement structures and necropolises. The commonly accepted thesis on these archaeological remains is that they are the physical manifestation of the Bastarnae and Skiri, two Germanic-speaking tribes who migrated to

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Naranjo, Pedro Miguel, and Mª del Rosario García Huerta. "Entre la Tierra y el Cielo: aproximación a la iconografía y simbolismo de las aves en el mundo tartésico y fenicio-púnico en la península ibérica." Vínculos de Historia Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 11 (June 22, 2022): 260–79. http://dx.doi.org/10.18239/vdh_2022.11.11.

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El objeto de este trabajo es el estudio del simbolismo de las aves en el ámbito tartésico y fenicio-púnico en la península ibérica durante el Bronce Final y el Hierro I. Se han recogido y analizado aquellas piezas con representaciones de aves, así como los restos orgánicos de éstas, si bien esto último no ha dado muchos frutos debido a las dificultades que existen tanto para su conservación como para la posterior identificación de especies. En total se han podido determinar ánades, gallos, palomas, flamencos, cisnes, lechuzas y halcones, todas ellas representadas en el Mediterráneo oriental y

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