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Journal articles on the topic 'Ceramics Education'

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1

Ding, Liang. "Analysis of Creative Teaching of Ceramics and Student Creativity in Colleges and Universities in China." Scientific and analytical journal Burganov House. The space of culture 18, no. 2 (2022): 80–86. http://dx.doi.org/10.36340/2071-6818-2022-18-2-80-86.

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Ceramic art has been an important part of human culture for thousands of years and it has had a significant influence all over the world. China is the home country of ceramics and the progression of ceramic culture has contributed much to the development of human history and civilisation. Education has played a key role in this progression of ceramic art and through ceramics education, the ceramic culture, ceramic arts and the crafts of ceramics, ceramic skills have been passed down from one generation to the next. Ceramics education is an important part of art education. Faced with the global
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Srivastava, Aaditya Ranjan, Shrish Bajpai, and Sushant Khare. "Current Scenario of Ceramic Engineering Education in India." Comparative Professional Pedagogy 8, no. 1 (2018): 84–88. http://dx.doi.org/10.2478/rpp-2018-0011.

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AbstractHistorical overview of ceramic development has been provided in the paper. It has been stated that the trail of ceramics has been rooted in Indus valley civilization. Advancement of materials leads to afflux of development in the fields of science and technology. Present paper deals with the realm of Ceramic Engineering, mainly focuses on education and jobs in the respected fields in India. This paper also holds the framework and research work in Ceramic Engineering in India. It has been defined that the whole processing of ceramics is done in the laboratories, like refractories, ceram
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Tam-George, Charlotte. "Students' Perceptions of Ceramic Education in Public Universities in Rivers State, Nigeria: Challenges and Opportunities." Asian Research Journal of Arts & Social Sciences 22, no. 7 (2024): 53–58. http://dx.doi.org/10.9734/arjass/2024/v22i7550.

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The article highlights the difficulties and possible advantages of the area while talking about how students at Nigerian institutions view ceramic education. It highlights a poor opinion among students, expressing worries about employment opportunities and the challenge of the subject. The paper highlights the value of ceramics education in fostering the development of aesthetics, technical proficiency, and conceptual approaches, notwithstanding obstacles. It promotes ceramics as a worthwhile field of study and calls for more awareness. The paper delineates the university curriculum structure
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Pek, Emrah, Sezer Cihaner Keser, and Çetin Güler. "Deficiencies and potential corrections in ceramic art education according to the ceramic industry employees." Cypriot Journal of Educational Sciences 17, no. 9 (2022): 3367–77. http://dx.doi.org/10.18844/cjes.v17i9.7739.

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Ceramics may be considered one of the most important and oldest inventions that give information about the history of humanity. Dating back to 8000 BC, ceramic has been used in many areas of daily life, such as kitchenware, sanitary ware, space technology, weapon industry and artistic production. In this context, the use of ceramics as an industrial material has resulted in the ceramic industry which requires education as an indispensable field. This study aims to determine the deficiencies and potential corrections for these deficiencies from the views of the employees who currently work in t
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Liu, Jing, and Shun Rao. "Unveiling the Story of Chinese Ceramics: Ideological and Political Education Reform and Exploration in the Course of History of Chinese and Foreign Ceramics." Frontiers in Humanities and Social Sciences 4, no. 5 (2024): 193–99. http://dx.doi.org/10.54691/qg079278.

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In order to implement the fundamental task of ideological and political education in the course of cultivating virtue and shaping people, and leading values, this paper focuses on "Unveiling the Story of Chinese Ceramics" to clarify the inevitability and necessity of teaching the history of Chinese and foreign ceramics, and to design the ideological and political education content of the course "History of Chinese and Foreign Ceramics". Based on the key points of teaching and the practice of Chinese and foreign ceramics, we systematically search for the "story of China" in the history of Chine
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Nortey, Samuel. "The cutting edge in Ghanaian contemporary ceramics." International Journal of Education Through Art 19, no. 3 (2023): 305–27. http://dx.doi.org/10.1386/eta_00137_1.

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This article discusses Ghanaian ceramic art and the critical interventions that are driving an emerging contemporary ceramic practice. Over the last decade (2011–22), Ghanaian ceramic art appears to have had a stagnant traditional practice and has struggled to be seen, heard and valued within local and global contemporary art discourse. Reviews and reforms of art education in college and tertiary curriculum have provided critical interventions to address this situation. Discussing the works of Japheth Asiedu-Kwarteng, Eugene Ofori Agyei, Frederick Ebenezer Okai, Alex Awuku and other artists, t
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Nortey, Samuel. "Critical interventions in emerging Ghanaian contemporary ceramic practice." Journal of African Art Education 3, no. 1 (2023): 51–77. http://dx.doi.org/10.59739/jaae.v3i1.062303.

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This article discusses Ghanaian ceramic art and the critical interventions that are driving an emerging contemporary ceramic practice. Ghanaian ceramic art, until a decade ago (from 2011), have had a stagnant traditional practice and has struggled to be seen, heard and valued within local and global contemporary art discourse. Reviews and reforms of art education have provided critical interventions to addressing this issue. Discussing the works of Japheth Asiedu-Kwarteng, Eugene Ofori Agyei, Frederick Ebenezer Okai, Alex Awuku and a few other Ghanaian traditional artists, we reveal how these
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Haniful Furqon and Angga Elpatsa. "Penerapan Motif Minangkabau sebagai Elemen Dekoratif pada Keramik Hias dengan Teknik Wax Resist." Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi 1, no. 3 (2024): 150–65. http://dx.doi.org/10.62383/imajinasi.v1i3.304.

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The development of ceramic craft in West Sumatra reveals significant potential for productive economic sectors due to the abundance of clay. This study focuses on applying Minangkabau motifs as decorative elements on ornamental ceramics using the wax resist technique. The aim is to integrate traditional Minangkabau designs into ceramics, introduce a new decorative technique, and preserve local culture through craftsmanship. The method employed includes five stages of the art consortium: preparation, elaboration, synthesis, realization of the concept, and completion. The result is seven ceramic
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ŠTUBŇA, Igor, Anton TRNÍK, and Ľubomíra VALOVIČOVÁ. "TRADITIONAL CERAMICS IN TECHNOLOGY EDUCATION." Journal of Technology and Information 2, no. 1 (2010): 92–94. http://dx.doi.org/10.5507/jtie.2010.019.

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Eom, Seung Hui. "The Establishment Process and Characteristics of Modern Ceramic by the Japanese residents in Korea in the Second Half of the Japanese Colonial Period." Institute of Art & Design Research 27, no. 2 (2024): 43–54. https://doi.org/10.59386/jadr.2024.27.2.43.

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This thesis is focused on analyzing the process of the transformation of a new ceramic craft industry in the second half of the Japanese colonial period, which established the foundation of the creative genre, and the process of the growth of a ceramic artist along the lines of that extension. Through this process, the conditions and activities for the expression of modernity in various fields of ceramic art were guaranteed, which ultimately meant the establishment of modern ceramics. Nevertheless, the process of establishing modern ceramics is evaluated as a political implication that has gro
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Symonenko, R. "The repair of chipped ceramics with the direct adhesive technique of self-adhesive system for fixing on a composite basis BIFIX SE (VOCO, Germany). The clinical case." SUCHASNA STOMATOLOHIYA 108, no. 4 (2021): 41–45. http://dx.doi.org/10.33295/1992-576x-2021-4-41.

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Summary. The single chips of ceramic structures remain a big problem for both the patient and for the doctor, especially in the frontal area, when for some objective reason, they cannot immediately change the construction. The work is justified by the choice of materials and the method of direct restoration of a single defect is described on a zirconium basis using the BIFIX SE self-adhesive system and the Futurabond U universal adhesive (VOCO, Germany). The repair of chipped ceramics is a real necessity. And the durability of restorations directly depends on the compliance with adhesive work
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Tendean, Miranda Nikki Mariana, Christophil Medellu, and Jeane Tumangkeng. "PROSES HOTL DALAM MENGEKSPLORASI KONSEP DAN PROSES TENTANG PEMBUATAN KERAMIK." Charm Sains: Jurnal Pendidikan Fisika 2, no. 1 (2021): 21–27. http://dx.doi.org/10.53682/charmsains.v2i1.74.

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This study describes the results of exploratory learning about local wisdom, namely making ceramics. The purpose of this study was to 1) find out the concepts and physics processes in the manufacture of ceramics 2) to know the learning process of higher order thinking in exploring the physics concepts in the ceramic making process. The main activity of this research is to explore the scientific concepts and processes of ceramic making, using the Type B Higher Order Thinking Learning in Democratic Interaction (HOTL-DI) model. This research begins with conducting observations at the ceramics-mak
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Carp, Mariana. "MODELING COMPETENCE AND MODELING METHODS IN ARTISTIC CERAMICS." Studiul artelor şi culturologie: istorie, teorie, practică, no. 1(42) (September 2022): 124–28. http://dx.doi.org/10.55383/amtap.2022.1.22.

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The whole educational system is gradualy reoriented towards the paradigm oriented towards practical activity, and the desired qualities of the student are represented in the form of competences. In artistic higher education, the main purpose of the subjects within the course Artistic Ceramics is to form the student’s modeling and artistic-technological skills and competences. In the process of artistic creation, for the creation of artistic ceramics, an important objective is being achieved, which provides for the training of students in creative, artistic and pedagogical self-organization of
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14

Aktas, Sibel. "Ceramics and autism in arts education." Journal of Education and Sociology 4, no. 2 (2013): 62–67. http://dx.doi.org/10.7813/jes.2013/4-2/9.

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15

Wang, Zhuoxuan, Puvasa Ruangchewin, and Poradee Panthupakorn. "The Study of Zodiac Culture on the Development and Management of Cultural Brands in Jingdezhen Ceramics." International Journal of Sociologies and Anthropologies Science Reviews 4, no. 5 (2024): 61–74. http://dx.doi.org/10.60027/ijsasr.2024.4532.

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Background and Aim: Based on the Chinese zodiac culture, this paper explores the brand management of contemporary zodiac ceramics in Jingdezhen. The zodiac culture is one of the most widespread traditional cultures in China, intimately related to every Chinese individual and permeating various fields of Chinese cultural and artistic expression. Regardless of the occasion or form of expression, zodiac patterns exhibit distinct local characteristics and artistic styles. The zodiac accompanies individuals throughout their lives, serving as a symbol used for age counting while also imbuing auspici
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Ramasesha, Sheela. "Science and technology of ceramics." Resonance 4, no. 12 (1999): 21–30. http://dx.doi.org/10.1007/bf02838671.

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Ramasesha, Sheela K. "Science and technology of ceramics." Resonance 5, no. 2 (2000): 4–11. http://dx.doi.org/10.1007/bf02838816.

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Ramasesha, Sheela K. "Science and technology of ceramics." Resonance 4, no. 8 (1999): 16–24. http://dx.doi.org/10.1007/bf02837065.

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Zelenskaia, Lilia Vitalievna. "Peculiarities of the creative method of the Portuguese ceramic artist Jorge Colaço in the Decoration of São Bento Train Station (1905-1916)." Pan-Art 5, no. 2 (2025): 259–64. https://doi.org/10.30853/pa20250029.

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The aim of this research is to identify the uniqueness of the creative method of the Portuguese ceramic artist Jorge Colaço and his influence on the renovation of architectural decoration with figurative tile panels (azulejos) at the beginning of the 20th century. The article examines the artist's creative biography and the historical-cultural context of the early 20th century, which conditioned the demand for the decoration of public spaces with architectural ceramics. The scientific novelty of the research lies in the analysis of Colaço's role in renewing the artistic language of azulejos, a
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Kashim, Isah Bolaji, and Oluwafemi Samuel Adelabu. "Ceramics art education and contemporary challenges in Nigeria." Arts and Humanities in Higher Education 12, no. 2-3 (2013): 299–309. http://dx.doi.org/10.1177/1474022212469786.

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Souza de Carvalho, Yasmin, Elizeu Moraes da Silva, Fabiana Rocha Pinto, David Barbosa de Alencar, and Igor Felipe Oliveira Bezerra. "Piezoeletricity as an Alternative Source of Electric Power Generation in an Education Institution in the Amazon." International Journal for Innovation Education and Research 7, no. 11 (2019): 467–74. http://dx.doi.org/10.31686/ijier.vol7.iss11.1900.

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The development of technologies for the generation of clean and sustainable energy has brought significant changes to the energy sector in Brazil and worldwide. The newest technology is piezoelectricity, which although it has been studied for years, has not yet gained its proper space in the national and international electrical matrices. With this in mind, the present work aims to describe the process of installing a prototype carpet using piezoelectric ceramics that, through a force applied by any individual, is capable of generating enough energy for the operation of a turnstile in a HEI fr
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Santika, I. Wayan Agus Arya Santika, Ni Made Rai Sunarini, and I. Made Mertanadi. "Pengembangan Motif Dekorasi Pada Benda Keramik Fungsional Di BTIKK BPPT Bali." HASTAGINA: JURNAL KRIYA DAN INDUSTRI KREATIF 2, no. 02 (2022): 14–25. http://dx.doi.org/10.59997/hastagina.v2i02.1023.

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Internship activity is a process for students to develop the knowledge they have or get in college and add knowledge in a job or project that is worked on by a company or craftsman. And still related to the field.
 The reason for choosing BTIKK BPPT Bali as an internship place is because this institution is engaged in ceramics and is still related to the education that the author took in lectures, namely in the field of ceramics, besides that the author wants to add new insights or new knowledge about the world of ceramics and also wants to develop skills which are owned. Another reason i
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Jabor mahmoud, Rasool, and Ali Hussein Alwan. "Intellectual And Artistic Concepts of The Cultural Context And Their Impact On Contemporary Ceramic Sculpture." Al-Academy, no. 107 (March 15, 2023): 217–34. http://dx.doi.org/10.35560/jcofarts107/217-234.

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The current specialized research tagged (intellectual and artistic concepts of the cultural context and their impact on contemporary ceramic sculpture) paves the way for the emergence of the context in ceramics active in life, so that this relationship will indicate the development and presence of ceramics or not and the volume of its circulation in the joints of the culture of the Arab recipient. As a result, the researcher collected scientific materials to serve the subject of the research in four chapters: Chapter One (General Methodological Framework) To clarify the problem of the research
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Güner, Güngör. "Installation or Conceptual Art Project with the Ceramics Phenomenon, but How and when?" European Journal of Engineering and Formal Sciences 1, no. 1 (2017): 38. http://dx.doi.org/10.26417/ejef.v1i1.p38-49.

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With its formation, going back to thousands of years ago, ceramic is a material fact that the human beings obtain from earth for their emergency needs at first and by time for their different rituals and artistic requirements. Whether it is primitive or developed, ceramic formation requires energy and technology. And once ceramic is obtained, it resists time for thousands of years. Therefore, we have to be very selective when making ceramics. As ceramic artists, we always feel the breath of the tradition of thousands of years on our necks even if we want or not. Contemporary art trends show up
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Abdrakhimov, V. Z., and E. S. Abdrakhimova. "The Influence of Oil Sludge on the Technical Characteristics and Phase Composition of Lightweight Bricks Based on Substandard Clay." Oil and Gas Technologies 149, no. 6 (2023): 24–28. http://dx.doi.org/10.32935/1815-2600-2023-149-6-24-28.

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On the basis of substandard beidellite clay and oil sludge, a lightweight brick with high technical indicators was obtained. It is advisable to use oil sludge as a thinning agent and a burnout additive. The addition of an optimal amount of oil sludge (30%) to the ceramic mass makes it possible to obtain a lightweight brick of the M100 brand. Underthe optimal content of oil sludge in this work, such an amount is taken, at which the number of plasticity of the ceramic mass (charge) decreases from 18 to 10, since with a smaller number of plasticity of the charge, cracks appearon the products duri
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Novotná, Silvie. "Artists/Ceramists in the Role of University Teachers." Center for Educational Policy Studies Journal 10, no. 4 (2020): 117–42. http://dx.doi.org/10.26529/cepsj.939.

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The teaching of ceramics is a topic that has been much discussed in pedagogical discourse throughout the entire second half of the twentieth century and until today. The present study deals with the topic of third-level education in the field of ceramics at Palacký University Olomouc, Czech Republic. The incorporation of ceramics into the education of future art teachers in Olomouc was not always a matter of course as it is today. It underwent many changes during the second half of the twentieth century. Several personalities played an important role in the process of the gradual consolidation
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Yu, Xuelian, and Yajun Zhang. "Research on the Application of Internet of Things and VR Technology in the Protection and Development of Shouzhou Kiln." Wireless Communications and Mobile Computing 2021 (November 18, 2021): 1–9. http://dx.doi.org/10.1155/2021/2352988.

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The Internet of things (IoT) has changed the information transmission mode of people, things, and services. The new functional experience will bring users an efficient, convenient, and safe lifestyle. Virtual reality (VR) technology, also known as spiritual environment technology, is a new stage of the development of computer and information technology. It is an important auxiliary tool in the fields of R & D, production, education, and so on. As one of the six most famous kilns in the Tang Dynasty (618–907 BC), Shouzhou kiln plays an important role in the history of ceramics in China and
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Okonkwo, IE. "Students’ Perception of Ceramics Education in Nigeria Tertiary Institutions." African Research Review 8, no. 2 (2014): 217. http://dx.doi.org/10.4314/afrrev.v8i2.13.

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Olvera, Mauricio, Marla Berenice Hernández Hernández, Sergio Garcia Villarreal, et al. "Inhibition grain growth and electrical properties by adding In2O3 to SnO2-Co3O4-Ta2O5 ceramics." Revista Mexicana de Física 65, no. 1 (2018): 25. http://dx.doi.org/10.31349/revmexfis.65.25.

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In this contribution the effect of In2O3 additions on the microstructure, physical, and electrical properties of the SnO2-Co3O4-Ta2O5 ceramic system was investigated. Since the effect of In2O3 has been studied typically at low levels, special attention has been paid to the effect of high levels (1 and 2 mol % In2O3) in the ceramics. Results show that up to 0.1 mol % In2O3, an increase of indium oxide content is correlated with grain size reduction and an increase of the nonlinearity coefficient (a) and breakdown voltage (EB), producing an augmentation by a factor of 2 in the nonlinearity coeff
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Vasilyeva, Irina N., Anatoly V. Somov, Daria I. Vasilieva, and Margarita N. Baranova. "Multidisciplinary approach to the study of Neolithic pottery technology (based on the materials of the Luzhki II site)." Samara Journal of Science 12, no. 3 (2023): 139–52. http://dx.doi.org/10.55355/snv2023123202.

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The excavations of a new Neolithic site in the Samara Volga region, conducted by archaeologists of Samara State University of Social Sciences and Education in 2020–2023, yielded numerous ceramic materials, a comprehensive analysis of which is currently being conducted. The results of the technical and technological analysis of ceramics according to the method of A.A. Bobrinsky and the specifics of the geographical location of the Luzhki II site led to the appeal to more detailed methods of study. In addition to archaeological (morphological grouping of vessels, typology, technical and technolo
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Annie, Lungu, Phiri Anna, and Chansa Thelma Chanda. "Investigating Factors Affecting the Teaching of Throwing Method in Ceramics under Art and Design: A Case of Selected Secondary Schools in Mufulira District of Copperbelt Province, Zambia." International Journal of Novel Research in Education and Learning 12, no. 3 (2025): 79–90. https://doi.org/10.5281/zenodo.15553902.

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<strong>Abstract:</strong> This study investigated factors influencing the teaching of the throwing method in ceramics among secondary school learners in Mufulira District, Copperbelt Province, Zambia. The objectives were to assess teacher expertise, examine resource availability, explore the impact of attitudes on learning outcomes, and suggest strategies for improvement. A mixed methods approach was used, involving 105 participants and data collected via questionnaires and interviews. The quantitative data obtained were analyzed using software such as SPSS whereas the qualitative date were a
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Mikkola, D. E. "The Importance of Accreditation in Materials Education." MRS Bulletin 12, no. 4 (1987): 43–46. http://dx.doi.org/10.1557/s0883769400067798.

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The strength, vitality, and development of the materials professions are determined largely by the quality of education of their new members. While this truism applies to any profession, it is critically important that it be recognized in a rapidly changing and evolving area such as the materials field, which includes activities in materials engineering, ceramic engineering, polymer engineering, and metallurgical engineering. The recent development of tools and techniques that allow relating details of atomic and electronic structure to material properties, the discovery of new classes of mate
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Chin, G. Y. "Views on an Electronic Materials Education." MRS Bulletin 12, no. 4 (1987): 47–48. http://dx.doi.org/10.1557/s0883769400067804.

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Electronic materials constitutes a sub-field of materials. Therefore the issues raised concerning an electronic materials education must necessarily be viewed in the broader context of a comprehensive materials education. Yet electronic materials do differ from other subfields in several ways.First, unlike the traditional metals, ceramics and polymers, which are defined primarily by chemical composition, electronic materials are defined by functions, i.e., they are used in devices that provide electronic functions. As such, electronic materials encompass metals, ceramics, and polymers as well
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Calvo, Eva. "La cerámica desaparecida de Carlos V e Isabel de Portugal. Un estudio de sus piezas a través de los inventarios reales." Norba. Revista de Arte, no. 43 (January 11, 2024): 213–31. http://dx.doi.org/10.17398/2660-714x.43.213.

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This study focuses on the investigation of the earthenware and porcelain that Emperor Charles V and Empress Isabella of Portugal gathered in their respective private collections and that has not been preserved over time. Our main objective will be to show the value of the emperors' ceramic heritage and to contribute to the study of 16th century Spanish court ceramics. To achieve this, we will carry out an exhaustive analysis of the royal inventories and, through the results obtained, we will reveal the appreciation and interest that Charles V and Isabella of Portugal had for our object of stud
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Lee, Yun-Chi, and Tii-Jyh Tsay. "From Eastern Philosophy to Craft and Innovative Education: A Study on Practical Implementation." Heritage 8, no. 4 (2025): 135. https://doi.org/10.3390/heritage8040135.

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This study explores the application of Eastern philosophy in craft innovation education, identifying opportunities for interdisciplinary learning. Drawing on the I Ching and Laozi’s thought, it examines human needs in craft across three dimensions: Qi-form (material), Xin-form (psychological), and Dao-form (philosophical). Taiji theory’s Yin–Yang balance highlights the importance of interdisciplinary thinking in craft innovation. This study introduces the “Spiral Innovation Theory” as a framework for craft education, implemented in the 2024 Taiwan Craft Academy Summer Program with 43 participa
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Chernova, Anna Viktorovna, Elena Aleksandrovna Vasileva, and Natalia Aleksandrovna Fedorovskaya. "Masters of decorative and applied art of the Spassky Factory of artistic ceramics in search of a unique style." Культура и искусство, no. 6 (June 2023): 77–88. http://dx.doi.org/10.7256/2454-0625.2023.6.38189.

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The significance and artistic results of the Far Eastern ceramic productions launched in the second half of the XX century and liquidated at the beginning of the XXI century, as well as the creativity of the masters and artists who worked for them, are currently insufficiently studied In the Primorsky Territory, this is largely due to the general decline of the industry, the complexity of collecting primary information, the lack of reliable data, the problem of attribution of products etc. The subject of the study is the activity of master artists who worked at the art ceramics factory in the
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SKVORTSOV, Arkadiy A., Mikhail N. LUKYANOV, and Anna A. SKVORTSOVA. "THE FEATURES OF DEFORMATION AND DESTRUCTION OF POROUS DIATOMITEBASED CERAMICS." Periódico Tchê Química 17, no. 34 (2020): 925–32. http://dx.doi.org/10.52571/ptq.v17.n34.2020.949_p34_pgs_925_932.pdf.

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The experimental and theoretical investigations of mechanical properties of porous materials are one of the priority areas of development of condensed matter physics. Diatomite ceramics can serve as a raw material for structural heat and sound insulating materials and additives to some types of cement, as a polisher for metals and marble. Diatomite-based ceramics are also used for thermal insulation in aluminum production. The foamdiatomite ceramics is a promising porous material. But the properties of diatomite ceramics are not well studied, which determines the relevance of the study. The ma
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Chernova, Anna Viktorovna. "Ceramic art of Russian Primorye." Культура и искусство, no. 3 (March 2020): 70–82. http://dx.doi.org/10.7256/2454-0625.2020.3.30669.

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The goal of this work is determination of the development stages of ceramic art in Russian Primorye, as well as their specificity. It is established that the history of ceramic art of this region alongside its current stage are insufficiently studied. The evolution of ceramic art of Primorye is viewed in the context of its manufacture and production. The author examines the role of the three major factories &amp;ndash; Vladivostok Porcelain Factory, Artemovsk Porcelain Factory, and Spassky Plant in development of ceramic art of Russian Primorye. The &amp;nbsp;two main development stages of cer
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Wurlitzer, M., and H. Boerner. "An experiment with superconducting ceramics." Physics Education 27, no. 1 (1992): 45–47. http://dx.doi.org/10.1088/0031-9120/27/1/013.

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James, Nuako Jerry, Isaac Kwabena Agyei, Peggy Ama Fening, Adu-Agyem Joe, and Kofi Adjei. "THE IMPACT OF EDUCATIONAL STAKEHOLDERS' ATTITUDES ON STUDENTS' ACADEMIC AND CAREER INTERESTS IN CERAMICS WITHIN THE KUMASI METROPOLIS, GHANA." JADECS (Journal of Art, Design, Art Education & Cultural Studies) 9, no. 1 (2024): 1. http://dx.doi.org/10.17977/um037v9i12024p1-11.

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Educational programmes whether vocational or not have the potential to shape students to be able to give back to their societies. Unfortunately, some attitudes of players of education can affect students so much to dampen their self-efficacy and interest in Ceramics education. This study investigated some educational stakeholders' and their attitudes that can possibly have negative impact on students' academic and career interest in Ceramics within the Kumasi Metropolis, Ghana. Three schools offering Ceramics in the metropolis were purposively selected. They consisted of one mixed-gender, one
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Paliwal, Anju, and Dr Giriraj Sharma. "WOMEN ARTISTS IN CONTEMPORARY INDIAN CERAMICS." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 377–88. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.120.

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Indian has a rich heritage of terracotta art. The history of terracotta/clay goes back to the Harappan Civilization. It is one of the oldest mediums of communication between people, whether for the barter system or as a medium of expression for the artists. ‘Pot’ in the Indian language is called a KUMBH and a person who makes it is called a KUMBHKAR. A different name of potter came to be known as 'Prajapati' creator of toys that came from Brahma who made man of clay. In traditional potter’s families, women were not allowed to work on the wheel. Women help in preparing the clay, making figures,
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Loftus, James Frances. "Reexamining Ceramic Standardization During Agricultural Transition: A Geometric Morphometric Investigation of Initial – Early Yayoi Earthenware, Japan." Open Archaeology 8, no. 1 (2022): 1249–68. http://dx.doi.org/10.1515/opar-2022-0273.

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Abstract The quantifiable and reproducible representation of variability in material culture has continued to play a key role in the elucidation of shifting patterns of production organization in prehistoric archaeology. The study of standardization of ceramics has traditionally illuminated on how agents shift means of production to a common goal. However, while geometric morphometric (GMM) approaches to standardization quantification overcome issues of reproducibility faced in traditional literature, the lack of widespread radiocarbon dating in Japan requires adherence to traditional methods
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Tupamahu, Maria Katje, Kevin Hermanto Tupamahu, Rose Amnah Abd Rauf, and Romi Mesra. "The Existence and Education of Ceramic Craftsmen Society of Polutan Village in the 4.0 Industrial Revolution Era." IJECA (International Journal of Education and Curriculum Application) 5, no. 3 (2022): 262. http://dx.doi.org/10.31764/ijeca.v5i3.11067.

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This research is different from previous research where this research specifically wants to describe and reveal what the existence of the ceramic craftsman community is like, which incidentally is still a lot of people who use traditional methods in a modern era and its relationship with the level of education of the community where the people can get jobs from all age. The research method used in this study is a qualitative research method in which researchers seek data in the form of explanations from informants and other relevant data sources. The data collection method in this study used u
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Balanzà, Ricard. "Una experiencia artística con tierra, barro y cerámica." eari. educación artística. revista de investigación, no. 11 (December 19, 2020): 25. http://dx.doi.org/10.7203/eari.11.16904.

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Resumen: ¿Qué es la cerámica? ¿Qué nos enseña de nosotros? ¿Está presente en nuestro entorno próximo y lo dota de identidad? ¿Qué de interés nos puede ofrecer en el ámbito educativo de primaria? ¿Qué campos de la expresión artística puede favorecer? Son algunas de las preguntas y reflexiones planteadas que motivan este ejercicio y tratamos de averiguar.&#x0D; Los alumnos de tercero de Magisterio realizan dos piezas cerámicas utilitarias de distinto método de conformación y acabado, reflexionando sobre la educación artística, la creación y los procesos propios de la cerámica. &#x0D; Para elabor
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Kotova, Nadezhda, Olha Demchenko, and Dmytro Kiosak. "Innovations of the Beginning of the Sixth Millennium BC in the Northern Pontic Steppe." Open Archaeology 7, no. 1 (2021): 1529–49. http://dx.doi.org/10.1515/opar-2020-0185.

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Abstract This study focuses on the pottery-bearing (“Neolithic”) sites of the northern Azov Sea region. The vessels ornamented with comb imprints appeared there in the sixth millennium BC. In the light of a recent re-dating of the Rakushechny Yar site sequence, the sites of the northern Azov region appeared to be the earliest evidence for this innovation. The innovation in the ceramic assemblage is accompanied by an innovative lithic tool set. The latter included macro-blades and fan-shaped end-scrapers, which were previously unknown in the studied region. Their reanalysis (including new field
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Opara, M. C., Collins Ogieva Izogie, and Michael Chidozie Chidube. "Fabrication of A Manual (Treadle) Potter's Wheel for Students' Ceramics Productions." International Journal of Research 12, no. 3 (2025): 539–54. https://doi.org/10.5281/zenodo.15140095.

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<em>Pottery is a versatile art form that has been practiced for centuries, requiring essential tools such as the potter's wheel for shaping clay. In the context of Fine and Applied Arts education, hands-on experience with traditional craft techniques like pottery can enrich students' learning and creative development. This study focuses on the fabrication of a manual potter's wheel specifically for students at Federal College of Education, Technical Asaba, aiming to provide them with a practical tool for ceramics production.&nbsp;&nbsp; The Department of Fine and Applied Arts at Federal Colleg
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Gallina Menta, Andréa, Raísse Da Oliveira Bueno Soares, Bruno Emmanuelli, Camila Rodrigues, and Liliana Gressler May. "Dentists’ Attitudes towards the Dental Ceramic Choice for Metal-Free Restorations: a Questionnaire Survey." Journal of Health Sciences 23, no. 2 (2021): 99–105. http://dx.doi.org/10.17921/2447-8938.2021v23n2p99-105.

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AbstractA wide variety of dental ceramics is launched every year. Therefore, clinicians should constantly study and update themselves to correctly indicate these materials. This cross-sectional study aimed to assess the association of dentists’ academic aspects with their knowledge and the indication of dental ceramics for metal-free restorations. All the dentists from private clinics who affirmed to perform prosthetic treatments on their patients in a Southern Brazilian city were personally invited to this research to avoid dropouts. Participants answered questions related to their knowledge
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Abdelnabi, Ahmed G., and Cherif A. Mohsen. "Influence of nanosilica coating on the color and the microleakage of zirconia ceramics." International journal of health sciences 6, S1 (2022): 1773–84. http://dx.doi.org/10.53730/ijhs.v6ns1.4939.

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Objective The purpose of this study was to assess the effect of Nano-silica Coating on the Color and the Microleakage of Zirconia Ceramics. Materials and methods: Eighty-five specimens of commercially available Yttrium-stabilized-zirconia ceramics were constructed and divided into forty-five discs (8 mm in diameter) with thickness (1.2mm) They were divided into three groups (thermocycling – nano-silica surface treatment – and thermocycling with nano-silica surface treatment) to assess the color parameters, while the other forty samples were divided into ( control group – thermocycling – nano-s
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Umoh, John. "Bridging the Lacuna Between Concept and Modeling in Ceramic Practice." International Journal of Strategic Research in Education, Technology and Humanities 10, no. 2 (2022): 123–35. http://dx.doi.org/10.48028/iiprds/ijsreth.v10.i2.11.

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Ceramics, burnt stuff is the use of clay with or without other substances and rendered permanently rocklike, dense, and vitreous by heat treatment. From its birth, the traditional potters like their counterparts in other art and craft areas produced their wares from concept to the modeling without drawing or sketching. In the hand building technique of ceramics which involves pinching, coiling and slab methods, practiced by every ceramist, even those that have gone through the formal education system still produce wares without drawing which remains, the initial documentation of ideas, thought
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Ghofari, Muhammad Sholahudin Al, and Trie Hartiti Retnowati. "PENGARUH PENGGUNAAN MULTIMEDIA PEMBELAJARAN TERHADAP KREATIVITAS DESAIN PRODUK KERAMIK MAHASISWA PENDIDIKAN SENI KERAJINAN UNY." Jurnal Inovasi Teknologi Pendidikan 2, no. 1 (2015): 83–93. http://dx.doi.org/10.21831/tp.v2i1.5206.

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Penelitian ini bertujuan untuk mengungkap perbedaan tingkat kreativitas desain produk kerajinan keramik, antara mahasiswa yang menggunakan program multimedia pembelajaran dan mahasiswa yang menggunakan program slide. Penelitian ini merupakan penelitian eksperimen semu dengan variabel terikat kreativitas desain produk kerajinan keramik mahasiswa Program Studi Pendidikan Seni Kerajinan Universitas Negeri Yogyakar-ta (UNY) dan variabel bebasnya adalah program multimedia pembelajaran dan program slide. Desain penelitian ini menggunakan desain eksperimen semu (quasi experimental design). Subjek pen
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