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Journal articles on the topic 'Certeau, Michel de Criticism and interpretation'

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Published: 4 June 2021

Last updated: 28 January 2023

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1

Gudridge, Patrick O., and Jeremy Ahearne. "Michel de Certeau: Interpretation and Its Other." Contemporary Sociology 26, no. 2 (March 1997): 251. http://dx.doi.org/10.2307/2076820.

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Schalk, David L., and Jeremy Ahearne. "Michel de Certeau: Interpretation and Its Other." American Historical Review 102, no. 5 (December 1997): 1455. http://dx.doi.org/10.2307/2171089.

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Rovea, Federico. "Education and Alteration. Notes on Personalism, Alterity and Education in Dialogue with Michel de Certeau." Paedagogia Christiana 47, no. 1 (August 16, 2021): 119–39. http://dx.doi.org/10.12775/pch.2021.006.

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This article tries to elaborate some insights from Michel de Certeau’s works on personalism, alterity and education. The aim is to add a poorly known voice to the contemporary debate around pedagogy and personalism. De Certeau’s original account of personhood, based on the movement of ‘alteration’ rather than on ‘identity’, is presented as original and useful to enrich the contemporary educational debate. The article firstly analyzes two texts where Certeau deals specifically with the role of alterity in educational contexts. The uncanny and ungraspable movement of ‘alteration’ will be shown a

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Vavilov, A. V., and N. S. Sidorenko. "HEGELIANISM UNDER THE NIETZSCHEANISM’S MASK: THE SPECULATIVE INTERPRETATION OF THE FOUCAULT’S “HISTORY OF MADNESS”." Scientific bulletin of the Southern Institute of Management 1, no. 1 (March 30, 2016): 83–87. http://dx.doi.org/10.31775/2305-3100-2016-1-83-87.

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The article represents attempt of speculative reading of the first large work of the French philosopher Michel Foucault “Madness history during a classical era". Authors suggest to look at Foucault’s concept from the point of view of criticism of classical rationality. The consciousness is considered through a prism of a perspective of transformation of reason by Hegel.

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Sidorenko, N. S., and A. V. Vavilov. "HEGELIANISM UNDER THE NIETZSCHEANISM’S MASK: THE SPECULATIVE INTERPRETATION OF THE FOUCAULT’S “HISTORY OF MADNESS”." Scientific bulletin of the Southern Institute of Management, no. 2 (June 30, 2016): 69–73. http://dx.doi.org/10.31775/2305-3100-2016-2-69-73.

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The article represents attempt of speculative reading of the first large work of the French philosopher Michel Foucault “Madness history during a classical era". Authors suggest to look at Foucault’s concept from the point of view of criticism of classical rationality. The consciousness is considered through a prism of a perspective of transformation of reason by Hegel.

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Ollenburger, Ben. "Discoursing Old Testament Theology." Biblical Interpretation 11, no. 3 (2003): 617–28. http://dx.doi.org/10.1163/156851503322566976.

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AbstractStephen Fowl has argued that biblical (so Old Testament) theology is too beholden to academic biblical studies, and too far removed from settings in particular communities of faith, to nurture theological interpretation of scripture. Philip Davies has argued that Old Testament theology is inevitably (Christian) confessional and has no place in academic biblical studies, which should practice a self-consciously non-confessional and only "etic" discourse. Traversing Davies's argument and his use of "discourse," this essay makes brief and unassuming reference to Pierre Bourdieu and Michel

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Desmazières, Agnès. "Psychology against Medicine ? Mysticism in the Light of Scientific Apologetics." Revue belge de philologie et d'histoire 88, no. 4 (2010): 1191–212. http://dx.doi.org/10.3406/rbph.2010.9587.

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The foundation, in 1884, of the Bureau des constatations médicales, responsible of the medical authentification of the miraculous healings in Lourdes, signals the start of a “ medicalization of the miracle”. The Catholic physicians establish their competence in the discrimination of “ true” and “ false” mysticism and value a medical apologetic aimed at responding to the rationalistic critics. However, since the 1920s, their authory has been challenged by Catholic psychologists, led by the Italian Franciscan Agostino Gemelli, future president of the Pontifical Academy of Sciences, who marks him

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Sokołowski, Łukasz. "Serial jako element praktyk społecznych." Kultura i Społeczeństwo 55, no. 2-3 (May 10, 2011): 187–208. http://dx.doi.org/10.35757/kis.2011.55.2-3.10.

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The purpose of the article is to show how the TV-series — one of the most importantforms of television production — is incorporated into the daily routines of the spec-tators. Michel de Certeau perspective of applied sociology of everyday life and criticalreflection on everyday life is used as a theoretical framework. In the case of TV-series,the routines can take a form of: (1) “logging in” and “reading”” TV-series, (2) movementand sociability routines, and (3) discursive development of received meanings. “Soapopera experience” consists mainly of linguistic practices cultivated while watching

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Vasileva, Olga A. "Michel Butor’s “Improvisations sur Rimbaud”: interpretation of the poet’s works and language." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2021): 44–49. http://dx.doi.org/10.20339/phs.1-21.044.

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This article discusses one relatively unknown aspect of the French writer and philosopher, Michel Butor’s works — his literary criticism through the example of “Improvisations sur Rimbaud”. Poet’s works are investigated by Butor unattainable apart from the stages of his life, and the most significant poems — in the context of the epistolary heritage of Rimbaud. Most attention is paid to the chapter “Improvisations”, dedicated to the collection of Rimbaud’s “Illuminations”: to the development of the theme of the city and its transformation, the role of structural rhyme and reprise at the beginn

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Wartenberg, Thomas. "Film as Argument." Film Studies 8, no. 1 (2006): 126–37. http://dx.doi.org/10.7227/fs.8.13.

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Film theorists and philosophers have both contended that narrative fiction films cannot present philosophical arguments. After canvassing a range of objections to this claim, this article defends the view that films are able to present philosophical thought experiments that can function as enthymemic arguments. An interpretation of Michel Gondry‘s Eternal Sunshine of the Spotless Mind (2004) is given in which the films criticism of the technology of memory erasure is just such a thought experiment, one that functions as a counter-example to utilitarianism as a theory for the justification of s

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Jacobs, Andrew S. ""Solomon's Salacious Song": Foucault's Author Function and the Early Christian Interpretation of the Canticum Canticorum." Medieval Encounters 4, no. 1 (1998): 1–23. http://dx.doi.org/10.1163/157006798x00016.

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AbstractThe transformation of the erotic Song of Songs into a mystical tract on the soul's love for Christ was surely one of the great exegetical feats of late ancient Christianity. Recent work on the politics of meaning leads us to interrogate more closely the processes by which early Christian exegetes achieved that feat, and how their interpretations encoded and produced particular forms of socially mediated power and knowledge. Michel Foucault has proposed for modern literary criticism the interpretive mode of the "author function," by which literary critics can domesticate or reject a tex

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Berger, Arthur Asa. "All Ads Are Narratives." Media Biznes Kultura, no. 2 (13) (December 21, 2022): 43–54. http://dx.doi.org/10.4467/25442554.mbk.22.014.17100.

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This inquiry starts with a quotation from Michel de Certeau about the amount of time people spend with narratives. We proceed to demonstrate that narratives in advertisements have a syntagmatic or sequential structure and move from one event to another over time. In addition, people watching these narratives perform paradigmatic interpretations of the characters and events in these narratives. Demonstrating the importance of narratives in people’s lives, the article suggests that some print advertisements can have a narrative element to them. The discussion engages in demonstrating possible me

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Aghajanian, Arthur. "The Readymade as Social Exchange: Everyday Tactics of Resistance in Conceptual Art." Religions 13, no. 11 (November 9, 2022): 1078. http://dx.doi.org/10.3390/rel13111078.

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Ever since Marcel Duchamp introduced the readymade, the mass-produced object has played a key role in modern and contemporary art. As commodity culture became increasingly dominant in the decades following the second world war, artists turned to the readymade in the context of two movements that continue to be influential for the art of today: Pop art and Conceptual art. In the work of many contemporary artists, we have witnessed the tendency—inspired by Pop art’s engagement with consumer culture, to heighten the fetishistic nature of the commodity image. Conversely, many artists, influenced b

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Greiff, Tobias. "Space, Place, & Symbol: Utilizing central places to understand intergroup conflict dynamics." Narrative and Conflict: Explorations in Theory and Practice 2, no. 1 (April 26, 2015): 34. http://dx.doi.org/10.13021/g8sg6v.

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This article will present a new way of capturing highly dynamic intergroup differentiation processes through applying a spatial perspective. Drawing from my experiences collected during several field research visits to Bosnia aimed at assessing Post-Dayton intergroup relations, and inspired by the works of Doreen Massey, Michel De Certeau, and Rom Harré, I will suggest that one key to understanding how groups interpret the behavior of other groups lies in the meaning groups ascribe to the place of their interaction. With the rules of a place limiting the range of actions social agents can chos

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Gada, Muhammad Yaseen. "Raymond Farrin – Structure and Quranic Interpretation: A Study of Symmetry and Coherence in Islam’s Holy text." ICR Journal 9, no. 1 (January 15, 2018): 128–31. http://dx.doi.org/10.52282/icr.v9i1.151.

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The coherence (nazm) and symmetry of the Quran have remained one of the most debated and discussed topics in the field of Quranic Studies; whether or not the Quranic surah or/and the whole Quran exhibit an organic unity has produced a plethora of books. The book under review seeks to refute the longstanding criticism of disjointedness in the Quran, aiming to illustrate how a better understanding of the Qurans structure will in turn help in our textual interpretation of it (p. xvi). The book draws mainly, among others, on Amin Ahsan Islahi (d. 1997) and Michel Cuypers. According to the former,

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Jones, Robert W. "Competition and Community: Mary Tickell and the Management of Sheridan's Drury Lane." Theatre Survey 54, no. 2 (April 22, 2013): 187–206. http://dx.doi.org/10.1017/s0040557413000021.

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Despite considerable advances in scholarship—achievements on which this essay builds—our knowledge of how eighteenth-century theatres were run remains worryingly thin. The managerial enterprise of theatre production, especially its daily practicalities, is largely obscure, though the facts of performance history are well documented. Knowledge of practice is not our only lacuna. Accounts of the interfaces among performances, institutional theatre practices, and the wider culture of the eighteenth century are too few, though wonderful work has been produced by Jane Moody, Felicity Nussbaum, and

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Porret, Michel. "L'etica e le domande dello storico: Bronislaw Baczko." HISTORIA MAGISTRA, no. 2 (November 2009): 108–15. http://dx.doi.org/10.3280/hm2009-002010.

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- What meaning has the Enlightenment in relationship to modernity and progress of the human spirit? This question is the main theme of the historiographic work of Bronislaw Baczko, whose thought is revisited by Michel Porret in the short introductory essay to the article of the polish intellectual. Porret captures the central essence of Baczko's work, in which he recognizes in the century of Voltaire the roots of modern political thought. Through his studies of intellectual, cultural and political history of the eighteenth century, the polish historian renewed the way of interpreting the herit

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B.H., Kushka. "INTERTEXTUALITY AS A FACTOR OF THE GENRE SPECIFICITY OF MICHEL TOURNIE’S NOVELS." South archive (philological sciences), no. 85 (April 12, 2021): 62–66. http://dx.doi.org/10.32999/ksu2663-2691/2021-85-9.

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Purpose. The purpose of the article is to study forms and functions of intertextuality in Michel Tournier’s novels and to determine the connection of this aspect of the author’s poetics with the genre specificity of his works and the influence of a certain type of intertextuality on the formation of genre strategies.Methods. The following research methods are used in the study: genre approach, intertextual analysis, myth criticism, comparative-typological analysis.Results. A review of modern research of the works of Michel Tournier by foreign and domestic scholars is done, and the lack of stud

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Repšienė, Rita, and Odeta Žukauskienė. "THE SONG CELEBRATION AS POWER OF CULTURAL MEMORY AND A MISSION OF MODERNITY." Culture Crossroads 9 (November 10, 2022): 20–35. http://dx.doi.org/10.55877/cc.vol9.148.

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Following the publication of the UNESCO Intangible Cultural Heritage Convention in 2003, and its entry into force in 2006, the Song Celebration tradition and symbolism in Estonia, Latvia and Lithuania was added to the intangible cultural property. The tradition of the Song festivals, inspired by the protestant culture, has become an integral part of the Baltic States’ identity. The Song festivals were created to demonstrate the diversity of heritage and national history; now they also make efforts to modernise cultural practice, which is passed on from generation to generation, and they still

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Tester, Keith, Judith Huggins Balfe, Tony Pinkney, Joost van Loon, Nick Lee, Jeremy Tanner, Nicholas Gane, et al. "Book Reviews: Undoing Culture. Globalization, Postmodernism and Identity, Art and Social Structure, Raymond Williams, Michel de Certeau: Interpretation and its Other, The Elements of Social Theory, Fin de Siècle Social Theory: Relativism, Reduction and the Problem of Reason, Recovering Ethical Life: Jurgen Habermas and the Future of Critical Theory, The Cultures of Computing, Time. The Modern and Postmodern Experience, Capitalism: A Social Audit, Social Divisions: Economic Decline and Social Structural Change, Divide and School: Gender and Class Dynamics in Comprehensive Education, Limited Responsibilities. Social Movements and Criminal Justice." Sociological Review 44, no. 3 (August 1996): 575–606. http://dx.doi.org/10.1111/j.1467-954x.1996.tb00438.x.

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Redin, Dmitry. "General Henning’s Yekaterinburg: An Attempt at Reading the “Urban Text”." Quaestio Rossica 9, no. 3 (September 29, 2021). http://dx.doi.org/10.15826/qr.2021.3.626.

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The author of this article attempts a semiotic interpretation of the features of the architectural and planning system of early Yekaterinburg (1723–1734). The method is based on an improvisation on Michel de Certeau’s ideas about the city as a complex text, which results from the simultaneous and inconsistent creativity of its founders and administrators on the one hand and ordinary people on the other. Another source for the author’s improvisation is the ideas of some representatives of the French school of genetic criticism, more particularly, the concepts of avant-text and text. From these

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Burke, Peter. "The Art of Re-Interpretation: Michel de Certeau." Theoria 49, no. 100 (January 1, 2002). http://dx.doi.org/10.3167/004058102782485312.

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Cheng, Ju-Chun. "The Mattress Factory Art Museum: A Personal and Theoretical Interpretation of Spatial Practices Related to Installation Art." Journal of Cultural Research in Art Education 31, no. 1 (August 25, 2014). http://dx.doi.org/10.2458/jcrae.4920.

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This paper explores the exhibition spaces of the Mattress Factory Art Museum (MF) in Pittsburgh, Pennsylvania through my personal and theoretical interpretations. Included are an introduction to the museum and its history and a narrative of my first visit. I examine the MF’s use of space and my sensorial experience of it, applying Michel de Certeau and Henri Lefebvre’s spatial theories. Further, I view the MF as one large installation including its connected exhibition spaces and its archi-texture (Lefebvre, 1974/1991), which is comprised of its buildings’ multiple historical functions and its

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Fortanet, Joaquín. "Sobre la lectura rortyana de la obra de Michel Foucault." Contrastes. Revista Internacional de Filosofía 14 (November 7, 2007). http://dx.doi.org/10.24310/contrastescontrastes.v14i0.1397.

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RESUMENEste texto plantea un seguimiento pormenorizado de la interpretación que Richard Rorty realiza de la obra de Michel Foucault. Dicha lectura es primordial a la hora de establecer un Foucault con dos rostros: uno americano y otro francés. Dicha división permite realizar una lectura en clave liberal de la obra de Foucault, abriendo así la posibilidad, en la filosofía de Rorty, para utilizar la filosofía post-nietzshcheana como instrumento adecuado al neo-pragmatismo.PALABRAS CLAVE FOUCAULT, RORTY, CRÍTICA, PODER, NEO-LIBERALISMOABSTRACTThis paper proposes a detailed study of Richard Rorty’

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"Jeremy Ahearne. Michel de Certeau: Interpretation and Its Other. (Key Contemporary Thinkers.) Stanford: Stanford University Press. 1995. Pp. ix, 227. Cloth $45.00, paper $16.95." American Historical Review, December 1997. http://dx.doi.org/10.1086/ahr/102.5.1455.

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"The Animal That Therefore I Am (Not): Marx as Subjectivity Theorist." Philosophical Literary Journal Logos 29, no. 6 (2019): 309–30. http://dx.doi.org/10.22394/0869-5377-2019-6-309-327.

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The article centers on a discussion of Frank Ruda’s chapter in the anthology Reading Marx, in which he argues that the history of emancipatory thought is a series of footnotes to Plato’s Cave. In considering emancipation to be a way out of the non- or pre-human state, Marx becomes the thinker closest to Plato. According to Ruda, a critique of capitalism must be based on the refutation of the myth of the (unconditional) given, which he identifies with the ideological operation of naturalization. Capitalist naturalization dependent on abstraction and abstraction from abstraction ends by reducing

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"Dark Ecology Between Discourse and Otherness." Philosophical Literary Journal Logos 29, no. 5 (2019): 33–56. http://dx.doi.org/10.22394/0869-5377-2019-5-33-54.

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In contrast to the more popular interpretations of Timothy Morton’s dark ecology as one more example of speculative realism, the article suggests regarding it argue as a special case of Jacques Derrida’s deconstruction. By examining Morton’s earlier writing, the author demonstrates that it extends the deconstructionist structure of argumentation by criticizing ecological discourse in order to justify dark ecology. Derrida revealed the violent structure of writing as the basis of the logocentric myth, and Morton has similarly shown that the Romantic idea of a harmonious Nature came about as a r

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"Foucault, Lenin, and Western Marxism." Philosophical Literary Journal Logos 29, no. 2 (2019): 251–67. http://dx.doi.org/10.22394/0869-5377-2019-2-251-264.

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This article others a brief historical account of the complex relationship between Michel Foucault and certain theorists in the Western Marxist philosophical tradition. In the context of the history of the “short twentieth century,” Western Marxism is an intellectual trend based on an interpretation of non-Western revolutionary praxis (by Bolsheviks, Maoists, Guevaristas, etc.). Comparative analysis of several schematic portraits - of Lenin’s revolutionary intellectual, of traditional as opposed to organic intellectuals in Gramsci, and of Foucault’s public intellectual - shows that Foucault in

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"The Invisible Hand of History: Governmentality, the Providential Machine, and Historical Materialism." Philosophical Literary Journal Logos 31, no. 4 (2021): 247–65. http://dx.doi.org/10.22394/0869-5377-2021-4-247-263.

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The article is devoted to one aspect of the genealogy of Soviet governmentality. Michel Foucault, who elaborated the original theory of different types of governmentality, rejected the idea that socialism could arrive at its own practices of management. From his point of view, real socialism ties into the already existing police and liberal versions of governmentality. The “police-administrative” aspect of politics in socialist countries is well known, but its liberal component is only beginning to be systematically studied. In the theoretical canon, a revolutionary project nevertheless comes

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Seale, Kirsten, and Emily Potter. "Wandering and Placemaking in London: Iain Sinclair’s Literary Methodology." M/C Journal 22, no. 4 (August 14, 2019). http://dx.doi.org/10.5204/mcj.1554.

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Iain Sinclair is a writer who is synonymous with a city. Sinclair’s sustained literary engagement with London from the mid 1960s has produced a singular account of place in that city (Bond; Baker; Seale “Iain Sinclair”). Sinclair is a leading figure in a resurgent and rebranded psychogeographic literature of the 1990s (Coverley) where on-foot wandering through the city brings forth narrative. Sinclair’s wandering, materialised as walking, is central to the claim of intimacy with the city that underpins his authority as a London writer. Furthermore, embodied encounters with the urban landscape

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Felski, Rita. "Critique and the Hermeneutics of Suspicion." M/C Journal 15, no. 1 (November 26, 2011). http://dx.doi.org/10.5204/mcj.431.

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Anyone contemplating the role of a “hermeneutics of suspicion” in literary and cultural studies must concede that the phrase is rarely used—even by its most devout practitioners, who usually think of themselves engaged in something called “critique.” What, then, are the terminological differences between “critique” and “the hermeneutics of suspicion”? What intellectual worlds do these specific terms conjure up, and how do these worlds converge or diverge? And what is the rationale for preferring one term over the other?The “hermeneutics of suspicion” is a phrase coined by Paul Ricoeur to captu

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Acland, Charles. "Matinees, Summers and Opening Weekends." M/C Journal 3, no. 1 (March 1, 2000). http://dx.doi.org/10.5204/mcj.1824.

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Newspapers and the 7:15 Showing Cinemagoing involves planning. Even in the most impromptu instances, one has to consider meeting places, line-ups and competing responsibilities. One arranges child care, postpones household chores, or rushes to finish meals. One must organise transportation and think about routes, traffic, parking or public transit. And during the course of making plans for a trip to the cinema, whether alone or in the company of others, typically one turns to locate a recent newspaper. Consulting its printed page lets us ascertain locations, a selection of film titles and thei

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Seale, Kirsten. "Iain Sinclair's Excremental Narratives." M/C Journal 8, no. 1 (February 1, 2005). http://dx.doi.org/10.5204/mcj.2317.

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   This consideration of British poet, novelist, and critic Iain Sinclair’s ‘bad’ writing begins at the summit of Beckton Alp, a pile of waste in London’s east that has been reconstituted as recreational space. For Sinclair, Beckton Alp functions as a totem signifying the pervasive regulatory influence of Panopticism in contemporary urban culture. It shares the Panopticon’s ‘see/being seen dyad’, which is delineated thus by Michel Foucault in Discipline and Punish:   In the peripheric ring [which in this case acts as an analogue for London] one is seen, without ev

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Brien, Donna Lee. "Bringing a Taste of Abroad to Australian Readers: Australian Wines & Food Quarterly 1956–1960." M/C Journal 19, no. 5 (October 13, 2016). http://dx.doi.org/10.5204/mcj.1145.

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IntroductionFood Studies is a relatively recent area of research enquiry in Australia and Magazine Studies is even newer (Le Masurier and Johinke), with the consequence that Australian culinary magazines are only just beginning to be investigated. Moreover, although many major libraries have not thought such popular magazines worthy of sustained collection (Fox and Sornil), considering these publications is important. As de Certeau argues, it can be of considerable consequence to identify and analyse everyday practices (such as producing and reading popular magazines) that seem so minor and in

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Sweeny, Robert. "Code of the Streets: Videogames and the City." M/C Journal 9, no. 3 (July 1, 2006). http://dx.doi.org/10.5204/mcj.2637.

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   Cities are shared spaces. As the massive worldwide Iraq war protests that began in 2002 indicate, the structure of the city allows for the presentation of social statements, where large groups can gather, share ideas or argue beliefs, and where media outlets can broadcast these activities. While cities enable these forms of interaction, digital technologies also allow for worldwide connections, both through communication and entertainment. What is the relationship between the shared, often contested spaces of the city and how they are represented in interactive media such

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Ware, Ianto. "Andrew Keen Vs the Emos: Youth, Publishing, and Transliteracy." M/C Journal 11, no. 4 (July 1, 2008). http://dx.doi.org/10.5204/mcj.41.

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This article is a comparison of two remarkably different takes on a single subject, namely the shifting meaning of the word ‘publishing’ brought about by the changes in literacy habits related to Web 2.0. One the one hand, we have Andrew Keen’s much lambasted 2007 book The Cult of the Amateur, which is essentially an attempt to defend traditional gatekeeper models of cultural production by denigrating online, user-generated content. The second is Spin journalist Andy Greenwald’s Nothing Feels Good, focusing on the Emo subculture of the early 2000s and its reliance on Web 2.0 as an integral med

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Ware, Ianto. "Conflicting Concepts of Self and The Michigan Womyn's Music Festival." M/C Journal 5, no. 5 (October 1, 2002). http://dx.doi.org/10.5204/mcj.1994.

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In 1991 the Michigan Womyn's Music Festival evicted two female identified transsexual attendees on the grounds that they violated its women only policy of admittance. The Festival, established in 1976 and now the largest of its kind, turned into a "microcosm of the conflicts that have plagued the women's movement" (Rubin 18) and revived widespread debate about the place of trans and non-standard gender performances in feminist activism. A pro-trans event, aptly named Camp Trans, was held outside the Festival's gates with the aim of inciting greater interest in the area. The Festival's founder

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Wagman, Ira. "Wasteaminute.com: Notes on Office Work and Digital Distraction." M/C Journal 13, no. 4 (August 18, 2010). http://dx.doi.org/10.5204/mcj.243.

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For those seeking a diversion from the drudgery of work there are a number of websites offering to take you away. Consider the case of wasteaminute.com. On the site there is everything from flash video games, soft-core pornography and animated nudity, to puzzles and parlour games like poker. In addition, the site offers links to video clips grouped in categories such as “funny,” “accidents,” or “strange.” With its bright yellow bubble letters and elementary design, wasteaminute will never win any Webby awards. It is also unlikely to be part of a lucrative initial public offering for its owner,

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Johnson, Laurie. "Agency." M/C Journal 5, no. 4 (August 1, 2002). http://dx.doi.org/10.5204/mcj.1969.

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This paper on cultural loops will begin slightly off-track, drawing on lessons that can be learned from a very basic non-terminating program, written in basic programming language: 100 Print "an infinite loop is" 110 Goto 100 Run an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinite loop is an infinit

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McKay, Susan. "Beyond Biomedicine." M/C Journal 4, no. 3 (June 1, 2001). http://dx.doi.org/10.5204/mcj.1911.

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The importance and power of the biomedical approach to health and illness cannot be under-estimated. It has underpinned Western understandings of medical science and technology; it has informed health systems and the training of medical personnel; and arguably it has become articulated in patients' experience of illness and treatment. The roots of this model are traced to the valorization of rational thought in the Enlightenment which, according to Lupton, was accompanied by the increasing professionalisation of medicine through university training of doctors and control over their licences to

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Moore, Christopher Luke. "Digital Games Distribution: The Presence of the Past and the Future of Obsolescence." M/C Journal 12, no. 3 (July 15, 2009). http://dx.doi.org/10.5204/mcj.166.

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A common criticism of the rhythm video games genre — including series like Guitar Hero and Rock Band, is that playing musical simulation games is a waste of time when you could be playing an actual guitar and learning a real skill. A more serious criticism of games cultures draws attention to the degree of e-waste they produce. E-waste or electronic waste includes mobiles phones, computers, televisions and other electronic devices, containing toxic chemicals and metals whose landfill, recycling and salvaging all produce distinct environmental and social problems. The e-waste produced by games

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Wansbrough, Aleksandr Andreas. "Subhuman Remainders: The Unbuilt Subject in Francis Bacon’s “Study of a Baboon”, Jan Švankmajer’s Darkness, Light, Darkness, and Patricia Piccinini’s “The Young Family”." M/C Journal 20, no. 2 (April 26, 2017). http://dx.doi.org/10.5204/mcj.1186.

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IntroductionAccording to Friedrich Nietzsche, the death of Man follows the death of God. Man as a concept must be overcome. Yet Nietzsche extends humanism’s jargon of creativity that privileges Man over animal. To truly overcome the notion of Man, one must undercome Man, in other words go below Man. Once undercome, creativity devolves into a type of building and unbuilding, affording art the ability to conceive of the subject emptied of divine creation. This article will examine how Man is unbuilt in three works by three different artists: Francis Bacon’s “Study of a Baboon” (1953), Jan Švankm

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