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Books on the topic 'Chʻin music'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Chin music: A novel. Grove Press, 1987.

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2

McManus, James. Chin music: A novel. Crown Publishers, 1985.

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3

Bauer, Ross. Chin music: Viola and piano. C.F. Peters, 1993.

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4

Kŏmun'go t'aenggo: Kim Chin-hŭi ŭi chiguch'on ŭmak yŏhaenggi. Minsogwŏn, 2007.

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5

Loder, Kurt. Bat chain puller: Rock & roll in the age of celebrity. Cooper Square Press, 2002.

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6

Nabi ya chʻŏngsan kaja: Chin Hoe-suk ŭi kugak oditsei. Chʻŏnga, 2003.

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7

Gulik, Robert Hans van. The lore of the Chinese lute: An essay in the ideology of the ch'in. 3rd ed. Orchid, 2011.

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8

Bat chain puller: Rock and roll in the age of celebrity. St. Martin's Press, 1990.

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9

Chin-do Ssitkim kut ŭmak ŭi punsŏk yŏn'gu: Musical analysis of Chindo Ssikkimgut. Kyemyŏng Taehakkyo Ch'ulp'anbu, 2011.

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10

Ru-mi, Ha, Chʻoe Suk-hŭi та Chʻoe Hae-ri, ред. Simso Kim Chʻŏn-hŭng sŏnsaengnim ŭi uri chʻum iyagi. Minsogwŏn, 2005.

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11

Stępień-Kutera, Kamila, and Aleksander Stępień. Festiwal Witolda Lutosławskiego Łańcuch IX: Warszawa 25 stycznia -- 4 lutego 2012 = The Witold Lutosławski Festival Chain IX : Warsaw, 25th January -- 4th February 2012. Towarzystwo im. Witolda Lutosławskiego, 2012.

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12

Clement, Michel. O konomie der Musikindustrie. 2nd ed. Gabler, 2008.

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13

Lawrence, Harold. Chin Music. Boyd Publishing Company, 2005.

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14

Zon, Bennett. Music. Edited by Joel D. S. Rasmussen, Judith Wolfe, and Johannes Zachhuber. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198718406.013.40.

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Because music is unable to communicate its meaning as directly as words, it has always relied upon thought to help convey its meaning. Nineteenth-century musical thought therefore comes in two interrelated forms: (1) as literature about music (‘music-in-thought’), such as music history, philosophy, or theology; and (2) as music itself (music-as-thought) written for soloists, instruments, and voices in secular or sacred contexts like the concert hall or church. This chapter traces their complex metaphysical interrelationship by using Romantic philosophical and theological concepts of musical me

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15

Bike&Chain. Self, 2008.

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16

Bike&Chain. Self, 2008.

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17

Chin Music: A Novel of the Jazz Age. Roberts Rinehart Publishers, 1991.

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18

Zhou, Long. Song of the Ch'in: For String Quartet (Oxford Chamber Music). Oxford University Press, 2002.

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19

Fink, Robert. Below 100 Hz. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0005.

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This chapter explores cultural theories of sub-bass production and reception in electronic dance music (EDM), reggae, and other bass-heavy popular musics. After a brief review of the musicology surrounding sub-bass (particularly the work of Steve Goodman and Julian Henriques), the discussion moves on to a cultural history of the sub-bass signal chain, including the subject of subwoofer design and other aspects of audio engineering for the reproduction of musical sounds below 100 Hz. The chapter details the perceptual responses to low frequencies and the physics of sub-bass sound propagation in

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20

Bat Chain Puller: Rock and Roll in the Age of Celebrity. St Martins Pr, 1991.

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21

Loder, Kurt. Bat Chain Puller: Rock and Roll in the Age of Celebrity. Cooper Square Press, 2002.

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22

Danesi, Marcel. Pythagoras' Legacy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198852247.001.0001.

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The history of mathematics starts in earnest with one of Pythagoras’ most important proofs, the Pythagorean theorem. This proof was the first link in a chain of ground-breaking ideas, all interconnected with each other, that turned mathematics into an “art of the mind.” The chain continues to be extended today. There would be no computers, science, engineering, or philosophy without Pythagoras’ legacy. This book sketches an outline of that legacy by presenting and discussing ten of the greatest ideas in the mathematical chain. Its aim is to illustrate why mathematics can be designated an intel

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23

Orrick, Harold. Fighting to Fix the Broken Chain of Life: Using Country Music for the Glue. CreateSpace Independent Publishing Platform, 2016.

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24

Russell, Tony. Rural Rhythm. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190091187.001.0001.

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Music historian Tony Russell explores a collection of records of early country music from the 1920s and ’30s, unlocking and revealing their hidden stories. The seventy-eight essays on selected 78rpm discs explain what they tell us about the musicians who sang and played the songs and tunes, the listeners who absorbed them, and the development of the genre—old-time music—in which they found a home. To illuminate their world, the author details how they were recorded, the intentions and interventions of the companies that made the recordings, and their fates once they were issued. There are song

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25

Doering, James M. The War Years and a Shift to a New Era. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037412.003.0009.

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This chapter demonstrates how Judson's management empire began to plateau in the 1940s. The Depression had rattled music's funding structures. Technology had spawned greater competition for live musical experiences. Jazz had supplanted classical music on the pages of many newspapers and trade magazines. But particularly relevant for Judson was an emerging concern about the connection between music and big business. The Federal Communications Commission (FCC) first raised this issue in 1938, when it launched an investigation into the chain-broadcasting practices of the NBC, CBS, and mutual radi

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26

CHIN MUSIC FROM A GREYHOUND: The Confessions of a Civil War Reenactor Volume One: 1978-1987. 1st Books Library, 2004.

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27

Psychocandy. 2016.

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28

Publishing, Wick Book. Supply Chain Manager Survival Notebook: Small Undated Weekly Planner for Work and Personal Everyday Use Habit Tracker Password Logbook Music Review Playlist Diary Journal. Independently Published, 2019.

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29

Beal, Amy C. Big Band Theory. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036361.003.0008.

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This chapter focuses on the Carla Bley Band, a ten-person big band Bley had spent several years establishing. The Carla Bley Band effectively became the instrument for which she composed, the vehicle through which she could let her sonic imagination run free. The establishment of her own large ensemble following the creation of her recording studio, record label, and distribution service was part of a logical chain of events, one indicating a further step in Bley's ongoing quest for total artistic control in the creation, administration, and dissemination of her music. This freedom allowed Ble

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30

Contemporary Musicians: Profiles of the People in Music: Volume 9. Gale Cengage, 1993.

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31

Rubiner, Julia M. Contemporary Musicians: Profiles of the People in Music: Volume 11. Gale Cengage, 1994.

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32

Rubiner, Julia M. Contemporary Musicians: Profiles of the People in Music: Volume 10. Gale Cengage, 1993.

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33

Rubiner, Julia M. Contemporary Musicians: Profiles of the People in Music: Volume 8. Gale Cengage, 1992.

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34

Williams, Justin A. Brithop. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190656805.001.0001.

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Brithop investigates rap music’s politics in the twenty-first-century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain’s political discourses. The rappers in this book critique the United Kingdom’s more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skep

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