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Journal articles on the topic 'Ch. Dickens'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Panchenko, Olena. "WORDPLAY IN DICKENS’S NOVELS AND WAYS OF THEIR TRANSLATION." English and American Studies 1, no. 17 (2020): 92–96. http://dx.doi.org/10.15421/382016.

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The article deals with the general problem of wordplay and its translation. The relevance of the problem is accounted for by the powerful role of wordplay or puns in creating in special artistic atmosphere of any belle-letter sample and difficulties in its translating. The novels by Ch. Dickens have drawn attention of hundreds, if not thousands, researchers. A greater part of them pays attention to the literary side; the papers dealing with his language are quite versatile as well. But we have not yet met the comprehensive description and classification of Dickens’s puns. The aim of our paper

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Panchenko, Olena, Vira Zirka, Tetiana Klymenko, Anastasiia Plakhtii, and Iryna Suima. "Character Speech Individualization in Charles Dickens’s Novels." Studies in Media and Communication 10, no. 3 (2022): 168. http://dx.doi.org/10.11114/smc.v10i3.5848.

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The relevance of this investigation is explained by several reasons: first, the individual character of speech is one of the evidences of Charles Dickens’s geniality and it is of importance for any person writing to analyze some techniques of the genius doing it; second, the analysis of these “speeches” can help understand peculiarities of various styles and genres separately and in interaction; third, everything related to Ch. Dickens is still popular among the readers, so these examples can be of use for teaching and learning English. There are three primary aims of the present paper: to ext

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3

Dawson, Gowan. "DICKENS, DINOSAURS, AND DESIGN." Victorian Literature and Culture 44, no. 4 (2016): 761–78. http://dx.doi.org/10.1017/s1060150316000358.

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Charles Dickens's novels only occasionally feature images of prehistoric creatures. There is, of course, the famous “elephantine lizard. . .waddling. . .up Holborn Hill” in the opening scenes of Bleak House (1852–53), which, as is brilliantly captured in Tom Gauld's recent cartoon “Fragments of Dickens's Lost Novel ‘A Megalosaur's Progress’” (2011), has become a kind of icon of Dickens's entire fictional oeuvre (Figure 1). But beyond Bleak House’s iconic megalosaurus “forty feet long or so,” Dickens's panoramic representations of urban landscapes, which Adelene Buckland has shown to abound wit

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4

Alyakrinskaya, Marina. "Poetics of “Chizhikov’s Grief”, a Fairy Tale by M. E. Saltykov-Shchedrin." Проблемы исторической поэтики 23, no. 1 (2025): 165–87. https://doi.org/10.15393/j9.art.2025.14663.

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The article examines the fairy tale by M. E. Saltykov-Shchedrin “Chizhikov’s Grief.” Up until now, researchers have not taken into account certain significant circumstances when interpreting “Chizhikov’s Grief.” First of all, it is the unusual love and family theme of the tale, which is not characteristic of Saltykov-Shchedrin’s work (moreover, it was repeatedly criticized by him as ‘outdated’); and, secondly, the publication of the tale in the Christmas issue of “Russkie Vedomosti,” which provides reason to consider its text within the “Christmas story” tradition. The theme of love and family

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5

Bogachevska, L. "Poetical Peculiarities of Satirical Depiction of the Novel “Hard Times” by Ch. Dickens and the Short Story “Zabobon” by Les Martovych (Comparative-Typological Aspect)." Journal of Vasyl Stefanyk Precarpathian National University 2, no. 2-3 (2015): 98–103. http://dx.doi.org/10.15330/jpnu.2.2-3.98-103.

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The article is devoted to the comparative-typological analysis of the satirical works“Hard times” by Ch. Dickens and “Zabobon” by Les Martovych. This investigation regardsdifferent means of satirical depiction such as contrast, hyperbole, characters’ specific manner ofspeech

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Osmukhina, O. Yu, and A. B. Tanaseichuk. "Little-Known Page of Co-Creation of Ch. Dickens and W. Collins: Novel “No Exit”." Nauchnyi dialog, no. 5 (May 28, 2021): 256–71. http://dx.doi.org/10.24224/2227-1295-2021-5-256-271.

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The article is devoted to comprehending the creative cooperation of the outstanding Victorians Ch. Dickens and W. Collins, who were co-authors for a decade and a half, as well as to the study of the peculiarities of the novel “No Exit”, which was not republished in Russia from the end of the 19th century until 2021 and was virtually unknown to the Russian-speaking reader. The relevance of the article is due to the need to build a coherent and consistent history of the development of English literature of the Victorian epoch in the domestic literary consciousness, an important part of which is

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Bezkorovaynaya, Galina T., Luiza N. Gishkaeva, and Natalia T. Pakhsarian. "Semantics of festivities in “Christmas Carol” by Ch. Dickens." RUDN Journal of Studies in Literature and Journalism 25, no. 2 (2020): 305–14. http://dx.doi.org/10.22363/2312-9220-2020-25-2-305-314.

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The article concerns the language units, forming the semantics of festivities in one of the most popular works by Charles Dickens - the great English writer of Victorian Era, namely A Christmas Carol (1843). This work has been the subject for a lot of research, the story however is not investigated within the framework of some allied sciences. An attempt to use linguistic, linguistic culture and literary criticism approaches has been made to analyze the story. The eleven theme groups were found and the linguistic units were picked up. Those units create the unique picture of Christmas festivit

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8

Bogachevska, L. O. "TYPOLOGICAL FEATURES OF THE ARTISTIC EMBODIMENT OF “A GIFTED PERSONALITY” PHENOMENON IN THE NOVEL “DAVID COPPERFIELD” BY CH. DICKENS AND THE SHORT STORY “KHUDOZHNYK” BY T. SHEVCHENKO." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 29–36. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-29-36.

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The article is devoted to the comparative-typological analysis of the autobiographical works “David Copperfield” by Ch. Dickens and “Khudozhnyk” by Taras Shevchenko. Certainly we do not speak about direct influence of Charles Dickens’ work on Taras Shevchenko’s short story, but we can draw parallels and analogies found in the choice of subjects in both writers’ literary works that is why it can be an appropriate material for the typological comparison. Both works typologically demonstrate the presence of the concept of “a gifted personality” and linear biographical principle of composition tho

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9

Meyer, Susan. "ANTISEMITISM AND SOCIAL CRITIQUE IN DICKENS'SOLIVER TWIST." Victorian Literature and Culture 33, no. 1 (2005): 239–52. http://dx.doi.org/10.1017/s1060150305000823.

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WHEN SIKES AND NANCY RECAPTURE OLIVER, in Dickens'sOliver Twist, intending to return him to the gang of thieves, Sikes warns Oliver against crying out to passersby, announcing that his dog will go for Oliver's throat if he so much as speaks one word. Looking at the dog, who is eyeing Oliver and growling and licking his lips, “with a kind of grim and ferocious approval,” Sikes tells Oliver, “He's as willing as a Christian, strike me blind if he isn't!” (109; ch. 16). Sikes of course simply intends to say that his dog is as good as human, but Dickens's joke, in the context of the novel, is a chi

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10

Han, Carrie Sickmann. "PICKWICK'S OTHER PAPERS: CONTINUALLY READING DICKENS." Victorian Literature and Culture 44, no. 1 (2016): 19–41. http://dx.doi.org/10.1017/s1060150315000406.

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While carefully crafting a valentine to his would-be-lover Mary, Sam Weller finishes rather abruptly, and his father, looking over his shoulder, asks, “That's rayther a sudden pull up, ain't it, Sammy?” Sam's response emblematizes the driving force of the serial novel: “Not a bit on it. . . she'll vish there wos more, and that's the great art o' letter writin'” (344; no. XII, ch. XXXIII). Charles Dickens's great art of serial writing aimed to leave his readers repeatedly wishing there was more: more pages, more plot, more world, and above all, more time with their favorite characters. This des

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Cordery, Gareth. "Foucault, Dickens, and David Copperfield." Victorian Literature and Culture 26, no. 1 (1998): 71–85. http://dx.doi.org/10.1017/s106015030000228x.

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Margaret atwood's narrator in Bodily Harm, reminiscing about her childhood, says: “I learned to listen for what wasn't being said, because it was usually more important than what was” (55). Making a similar point, in The History of Sexuality Foucault writes that “There is not one but many silences, and they are an integral part of the strategies that underlie and permeate discourses” (1: 27). If we read David Copperfield in this way — listening to the silences, as well as attending closely to what is being said — the narrative which emerges from the surface bildungsroman is very different from

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12

Korenovska, L. F. "Dostoevsky and Ch. Dickens: the question of the transformation of motives." Проблеми сучасного літературознавства, Вип. 22 (2016): 217–29.

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13

Mayoral Sánchez, Javier. "Dickens, Ch. (2024). Pasiones públicas, emociones privadas. Escritos periodísticos. Gatopardo ediciones." Estudios sobre el Mensaje Periodístico 31, no. 1 (2025): 283–84. https://doi.org/10.5209/emp.100795.

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Антонова, Злата Владимировна. "FRANCE IN THE WORKS OF W. COLLINS AND CH. DICKENS (ENGLISH-FRENCH RELATIONS)." Вестник Тверского государственного университета. Серия: Филология, no. 3(66) (November 6, 2020): 203–7. http://dx.doi.org/10.26456/vtfilol/2020.3.203.

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В сообщении рассматриваются исторические, литературные и языковые связи Великобритании и Франции XIX века на примере выдающегося английского писателя Чарльза Диккенса и его младшего товарища, соавтора и компаньона Уилки Коллинза на материале совместных путешествий и творчества. The article examines the historical, literary and linguistic ties between Great Britain and France in the 19th century on the example of the outstanding English writer Charles Dickens and his younger friend, co-author and companion Wilkie Collins, on the material of their joint travels and creativity.

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15

Byachkova, Varvara A. "ON THE PARADOX OF WOMEN’S AND CHILDREN’S IMAGES IN CH. DICKENS’ NOVELS." Вестник Пермского университета. Российская и зарубежная филология, no. 1 (2016): 86–92. http://dx.doi.org/10.17072/2073-6681-2016-1-86-92.

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Меретукова, М. М., and Ф. Б. Бешукова. "Personification in the works of E.T.A. Hoffmann, H.Ch. Andersen and Ch. Dickens: comparative and typological analysis." Вестник Адыгейского государственного университета, серия «Филология и искусствоведение», no. 1(312) (June 26, 2023): 58–63. http://dx.doi.org/10.53598/2410-3489-2023-1-312-58-63.

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В статье проводится сравнительно-типологический анализ реализации приема олицетворения на материале литературных произведений представителей европейской литературы XIX века (Ч. Диккенса, Э.Т.А. Гофмана, Г.Х. Андерсена). Особое внимание уделено «малому миру» - миру простых обыденных вещей, интерес к которому объединяет творчество названных авторов. Именно на уровне «малого мира» выделяются и описываются характерные особенности приема олицетворения, благодаря которым писателям удается показать тесную связь между неодушевленными предметами и человеком, и на уровне «малого мира» можно говорить о с

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17

Krupenina, M. "Adult-child duality in victorian literature: the image of a precocious child as a mode of social and cultural critique of adulthood in the works of Ch. Dickens." Bulletin of Science and Practice 4, no. 1 (2018): 381–90. https://doi.org/10.5281/zenodo.1147153.

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The purpose of the article is to consider the image of a precocious child in Ch. Dickens’ works due to several reasons: 1) in the novels of the writer the earliest examples of the precocious child’s image are represented, which gained an enormous popularity after the author’s death in the English literary tradition 2) there is an appreciable difference between both soon ripened boys and girls. An ambivalent attitude to the children’s precocity is a consequence of the growing anxiety in Victorian society, focused on the topic of financial well-being.

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18

Jewusiak, Jacob. "SUSPENSEFUL SPECULATION AND THE PLEASURE OF WAITING INLITTLE DORRIT." Victorian Literature and Culture 44, no. 2 (2016): 279–96. http://dx.doi.org/10.1017/s1060150315000625.

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“Suspend it all,” writes Charles Dickens in the ninth number plan for his novelLittle Dorrit(“Working Notes” 207). Referring to the thirtieth chapter, in which Blandois – formerly Rigaud – arrives on the doorstep of Mrs. Clennam's house, this phrase aptly describes how much the chapter moves the plot forward. Mysteries are gestured toward, but the stakes of the mystery are left blank. Rigaud shows surprise upon seeing Flintwinch, but such surprise is inexplicable until we learn at the end of the novel that Rigaud has met Flintwinch's twin brother abroad. We learn more about the mysterious watc

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Makhmudova, Nargiza Alimovna, and Gulnoza Yodgor qizi Asadova. "THE "THE WORLD ACCORDING TO GARP" BY J. IRVING AS BILDUNGSROMAN OF THE 1970- S IN AMERICAN LITERATURE." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 56 (May 16, 2023): 66–67. https://doi.org/10.5281/zenodo.7942028.

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This article analyzes the prerequisites for the development and formation of personality in the novel "The World Through the Eyes of Garp" by the famous writer of the 20th century J. Irving. The question of the influence of Ch. Dickens' novels in the creation of the main image of the novel is also considered. The World According to Garp is a Bildungsroman, which is a chronological account of a life. It is complex and episodic, with subplots such as the dissolution of traditional gender roles, infidelity, assaults on women, and death. Other themes include the challenges of becomin

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Burdina, A. G., and I. V. Gerasimenko. "SOCIAL STATUS AS A SOCIOLINGUISTIC CATEGORY (BASED ON CH. DICKENS`S NOVEL "GREAT EXPECTATIONS")." Juvenis scientia, no. 12 (2018): 27–29. http://dx.doi.org/10.32415/jscientia.2018.12.07.

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The article explores the linguistic characteristics of various social groups in the work of the English novelist Ch. Dickens “Great Expectations”. The authors analyzed and systematized the data obtained in the course of comparing the speech of people with different social status. Defining the relationship of language and social status, the authors found that the concept of social status can be viewed in several ways: as a mutual expectation realized at the speech level; as an awareness of the personality of their position in society, as well as the manifestation of personal qualities in the im

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Scoggin, Daniel P. "A SPECULATIVE RESURRECTION: DEATH, MONEY, AND THE VAMPIRIC ECONOMY OF OUR MUTUAL FRIEND." Victorian Literature and Culture 30, no. 1 (2002): 99–125. http://dx.doi.org/10.1017/s1060150302301062.

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Has a dead man any use for money? Is it possible for a dead man to have money? What world does a dead man belong to? ‘Tother world. What world does money belong to? This world. How can money be a corpse’s? Can a corpse own it, want it, spend it, claim it, miss it?— Gaffer Hexam, Our Mutual FriendWHILE FISHING CORPSES out of the fast-flowing Thames, itself a symbol of death,1 in order to probe their pockets, Gaffer Hexam makes sharp reference to a long-standing distinction regarding the limits of earthly possession. Some of Dickens’s readers would have been quite ready to connect Gaffer’s remar

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Bailin, Miriam. "VICTORIAN READERS." Victorian Literature and Culture 44, no. 3 (2016): 727–39. http://dx.doi.org/10.1017/s1060150316000012.

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There is, perhaps, no richer archive of Victorian reading experiences than Victorian literature itself. We know how Maggie Tulliver, child of the rural Midlands in the early years of the nineteenth century, felt when reading the Imitation of Christ in the bleak aftermath of her father's bankruptcy, how the young David Copperfield felt sitting on his bed in Suffolk, “reading as if for life” in the shadow of an abusive home life (56; ch. iv), and how a besieged Jane Eyre felt reading Bewick's History of British Birds in the window-seat at Gateshead; we know because Eliot, Dickens, and Brontë tra

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Prystash, Justin. "“THE GRAND STILL MIRROR OF ETERNITY”: TEMPORAL DUALISM AND SUBJECTIFICATION IN CARLYLE AND DICKENS." Victorian Literature and Culture 38, no. 1 (2010): 89–106. http://dx.doi.org/10.1017/s1060150309990337.

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When Carlyle praises “wondrous Dualism” in Past and Present, he invokes a model for conceptualizing man's role in the world that held widespread, even hegemonic currency in mid-Victorian culture. The centrality of dualist discourse during the mid-Victorian period, thanks in part to Carlyle's translations of German literature and philosophy in the 1830s, cannot be overstated. Carlyle argues that dualism transhistorically frames all human activity: “In wondrous Dualism, then [in the year 1200] as now, lived nations of breathing men; alternating, in all ways, between Light and Dark; between joy a

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Byachkova, Varvara A. "Longing for a Change? (Тhe Paradoxes and Peculiarities of a Child Leaving Home Episode in the Victorian Novel)". Proceedings of Southern Federal University. Philology 2020, № 4 (2020): 146–57. http://dx.doi.org/10.18522/1995-0640-2020-4-146-157.

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It is analyzed the episode of a child leaving home for school in the novels «David Copperfield» and «Bleak House» by Charles Dickens and «Jane Eyre» by Charlotte Bronte. Studying at a boarding school and leaving home for it was quite a typical episode of life for the Victorians, but for the main characters of C. Dickens’ and Ch. Bronte’s novels the circumstances of leaving home are paradoxical and unusual so much, that it becomes a part of the initiation process. All of them are not happy at home. In fact, being orphans brought up by distant relatives (aunts or, in David’s case, cruel stepfath

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Lannon, Colleen. "WHOSE FAULT? THE SPECULATOR'S GUILT IN LITTLE DORRIT." Victorian Literature and Culture 45, no. 2 (2017): 413–32. http://dx.doi.org/10.1017/s1060150316000681.

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In May 1855, Charles Dickens confided to a friend that he had found a “capital name” for his new work, Nobody's Fault, a title that remained until he completed the first three numbers and renamed it Little Dorrit (Letters 7.703). The original title has generally been assumed to refer to Dickens's broad attack on the lack of accountability in government, particularly in relation to the Crimean War. However, the phrase also evokes the issues of financial impropriety that permeate the novel. In particular, Arthur's obsessive concern that through his parents’ grasping at money “some one may have b

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Varyoshin, Nikita Vladimirovich. "The Bildungsroman “Waterland”: Graham Swift as a follower of Charles Dickens." Philology. Issues of Theory and Practice 16, no. 8 (2023): 2511–17. http://dx.doi.org/10.30853/phil20230394.

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The study aims to reveal how the theme of Tom Crick’s upbringing is objectified in G. Swift’s novel “Waterland” in comparison with the upbringing of “a real gentleman” Philip Pirrip, the narrator in the novel “Great Expectations”. Considerable attention is paid to how unfulfilled expectations affect the lives of the characters of G. Swift and Ch. Dickens and how “great expectations” correlate with curiosity, the main trait of human nature. Quoting Swift’s researchers, the author of the paper describes the following typology of curiosity about the world and the past: investigative, sexual and h

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Viediernikova, T. "GENRE’S PECULIARITIES OF THE EDUCATIVE NOVEL “THE LIFE AND ADVENTURES OF NICKOLAS NICKLEBY” BY CH. DICKENS." International Humanitarian University Herald. Philology 2, no. 47 (2021): 186–90. http://dx.doi.org/10.32841/2409-1154.2021.47-2.42.

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He, Jiafu. "Deviant female images in Charles Dickens’ novel “Great Expectations” (based on the example of the first meeting with Miss Havisham and Estella)." Philology. Issues of Theory and Practice 16, no. 12 (2023): 4203–7. http://dx.doi.org/10.30853/phil20230638.

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The study aims to identify the plot function of Miss Havisham, one of the most famous deviant female images of Ch. Dickens (“Great Expectations”, 1861). According to the hypothesis put forward, this function consists in the heroine implicitly (and unconsciously) pushing the protagonist to self-improvement and social growth. The image of the “mad” Miss Havisham is considered in three aspects: 1) social stratification and the impulse to self-improvement: the impulse of a Bildungsroman; 2) Miss Havisham’s “terrible tenderness”: a hybrid of the paternal and the maternal; 3) Miss Havisham as a “wit

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Potanina, N. L., and N. I. Platitsyna. "DICKENS IN THE ACADEMIC SCIENCE OF NOWADAYS. TO THE 210<sup>th </sup>ANNIVERSARY OF CH. DICKENS’ BIRTH AND TO THE 20<sup>th</sup> ANNIVERSARY OF RUSSIAN DICKENS’ HOME CREATION." Vestnik Volzhskogo universiteta im V N Tatishcheva 2, no. 2 (2022): 96–109. http://dx.doi.org/10.51965/20767919_2022_2_2_96.

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Chyk, D. Ch. "THE CITY AND EVERYDAY LIFE: THE GENRE OF THE “PHYSIOLOGICAL SKETCH” IN THE WORKS OF V. DAHL AND CH. DICKENS." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications, no. 3 (2020): 66. http://dx.doi.org/10.32838/2663-6069/2020.3-3/11.

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Stolte, Tyson. "“AND GRAVES GIVE UP THEIR DEAD”:THE OLD CURIOSITY SHOP, VICTORIAN PSYCHOLOGY, AND THE NATURE OF THE FUTURE LIFE." Victorian Literature and Culture 42, no. 2 (2014): 187–207. http://dx.doi.org/10.1017/s1060150313000429.

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Midway throughthe old curiosity shop(1840–41), Quilp returns home to discover his own wake in progress upstairs. He has been absent for three days, dogging the footsteps of the friends and family searching for Nell: materializing at Little Bethel, the chapel Kit's mother attends, or rising from the larder of the inn to which the single gentleman and Kit's mother retire after discovering from Mrs. Jarley that they have just missed Nell. Quilp's wife, having heard nothing from him all this time, has concluded that he has drowned, and so Quilp finds her, her mother, and the lawyer Sampson Brass a

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Tsimbaeva, E. N. "Behind the stage of a literary text ‘A wish from place to place to roam…’." Voprosy literatury, no. 5 (October 15, 2024): 141–63. http://dx.doi.org/10.31425/0042-8795-2024-5-141-163.

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The article deals with problems that plagued travellers in the mid-18th to early 20th cc., which often began as soon as they left their house and only got worse on their short- or long-distance journeys. The topic of travel looms large in the literature of the period. Most characters populating Russian or Western European books undertake journeys, be it to a country estate or the capital city; to a spa resort or for a stay at a friends’ house; they head to a ball or for a spot of shopping. Their real-life contemporaries, however, tended to travel even more frequently, almost permanently, while

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Krupenina, M. I. "PORTRAIT AS A «WITNESS» (BASED ON THE NOVELS «BLEAK HOUSE» BY CH. DICKENS AND «THE PICTURE OF DORIAN GRAY» BY O. WILDE)." Вестник Московского государственного лингвистического университета. Гуманитарные науки, no. 9 (2021): 214–27. http://dx.doi.org/10.52070/2542-2197_2021_9_851_214.

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Shevchuk, O. "THE ANALYSIS OF THE LANGUAGE MEANS THAT CREATE THE COMIC EFFECT IN THE NOVEL «THE POSTHUMOUS PAPERS OF THE PICKWICK CLUB» BY CH. DICKENS." International Humanitarian University Herald. Philology, no. 57 (2022): 110–13. http://dx.doi.org/10.32841/2409-1154.2022.57.27.

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TARASOVA, Nataliia. "Travel motif in “Gulliver's Travels” by J. Swift, “Gargantua and Pantagruel” by F. Rabelais and the story of Ch. Dickens “A Christmas Carol in Prose”." Humanities science current issues 5, no. 35 (2021): 160–67. http://dx.doi.org/10.24919/2308-4863/35-5-24.

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Bogachevska, L. O. "POETIC FEATURES OF THE ARTISTIC EMBODIMENT OF THE CITY IMAGE IN THE NOVELS “THE ADVENTURES OF OLIVER TWIST” BY CH. DICKENS AND “BORYSLAV LAUGHS” BY I. FRANKO." Collection of scientific works "Visnyk of Zaporizhzhya National University. Philological Sciences" 2, no. 1 (2020): 83–89. http://dx.doi.org/10.26661/2414-9594-2020-1-2-11.

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Dziuba, Elena V., and Irina Yu Ryabova. "The category of dialogicality as realization of novel genre potential." International Journal “Speech Genres” 18, no. 4 (40) (2023): 349–57. http://dx.doi.org/10.18500/2311-0740-2023-18-4-40-349-357.

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The category of discursive dialogicality is considered, represented in a literary text that exists on the border of two social discourses – literature and law. The semantic domain of the interdiscourse, as a heterogeneous linguosociocultural space in which two different discourses interact, is open, mobile and dialogically conditioned. The aim of the paper is to reconstruct the cooperative model of dialogical interaction of the stated discourses, i.e. such a model that allows a recipient to bring together two worldviews in the recipient’s mind: legal and artistic. The subject of the research i

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Abilova, F. "From “an Englishman” to “a Briton”: the image of a gentleman in English literature of the 19th – 21st centuries (C. Dickens, Th. Hardy, A. C. Doyle, Y. Fleming, C. Ishiguro)." Philology and Culture, no. 3 (October 18, 2024): 137–44. http://dx.doi.org/10.26907/2782-4756-2024-77-3-137-144.

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In the process of analyzing the works of English writers, we came to the conclusion that two types of gentlemen can be distinguished: “an Englishman” and “a Briton”. The proposed typology is based on the reflections of J. Fowles on the conflicting identities of the island’s inhabitants. In their novels, Ch. Dickens and Th. Hardy, with all the differences, created a classic image of an English gentleman, possessing such basic features as amateurism and rejection of professionalism, adherence to the norms of the moral and ethical code, the etiquette, a special attitude towards a lady, etc.Sherlo

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Bogachevska, L. O. "MELODRAMA STYLE DESCRIPTION OF FEMALE IMAGES AND THEIR FATE IN THE UKRAINIAN AND THE ENGLISH PROSE (G. KVITKA-OSNOVIANENKO “MARUSYA” AND CH. DICKENS “DOMBEY AND SON” IN THE COMPARATIVE TYPOLOGIAL ASPECT)." International Humanitarian University Herald. Philology 2, no. 47 (2021): 182–85. http://dx.doi.org/10.32841/2409-1154.2021.47-2.41.

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Krupenina, M. "Wife and daughter: an ambivalent social role of a sexually precocious girl in relationships with a father figure." Bulletin of Science and Practice, no. 10 (October 14, 2017): 307–11. https://doi.org/10.5281/zenodo.1012419.

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The article considers an ambivalent image of a Victorian girl — infantile or mature beyond her years — in relationships with her father, in which she often at an early age adopts an adult social woman’s role and replaces for the father either the mistress of the house or his wife and mother. In Victorian literary discourse, this type of relationship between father and daughter has no open sexual side but is characterized by dependence, tenderness, affection, altruism, love. An ambivalent girl–woman’s role in the nineteenth-century proceeds from the accepted social era’s norms about the idealiz

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Kolykhalova, Olga A., and Anna Yu Kuldoshina. "Perceptions of Russian Literature in Britain in the end of the XIX — beginning of the XX century." NSU Vestnik. Series: Linguistics and Intercultural Communication 17, no. 4 (2019): 119–29. http://dx.doi.org/10.25205/1818-7935-2019-17-4-119-129.

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The purpose of the article is to analyze the existing ideas about Russian literature in Britain at the end of the 19th and the first half of the 20th centuries. A brief overview of the advancement of works by Russian classics among British readers is given. The spread of Russian literature in Britain had been progressing slowly for a long time due to the difficulty in translation and the lack of interest in Russia and Russian culture. However, at the end of the 19th and the first half of the 20th centuries, the situation changed in the British literary community. This period saw a plethora of

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Ivanova, Yu V. "TRANSLATION PECULIARITIES OF COGNITIVE FEATURES OF THE SUBCONCEPT "MIDDLE AGE" VERBALIZED IN CH. DICKENS’S NOVELS." Review of Omsk State Pedagogical University. Humanitarian research, no. 28 (2020): 73–77. http://dx.doi.org/10.36809/2309-9380-2020-28-73-77.

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The paper describes cognitive features of the subconcept “middle age” as a component of the complex concept “age” in Ch. Dickens’s works. Their field structure is presented, and a graphic and verbal model is compiled, which gave basis to Russian equivalents, reflecting the content peculiarities of the subconcept in the original language. The research is based on the semantic-cognitive method of language analysis with the use of such auxiliary methods as text corpus compilation, contextual analysis, concordance compilation method, quantitative analysis, and descriptive method. The translation i

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Abdel-Megeed, Ahmed, Saleh Eifan, Hassan El-Newehy, and Salem Al-Deyab. "Nanospider technology for controlling of pseudomonas cichorii and dickeya dadantii by electrospun nanofibers of nylon-6/chitosan blends." Journal of Agricultural Sciences, Belgrade 59, no. 1 (2014): 75–90. http://dx.doi.org/10.2298/jas1401075a.

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This is the first report on the use of electrospun nanofibers which could be of considerable interest to the development of new antibacterial compounds against two species of bacteria: Pseudomonas cichorii causing bacterial leaf spot (bacterial midrib rot) and Dickeya dadantii (Erwinia chrysanthemi) causing bacterial bligh. Electrospun nylon-6/chitosan (nylon-6/Ch) nanofibers were obtained using formic acid as a single solvent. Surface modification of electrospun nylon-6/chitosan nanofibers was performed by soaking the mat in an aqueous solution of glycidyltrimethylammonium chloride (GTMAC) at

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Murayama, Toshikatsu. "A PROFESSIONAL CONTEST OVER THE BODY: QUACKERY AND RESPECTABLE MEDICINE IN MARTIN CHUZZLEWIT." Victorian Literature and Culture 30, no. 2 (2002): 403–19. http://dx.doi.org/10.1017/s106015030230202xh.

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IT IS NOT LIKELY THAT MANY readers of Martin Chuzzlewit will remember Mr. Bevan’s profession. The gentleman so kind as to lend Martin and Mark Tapley money to go back to England is not just one of few honest persons in the vulgar, shoddy world of Dickens’s America, but a doctor as well: “[H]e made Martin acquainted with his name, which was Bevan: and with his profession, which was physic, though he seldom or never practised” (280; ch.17). We find many other medical persons in the novel: Jobling the doctor, Lewsome the medical assistant, and Mrs. Gamp, the most famous or notorious nurse in Engl

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Moore, Ben. "THE DOLLS’ DRESSMAKER RE(AD)DRESSED: JENNY WREN'S CRITIQUE OF CHILDHOOD, FEMININITY, AND APPEARANCE." Victorian Literature and Culture 44, no. 3 (2016): 473–90. http://dx.doi.org/10.1017/s1060150316000103.

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Of all Dickens's eccentric children – whose numbers include the Artful Dodger, Paul Dombey, Little Nell, and Smike – none, perhaps, is more peculiarly “old-fashioned” than Jenny Wren in Our Mutual Friend (1864-65). From her first appearance, Jenny exhibits a strange indeterminacy: A parlour door within a small entry stood open, and disclosed a child – a dwarf – a girl – a something – sitting on a little low old-fashioned arm-chair, which had a kind of little working bench before it.“I can't get up,” said the child, “because my back's bad, and my legs are queer. But I'm the person of the house.

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Timofeeva, Anastasiya. "PSEUDO REALIA AS MEANS OF EXPRESSION OF THE CONCEPT “SUPERNATURAL” IN CH. DICKENS’S “A CRISTMAS CAROL IN PROSE” AND TRANSLATIONS INTO THE RUSSIAN LANGUAGE." Bulletin of the Moscow State Regional University (Linguistics), no. 1 (2017): 117–24. http://dx.doi.org/10.18384/2310-712x-2017-1-117-124.

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Maksiutenko, E. O. "The embodiment of the prose libretto in opera genre (on the example of the works by M. Mussorgsky, D. Shostakovich, S. Prokofi ev and G. Shantyr)." Aspects of Historical Musicology 15, no. 15 (2019): 214–31. http://dx.doi.org/10.34064/khnum2-15.11.

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Background. The correlation between music and text is one of the important issues in musicology. The attention of scholars to the opera text specifi cs in conjunction with musical action brings forward a number of questions regarding the use of prose in the libretto by composers. The innovative approach of composers testifi es to the evolution of the opera genre. It was very prominent for a new notion of “literature opera” to appear; it often means all opera works with a prose text. Its expansion actualizes the question of the interaction between words and music in this particular variety of t

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Wagner, Tamara S. "INTRODUCTION: THE NINETEENTH-CENTURY PACIFIC RIM: VICTORIAN TRANSOCEANIC STUDIES BEYOND THE POSTCOLONIAL MATRIX." Victorian Literature and Culture 43, no. 2 (2015): 223–34. http://dx.doi.org/10.1017/s1060150314000527.

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the Victorians’ driving interest in exploration and expansion is perhaps one of the best-known scholarly truisms about the age and its literature. While the British Empire was rapidly expanding and commercial competition began to stretch across the globe with a newly perceived urgency, Victorians at home throughout this expanding empire were at once fascinated and anxious in reading about the wider world. Armchair explorers might have confined themselves to a vicarious enjoyment of the gold-nuggets that seem to lay scattered throughout the expanding settler world, of adventures in an excitingl

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"AUTOBIOGRAPHY AS A GENRE FEATURE OF COMING-OF-AGE NOVELS BY CH. DICKENS." Philology matters, June 20, 2019, 36–42. http://dx.doi.org/10.36078/987654344.

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The article explores autobiography as one of the genre features of the coming-of-age novels in the context of Charles Dickens’ legacy. Dickens’ realistic novels appeared as a result of his own life experience; the writer wanted to bring and share his views, ideas, life lessons with the readers and teach them to what he considered the correct moral behavior. Episodes of the author’s life, as if scattered through all his novels about a young man such as “Nicholas Nickleby”, “Martin Chuzzlewit”, “David Copperfield” and “The Great Expectations”. Autobiographical genre features are revealed in the

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Didkovska, Tetiana. "THE SEMANTIC ASPECT OF FOOD AS PUNISHMENT AND COMFORT IN THE WORKS BY L. CARROLL, CH. DICKENS AND P. TRAVER." International Journal of Innovative Technologies in Social Science, no. 2(38) (April 24, 2023). http://dx.doi.org/10.31435/rsglobal_ijitss/30062023/7975.

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The article deals with the semantic aspect of food functioning as punishment/reward and lovelessness/comfort in the English literature of the XIX and early XX centuries in the works by L. Carrol, Ch. Dickens and P. Travers. The research investigates the food motif as a means to reflect eating traditions of a particular historic period and a social marker for the protagonists. The author explores how the writers use eating habits to express acceptance, resistance, emotional affection, taboo behaviour, power and celebration traditions. It is suggested that food imagery is positively related to c

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