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1

Rosen, Charles. Arnold Schoenberg. University of Chicago Press, 1996.

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2

1885-1958, Stein Erwin, ed. Arnold Schoenberg letters. University of California Press, 1987.

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3

Schoenberg, Arnold. Style and idea: Selectedwritings of Arnold Schoenberg. University of California Press, 1985.

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4

Glennan, Kathryn P. Arnold Schoenberg Institute Archives preliminary catalog. Arnold Schoenberg Institute, 1986.

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5

Dahlhaus, Carl. Schoenberg and the new music: Essays. Cambridge University Press, 1987.

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6

Schubel, Dorothee. Kammermusik [von] Arnold Schönberg. B. Schott's Sohne, 2000.

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7

Walter, Frisch. The early works of Arnold Schoenberg, 1893-1908. University of California Press, 1993.

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8

Inc, NetLibrary, ed. The early works of Arnold Schoenberg, 1893-1908. University of California Press, 1997.

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9

Dahlhaus, Carl. Schoenberg and the new music: Essays / by Carl Dahlhaus. Cambridge University Press, 1990.

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10

Ann-Dominique, Merlet, ed. La musique du XXe siecle: De Arnold Schoenberg a nos jours. J.M. Fouzeau, 2001.

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11

Marie, Cross Charlotte, and Berman Russell A. 1950-, eds. Political and religious ideas in the works of Arnold Schoenberg. Garland Pub., 2000.

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12

Adorno, Theodor W. Philosophy of modern music. Sheed & Ward, 1987.

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13

Grun, Constantin. Arnold Schönberg und Richard Wagner: Spuren einer aussergewöhnlichen Beziehung. V&R Unipress, 2006.

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14

Adorno, Theodor W. Philosophie der neuen Musik. 5th ed. Suhrkamp, 1989.

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15

1941-, Boehmer Konrad, and Schönberg-Kandinsky Symposium (1993 : Hague, Netherlands), eds. Schönberg and Kandinsky: An historic encounter. Harwood Academic, 1997.

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16

Institute, Arnold Schoenberg, ed. From Pierrot to Marteau: An international conference and concert celebrating the tenth anniversary of the Arnold Schoenberg Institute, University of Southern California School of Music, March 14-16, 1987. Arnold Schoenberg Institute, 1987.

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17

(Editor), Reinhold Brinkmann, and Christoph Wolff (Editor), eds. Music of My Future: The Schoenberg Quartets and Trio (Harvard Publications in Music). Harvard Department of Music, 2001.

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18

Rosen, Charles. Arnold Schoenberg. Princeton University Press, 2014.

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19

Rosen, Charles. Arnold Schoenberg. Princeton University Press, 2017.

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20

Simms, Bryan R. Atonal Music of Arnold Schoenberg, 1908-1923. Oxford University Press, 2000.

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21

The atonal music of Arnold Schoenberg, 1908-1923. Oxford University Press, 2000.

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22

Benson, Mark F. Arnold Schoenberg and the crisis of modernism. 1988.

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23

Dale, Catherine. Schoenberg's Chamber Symphonies : The Crystallization and Rediscovery of a Style: The Crystallization and Rediscovery of a Style. Taylor & Francis Group, 2017.

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24

Wintle, Christopher, and Bojan Bujic. Arnold Schoenberg and Egon Wellesz - a Fraught Relationship. Boydell & Brewer, Limited, 2020.

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25

Arnold Schoenberg and Egon Wellesz - a Fraught Relationship. Boydell & Brewer, Limited, 2020.

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26

Katschthaler, Karl. Gustav Mahler - Arnold Schoenberg und Die Wiener Moderne. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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27

Arnold Schoenberg-- the composer as Jew. Clarendon Press, 1990.

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28

Auner, Joseph, and Jennifer Shaw. Cambridge Companion to Schoenberg. Cambridge University Press, 2010.

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29

Auner, Joseph, and Jennifer Shaw. Cambridge Companion to Schoenberg. Cambridge University Press, 2011.

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30

Auner, Joseph, and Jennifer Shaw. Cambridge Companion to Schoenberg. Cambridge University Press, 2012.

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31

Ringer, Alexander L. Arnold Schoenberg: The Composer as Jew (Clarendon Paperbacks). Oxford University Press, USA, 1993.

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32

Boretz, Benjamin, and Edward T. Cone. Perspectives on Schoenberg and Stravinsky. Princeton University Press, 2016.

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33

Boretz, Benjamin, and Edward T. Cone. Perspectives on Schoenberg and Stravinsky. Princeton University Press, 2016.

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34

Boretz, Benjamin, and Edward T. Cone. Perspectives on Schoenberg and Stravinsky. Princeton University Press, 2015.

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35

Arnold Schoenberg's Journey from Tone Poems to Kaleidoscopic Sound Colors. Mellen Press, The, Edwin, 2023.

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36

Arnold Schoenberg's journey from tone poems to kaleidoscopic sound colors. Pendragon Press, 2015.

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37

Bruhn, Siglind. Arnold Schoenberg's Journey from Tone Poems to Kaleidoscopic Sound Colors. Pendragon Press, 2015.

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38

The early works of Arnold Schoenberg, 1893-1908. University of California Press, 1993.

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39

Frisch, Walter. The Early Works of Arnold Schoenberg, 1893-1908. University of California Press, 1997.

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40

Adorno, Theodor W. Philosophy of Modern Music. Continuum, 2007.

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41

Musical functionalism: The musical thoughts of Arnold Schoenberg and Paul Hindemith. Pendragon Press, 2011.

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42

Arndt, Matthew. Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg. Taylor & Francis Group, 2017.

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43

Arndt, Matthew. Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg. Taylor & Francis Group, 2017.

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44

Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg. Taylor & Francis Group, 2017.

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45

(Translator), Derrick Puffett, and Alfred Clayton (Translator), eds. Schoenberg and the New Music: Essays by Carl Dahlhaus. Cambridge University Press, 1989.

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46

Root, Gordon. Schoenberg's Models for Beginners in Composition. Oxford University Press, Incorporated, 2018.

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47

Root, Gordon. Schoenberg's Models for Beginners in Composition. Oxford University Press, Incorporated, 2016.

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48

Music Theory and Analysis in the Writings of Arnold Schoenberg (1874�1951). Routledge, 2017. http://dx.doi.org/10.4324/9781315090795.

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49

Dudeque, Norton. Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951). Taylor & Francis Group, 2016.

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50

Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951). Taylor & Francis Group, 2017.

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