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Books on the topic 'Chamber repertoire'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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Consult the top 19 books for your research on the topic 'Chamber repertoire.'

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1

Chamber orchestra and ensemble repertoire: A catalog of modern music. Lanham, Md: Scarecrow Press, 2011.

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2

Chamber music repertoire for amateur players: A guide to choosing works matching players' abilities. 2nd ed. Cambridge: H. Haynes, 1996.

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3

Haynes, Harold. Chamber music repertoire for amateur players: A guide to choosing works matching players' abilities. Cambridge: H. Haynes, 1994.

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4

Haynes, Harold. Chamber music repertoire for amateur players: A guide to choosing works matching players' abilities. 3rd ed. Cambridge: Harold Haynes, 2002.

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5

Bartley, Alan Philip. The Edwardian recital: The repertoire, performance and reception of chamber music in London, with special reference to 1908. Oxford: Oxford Brookes University, 2000.

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6

A conductor's repertory of chamber music: Compositions for nine to fifteen solo instruments. Westport, Conn: Greenwood Press, 1993.

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7

National Federation of Music Societies., ed. The NFMS chamber catalogue: (repertoire service). National Federation of Music Societies, 2001.

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8

Craig, Karen Lynn. Larry Combs: Interpretation of the clarinet symphonic audition repertoire. 1993.

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9

Nichols, Roger. Poulenc. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300226508.001.0001.

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Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual. This book draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist. Although associated with five other French composers in what came to be called “Les Six,” Poulenc was very much sui generis in personality and in his music, where he excelled over a wide repertoire-opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos. This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.

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10

Levy, Benjamin R. Compositional Flourishing (1967–70). Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199381999.003.0007.

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Having codified a repertoire of personalized techniques, Ligeti deployed them in many new combinations in an extremely productive period at the end of the 1960s. Works composed in this period include Continuum, Two Études for Organ, String Quartet no. 2, Ten Pieces for Wind Quintet, Ramifications, and the Chamber Concerto. This chapter looks at the contrapuntal techniques that built on the composer’s previous practice as well as those derived from harmonic networks. The latter allowed Ligeti to move away from the cluster-based harmonic palate characteristic of his earlier works. In these works Ligeti looked for diverse means of expression and presentation, and he founds ways of composing transitions between techniques, putting patterns derived from harmonic procedures into polyphonic combinations and deriving static harmonic fields from material generated as a melody.

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11

Labrador, Roderick N. “The Center is not just for Filipinos, but for all of Hawai‘i nei”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038808.003.0005.

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This chapter argues that the Filipino Community Center represents a “class project” that not only reveals a repertoire of Filipino identities but also an active confrontation with the group's ethnoracially assigned identity and its political, economic, and social consequences. It analyzes the grand opening ceremonies of the Filipino Community Center and suggests that as a middle class project (with the Filipino Chamber of Commerce a central stakeholder), it emphasizes self-help entrepreneurship and the elevation of business-related “ethnic heroes” as part of the never-ending pursuit of the “American Dream” in a “Land of Immigrants.” The chapter investigates several interrelated issues, namely how those in the middle class shape subjectivity in a community that has been defined and defined itself as impoverished and subaltern, and the various ways Filipinos think about and perform class (via the images, symbols, and ideologies they use) to construct competing visions of “Filipino.”

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12

William, Scott, ed. A Conductor's repertory of chamber music: Compositions for nine to fifteen solo instruments. Westport, Conn: Greenwood Press, 1993.

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13

Hal Leonard Publishing Corporation (COR). Symphonic Classics - Piano Solo: Masterpieces from Orchestral and Chamber Repertory (Piano Solo Series). 2nd ed. Hal Leonard, 1990.

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14

Wilson, Patricia. Treasury of Canadian Bed and Breakfasts. William Street Press, 1992.

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15

Weber, William. The Problem of Eclectic Listening in French and German Concerts, 1860–1910. Edited by Christian Thorau and Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.4.

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Between 1820 and 1870, European musical culture changed. Previously, a certain type of program had dominated the musical sphere: contemporary works spanning various genres including opera. In the 1870s new actors emerged. A learned world of classical music came into being, focusing on orchestral and chamber pieces, with less of a connection to opera. New kinds of songs, increasingly termed “popular,” began to make their mark in roughly similar European venues. In these contexts, listening practices reflected radically different social values and expectations. But did mixed programming remain in some concert performances? Did listeners demonstrate eclectic musical tastes? Taking examples from Paris, Frankfurt, Leipzig, and Berlin, this chapter shows how links were made between contrasting repertoires by the importation or adaptation of works. A process that seems at first to have been an exception turns out to have been a conventional system of exchange.

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16

Mirka, Danuta. Hypermetric Manipulations in Haydn and Mozart. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548905.001.0001.

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This book presents a systematic discussion of hypermeter and phrase structure in eighteenth-century music. It combines perspectives from historical and modern music theory with insights from the cognitive study of music and introduces a dynamic model of hypermeter that allows the analyst to trace the effect of hypermetric manipulations in real time. This model is applied in analyses of string chamber music by Haydn and Mozart. The analyses shed a new light upon this celebrated musical repertory, but the aim of this book goes far beyond an analytical survey of specific compositions. Rather, it is to give a comprehensive account of the ways in which phrase structure and hypermeter were described by eighteenth-century music theorists, conceived by eighteenth-century composers, and perceived by eighteenth-century listeners.

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17

Stauffer, George B. Miscellaneous Organ Trios from Bach’s Leipzig Workshop. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040191.003.0003.

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This chapter examines various independent trio movements that Johann Sebastian Bach either composed or transcribed, probably prior to the composition of the Six Sonatas for organ. The Six Trio Sonatas for Organ, BWV 525–530, were assembled for the use of Bach’s oldest son, ilhelm Friedemann, to give final polish to his organ technique. This chapter first describes the Six Trio Sonatas before discussing Bach’s miscellaneous free organ trios in more detail. It then considers Bach’s Leipzig workshop and suggests that the miscellaneous organ trios and Six Sonata variants represent a unified repertory arising from a single period of activity in Leipzig: 1725 to 1730 or so. Aside from serving as preparatory exercises for the Six Sonatas, the organ trios were used as display pieces for demonstrating the chamber music registers of the progressive Central German organ, as well as a teaching material for students like Johann Tobias Krebs and Gottfried August Homilius.

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18

Claman, Marcy. RISE and DINE: Savory Secrets from America's Bed and Breakfast Inns. Callawind Publications, 1996.

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19

Directory of chambers of commerce, industry, agriculture and mines of ECA member countries: Repertoire des chambres de commerce, d'industrie, d'agriculture et des mines des pays membres de la CEA. [Addis Ababa?]: Africa Trade Centre, International Trade and Finance Division, United Nations Economic Commission for Africa, 1985.

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