Academic literature on the topic 'Chang Chih'

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Journal articles on the topic "Chang Chih"

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Keightley, David N. "Kwang-Chih Chang (1931–2001)." Journal of Asian Studies 60, no. 2 (May 2001): 619–21. http://dx.doi.org/10.1017/s0021911800009396.

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Murowchick, Robert E., Lothar Von Falkenhausen, and Cheng-Hwa Tsang. "Kwang-chih (K.C.) Chang (1931-2001)." American Anthropologist 105, no. 2 (June 2003): 481–84. http://dx.doi.org/10.1525/aa.2003.105.2.481.

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Kirkland, Russell. "The Making of an Immortal: the Exaltation of Ho Chih-Chang." Numen 38, no. 2 (1991): 214–30. http://dx.doi.org/10.1163/156852791x00132.

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AbstractAn unusual case of a Chinese "immortal" (hsien) was the T'ang dynasty statesman Ho Chih-chang (659-744). During his life, Ho displayed little interest in religion until a late-life ordination as a Taoist priest. During the Sung dynasty, however, he was gradually elevated to "immortality" in a series of hagiographical tales. In the 10th-century T'ai-p'ing kuang-chi, Ho appears as a character who learns humility. In the 11 th-century Kao-tao chuan, he appears as a character who yields to the Taoist ideals of restraint and orderly progress. In the 13th-century Chia-ting Ch'ih-ch'eng chih, Ho appears as a master of pharmika who ascends to heaven after a life of several centuries. In that text, the figure of Ho no longer has moral significance: he represents a romantic ideal of "the immortal," but no longer serves as a meaningful spiritual exemplar. In fact, in that text he ceases to function as a representative of Taoist values, for Taoists always aspire to a moral and spiritual elevation, a personal perfection for which the concept of "immortality" serves as a potent metaphor. I suggest that the compilers of such texts appropriated honored historical figures like Ho in an effort to persuade sceptical members of the Chinese elite that "immortality" was a valid and respectable ideal.
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Murowchick, Robert, and Chen Xingcan. "Bibliography of Works by Kwang-Chih Chang: Supplementary Listing." Journal of East Asian Archaeology 3, no. 1 (2001): 349–71. http://dx.doi.org/10.1163/156852301100402741.

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Chen, Yu-Fen, Wen-Ling Lu, Ming-Der Wu, and Gwo-Fang Yuan. "Analysis of Taiwan Patents for the Medicinal Mushroom “Niu-Chang- Chih”." Recent Patents on Food, Nutrition & Agriculture 5, no. 1 (February 1, 2013): 62–69. http://dx.doi.org/10.2174/2212798411305010010.

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王, 亚飞. "Ancient Learning and New System: Chang Chih-tung’s Classification for National Studies." Advances in Social Sciences 07, no. 12 (2018): 1904–8. http://dx.doi.org/10.12677/ass.2018.712283.

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Wu, Sheng-Hua, Paul M. Kirk, Scott A. Redhead, Joost A. Stalpers, Yu-Cheng Dai, Lorelei L. Norvell, Zhu-Liang Yang, et al. "Resolution of the nomenclature for niu-chang-chih (Taiwanofungus camphoratus), an important medicinal polypore." TAXON 61, no. 6 (December 2012): 1305–10. http://dx.doi.org/10.1002/tax.616011.

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LIU, Der-Zen, Yu-Chih LIANG, Shyr-Yi LIN, Yin-Shiou LIN, Wen-Chun WU, Wen-Chi HOU, and Ching-Hua SU. "Antihypertensive Activities of a Solid-State Culture ofTaiwanofungus camphoratus(Chang-Chih) in Spontaneously Hypertensive Rats." Bioscience, Biotechnology, and Biochemistry 71, no. 1 (January 23, 2007): 23–30. http://dx.doi.org/10.1271/bbb.60268.

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Baker, Hugh D. R. "Appetites: Food and Sex in Post-Socialist China. By Judith Farquhar. [Durham, NC and London: Duke University Press, 2002. xii+341 pp. £14.50. ISBN 0-8223-2921-2.]." China Quarterly 175 (September 2003): 836–37. http://dx.doi.org/10.1017/s0305741003280474.

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The author is an anthropologist with a heavy list towards Chinese medicine, and it is from a medico-anthropological stance that she views aspects of food and sex in China. The works of neither Chang Kwang-chih nor Robert van Gulik will be made redundant by this book, for it is eating rather than food, and relationships between the sexes rather than the mechanics of sexual practice which are focused on, and a whole battery of lenses, from philosophy to literary criticism and from ethnographic fieldwork to lexicography, is employed.
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Kirkland, Russell. "Three Entries for a T'ang Biographical Dictionary: Wang Hsi-i, Huang Ling-wei, Ho Chih-chang." Tang Studies 1992, no. 10-11 (June 1992): 153–65. http://dx.doi.org/10.1179/073750392787773041.

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Dissertations / Theses on the topic "Chang Chih"

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Kiu, Hau-chung Max, and 喬孝忠. "A study of Chang Chih-tung." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1988. http://hub.hku.hk/bib/B31949447.

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Lai, Chih-Chiang [Verfasser]. "Die Paradoxie des Rechts. / Chih-Chiang Lai." Berlin : Duncker & Humblot, 2014. http://d-nb.info/1238433111/34.

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Chik, Chi-chung Stanley. "Characterization of two chicken gonadotropin releasing hormone-II genes in goldfish, Carassius Auratus : y Chik Chi Chung Stanley." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2056630X.

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Wang, Wan-Hsiang 1960. "The poetry of Chang Chi (ca. 766-830)." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/290645.

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The mid-T'ang literary arena is dominated by two influential figures; Han Yu and Po Chu-i and by the schools that formed around their poetry. These two prominent schools have developed very different poetic styles. Chang Chi is a major poet of the time who associates with both groups, yet he manages to retain his own uniqueness. Chang's poetic works include many yueh-fu titles with realistic themes, which display his profound thoughts and his elegant, crystalline style. He is particularly good at expressing intimate human concerns. By employing a simple yet refined poetic language, he has made clear and objective sketches of the hardships of common people's lives in the early ninth century. He has also left lucid and beautiful poems written in the "recent style," in which natural phenomena are strongly correlated with human feelings. My approach to Chang Chi's poetry is both historical and thematic. In studying the topoi of Chang's poetry, I first investigate the source and history of each theme and then compare Chang's works with his predecessors'. Chapter 1 provides a biographical study of Chang Chi's life, using available biographical and literary sources. In addition, I discuss the editions of Chang Chi's poetry collection. Chapter 2 deals with some of Chang Chi's major thematic concerns as reflected mainly in his yueh-fu poetry, such as social injustice brought on by incessant wars and repressive taxation. Chapter 3 analyzes Chang Chi's satires on Taoist religion, and poems on the carpe diem theme, as well as allegories and fables. Chapter 4 examines Chang's "frontier poetry" by tracing the origins of the "expedition and guard" theme. Chapter 5 explores the images of women in Chang's verse within the so-called "palace plaint" and "boudoir plaint" traditions. Finally, Chapter 6 offers a review of the critical reception of Chang's poetry throughout Chinese history, together with my own evaluation.
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Chang, Yau-Chin [Verfasser]. "Minderwertigkeitsgefühl und Machtstreben der Brüder Kien in Canettis Die Blendung / Yau-Chin Chang." Aachen : Shaker, 2005. http://d-nb.info/1181620139/34.

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Chiang, Ying-Chih [Verfasser], and Lorenz S. [Akademischer Betreuer] Cederbaum. "Nuclear Dynamics in Electronic Decay Processes followed by Fragmentation / Ying-Chih Chiang ; Betreuer: Lorenz S. Cederbaum." Heidelberg : Universitätsbibliothek Heidelberg, 2012. http://d-nb.info/117703994X/34.

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Chang, Chih-Rong, and 張芝榕. "Multidimensional Perception Statement of Chang, Chih-Rong's Creation." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/7ng7wj.

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碩士
國立彰化師範大學
美術學系
106
For creators, the "perceived" experience is precious and enhancing this ability can help to keen understand the changes and fluctuations in the environment and help to circulate to the body and then convey it out to the works in the most accurate terms. Feeling the "subject" and the been received "outside world" in events, both parties fluctuate according to each observation position. This article takes "I" as the object of observation, observes my own perception experience, and then I study through the process of each works reflecting ideas, desires, physical instincts, action drives ..... and so on, continue to repeatedly exchange and update between absorption and experience, until the perceived events of the "Subject" and "Object" boundaries gradually melt away. The first chapter tells being in dreamlands triggered individual existence doubts. The second chapter carries out an academic analysis on feelings of environment round about and on consciousnesses according to the concern points of artists and of psychological analysis. If the position of "I" appears when facing perceived experience, the "I" must divide with the outside world split into two, cut off the intricate symbiotic relationships between self and the environment, neglect the personal awareness of the close infiltration with the outside world, and easily rely on actual objects and explicit behaviors to prove their own existence. Once the "I" am out of logic, disorder or encounter trauma, the "I" fall into the corner. Therefore, the perceptual information that the inner world sprang from all directions should be viewed as one two sides to the overall consciousness. The third chapter expounds the creative context and concepts of my own in order to explore the immensity dimension space of consciousness in actual works, and the works gradually shift from plane to space device. The fourth chapter makes staged conclusions based on the creative context, being noticed that there are many experiences and network of relationships hidden in the bottom of consciousness which accumulates from the existence instinct of life long ago and the habits of ethnic groups. Under the synchronous development of works should I continue to cultivate my own perceiving efforts, and understanding the unknown and the changes in the depths of consciousness is the "fountainhead" of people's inspiration and these "wealth" are held altogether by the whole environment beyond the predictions of intelligence and physical ability. Every moment of inadvertent and of subconsciousness in daily life exerts great impact and influence on the creators, and the works' creativity process once again returns to the inner perceptual roots after through the space device. The fifth chapter is a personal exhibition in December 2017, showing the development experience so far. Last, the chapter Six includes the overall harvest of the full text, discovering and perceiving the attitude of existence, being alone in an ever-changing environment, again and again in observation and in practicing inclined to self and free self. Keywords: Perception, Consciousness, Existence, Inner Tactility, Space-time Dimension, Dreamland
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CHANG, CHIH-CHING, and 張智清. "The Inheritance of Solemn Buddha Statues – The Buddha Sculptures of Chang , Chih – Ching." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/7877cu.

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碩士
東方設計大學
流行商品設計系
107
The origin of Buddhist statues is based on cherishing the merits of the Buddha and promoting the fundamental ideas of Buddhist doctrines. Five hundred years after the Buddha nirvana , people started to make Buddhist statues. The inheritance and evolution of the Buddhist art have been continued two thousand years and created a lot of immortal cultural heritages. When believers pay respect to Buddhist statues, they revere the solemn looking of statues and obey the doctrines to understand how to get rid of the trifles in life. The author becomes a Buddhist because of sculpturing Buddha statue. As making the sculptures, I can’t stop thinking how the benevolent Buddha looks like. How could I present the wisdom of Buddha with the concrete image? The sculptors of Buddhist statues in Taiwan inherited from the Mahayana Buddhism and learn from the techniques of predecessors. Inevitably, they sometimes stock in the old ways of thinking. Therefore, this thesis looks back upon the origin and history of Buddhism. It focuses on the development of Indian Buddhist statues. Tracing back to the two origins of Buddhist statues, Gandhara and Mathura, the thesis analyzes the original Buddhist sculpture art and compares the different features of Buddhist statues from Mahayana and Theravada. Use this as a nutrient for my sculpture Buddha statue. The Buddhist statues are the emotional reflections of Buddhists to the Buddha. By the statues, Buddhists can reflect the doctrines of Buddha and understand how to put down the personal stubbornness. The Buddhist statues are like mirrors. As making Buddhist statues, the sculptors also make reflections on themselves. According to all the discussions above, the creation of arts is based on the spirit. With the spirit of Buddhism, the artist can broaden their views to make the creations. The sculptors of Buddhist statues should not only understand the Buddhist doctrines but also master the arts of making statues. As long as you understand the Buddhist doctrines, you can capture the solemn looking of Buddha.
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Chang, Chih-Min, and 張之瑉. "The Party of Humanity——Chih-min Chang''s Artwork." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/j3ab3w.

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碩士
台南應用科技大學
美術系碩士班
105
This discourse is from the creation of the researcher between 2014 and 2017. Using artistic approach, the author analyzed the shared feelings between people from personal experience and expressed the feeling through painting, then further introspect during the process. The main structure of the creation discourse is divided into five main chapters. Describe researcher’s background, motives for research, purpose, and the area of research. Recount the personal motivation and transformation, and establish personal artistic style. Explore related thesis, what insight and meaning does the composition of Edouard Manet’s The Picnic imply? The famous mask painter James Ensor conveyed the immorality in human nature by portraying all kinds of joyous background. As for Lucian Freud’s unique artistic language, he depicted the reality of human nature. Contemporary artist Leong Woojae used his original way of enlarging the dog in the theme of a girl and a dog to express his feeling toward human nature nowadays. With the seemingly splendor style of Jean-Antoine Watteau during Rococo was a sense of sadness under elegance. He uses a lonely spirit to illustrate plenteous images. Cindy Sherman used the skills of photography to play the viewer ‘s vision and judgement between real and fake.These are all the sources of inspiration of the researcher. From the concept of the researcher, minimize the distance between the feeling of human and animals, while analyzing the fake and dark side of the interaction between humans. Deeply understand during the process of creating, the hidden sadness of the researcher behind the seemingly cheerful appearance. Describe of what form, material, or technique was used during the process. Furthermore, divided the artwork into “the theme of picnic” and“the theme of me being in your frame”series. Within “the theme of picnic”series, imply the emotion between people by illustrating the festive, humor surroundings of picnics. On the other hand, “the theme of me being in your frame”series is no longer the upbeat tone, it focuses on the melancholy feeling instead. In the conclusion, the researcher uses the experience of this research to reassure and express personal emotion, also hope to maintain the forward-looking spirit and open the door to ceaseless creation.
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Chang, Jungchih, and 張榕之. "Field of Secret-The Art Thesis of Chang Jung Chih." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/21753805580980202168.

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碩士
國立臺灣藝術大學
美術學系版畫藝術碩士班
100
The topic of this art thesis is “Field of Secret”. My art express the feelings of depression, happiness and emotions of various fragments in life. Also, I attempt to find an inner balance from the noisy external environment. Besides, I take the advantage of the tranquility of the garden to combine my fantasy and random drawings as art. Moreover, I create a wonderland which is different from the real world and make the garden become more secret and ideal. Furthermore, through related art theories and analyze that clarify my art context. There are five sections in this discourse. The chapter 1 is the introduction, including motivation and purpose, methods and procedures of research, interpretation of terms. The chapter 2 is the basis of theories. Use the investigation of imagination as a beginning and explore the basis of theories about Freud's free association, blandness aesthetics and eastern garden aesthetics to help the researcher clarify thought of creation. The chapter 3 is the idea of creations. Expound the concept of “The land of secret” by using plane, space and symbols. The chapter 4 is the skill of creations. Record processes of creations and discuss skills that the researcher put in use. The chapter 5 is progresses and context of creations. Arrange progresses and context of the creation and separately interpret these art works including “Scenery of the Journey”, “Life as Cartoon”, “Secret”, “Tricks”. The chapter 6 is the conclusion and it contains learning experiences and the possibility of creations' development in the future. Keywords: Secret, state, Virtual and Reality
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Books on the topic "Chang Chih"

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Li-yen. Ni shui nü jen: Shih chi tsei wang Chang Tzu-chʻiang chih chʻi Lo Yen-fang tzu shu. Pei-ching: Chʻün chung chʻu pan she, 1999.

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Chang Uk-chin: 1917-1990 = Chang Uc chin. Kyŏnggi-do P'aju-si: Maronie Puksŭ, 2011.

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Chang Uk-chin: Chang Ucchin. Sŏul: Yŏrhwadang, 1997.

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Chang, Uk-chin. Chang Uk-chin. Sŏul: Samsŏng Misul Munhwa Chaedan Hoam Misulgwan, 1995.

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Chang Chin hŭigokchip. Sŏul-si: Yŏrŭmsa, 2008.

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Chang, Uk-chin. Chang Uk-chin hwajip =: Chang Uc Chin, 1963-1987. Sŏul Tʻŭkpyŏlsi: Kimyŏngsa, 1987.

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Zhang, Che. Chang Cheh: A memoir. Hong Kong: Hong Kong Film Archive, 2004.

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Kŭ saram Chang Uk-chin. Sŏul Tʻŭkpyŏlsi: Kimyŏngsa, 1993.

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Namhanʼgang: Chang Sŏn-u sinario-chip. Sŏul: Hangminsa, 1991.

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Chang Uk-chin catalogue raisonné yuhwa. Sŏul-si: Hakkojae, 2001.

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Book chapters on the topic "Chang Chih"

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Murowchick, Robert E. "Chang, Kwang-chih." In Encyclopedia of Global Archaeology, 1362–65. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_303.

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Murowchick, Robert E. "Chang, Kwang-chih." In Encyclopedia of Global Archaeology, 2172–75. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_303.

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Zhu, Min. "Ti–Sb–Te-Based Phase Change Memory Chip." In Springer Theses, 113–24. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4382-6_8.

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Barnes, Mary A. "Robert Chin and Kenneth D. Benne: Change Management Biography." In The Palgrave Handbook of Organizational Change Thinkers, 285–95. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52878-6_5.

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Barnes, Mary A. "Robert Chin and Kenneth D. Benne: Change Management Biography." In The Palgrave Handbook of Organizational Change Thinkers, 1–11. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49820-1_5-1.

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Barnes, Mary A. "Chin, Robert, and Kenneth D. Benne: Change Management Biography." In The Palgrave Handbook of Organizational Change Thinkers, 1–11. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-49820-1_5-2.

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Barnes, Mary A. "Chin, Robert, and Kenneth D. Benne: Change Management Biography." In The Palgrave Handbook of Organizational Change Thinkers, 383–93. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-38324-4_5.

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Snaibi, Wadii, and Abdelhamid Mezrhab. "Livestock Breeders’ Adaptation to Climate Variability and Change in Morocco’s Arid Rangelands." In African Handbook of Climate Change Adaptation, 1853–72. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-45106-6_18.

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AbstractSince the mid-1970s, the high plateaus of eastern Morocco have experienced proven trends of climate change (CC) such as a significant decrease in rainfall amounts and an increase in the droughts’ frequency. Consequently, the CC threatens the sustainability of this pastoral ecosystem and negatively affects the breeding of small ruminants, the main local-level livelihood, which becomes more vulnerable due to its high dependence on climatic conditions. This chapter aims to analyze breeders’ adaptation practices by taking into account their social stratification based on the size of the sheep flock in possession. Data were analyzed using descriptive statistics, Kruskal-Wallis and Mann-Whitney tests to examine the differences in the adoption’ frequency of CC adaptation measures according breeders’ classes and Chi-square independence test to identify the factors explaining these observed differences. The analysis of local adaptation practices reveals that they are endogenous but above all curative, aiming at a short-term logic and have a low to medium relevance compared to the specific objective of adaptation to CC. In addition, there are significant differences in the frequency of adoption of CC adaptation strategies (chi-square value = 8.1112, p = 0.017, df = 2) within categories of breeders, in particular between small and larger breeders (U statistic = 58.000, p = 0.008). The significant factors explaining these differences are socioeconomic (age, household size, equipment, training, and membership of a basic professional organization). It is therefore recommended to target small breeders as a priority and to set up support measures (equipment, training, funding, organization of breeders).
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Hou, Renzhi. "Chung-tu (1151–1215) of the Chin Dynasty (1115–1234)." In An Historical Geography of Peiping, 61–72. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-55321-9_6.

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Monks, Gregory G. "Evidence of Changing Climate and Subsistence Strategies Among the Nuu-chah-nulth of Canada’s West Coast." In Climate Change and Human Responses, 173–96. Dordrecht: Springer Netherlands, 2017. http://dx.doi.org/10.1007/978-94-024-1106-5_10.

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Conference papers on the topic "Chang Chih"

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Chen, Chi-Min, Yung-Tai Hung, Tuung Luoh, Tahone Yang, and Kuang-Chao Chen. "ANYSYS chip-level and wafer-level simulation on semiconductor process development — Yu-Chih Chang." In 2017 Joint International Symposium on e-Manufacturing and Design Collaboration (eMDC) & Semiconductor Manufacturing (ISSM). IEEE, 2017. http://dx.doi.org/10.23919/issm.2017.8089101.

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Brotman, Ryan, Winslow Burleson, Jodi Forlizzi, William Heywood, and Jisoo Lee. "Building Change." In CHI '15: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2702123.2702602.

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Pruksachatkun, Yada, Sachin R. Pendse, and Amit Sharma. "Moments of Change." In CHI '19: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3290605.3300294.

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Fitzpatrick, Geraldine, Batya Friedman, Kristina Höök, Judith S. Olson, and Daniel M. Russell. "Daring to Change." In CHI '18: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3170427.3186322.

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Hollis, Victoria, Artie Konrad, and Steve Whittaker. "Change of Heart." In CHI '15: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2702123.2702196.

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Pinder, Charlie. "Nonconscious Behaviour Change Technology." In CHI '17: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3027063.3048426.

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Hsieh, Gary, Sean A. Munson, Maurits C. Kaptein, Harri Oinas-Kukkonen, and Oded Nov. "Personalizing behavior change technologies." In CHI '14: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2559206.2560474.

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Sorokin, Lenja, Ronee Chadowitz, and Nina Kauffmann. "A Change of Perspective." In CHI '19: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3290607.3299044.

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Steer, Cameron, Simon Robinson, and Matt Jones. "Growth, Change and Decay." In CHI '15: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2702613.2732765.

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Oyebode, Oladapo, Chinenye Ndulue, Dinesh Mulchandani, Ashfaq A. Zamil Adib, Mona Alhasani, and Rita Orji. "Tailoring Persuasive and Behaviour Change Systems Based on Stages of Change and Motivation." In CHI '21: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3411764.3445619.

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