Academic literature on the topic 'Changeling'
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Journal articles on the topic "Changeling"
Sugimura, N. K. "Changelings and The Changeling." Essays in Criticism 56, no. 3 (July 1, 2006): 241–63. http://dx.doi.org/10.1093/escrit/cgl002.
Full textHummel, Maria. "Changeling." Missouri Review 33, no. 4 (December 2010): 176. http://dx.doi.org/10.1353/mis.2010.a412267.
Full textBrady, Owen E., Thomas Middleton, William Rowley, and Anton Chekhov. "The Changeling." Theatre Journal 42, no. 1 (March 1990): 113. http://dx.doi.org/10.2307/3207565.
Full textVineberg, Steve, and Thomas Middleton. "The Changeling." Theatre Journal 38, no. 2 (May 1986): 224. http://dx.doi.org/10.2307/3208127.
Full textStyrsky, Stefen. "The Changeling." Harrington Gay Men's Fiction Quarterly 5, no. 4 (December 2003): 15–24. http://dx.doi.org/10.1300/j152v05n04_03.
Full textLechler, Kate. "The Changeling." Shakespeare Bulletin 31, no. 3 (2013): 516–19. http://dx.doi.org/10.1353/shb.2013.0044.
Full textSpisak, April. "Changeling (review)." Bulletin of the Center for Children's Books 60, no. 1 (2006): 34–35. http://dx.doi.org/10.1353/bcc.2006.0607.
Full textFerguson, Molly. "The Changeling Legend and Queer Kinship in Caitriona Lally’s Eggshells." Irish University Review 51, no. 2 (November 2021): 296–311. http://dx.doi.org/10.3366/iur.2021.0520.
Full textBallard, Linda-May. "A Singular Changeling?" Folk Life 52, no. 2 (September 28, 2014): 137–51. http://dx.doi.org/10.1179/0430877814z.00000000028.
Full textBildsøe, Helle Schulz, and Ulla Rahbek. "The graveyard and the garden: Reading connectivities in Rana Dasgupta’s “The Changeling”." Journal of Commonwealth Literature 54, no. 2 (January 28, 2017): 190–206. http://dx.doi.org/10.1177/0021989416685756.
Full textDissertations / Theses on the topic "Changeling"
Williams, Nora Jean. "Between performances, texts, and editions : The Changeling." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/22126.
Full textRobitaillié, Audrey. ""Away with the fairies" : the motif of fairy abduction and of the changeling, from Irish mythology to the Irish diaspora." Thesis, Queen's University Belfast, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.696166.
Full textWilliams, Lindsay. ""Their Mutuall Embracements": Discourses on Male-Female Connection in Early Modern England." Thesis, Boston College, 2008. http://hdl.handle.net/2345/543.
Full textRoutinely recognized as deeply patriarchal, early modern England is an era in which men and characteristics of the male gender are assumed to have held unrelenting sway over their female counterparts. This description is largely justifiable, particularly given the era's legal codes. However, this thesis seeks to enrich discussions on early modern England by examining its male-female relationships through a markedly different lens. By highlighting the close relationships that existed alongside patriarchal mandates in the era - husband and wife, father and daughter, mother and son - a fuller portrait of the period is sketched. Through an examination of how a variety of genres - medical, religious, and dramatic - grappled with moments of union between the two sexes, particularly physical union and its concurrent or resultant emotional bonds, this thesis offers greater insight into how walls to male-female connection were both raised and bridged in the time period
Thesis (BA) — Boston College, 2008
Submitted to: Boston College. College of Arts and Sciences
Discipline: English
Discipline: College Honors Program
Doulet, Jean-Michel. "Les changelins etude sur les recits de tradition orale relatifs aux enfants substitues." Paris 7, 2000. http://www.theses.fr/2000PA070020.
Full textDoulet, Jean-Michel. "Quand les démons enlevaient les enfants : les changelins, étude d'une figure mythique /." Paris : Presses de l'Université de Paris-Sorbonne, 2003. http://catalogue.bnf.fr/ark:/12148/cb39017945z.
Full textFavicchia, Lisa. "Daughter Of." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491306364942036.
Full textRobitaillié, Audrey. "" Away with the fairies" : le motif de l'enlévement par les fées et du changelin : de la mythologie à la diaspora irlandaises." Caen, 2015. http://www.theses.fr/2015CAEN1032.
Full textThis project aims at analysing the reuses of the motif of fairy abduction and of the changeling in contemporary literature, either Irish or from the Irish diaspora. Studying these motifs as they appear in the folk accounts allows a better understanding of their traditional characteristics, to then be able to compare them with the way the contemporary writers reinterpret them. It seems that the changeling motif has been taken up as an Irish metaphor for emigration and exile, whether it be geographical, psychological or linguistic. This thesis thus explores issues of identity and memory through the theme of the changeling which, although it is not of Irish origin since it is absent from the early mythological sources, has paradoxically become an Irish literary symbol
Tuan, Hsin-Chun, and 段馨君. "The Changeling and Its Critics." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/28063020216182310453.
Full text國立中央大學
英美語文學系
85
In this thesis, I examine three critical views of The Changeling, the seventeenth-century Jacobean drama written by Thomas Middleton and William Rowley; Sharon Stockton, Deborah G. Burks, and Marjorie Garber. Using Kristeva and Derrida, Stockton suggests that Beatrice-Joanna functions as a scapegoat and a transgressive force to help Alsemero succeed in the patrilineal succession and strengthen the patriarchal order. According to Stockton, Beatrice-Joanna subverts patriarchy by entering Alsemero's study by accident and without right and by faking the symptoms of gaping, sneezing, and laughing in Alsemero's virginity test. By contrast, Burks thinks that Beatrice-Joanna does not subvert the patriarchal code; rather, the patriarchy wins in the end by situating women's virginity as the sentry to preserve the male social order. On the other hand, Garber suggests that the power belongs to the boy actor playing Beatrice-Joanna who owns the power to fake the symptoms of virginity. So for Garber, the question is neither whether the patriarchy wins nor whether Beatrice-Joanna subverts patriarchy but the meaning of the playfulness of the boy actor playing Beatrice-Joanna in a representation within a representation in the Jacobean theatre. As I show, the Jacobean stage is self-referential, in that it continuously refers to its own theatricality. This theatricality raises new questions about the intense gender conflicts on the Jacobean stage, since the audience knew that female characters were being played by boy actors. How does the knowledge of Jacobean stage alter our view of Jacobean drama? I suggest that we can examine The Changeling as a changeable text producing a non-fixed sign system in the performance. This changeable sign system is very important in understanding the representation of power relationships in the Jacobean drama, images of violence, and the representation of "fallen" or "sinful" women-- especially because female characters were acted by boy actors. Such performances generate the question about the "truth" hidden behind the player who represents a "fallen" woman, as Beatrice- Joanna.
Chang, Hwa-Chi, and 張華琦. "Devil's or Victims? Viddleton's Female Characters in the Changeling and Women Beware Women." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/95045334532009810916.
Full text國立中山大學
外國語文學系
85
In late Elizabethan and Jacobean drama, there appears a kind of evil women, who are generally characterized as murderers, adulteresses, shrews, of witches. Against the social expectatons, these evil women are aware of what they want, and usually attempt to fulfill their needs and desires.This attempt, however, has long been seen as a symbol of these women's "moral corruption."By overemphasizing the intrinsic personality, the traditional moral critique actually fails a comprehensive understanding. of these female characters. Nevertheless, recent critics tell us that human conduct is not natural at all. It is a product of social formations. Therefore, if we want to have a complete understanding of these characters, an examination of the social forces which both contruct and destroy these women is necessary. In this thesis, I choose to discuss Thomas Middleton's two famous tragedies, The Changeling and Women Beware Women, highlighting the female characters in them. In objecting the traditional critique of these women's moral corruption, I want to argue that their sins and crimes are not generated from their evil nature; rather, they are more like victims under the patriarchal ideologies. Their final destruction is resulted from their rebelling against the social restrictions. In another sense, their rebellious actions can be interpreted as actions which question or even challenge the dominant ideologies of its society. Seen from this perspective, these women are not merely the evil creatures that should be destroyed for the health and welfare of the soclety. On the contrary, they show certain degrees of self-awareness. Unlike the other meek and docile female roles. Middleton's female characters at least do not easily accept their allotted positions, and seek to fulfill their desires, though the payment is death ltself.
Juan, Wei-hua, and 阮偉華. "Power, Material Desire and Male Characters in Arden of Faversham, The Changeling, and The Duchess of Malfi." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/9unufw.
Full text國立中山大學
外國語文學系研究所
102
This thesis aims to explore men’s desire for material and power. The scope will be three English Renaissance plays, Arden of Faversham, The Changeling, and The Duchess of Malfi. From the late Middle Ages to early modern England, feudalism gradually dissolved but not entirely disappeared and the state authority grew stronger and steadier. The nobility who used to dominate their fiefdoms found London a route for them to obtain power and access to royalty. Early capitalism moreover complicated the power struggles. During the 15th and 16th centuries, England’s foreign trade started flourishing and the foreign demand for English wool soared high; thus, the wool industry, along with various export industries, became profitable. Besides, the enclosure law reveals that other than certain aristocrats who were granted to lands by the king, the wealthy could buy lands to develop their own career. Nevertheless, wealth might help people climb social ladder but might also have them become corrupted, while they are driven by the desire to obtain power. William Shakespeare once said, “All the world’s a stage / And all the men and women merely players” (As You Like It 2.7.138-9). Such dark sides of the Renaissance society were reflected in the plays, such as Arden of Faversham, The Changeling, and The Duchess of Malfi, and each of them reveals class conflict and material desire. Many scholars have chosen these plays as research sources and focus on female autonomy or explore female characters’ consciousness. However, in my thesis I would like to use cultural studies to examine three Renaissance plays. This thesis will discuss men’s desire and struggle for power, which relentless victimize those reckless and inexperienced women. In Chapter One I will introduce the development of early capitalism in English Renaissance. Besides this, this thesis examines the phenomenon in which the lower-class people tried to climb to higher ranks, and the upper class desired to own far greater power. Chapter Two discusses not only the inferior’s desire for wealth but also a middle-class man’s aspiration to obtain greater power and wealth in Arden of Faversham. Furthermore, I will lead the discussion to Foucault’s power relation in which the Power of patriarchy and individual desires becomes in conflict with each other. Chapter Three moves to The Changeling and explore Vermandero’s servant, De Flores, and his sexual desire. Eventually, he dragged down and controlled his master’s daughter, Beatrice-Joanna. Furthermore, men’s anxiety about the challenges to patriarchy will also be discussed. Chapter Four discusses how the two royal brothers, Ferdinand and the Cardinal in The Duchess of Malfi, try to manipulate their widow sister in order to maintain their power. In the conclusive part of this thesis, I discuss men’s pursuit of power and material desire.
Books on the topic "Changeling"
Copyright Paperback Collection (Library of Congress), ed. Changeling. New York: Pocket Books, 2012.
Find full textCopyright Paperback Collection (Library of Congress), ed. Changeling. New York: Puffin Books, 2001.
Find full textPublishing, White Wolf. Changeling Player's Kit (Changeling) (Changeling). White Wolf Pub, 1995.
Find full textLemke, Ian, Mike Tinney, and Mark Rein-Hagen. Changeling: Cantrips (Changeling). White Wolf Pub, 1995.
Find full textHunter, Mark, Nicky Rea, and Ian Lemke. Changeling Storytellers Guide (Changeling). White Wolf Games Studio, 1998.
Find full textBook chapters on the topic "Changeling"
White, Martin. "‘The Changeling’." In Middleton and Tourneur, 93–110. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22259-9_7.
Full textMiddleton, Thomas, and William Rowley. "The Changeling." In Six Renaissance Tragedies, 349–428. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25800-0_5.
Full textMüller-Wood, Anja. "Middleton, Thomas: The Changeling." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14327-1.
Full textSolga, Kim. "Playing The Changeling Architecturally." In Performing Environments, 56–76. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137320179_4.
Full textKimmel, Lawrence. "The Mythic Journey of a Changeling." In Existence, Historical Fabulation, Destiny, 9–25. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-9802-4_2.
Full textHamlin, William M. "The Changeling: Blood, Will and Intellectual Eyesight." In Tragedy and Scepticism in Shakespeare’s England, 220–32. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230502765_12.
Full textRoberts, Les. "The Lama, the Changeling and the Wardrobe." In Posthuman Buddhism and the Digital Self, 33–58. London: Routledge, 2023. http://dx.doi.org/10.4324/9780429053375-3.
Full textBarker, Simon, and Hilary Hinds. "Thomas Middleton and William Rowley, The Changeling." In The Routledge Anthology of Renaissance Drama, 378–420. London: Routledge, 2003. http://dx.doi.org/10.4324/9780203446584-16.
Full textSawyer, Rose A. "Changeling Stories: The Child Substitution Motif in the." In Literary Cultures and Medieval and Early Modern Childhoods, 87–101. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14211-7_6.
Full textHopkins, Lisa. "Women’s Bodies: The Changeling and Women Beware Women." In The Female Hero in English Renaissance Tragedy, 11–42. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230503052_2.
Full textConference papers on the topic "Changeling"
Ma, Qian, Zhitong Yu, Peiwei Sun, Yuwen Jia, and Shifa Wu. "All-Coefficient Adaptive Control System Design for a Space Nuclear Reactor." In 2021 28th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/icone28-64459.
Full textRen, Yi, Jianbo Guan, Jun Ma, Yusong Tan, Qingbo Wu, and Yan Ding. "CLASC: A Changelog Based Automatic Code Source Classification Method for Operating System Packages." In 2019 26th Asia-Pacific Software Engineering Conference (APSEC). IEEE, 2019. http://dx.doi.org/10.1109/apsec48747.2019.00058.
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