Academic literature on the topic 'Channel Islands – Fiction'

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Journal articles on the topic "Channel Islands – Fiction"

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Pellicer-Ortín, Silvia. "Liminal and Transmodern Female Voices at War: Resistant and Healing Female Bonds in Libby Cone’s War on the Margins (2008)." Societies 8, no. 4 (2018): 114. http://dx.doi.org/10.3390/soc8040114.

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When addressing marginal experiences during the Second World War, the German occupation of the Channel Islands deserves pride of place, as very few writers have represented that liminal side of the conflict. One of these few writers is Libby Cone, who published War on the Margins in 2008, a historical novel set on Jersey during this occupation and whose main protagonist encounters various female characters resisting the occupation from a variety of marginal positions. Drawing from Rodríguez Magda’s distinction between “narratives of celebration” and “narratives of the limit”, the main claim be
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Rogers, Richard. "Do you want to go for a ride on the chunnel? The British public understandings of the Channel Tunnel meet the Eurotunnel Exhibition Centre." Public Understanding of Science 4, no. 4 (1995): 363–96. http://dx.doi.org/10.1088/0963-6625/4/4/003.

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As readers of British newspapers know very well, the Channel Tunnel has a long history and a potent mythology. The mere mention of the Tunnel summons associations extending from the technological and ecological to the patriotic and erotic. This paper takes up the historical and contemporary meanings of the Channel Tunnel and situates them in the context of its perceived `social threat'. Drawing on a variety of materials, including newspaper articles, cartoons, plays, fiction and museum displays, the paper deals with four types of ominous fears of the Tunnel: fear of (subterranean) invasion; fe
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Deepti Agarwal. "Literature as the Route of Transmission of Buddhism into Britain." Creative Launcher 5, no. 2 (2020): 30–42. http://dx.doi.org/10.53032/tcl.2020.5.2.03.

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Literary transmission of a subject has been a perennial phenomenon through the mode of literature because literary works are not produced in vacuum. Authors transpire the spirit of an age by creative amalgamation of their external influences, which they absorb from their social consciousness, and their internal influences to create fictional literary images, style, themes and motifs for a work. In this manner, an author’s influence from a preceding text or social consciousness exports to the successive literary works incessantly across the temporal and spatial dimensions. To determine literatu
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Larsson, Chari. "Suspicious Images: Iconophobia and the Ethical Gaze." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.393.

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If iconophobia is defined as the suspicion and anxiety towards the power exerted by images, its history is an ancient one in all of its Platonic, Christian, and Judaic forms. At its most radical, iconophobia results in an act of iconoclasm, or the total destruction of the image. At the other end of the spectrum, contemporary iconophobia may be more subtle. Images are simply withdrawn from circulation with the aim of eliminating their visibility. In his book Images in Spite of All, French art historian Georges Didi-Huberman questions the tradition of suspicion and denigration governing visual r
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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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 From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha
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Lawson, Jenny. "Food Confessions: Disclosing the Self through the Performance of Food." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.199.

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At the end of the episode “Crowd Pleasers,” from her television series Nigella Feasts, we see British food writer and television cook Nigella Lawson in her nightgown opening her fridge in the dark. The fridge light reveals the remnant dishes of chili con carne that she prepared earlier on in the programme. She scoops up a dollop of soured cream and chili onto a spoon and shovels it into her mouth, nods approvingly and then picks up the entire chili dish. She eats another mouthful, utters a satisfied “umm” sound, closes the fridge door and walks away, taking the dish of chili with her. This rec
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Leotta, Alfio. "Navigating Movie (M)apps: Film Locations, Tourism and Digital Mapping Tools." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1084.

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The digital revolution has been characterized by the overlapping of different media technologies and platforms which reshaped both traditional forms of audiovisual consumption and older conceptions of place and space. John Agnew claims that, traditionally, the notion of place has been associated with two different meanings: ‘the first is a geometric conception of place as a mere part of space and the second is a phenomenological understanding of a place as a distinctive coming together in space’ (317). Both of the dominant meanings have been challenged by the idea that the world itself is incr
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Rattray, Chloe T., and Katie Ellis. ""I Love Every Part of You"." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.2997.

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Introduction The Owl House is an animated television series that aired on the Disney Channel from 2020 to 2023. The series follows Luz, a teenage Dominican-American human who finds a portal to the Demon Realm. She lands on the Boiling Isles, an island archipelago populated with magical creatures. There, Luz befriends a middle-aged witch named Edalyn “Eda” Clawthorne (also known as Eda the Owl Lady), and her housemate/adoptive son King, a cute dog-like demon with a skull for a head. Eda agrees to teach Luz magic. Magic is then used as a narrative prosthesis (McReynolds) to explore themes of inc
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Mee, Sharon Jane. "Cinema as Prosthesis: Errol Morris’s Use of the Interrotron in Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1593.

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Errol Morris’s Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. is a documentary made in 1999 that focuses on a designer of execution equipment, Fred A. Leuchter, Jr. It is notable that when filming Mr. Death—specifically, in interviews with Leuchter—Morris used a self-designed system that he calls the Interrotron (a combination of the words “interview” and “terror”). My primary interest lies in how apparatuses—the execution equipment that Leuchter designs, the Interrotron that Morris uses to film Leuchter, and cinema—come to function prosthetically. I argue that the apparatus as a prosth
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Simpson, Catherine. "Cars, Climates and Subjectivity: Car Sharing and Resisting Hegemonic Automobile Culture?" M/C Journal 12, no. 4 (2009). http://dx.doi.org/10.5204/mcj.176.

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Al Gore brought climate change into … our living rooms. … The 2008 oil price hikes [and the global financial crisis] awakened the world to potential economic hardship in a rapidly urbanising world where the petrol-driven automobile is still king. (Mouritz 47) Six hundred million cars (Urry, “Climate Change” 265) traverse the world’s roads, or sit idly in garages and clogging city streets. The West’s economic progress has been built in part around the success of the automotive industry, where the private car rules the spaces and rhythms of daily life. The problem of “automobile dependence” (New
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Books on the topic "Channel Islands – Fiction"

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Ghosh, Shubhobroto. Dreaming in Calcutta and Channel Islands. 2nd ed. [Shubhobroto Ghosh], 2015.

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Horlock, Mary. The book of lies. Windsor/Paragon, 2012.

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Horlock, Mary. The book of lies. Canongate Books, 2012.

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Greene, Carol. Sunflower Island. HarperCollins, 1999.

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Graeme-Evans, Posie. The island house: A novel. Atria Books, 2012.

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Wingate, Lisa. Firefly island: A novel. Bethany House, 2013.

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Shaffer, Mary Ann. The Guernsey Literary and Potato Peel Pie Society. The Dial Press, 2008.

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Shaffer, Mary Ann. The Guernsey Literary and Potato Peel Pie Society. Random House Publishing Group, 2008.

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Shaffer, Mary Ann. Deine Juliet: Roman. Rowohlt-Taschenbuch-Verl., 2009.

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Shaffer, Mary Ann. The Guernsey Literary and Potato Peel Pie Society. Allen & Unwin Pty Ltd, 2009.

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Book chapters on the topic "Channel Islands – Fiction"

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Ray, Sangeeta. "Probable, Improbable, and Catastrophic Realisms in Amitav Ghosh’s Fiction." In The Oxford Handbook of Modern Indian Literatures. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197647912.013.39.

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Abstract This chapter takes up questions of form and genre in Amitav Ghosh’s key novels. It focuses on the use of realism as the chosen mode of representation in Ghosh’s many historical fictions. The chapter argues that despite the choice of realism, Ghosh, in many of his novels, has skillfully delineated the improbable in fictional worlds often governed by the laws of probability and chance. The chapter begins with a critical examination of Ghosh’s nonfictional work, The Great Derangement: Climate Change and the Unthinkable, before moving on to a discussion of The Glass Palace. The chapter th
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Johnson, Rebecca C. "Crusoe’s Babel, Missionaries’ Mistakes." In Stranger Fictions. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501753060.003.0002.

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This chapter discusses Robinson Crusoe, the differences between the original and its Arabic translation, and how it was used as a tool for conversion by the Church Missionary Society (CMS) to guide Eastern Christians to the right path of Protestantism by emulating Crusoe's direct and individual spiritual awakening. CMS missionaries took active steps to discourage cultural hybridity, even monitoring the translators in their employment for signs of the Catholic influence. The fantasy of purity and process of purification were part of the foundation of the missionary movement, making Crusoe's own
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Holland, Robert, and Diana Markides. "The End of Ottoman Power in Crete, 1894–1898." In The British and the Hellenes. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199249961.003.0004.

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Abstract Nikos Kazantzakis’ great novel was set against the backdrop of renewed insurrection by Cretan Christians against Ottoman domination at the end of the 1880s. The worsening troubles his fictional Pasha foresaw came to a climax on 5 November 1898, when British troops of the 2nd Battalion of the Rifle Brigade in the port of Candia (today’s Heraklion) forcibly disembarked the remaining Ottoman soldiers onto military transports. So ended effective Turkish rule in Crete stretching back to 1669. A few days later the Orthodox Archbishop of Crete ordered Te Deums to be chanted throughout the is
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Barnes, Clive. "Call it Courage and the Survival of the Imperial Robinsonade." In Didactics and the Modern Robinsonade. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620047.003.0005.

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This chapter argues that Armstrong Sperry’s Call it Courage cannot be considered a revisionist work of Robinsonade fiction (as it is sometimes interpreted) and that discussions of it in terms of postcolonial or feminist theoretical frameworks are limited precisely because of the text’s spurious ethnography. It also argue that Call it Courage is a particularly important example of a work of Robinsonade fiction whose didactic merit, ideological significance, and perceived value for young readers has changed over time. Ultimately, the chapter argues that Sperry’s narrative is a regenerated imperi
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Erar, Oya Tunçay. "The Truman Show: A Different American Dream." In Architecture in Cinema. BENTHAM SCIENCE PUBLISHERS, 2024. http://dx.doi.org/10.2174/9789815223316124010019.

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Truman Burbank, a child who was adopted before he was born by a film company, had been brought up on Seahaven Island, a large and completely humandesigned plateau. On the island, Truman is the only ‘real’ person. Not only the surrounding environment but his mother, father, wife, and best friend are all part of the fiction as “actors.” The interplay between real and fiction is in fact being watched by millions of different countries in the world. Everything used in the show, all products, are objects of advertisement and for sale. We see in the movie that everything in the real world has a pric
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Moses, Michael Valdez. "Conrad: The Flight from Modernity." In The Novel and the Globalization of Culture. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195089516.003.0003.

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Abstract The shallow sea that foams and murmurs on the shores of the thousand islands . . . which make up the Malay Archipelago has been for centuries the scene of adventurous undertakings. The vices and the virtues of four nations have been displayed in the conquest of that region that even to this day has not been robbed of all the mystery and romance of its past-and the race of men who had fought against the Portuguese, the Spaniards, the Dutch and the English, has not been changed by the unavoidable defeat. They have kept to this day their love of liberty, their fanatical devotion to their
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Conference papers on the topic "Channel Islands – Fiction"

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Rodríguez González, Sylvia Cristina. "Megadesarrollos turísticos de sol y playa enclaves del imaginario." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2009. http://dx.doi.org/10.5821/ctv.7522.

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Los megadesarrollos turísticos de sol y playa han sido impulsados por el Banco Interamericano de Desarrollo (BID) como proyectos de estrategia de desarrollo turístico, en México nacen los Centros
 Integralmente Planeados (CIP´s) para dar orden urbano, descentralizando grandes inversiones turísticas principalmente de origen extranjeros. Son identificados ante la promoción turística por la inversión de
 insumos y tecnología. Los emplazamientos turísticos de sol y playa han crecido y destinan espacios para el hospedaje turístico temporal y permanente. Este tipo de emplazamientos destaca
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